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Clemons Fork, KY
John MacGregor (KY Dept. of Fish and Wildlife Resources)
FOR IMMEDIATE RELEASE August 31, 2015
Contacts: Tom MacKenzie, U.S. Fish and Wildlife Service, tom_mackenzie@fws.gov, 404-679-7291
Kristen Peters, U.S. Fish and Wildlife Service, kristen_peters@fws.gov, 404-679-7172
Marie Walker, U.S. Forest Service, mwalker04@fs.fed.us, 859-745-3145
Agencies Conserve Imperiled Species in Eastern Kentucky;
Propose delisting for one plant, and positive steps for a darter
Stanton, Ky. – State and Federal conservation agencies came together here today to celebrate partnerships that are delivering conservation successes in eastern Kentucky.
After more than two decades of collaboration and conservation work in the Daniel Boone National Forest, the U.S. Fish and Wildlife Service is proposing to remove the white-haired goldenrod – a plant unique to eastern Kentucky – from the list of threatened and endangered species under the Endangered Species Act (ESA).
Daniel Boone National Forest and the Kentucky State Nature Preserves Commission played leading roles in the white-haired goldenrod’s recovery. White-haired goldenrod is only found in sandstone rock shelters or on sandstone cliffs with overhanging ledges in the Red River Gorge region of eastern
Kentucky. When the plant was listed as threatened in 1988, threats included the loss of habitat due to recreational activities such as rock climbing, hiking, camping, and rappelling; artifact collection; and a proposed reservoir project.
“The Daniel Boone National Forest began a project to fence white-haired goldenrod sites affected by recreational use in about 2003,” said Bill Lorenz, forest supervisor for the Daniel Boone National Forest.
“We asked the public to help us protect the plant by staying out of the fenced rock shelters where some damage was occurring. We were pleased at how quickly members of the public acknowledged our request and complied.”
“The Kentucky State Nature Preserves Commission has been monitoring white-haired goldenrod in the
Red River Gorge for more than 20 years,” said Donald S. Dott, Jr., director Kentucky State Nature Preserves Commission. “While recreational impact to some of the populations has occurred, the majority of the plant’s populations have been stable for well over 10 years. We believe that with an annual
monitoring program, public education, and an effective management plan coordinated by several agencies and conservation groups, this unique and rare goldenrod will be protected.”
“We are thankful for the great efforts of the U.S. Forest Service and the Kentucky State Nature Preserves Commission that helped us guide the white-haired goldenrod toward recovery,” said Mike Oetker, the
U.S. Fish and Wildlife Service’s Southeast Deputy Regional Director. “The proposed delisting of the white-haired goldenrod demonstrates that the Endangered Species Act works, and we will continue to work with our conservation partners to monitor and manage the plant’s populations.”
At the same time, the two federal agencies also are stepping up to proactively conserve the Kentucky arrow darter, a candidate for protection under the ESA. Through a Candidate Conservation Agreement signed today, the U.S. Fish and Wildlife Service and U.S. Forest Service are committing to take actions that will protect the small fish found in some of the small, headwater streams of the Daniel Boone National Forest. The Red Bird Ranger District of the Daniel Boone National Forest is a stronghold for the darter. Populations of the Kentucky arrow darter in the Daniel Boone National Forest and the University of Kentucky’s Robinson Forest constitute almost 49 percent of the species’ remaining occupied habitat.
Habitat loss and degradation represent the most significant threats to the darter.
This commitment to proactive, voluntary conservation will ensure needed management actions for the Kentucky arrow darter will occur. Some improvements under this agreement include replacing culverts impeding the Kentucky arrow darter’s natural movements and developing a forest-wide monitoring program for the fish.
“The Candidate Conservation Agreement is the latest step to proactively address at-risk species throughout the Southeast,” said Southern Regional Forester Tony Tooke. “The CCA is another example
of the long-standing partnership between the U.S. Fish and Wildlife Service and the U.S. Forest Service, which has produced multiple CCAs over the past several years.”
The U.S. Fish and Wildlife Service will decide whether to protect the Kentucky arrow darter under the ESA later this fall. This decision is part of the Service’s efforts to implement a court-approved work plan under a Multi-District Listing Agreement aimed at addressing a series of lawsuits concerning the agency’s ESA listing program. The intent of the agreement is to significantly reduce a litigation-driven workload.
For more information about the work plan, see www.fws.gov/southeast/candidateconservation/.
This settlement and others led to a broader partner-driven effort in the Southeast to more fully use
flexibilities within the ESA to put the right conservation in the right places and benefit imperiled species.
The proactive effort for the Kentucky arrow darter is part of this collaborative strategy to boost plant and wildlife populations and habitat before they need protection under the ESA.
The proposed delisting of the white-haired goldenrod follows a comprehensive review by the Service of the best available scientific and commercial information concerning the plant’s status as required by the ESA.
Along with the goldenrod’s proposed delisting, the Service is announcing a draft post-delisting monitoring plan for the plant. The public is invited to submit comments on the delisting proposal and the draft post-delisting monitoring plan for 60 days through November 2, 2015.
Over the last 21 years, the Daniel Boone National Forest redirected trails, installed and maintained protective fencing around sensitive locations where the plant is found, completed numerous back-country patrols near white-haired goldenrod habitats, and placed informational signs at rock shelters, picnic areas, and trailheads that provided information about the plant and ways the public could avoid impacting it.
The Kentucky State Nature Preserves Commission completed multiple status surveys for the species from 1996 to 2013, including an intensive range-wide effort in 2008-2009. These surveys documented each occurrence’s population size and viability, habitat condition, and the severity of the threats facing each population. The Kentucky State Nature Preserves Commission also prepared a variety of fact sheets and
posters that educated the public about the plant and how to protect its populations.
