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Funny Cat and Rats Fight Prank Video for Children. Rat and Kitten Fighting for Toddlers, Babies, Children, Kids. #KidsOne
kidsone365.blogspot.in/2018/02/cat-vs-rat-cat-wants-to-pl...
One semicircular arc mounted to a mirror on the ceiling visually combines with its reflection to create the illusion of giant ring that traverses the mirror’s surface, uniting the actual space of the gallery with the virtual space that appears in the mirror.
[Studio Olafur Eliasson]
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]
Eliasson has been making kaleidoscopes since the mid-1990s...For the artist, the kaleidoscope offers more than just a playful visual experience. Multiple reflections fracture and reconfigure what you see. You are offered different perspectives at once, and understand your position in new ways. You might let go of the sense of being in command of space, and instead enjoy a kind of uncertainty. Eliasson often uses the kaleidoscope to bring together the space inside and outside an exhibition. The appearance of both changes as the boundary between the gallery and the world outside is dissolved.
Eliasson has made a series of hanging spheres... Each is structured by a complex yet regular geometric principle. The artist is particularly interested in spirals, as they create a sense of energy within the object and outside it through the shadow and light play on the surrounding walls.
[Tate Modern]
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]
In Moss wall 1994, created from Scandinavian reindeer lichen, Eliasson adds an unexpected material from outdoors to the controlled indoor space of the museum. The aroma and texture of the work affect the senses too.
[Tate Modern]
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]
Din Blinde Passager (Your Blind Passenger), 2010
‘Din blinde passager’, which translates as ‘your blind passenger’ – the Danish term for a stowaway, uses fog and lights to restrict viewers’ visual perception as they move through a long narrow passageway, inviting them to find other ways to navigate the space.
[Studio Olafur Eliasson]
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]
Eliasson has been making kaleidoscopes since the mid-1990s...For the artist, the kaleidoscope offers more than just a playful visual experience. Multiple reflections fracture and reconfigure what you see. You are offered different perspectives at once, and understand your position in new ways. You might let go of the sense of being in command of space, and instead enjoy a kind of uncertainty. Eliasson often uses the kaleidoscope to bring together the space inside and outside an exhibition. The appearance of both changes as the boundary between the gallery and the world outside is dissolved.
Eliasson has made a series of hanging spheres... Each is structured by a complex yet regular geometric principle. The artist is particularly interested in spirals, as they create a sense of energy within the object and outside it through the shadow and light play on the surrounding walls.
[Tate Modern]
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]
Eliasson has been making kaleidoscopes since the mid-1990s...For the artist, the kaleidoscope offers more than just a playful visual experience. Multiple reflections fracture and reconfigure what you see. You are offered different perspectives at once, and understand your position in new ways. You might let go of the sense of being in command of space, and instead enjoy a kind of uncertainty. Eliasson often uses the kaleidoscope to bring together the space inside and outside an exhibition. The appearance of both changes as the boundary between the gallery and the world outside is dissolved.
Eliasson has made a series of hanging spheres... Each is structured by a complex yet regular geometric principle. The artist is particularly interested in spirals, as they create a sense of energy within the object and outside it through the shadow and light play on the surrounding walls.
[Tate Modern]
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]
You know what's awfully beautiful? Yeah, the Florence Cathedral. Even when staggeringly jet-lagged and far more interested in crawling into bed, it's impossible not to goggle at its awesomeness.
--Schn.
Eliasson has been making kaleidoscopes since the mid-1990s...For the artist, the kaleidoscope offers more than just a playful visual experience. Multiple reflections fracture and reconfigure what you see. You are offered different perspectives at once, and understand your position in new ways. You might let go of the sense of being in command of space, and instead enjoy a kind of uncertainty. Eliasson often uses the kaleidoscope to bring together the space inside and outside an exhibition. The appearance of both changes as the boundary between the gallery and the world outside is dissolved.
Eliasson has made a series of hanging spheres... Each is structured by a complex yet regular geometric principle. The artist is particularly interested in spirals, as they create a sense of energy within the object and outside it through the shadow and light play on the surrounding walls.