Currently, the U.S. Fish and Wildlife Service, the Daniel Boone National Forest and the Kentucky State Nature Preserves Commission are working to finalize a cooperative management agreement that will provide for the plant’s long-term protection. The management agreement outlines conservation actions
that will benefit the goldenrod.
Written comments concerning the proposed delisting of the white-haired goldenrod or its draft post-delisting monitoring plan should be submitted by accessing the Federal eRulemaking Portal: www.regulations.gov.
Follow the instructions for submitting comments on Attn: FWS-R4-ES-2014-0054. Comments also can be mailed to U.S. Fish and Wildlife Service Headquarters, MS. ES, 5275 Leesburg Pike, Falls Church, VA, 22041-3803, Attn: FWS-R4-ES-2014-0054.
For more information about the proposed delisting of white-haired goldenrod, please visit
fws.gov/southeast/wildlife/plant/white-haired-goldenrod or the U.S. Fish and Wildlife Service’s Kentucky Ecological Services Field Office website at www.fws.gov/frankfort/.
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A group of U.S. Army Paratroopers assigned to Chosen Company, 2nd Battalion, 503rd Infantry Regiment, 173rd Airborne Brigade, conducts a tactical road march towards their objective during Exercise Immediate Response at Cerklje ob Krki airbase, Slovenia, May 14, 2019. Exercise Immediate Response is a multinational exercise co-led by Croatian Armed Forces, Slovenian Armed Forces, and U.S. Army Europe. The logistics-focused exercise is designed to test and improve the ability to move forces and equipment rapidly from one location to another. The exercise will improve readiness and interoperability among participating allied and partner nations. (U.S. Army Reserve photo by Staff Sgt. Austin Berner)
U.S. Marine Lance Cpl. Trent Martin executes immediate-action drills aboard the USS Rushmore (LSD 47) during Certification Exercise (CERTEX) off the coast of San Diego April 10, 2015. Martin is an automatic rifleman with Kilo Company, Battalion Landing Team 3rd Battalion, 1st Marine Regiment, 15th Marine Expeditionary Unit. As members of the 15th MEU’s ground combat element, these Marines must maintain a state of readiness while preparing to deploy later this spring. (U.S. Marine Corps photo by Sgt. Emmanuel Ramos/Released)
Facebook: on.fb.me/1cj34Am
Twitter: bit.ly/1xr6HiM
Peugeot Boxer 435 S L3h2 Blue hdi .
Medium roof panel van converted to an Ambulance for Patient Transfer work .
Hockerill , Bishops Stortford , Hertfordshire .
Wednesday afternoon 03rd-May-2023.
Montenegrin army Lt. Ratko Cosovic directs his soldiers as they conduct ambush training during exercise Immediate Response 2012 in Slunj, Croatia, June 1. IR12 is a multinational tactical field training exercise involving more than 700 personnel from U.S. Army Europe’s 2nd Cavalry Regiment and Croatian armed forces, with contingents from Albania, Bosnia-Herzegovina, Montenegro and Slovenia. Macedonia and Serbia will send observers to the exercise. (Photo by Spc. Lorenzo Ware)
The Mobile Emergency Room is a project by Thierry Geoffroy/Colonel, a participating artist of the Maldives Pavilion working with art formats developed around the notion of emergency.
Emergency Room is a format providing space for artists to engage in urgent debates, address societal dysfunctions and express emergencies in the now, today, before it is too late. Geoffroy’s approach allows immediate artistic intervention and displaces the contemporary to the status of delayed comment on yesterday’s world.
Taking as point of departure climate change and the Maldives, Geoffroy developed a scenario of disappearance and translated actual emergencies and hospitality needs into artistic interventions. In this context he activated his penetration format in order to transform “rigid exhibition spaces” into “elastic and generous exhibition spaces”.
An intervention facilitated by curator Christine Eyene, the Mobile Emergency Room was set up at the Zimbabwe Pavilion during the opening week of the biennale with the hospitality of commissioner Doreen Sibanda and curator Raphael Chikukwa. The first pieces presented in this room consisted in Geoffroy’s tent and an installation by Polish artist Christian Costa. Since then it has been animated online and has extended from being a space for artists expressing emergencies about climate change, to encompassing various emergency topics.
From 24 to 28 August, Geoffroy was in Venice collaborating with Danish artists Nadia Plesner, Mads Vind Ludvigsen, who created new work everyday, raising various emergencies and concerns, with a daily change of exhibition (“passage”) at 3.00 pm. For his last day in Venice, Geoffroy addressed the Syrian situation.
The work produced during this intervention is displayed until 30 September. The presentation is based on Geoffroy's concept of "Delay Museum" where art created for past emergencies is exhibited, while new work enters the Mobile Emergency Room.
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the Emergency Room Mobile at the Zimbabwe pavilion / Venice Biennale has now been completed with some work from the The Delay Museum ,Please visit the pavilion when you go the Venice Biennale this is part of the PENETRATIONS formats ( the Zimbabwe pavilion gave hopsitality for a period of several monthes ) the displayed art works in the Delay Museum are still "boiling " as they are from last week . ( Nadia Plesner / Mads Vind Ludvigsen , COLONEL ) ( this project is a convergence with BIENNALIST / Emergency Room ) more on Christine Eyene blog as she facilated and work within ....This penetration was in connection with my participation in the Maldives pavilion " CAN A NATION WELCOME ANOTHER NATION ?"CAN EMERGENCIES BE RANKED " .Thank you also for the work by David Marin , @Guillaume Dimanche and Christian Costa
venice-biennale-biennalists.blogspot.dk/2013/09/recents-w...
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VENICE BIENNALE / VENEZIA BIENNIAL 2013 : BIENNALIST
www.emergencyrooms.org/biennalist.html
Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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Countries( nations ) that participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni
Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,
Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,
Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,
Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore
Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe
the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay
Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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lists of artists participating at the Venice Biennale
Hilma af Klint, Victor Alimpiev, Ellen Altfest, Paweł Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Mirosław Bałka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Graphic Works of Southeast Asia and Melanesia, Hugo A. Bernatzik Collection, Ștefan Bertalan, Rossella Biscotti, Arthur Bispo do Rosário, John Bock, Frédéric Bruly Bouabré, Geta Brătescu, KP Brehmer, James Lee Byars, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Aleister Crowley & Frieda Harris, Robert Crumb, Roberto Cuoghi, Enrico David, Tacita Dean, John De Andrea, Thierry De Cordier, Jos De Gruyter e Harald Thys, Walter De Maria, Simon Denny, Trisha Donnelly, Jimmie Durham, Harun Farocki, Peter Fischli & David Weiss, Linda Fregni Nagler, Peter Fritz, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian & Angela Ricci Lucchi, Domenico Gnoli, Robert Gober, Tamar Guimarães and Kasper Akhøj, Guo Fengyi, João Maria Gusmão & Pedro Paiva, Wade Guyton, Haitian Vodou Flags, Duane Hanson, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsoh, Kan Xuan, Bouchra Khalili, Ragnar Kjartansson, Eva Kotátková, Evgenij Kozlov, Emma Kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Lin Xue, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Helen Marten, Paul McCarthy, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Bruce Nauman, Albert Oehlen, Shinro Ohtake, J.D. ‘Okhai Ojeikere, Henrik Olesen, John Outterbridg, Paño Drawings, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Shaker Gift Drawings, Jim Shaw, Cindy Sherman, Laurie Simmons e Allan McCollum, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Anonymous Tantric Paintings, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Patrick Van Caeckenbergh, Stan VanDerBeek, Erik van Lieshout, Danh Vo, Eugene Von Bruenchenhein, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Lynette Yiadom-Boakye, Kohei YoshiyUKi, Sergey Zarva, Anna Zemánková, Jakub Julian Ziółkowski ,Artur Żmijewski.
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other pavilions at Venice Biennale
Andorra
Artists: Javier Balmaseda, Samantha Bosque, Fiona Morrison
Commissioner: Henry Périer
Deputy Commissioners: Francesc Rodríguez, Ermengol Puig, Ruth Casabella
Curators: Josep M. Ubach, Paolo De Grandis
Venue: Arsenale di Venezia, Nappa 90
Angola
Artist: Edson Chagas
Commissioner: Ministry of Culture
Curators: Beyond Entropy (Paula Nascimento, Stefano Rabolli Pansera), Jorge Gumbe, Feliciano dos Santos
Venue: Palazzo Cini, San Vio, Dorsoduro 864
Argentina
Artist: Nicola Costantino
Commissioner: Magdalena Faillace
Curator: Fernando Farina
Venue: Pavilion at Arsenale
Armenia
Artist: Ararat Sarkissian
Commissioner: Ministry of Culture
Curator: Arman Grogoryan
Venue: Isola di San Lazzaro degli Armeni, everyday from 2:30 p.m. to 5:30 p.m.
Australia
Artist: Simryn Gill
Commissioner: Simon Mordant
Deputy Commissioner: Penelope Seidler
Curator: Catherine de Zegher
Venue: Pavilion at Giardini
Austria
Artist: Mathias Poledna
Commissioner/Curator: Jasper Sharp
Venue: Pavilion at Giardini
Azerbaijan
Artists: Rashad Alakbarov, Sanan Aleskerov, Chingiz Babayev, Butunay Hagverdiyev, Fakhriyya Mammadova, Farid Rasulov
Commissioner: Heydar Aliyev Foundation
Curator: Hervé Mikaeloff
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
Bahamas
Artist: Tavares Strachan
Commissioner: Nalini Bethel, Ministry of Tourism
Curators: Jean Crutchfield, Robert Hobbs
Deputy Curator: Stamatina Gregory
Venue: Arsenale, Tese Cinquecentesche
Bangladesh
Chhakka Artists’ Group: Mokhlesur Rahman, Mahbub Zamal, A. K. M. Zahidul Mustafa, Ashok Karmaker, Lala Rukh Selim, Uttam Kumar Karmaker. Dhali Al Mamoon, Yasmin Jahan Nupur, Gavin Rain, Gianfranco Meggiato, Charupit School
Commissioner/Curator: Francesco Elisei.
Curator: Fabio Anselmi.
Venue: Officina delle Zattere, Dorsoduro 947
Bahrain
Artists: Mariam Haji, Waheeda Malullah, Camille Zakharia
Commissioner: Mai bint Mohammed Al Khalifa, Minister of Culture
Curator: Melissa Enders-Bhatiaa
Venue: Pavilion at Arsenale
Belgium
Artist: Berlinde De Bruyckere
Commissioner: Joke Schauvliege, Flemish Minister for Environment, Nature and Culture
Curator: J. M. Coetzee
Deputy Curator: Philippe Van Cauteren
Venue: Pavilion at Giardini
Bosnia and Herzegovina
Artist: Mladen Miljanovic
Commissioners: Sarita Vujković, Irfan Hošić
Venue: Palazzo Malipiero, San Marco
Brazil
Artists: Hélio Fervenza, Odires Mlászho, Lygia Clark, Max Bill, Bruno Munari
Commissioner: Luis Terepins, Fundação Bienal de São Paulo
Curator: Luis Pérez-Oramas
Deputy Curator: André Severo
Venue: Pavilion at Giardini
Canada
Artist: Shary Boyle
Commissioner: National Gallery of Canada / Musée des beaux-arts du Canada
Curator: Josée Drouin-Brisebois
Venue: Pavilion at Giardini
Central Asia
Artists: Vyacheslav Akhunov, Sergey Chutkov, Saodat Ismailova, Kamilla Kurmanbekova, Ikuru Kuwajima, Anton Rodin, Aza Shade, Erlan Tuyakov
Commissioner: HIVOS (Humanist Institute for Development Cooperation)
Deputy Commissioner: Dean Vanessa Ohlraun (Oslo National Academy of the Arts/The Academy of Fine Art)
Curators: Ayatgali Tuleubek, Tiago Bom
Scientific Committee: Susanne M. Winterling
Venue: Palazzo Malipiero, San Marco 3199-3201
Chile
Artist: Alfredo Jaar
Commissioner: CNCA, National Council of Culture and the Arts
Curator: Madeleine Grynsztejn
Venue: Pavilion at Arsenale
China
Artists: He Yunchang, Hu Yaolin, Miao Xiaochun, Shu Yong, Tong Hongsheng, Wang Qingsong, Zhang Xiaotao
Commissioner: China Arts and Entertainment Group (CAEG)
Curator: Wang Chunchen
Venue: Pavilion at Arsenale
Costa Rica
Artists: Priscilla Monge, Esteban Piedra, Rafael Ottón Solís, Cinthya Soto
Commissioner: Francesco Elisei
Curator: Francisco Córdoba, Museo de Arte y Diseño Contemporáneo (Fiorella Resenterra)
Venue: Ca’ Bonvicini, Santa Croce
Croatia
Artist: Kata Mijatovic
Commissioner/Curator: Branko Franceschi.