[Tate Modern]
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]
Eliasson has been making kaleidoscopes since the mid-1990s...For the artist, the kaleidoscope offers more than just a playful visual experience. Multiple reflections fracture and reconfigure what you see. You are offered different perspectives at once, and understand your position in new ways. You might let go of the sense of being in command of space, and instead enjoy a kind of uncertainty. Eliasson often uses the kaleidoscope to bring together the space inside and outside an exhibition. The appearance of both changes as the boundary between the gallery and the world outside is dissolved.
Eliasson has made a series of hanging spheres... Each is structured by a complex yet regular geometric principle. The artist is particularly interested in spirals, as they create a sense of energy within the object and outside it through the shadow and light play on the surrounding walls.
[Tate Modern]
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]
Your Spiral View, 2002
Eliasson has been making kaleidoscopes since the mid-1990s...For the artist, the kaleidoscope offers more than just a playful visual experience. Multiple reflections fracture and reconfigure what you see. You are offered different perspectives at once, and understand your position in new ways. You might let go of the sense of being in command of space, and instead enjoy a kind of uncertainty. Eliasson often uses the kaleidoscope to bring together the space inside and outside an exhibition. The appearance of both changes as the boundary between the gallery and the world outside is dissolved.
Eliasson has made a series of hanging spheres... Each is structured by a complex yet regular geometric principle. The artist is particularly interested in spirals, as they create a sense of energy within the object and outside it through the shadow and light play on the surrounding walls.
[Tate Modern]
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]
Well, sans suit, hat and gloves, of course... but I thought he showed some similarities with the Baron in the movie "The Cat Returns". Feel free to disagree.
Din Blinde Passager (Your Blind Passenger), 2010
‘Din blinde passager’, which translates as ‘your blind passenger’ – the Danish term for a stowaway, uses fog and lights to restrict viewers’ visual perception as they move through a long narrow passageway, inviting them to find other ways to navigate the space.
[Studio Olafur Eliasson]
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]
Eliasson has been making kaleidoscopes since the mid-1990s...For the artist, the kaleidoscope offers more than just a playful visual experience. Multiple reflections fracture and reconfigure what you see. You are offered different perspectives at once, and understand your position in new ways. You might let go of the sense of being in command of space, and instead enjoy a kind of uncertainty. Eliasson often uses the kaleidoscope to bring together the space inside and outside an exhibition. The appearance of both changes as the boundary between the gallery and the world outside is dissolved.
Eliasson has made a series of hanging spheres... Each is structured by a complex yet regular geometric principle. The artist is particularly interested in spirals, as they create a sense of energy within the object and outside it through the shadow and light play on the surrounding walls.
[Tate Modern]
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]
Din Blinde Passager (Your Blind Passenger), 2010
‘Din blinde passager’, which translates as ‘your blind passenger’ – the Danish term for a stowaway, uses fog and lights to restrict viewers’ visual perception as they move through a long narrow passageway, inviting them to find other ways to navigate the space.
[Studio Olafur Eliasson]
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]
Arriving in hay wagon in background of photo, but photo shows some of the background activity of the show.
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]
One semicircular arc mounted to a mirror on the ceiling visually combines with its reflection to create the illusion of giant ring that traverses the mirror’s surface, uniting the actual space of the gallery with the virtual space that appears in the mirror.
[Studio Olafur Eliasson]
Olafur Eliasson In Real Life
(July 2019 – January 2020)
In Eliasson’s captivating installations you become aware of your senses, people around you and the world beyond.
Some artworks introduce natural phenomena such as rainbows to the gallery space. Others use reflections and shadows to play with the way we perceive and interact with the world. Many works result from the artist’s research into complex geometry, motion patterns, and his interest in colour theory. All but one of the works have never been seen in the UK before.
Within the exhibition is an area which explores Eliasson’s deep engagement with society and the environment. Discover what an artist’s perspective can bring to issues of climate change, energy, migration as well as architecture.
[Tate Modern]