Venue: Sala Tiziano, Opera don Orione Artigianelli, Fondamenta delle Zattere ai Gesuati 919
Cuba
Artists: Liudmila and Nelson, Maria Magdalena Campos & Neil Leonard, Sandra Ramos, Glenda León, Lázaro Saavedra, Tonel, Hermann Nitsch, Gilberto Zorio, Wang Du, H.H.Lim, Pedro Costa, Rui Chafes, Francesca Leone
Commissioner: Miria Vicini
Curators: Jorge Fernández Torres, Giacomo Zaza
Venue: Museo Archeologico Nazionale di Venezia, Palazzo Reale, Piazza San Marco 17
Cyprus
Artists: Lia Haraki, Maria Hassabi, Phanos Kyriacou, Constantinos Taliotis, Natalie Yiaxi, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister
Commissioner: Louli Michaelidou
Deputy Commissioners: Angela Skordi, Marika Ioannou
Curator: Raimundas Malašauskas
Czech Republic & Slovak Republic
Artists: Petra Feriancova, Zbynek Baladran
Commissioner: Monika Palcova
Curator: Marek Pokorny
Venue: Pavilion at Giardini
Denmark
Artist: Jesper Just in collaboration with Project Projects
Commissioners: The Danish Arts Council Committee for International Visual Arts: Jette Gejl Kristensen (chairman), Lise Harlev, Jesper Elg, Mads Gamdrup, Anna Krogh
Curator: Lotte S. Lederballe Pedersen
Venue: Pavilion at Giardini
Egypt
Artists: Mohamed Banawy, Khaled Zaki
Commissioner: Ministry of Culture
Venue: Pavilion at Giardini
Estonia
Artist: Dénes Farkas
Commissioner: Maria Arusoo
Curator: Adam Budak
Venue: Palazzo Malipiero, San Marco 3199, San Samuele
Finland
Artist: Antti Laitinen
Commissioner: Raija Koli
Curators: Marko Karo, Mika Elo, Harri Laakso
Venue: Pavilion at Giardini
France
Artist: Anri Sala
Commissioner: Institut français
Curator: Christine Macel
Venue: Pavilion of Germany at the Giardini
Georgia
Artists: Bouillon Group,Thea Djordjadze, Nikoloz Lutidze, Gela Patashuri with Ei Arakawa and Sergei Tcherepnin, Gio Sumbadze
Commissioner: Marine Mizandari, First Deputy Minister of Culture
Curator: Joanna Warsza
Venue: Pavilion at Arsenale
Germany
Artists: Ai Weiwei, Romuald Karmakar, Santu Mofokeng, Dayanita Singh
Commissioner/Curator: Susanne Gaensheimer
Venue: Pavilion of France at Giardini
Great Britain
Artist: Jeremy Deller
Commissioner: Andrea Rose
Curator: Emma Gifford-Mead
Venue: Pavilion at Giardini
Greece
Artist: Stefanos Tsivopoulos
Commissioner: Hellenic Ministry of Education and Religious Affairs, Culture and Sports
Curator: Syrago Tsiara
Venue: Pavilion at Giardini
Holy See
Artists: Lawrence Carroll, Josef Koudelka, Studio Azzurro
Curator: Antonio Paolucci
Venue: Pavilion at Arsenale
Hungary
Artist: Zsolt Asztalos
Commissioner: Kunstahalle (Art Hall)
Curator: Gabriella Uhl
Venue: Pavilion at Giardini
Iceland
Artist: Katrín Sigurðardóttir
Commissioner: Dorotheé Kirch
Curators: Mary Ceruti , Ilaria Bonacossa
Venue: Lavanderia, Palazzo Zenobio, Collegio Armeno Moorat-Raphael, Fondamenta del Soccorso, Dorsoduro 2596
Indonesia
Artists: Albert Yonathan Setyawan, Eko Nugroho, Entang Wiharso, Rahayu Supanggah, Sri Astari, Titarubi
Commissioner: Soedarmadji JH Damais
Deputy Commissioner: Achille Bonito Oliva
Assistant Commissioner: Mirah M. Sjarif
Curators: Carla Bianpoen, Rifky Effendy
Venue: Pavilion at Arsenale
Iraq
Artists: Abdul Raheem Yassir, Akeel Khreef, Ali Samiaa, Bassim Al-Shaker, Cheeman Ismaeel, Furat al Jamil, Hareth Alhomaam, Jamal Penjweny, Kadhim Nwir, WAMI (Yaseen Wami, Hashim Taeeh)
Commissioner: Tamara Chalabi (Ruya Foundation for Contemporary Culture)
Deputy Commissioner: Vittorio Urbani
Curator: Jonathan Watkins.
Venue: Ca' Dandolo, San Tomà, Venezia
Ireland
Artist: Richard Mosse
Commissioner, Curator: Anna O’Sullivan
Venue: Fondaco Marcello, San Marco 3415
Israel
Artist: Gilad Ratman
Commissioners: Arad Turgeman, Michael Gov
Curator: Sergio Edelstein
Venue: Pavilion at Giardini
Italy
Artists: Francesco Arena, Massimo Bartolini, Gianfranco Baruchello, Elisabetta Benassi, Flavio Favelli, Luigi Ghirri, Piero Golia, Francesca Grilli, Marcello Maloberti, Fabio Mauri, Giulio Paolini, Marco Tirelli, Luca Vitone, Sislej Xhafa
Commissioner: Maddalena Ragni
Curator: Bartolomeo Pietromarchi
Venue: Italian Pavilion, Tese delle Vergini at Arsenale
Ivory Coast
Artists: Frédéric Bruly Bouabré, Tamsir Dia, Jems Koko Bi, Franck Fanny
Commissioner: Paolo De Grandis
Curator: Yacouba Konaté
Venue: Spiazzi, Arsenale, Castello 3865
Japan
Artist: Koki Tanaka
Commissioner: The Japan Foundation
Curator: Mika Kuraya
Venue: Pavilion at Giardini
Kenya
Artists: Kivuthi Mbuno, Armando Tanzini, Chrispus Wangombe Wachira, Fan Bo, Luo Ling & Liu Ke, Lu Peng, Li Wei, He Weiming, Chen Wenling, Feng Zhengjie, César Meneghetti
Commissioner: Paola Poponi
Curators: Sandro Orlandi, Paola Poponi
Venue: Caserma Cornoldi, Castello 4142 and San Servolo island
Korea (Republic of)
Artist: Kimsooja
Commissioner/Curator: Seungduk Kim
Deputy Commissioner: Kyungyun Ho
Venue: Pavilion at Giardini
Kosovo
Artist: Petrit Halilaj
Commissioner: Erzen Shkololli
Curator: Kathrin Rhomberg
Venue: Pavilion at Arsenale
Kuwait
Artists: Sami Mohammad, Tarek Al-Ghoussein
Commissioner: Mohammed Al-Asoussi (National Council of Culture, Arts and Letters)
Curator: Ala Younis
Venue: Palazzo Michiel, Sestriere Cannaregio, Strada Nuova
Latin America
Istituto Italo-Latino Americano
Artists:
Marcos Agudelo, Miguel Alvear & Patricio Andrade, Susana Arwas, François Bucher, Fredi Casco, Colectivo Quintapata (Pascal Meccariello, Raquel Paiewonsky, Jorge Pineda, Belkis Ramírez), Humberto Díaz, Sonia Falcone, León & Cociña, Lucía Madriz, Jhafis Quintero, Martín Sastre, Guillermo Srodek-Hart, Juliana Stein, Simón Vega, Luca Vitone, David Zink Yi.
Harun Farocki & Antje Ehmann. In collaboration with: Cristián Silva-Avária, Anna Azevedo, Paola Barreto, Fred Benevides, Anna Bentes, Hermano Callou, Renata Catharino, Patrick Sonni Cavalier, Lucas Ferraço Nassif, Luiz Garcia, André Herique, Bruna Mastrogiovanni, Cezar Migliorin, Felipe Ribeiro, Roberto Robalinho, Bruno Vianna, Beny Wagner, Christian Jankowski
Commissioner: Sylvia Irrazábal
Curator: Alfons Hug
Deputy Curator: Paz Guevara
Venue: Pavilion at Arsenale
Latvia
Artists: Kaspars Podnieks, Krišs Salmanis
Commissioners: Zane Culkstena, Zane Onckule
Curators: Anne Barlow, Courtenay Finn, Alise Tifentale
Venue: Pavilion at Arsenale
Lebanon
Artist: Akram Zaatari
Commissioner: Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Curators: Sam Bardaouil, Till Fellrath
Venue: Pavilion at Arsenale
Lithuania
Artist: Gintaras Didžiapetris, Elena Narbutaite, Liudvikas Buklys, Kazys Varnelis, Vytaute Žilinskaite, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister
Commissioners: Jonas Žokaitis, Aurime Aleksandraviciute
Curator: Raimundas Malašauskas
Venue: Palasport Arsenale, Calle San Biagio 2132, Castello
Luxembourg
Artist: Catherine Lorent
Commissioner: Clément Minighetti
Curator: Anna Loporcaro
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
Macedonia
Artist: Elpida Hadzi-Vasileva
Commissioner: Halide Paloshi
Curator: Ana Frangovska
Venue: Scuola dei Laneri, Santa Croce 113/A
Maldives
Participants: Paul Miller (aka DJ Spooky), Thierry Geoffrey (aka Colonel), Gregory Niemeyer, Stefano Cagol, Hanna Husberg, Laura McLean & Kalliopi, Tsipni-Kolaza, Khaled Ramadan, Moomin Fouad, Mohamed Ali, Sama Alshaibi, Patrizio Travagli, Achilleas Kentonis & Maria Papacaharalambous, Wooloo, Khaled Hafez in collaboration with Wael Darwesh, Ursula Biemann, Heidrun Holzfeind & Christoph Draeger, Klaus Schafler
Commissioner: Ministry of Tourism, Arts & Culture
Curators: CPS – Chamber of Public Secrets (Alfredo Cramerotti, Aida Eltorie, Khaled
Ramadan)
Deputy Curators: Maren Richter, Camilla Boemio
Venue: Gervasuti Foundation, Via Garibaldi
Mexico
Artist: Ariel Guzik
Commissioner: Gastón Ramírez Feltrín
Curator: Itala Schmelz
Venue: Ex Chiesa di San Lorenzo, Campo San Lorenzo
Montenegro
Artist: Irena Lagator Pejovic
Commissioner/Curator: Nataša Nikcevic
Venue: Palazzo Malipiero, San Marco 3078-3079/A, Ramo Malipiero Venezia – Ground Floor
The Netherlands
Artist: Mark Manders
Commissioner: Mondriaan Fund
Curator: Lorenzo Benedetti
Venue: Pavilion at Giardini
New Zealand
Artist: Bill Culbert
Commissioner: Jenny Harper
Deputy Commissioner: Heather Galbraith
Curator: Justin Paton
Venue: Santa Maria della Pietà, Calle della Pietà, Castello
Nordic Pavilion (Finland, Norway)
Finland:
Artist: Terike Haapoja
Commissioner: Raija Koli
Curators: Marko Karo, Mika Elo, Harri Laakso
Venue: Pavilion at Giardini
Norway:
Artists: Edvard Munch, Lene Berg
Commissioner: Office for Contemporary Art Norway (OCA)
Curators: Marta Kuzma, Pablo Lafuente, Angela Vettese
Venue: Galleria di Piazza San Marco, Fondazione Bevilacqua La Masa
Paraguay
Artists: Pedro Barrail, Felix Toranzos, Diana Rossi, Daniel Milessi
Commissioner: Elisa Victoria Aquino Laterza
Deputy Commissioner: Nori Vaccari Starck
Curator: Osvaldo González Real
Venue: Palazzo Carminati, Santa Croce 1882
Poland
Artist: Konrad Smolenski
Commissioner: Hanna Wróblewska
Curators: Agnieszka Pindera, Daniel Muzyczuk
Venue: Pavilion at Giardini
Portugal
Artist: Joana Vasconcelos
Commissioner: Direção-Geral das Artes/Secretário de Estado da Cultura, Governo de Portugal
Curator: Miguel Amado
Venue: Riva dei Partigiani
Romania
Artists: Maria Alexandra Pirici, Manuel Pelmus
Commissioner: Monica Morariu
Deputy Commissioner: Alexandru Damian
Curator: Raluca Voinea
Venue: Pavilion at Giardini
Artists: Anca Mihulet, Apparatus 22 (Dragos Olea, Maria Farcas,Erika Olea), Irina Botea, Nicu Ilfoveanu, Karolina Bregula, Adi Matei, Olivia Mihaltianu, Sebastian Moldovan
Commissioner: Monica Morariu
Deputy Commissioner: Alexandru Damian
Curator: Anca Mihulet
Venue: Nuova Galleria dell'Istituto Romeno di Venezia, Palazzo Correr, Campo Santa Fosca, Cannaregio 2214
Russia
Artist: Vadim Zakharov
Commissioner: Stella Kasaeva
Curator: Udo Kittelmann
Venue: Pavilion at Giardini
Serbia
Artists: Vladimir Peric, Miloš Tomic
Commissioner: Maja Ciric
Venue: Pavilion at Giardini
Singapore
Cancelled the participation
Slovenia
Artist: Jasmina Cibic
Commissioner: Blaž Peršin
Curator: Tevž Logar
Venue: Galleria A+A, San Marco 3073
South Africa
Contemporary South African Art and the Archive
Commissioner: Saul Molobi
Curator: Brenton Maart
Venue: Pavilion at Arsenale
Spain
Artist: Lara Almarcegui
Commissioner/Curator: Octavio Zaya
Venue: Pavilion at Giardini
Switzerland
Artist: Valentin Carron
Commissioners: Pro Helvetia - Sandi Paucic and Marianne Burki
Deputy Commissioner: Pro Helvetia - Rachele Giudici Legittimo
Curator: Giovanni Carmine
Venue: Pavilion at Giardini
Syrian Arab Republic
Artists: Giorgio De Chirico, Miro George, Makhowl Moffak, Al Samman Nabil, Echtai Shaffik, Giulio Durini, Dario Arcidiacono, Massimiliano Alioto, Felipe Cardena, Roberto Paolini, Concetto Pozzati, Sergio Lombardo, Camilla Ancilotto, Lucio Micheletti, Lidia Bachis, Cracking Art Group, Hannu Palosuo
Commissioner: Christian Maretti
Curator: Duccio Trombadori
Venue: Isola di San Servolo
Taiwan
Artists: Bernd Behr, Chia-Wei Hsu, Kateřina Šedá + BATEŽO MIKILU
Curator: Esther Lu
Organizer: Taipei Fine Arts Museum
Venue: Palazzo delle Prigioni, Castello 4209, San Marco
Thailand
Artists: Wasinburee Supanichvoraparch, Arin Rungjang
Commissioner: Office of Contemporary Art and Culture, Ministry of Culture
Curators: Penwadee Nophaket Manont, Worathep Akkabootara
Venue: Santa Croce 556
Turkey
Artist: Ali Kazma
Commissioner: Istanbul Foundation for Culture and Arts
Curator: Emre Baykal
Venue: Pavilion at Arsenale
Tuvalu
Artist: Vincent J.F.Huang
Commissioners: Apisai Ielemia, Minister of Foreign Affair, Trade, Tourism, Environment & Labour; Tapugao Falefou, Permanent Secretary of Foreign Affairs, Tourism, Environment & Labour
Curators: An-Yi Pan, Szu Hsien Li, Shu Ping Shih
Venue: Forte Marghera, via Forte Marghera, 30
Ukraine
Artists: Ridnyi Mykola, Zinkovskyi Hamlet, Kadyrova Zhanna
Commissioner: Victor Sydorenko
Curators: Soloviov Oleksandr, Burlaka Victoria
Venue: Palazzo Loredan, Istituto Veneto di Scienze, Lettere ed Arti, Campo Santo Stefano
United Arab Emirates
Artist: Mohammed Kazem
Commissioner: Dr. Lamees Hamdan
Curator: Reem Fadda
Venue: Pavilion at Arsenale, Sale d'Armi
Uruguay
Artist: Wifredo Díaz Valdéz
Commissioner: Ricardo Pascale
Curators: Carlos Capelán, Verónica Cordeiro
Venue: Pavilion at Giardini
USA
Artist: Sarah Sze
Commissioners/Curators: Carey Lovelace, Holly Block
Venue: Pavilion at Giardini
Venezuela
Colectivo de Artistas Urbanos Venezolanos
Commissioner: Edgar Ernesto González
Curator: Juan Calzadilla
Venue: Pavilion at Giardini
Zimbabwe
Artists: Portia Zvavahera, Michele Mathison, Rashid Jogee, Voti Thebe, Virginia Chihota
Commissioner: Doreen Sibanda
Curator: Raphael Chikukwa
Venue: Santa Maria della Pietà, Calle della Pietà, Castello 3701
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The Mobile Emergency Room is a project by Thierry Geoffroy/Colonel, a participating artist of the Maldives Pavilion working with art formats developed around the notion of emergency.
Emergency Room is a format providing space for artists to engage in urgent debates, address societal dysfunctions and express emergencies in the now, today, before it is too late. Geoffroy’s approach allows immediate artistic intervention and displaces the contemporary to the status of delayed comment on yesterday’s world.
Taking as point of departure climate change and the Maldives, Geoffroy developed a scenario of disappearance and translated actual emergencies and hospitality needs into artistic interventions. In this context he activated his penetration format in order to transform “rigid exhibition spaces” into “elastic and generous exhibition spaces”.
An intervention facilitated by curator Christine Eyene, the Mobile Emergency Room was set up at the Zimbabwe Pavilion during the opening week of the biennale with the hospitality of commissioner Doreen Sibanda and curator Raphael Chikukwa. The first pieces presented in this room consisted in Geoffroy’s tent and an installation by Polish artist Christian Costa. Since then it has been animated online and has extended from being a space for artists expressing emergencies about climate change, to encompassing various emergency topics.
From 24 to 28 August, Geoffroy was in Venice collaborating with Danish artists Nadia Plesner, Mads Vind Ludvigsen, who created new work everyday, raising various emergencies and concerns, with a daily change of exhibition (“passage”) at 3.00 pm. For his last day in Venice, Geoffroy addressed the Syrian situation.
The work produced during this intervention is displayed until 30 September. The presentation is based on Geoffroy's concept of "Delay Museum" where art created for past emergencies is exhibited, while new work enters the Mobile Emergency Room.
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the Emergency Room Mobile at the Zimbabwe pavilion / Venice Biennale has now been completed with some work from the The Delay Museum ,Please visit the pavilion when you go the Venice Biennale this is part of the PENETRATIONS formats ( the Zimbabwe pavilion gave hopsitality for a period of several monthes ) the displayed art works in the Delay Museum are still "boiling " as they are from last week . ( Nadia Plesner / Mads Vind Ludvigsen , COLONEL ) ( this project is a convergence with BIENNALIST / Emergency Room ) more on Christine Eyene blog as she facilated and work within ....This penetration was in connection with my participation in the Maldives pavilion " CAN A NATION WELCOME ANOTHER NATION ?"CAN EMERGENCIES BE RANKED " .Thank you also for the work by David Marin , @Guillaume Dimanche and Christian Costa
venice-biennale-biennalists.blogspot.dk/2013/09/recents-w...
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VENICE BIENNALE / VENEZIA BIENNIAL 2013 : BIENNALIST
www.emergencyrooms.org/biennalist.html
Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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Countries( nations ) that participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni
Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,
Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,
Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,
Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore
Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe
the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay
Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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lists of artists participating at the Venice Biennale
Hilma af Klint, Victor Alimpiev, Ellen Altfest, Paweł Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Mirosław Bałka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Graphic Works of Southeast Asia and Melanesia, Hugo A. Bernatzik Collection, Ștefan Bertalan, Rossella Biscotti, Arthur Bispo do Rosário, John Bock, Frédéric Bruly Bouabré, Geta Brătescu, KP Brehmer, James Lee Byars, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Aleister Crowley & Frieda Harris, Robert Crumb, Roberto Cuoghi, Enrico David, Tacita Dean, John De Andrea, Thierry De Cordier, Jos De Gruyter e Harald Thys, Walter De Maria, Simon Denny, Trisha Donnelly, Jimmie Durham, Harun Farocki, Peter Fischli & David Weiss, Linda Fregni Nagler, Peter Fritz, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian & Angela Ricci Lucchi, Domenico Gnoli, Robert Gober, Tamar Guimarães and Kasper Akhøj, Guo Fengyi, João Maria Gusmão & Pedro Paiva, Wade Guyton, Haitian Vodou Flags, Duane Hanson, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsoh, Kan Xuan, Bouchra Khalili, Ragnar Kjartansson, Eva Kotátková, Evgenij Kozlov, Emma Kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Lin Xue, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Helen Marten, Paul McCarthy, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Bruce Nauman, Albert Oehlen, Shinro Ohtake, J.D. ‘Okhai Ojeikere, Henrik Olesen, John Outterbridg, Paño Drawings, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Shaker Gift Drawings, Jim Shaw, Cindy Sherman, Laurie Simmons e Allan McCollum, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Anonymous Tantric Paintings, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Patrick Van Caeckenbergh, Stan VanDerBeek, Erik van Lieshout, Danh Vo, Eugene Von Bruenchenhein, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Lynette Yiadom-Boakye, Kohei YoshiyUKi, Sergey Zarva, Anna Zemánková, Jakub Julian Ziółkowski ,Artur Żmijewski.
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other pavilions at Venice Biennale
Andorra
Artists: Javier Balmaseda, Samantha Bosque, Fiona Morrison
Commissioner: Henry Périer
Deputy Commissioners: Francesc Rodríguez, Ermengol Puig, Ruth Casabella
Curators: Josep M. Ubach, Paolo De Grandis
Venue: Arsenale di Venezia, Nappa 90
Angola
Artist: Edson Chagas
Commissioner: Ministry of Culture
Curators: Beyond Entropy (Paula Nascimento, Stefano Rabolli Pansera), Jorge Gumbe, Feliciano dos Santos
Venue: Palazzo Cini, San Vio, Dorsoduro 864
Argentina
Artist: Nicola Costantino
Commissioner: Magdalena Faillace
Curator: Fernando Farina
Venue: Pavilion at Arsenale
Armenia
Artist: Ararat Sarkissian
Commissioner: Ministry of Culture
Curator: Arman Grogoryan
Venue: Isola di San Lazzaro degli Armeni, everyday from 2:30 p.m. to 5:30 p.m.
Australia
Artist: Simryn Gill
Commissioner: Simon Mordant
Deputy Commissioner: Penelope Seidler
Curator: Catherine de Zegher
Venue: Pavilion at Giardini
Austria
Artist: Mathias Poledna
Commissioner/Curator: Jasper Sharp
Venue: Pavilion at Giardini
Azerbaijan
Artists: Rashad Alakbarov, Sanan Aleskerov, Chingiz Babayev, Butunay Hagverdiyev, Fakhriyya Mammadova, Farid Rasulov
Commissioner: Heydar Aliyev Foundation
Curator: Hervé Mikaeloff
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
Bahamas
Artist: Tavares Strachan
Commissioner: Nalini Bethel, Ministry of Tourism
Curators: Jean Crutchfield, Robert Hobbs
Deputy Curator: Stamatina Gregory
Venue: Arsenale, Tese Cinquecentesche
Bangladesh
Chhakka Artists’ Group: Mokhlesur Rahman, Mahbub Zamal, A. K. M. Zahidul Mustafa, Ashok Karmaker, Lala Rukh Selim, Uttam Kumar Karmaker. Dhali Al Mamoon, Yasmin Jahan Nupur, Gavin Rain, Gianfranco Meggiato, Charupit School
Commissioner/Curator: Francesco Elisei.
Curator: Fabio Anselmi.
Venue: Officina delle Zattere, Dorsoduro 947
Bahrain
Artists: Mariam Haji, Waheeda Malullah, Camille Zakharia
Commissioner: Mai bint Mohammed Al Khalifa, Minister of Culture
Curator: Melissa Enders-Bhatiaa
Venue: Pavilion at Arsenale
Belgium
Artist: Berlinde De Bruyckere
Commissioner: Joke Schauvliege, Flemish Minister for Environment, Nature and Culture
Curator: J. M. Coetzee
Deputy Curator: Philippe Van Cauteren
Venue: Pavilion at Giardini
Bosnia and Herzegovina
Artist: Mladen Miljanovic
Commissioners: Sarita Vujković, Irfan Hošić
Venue: Palazzo Malipiero, San Marco
Brazil
Artists: Hélio Fervenza, Odires Mlászho, Lygia Clark, Max Bill, Bruno Munari
Commissioner: Luis Terepins, Fundação Bienal de São Paulo
Curator: Luis Pérez-Oramas
Deputy Curator: André Severo
Venue: Pavilion at Giardini
Canada
Artist: Shary Boyle
Commissioner: National Gallery of Canada / Musée des beaux-arts du Canada
Curator: Josée Drouin-Brisebois
Venue: Pavilion at Giardini
Central Asia
Artists: Vyacheslav Akhunov, Sergey Chutkov, Saodat Ismailova, Kamilla Kurmanbekova, Ikuru Kuwajima, Anton Rodin, Aza Shade, Erlan Tuyakov
Commissioner: HIVOS (Humanist Institute for Development Cooperation)
Deputy Commissioner: Dean Vanessa Ohlraun (Oslo National Academy of the Arts/The Academy of Fine Art)
Curators: Ayatgali Tuleubek, Tiago Bom
Scientific Committee: Susanne M. Winterling
Venue: Palazzo Malipiero, San Marco 3199-3201
Chile
Artist: Alfredo Jaar
Commissioner: CNCA, National Council of Culture and the Arts
Curator: Madeleine Grynsztejn
Venue: Pavilion at Arsenale
China
Artists: He Yunchang, Hu Yaolin, Miao Xiaochun, Shu Yong, Tong Hongsheng, Wang Qingsong, Zhang Xiaotao
Commissioner: China Arts and Entertainment Group (CAEG)
Curator: Wang Chunchen
Venue: Pavilion at Arsenale
Costa Rica
Artists: Priscilla Monge, Esteban Piedra, Rafael Ottón Solís, Cinthya Soto
Commissioner: Francesco Elisei
Curator: Francisco Córdoba, Museo de Arte y Diseño Contemporáneo (Fiorella Resenterra)
Venue: Ca’ Bonvicini, Santa Croce
Croatia
Artist: Kata Mijatovic
Commissioner/Curator: Branko Franceschi.
Venue: Sala Tiziano, Opera don Orione Artigianelli, Fondamenta delle Zattere ai Gesuati 919
Cuba
Artists: Liudmila and Nelson, Maria Magdalena Campos & Neil Leonard, Sandra Ramos, Glenda León, Lázaro Saavedra, Tonel, Hermann Nitsch, Gilberto Zorio, Wang Du, H.H.Lim, Pedro Costa, Rui Chafes, Francesca Leone
Commissioner: Miria Vicini
Curators: Jorge Fernández Torres, Giacomo Zaza
Venue: Museo Archeologico Nazionale di Venezia, Palazzo Reale, Piazza San Marco 17
Cyprus
Artists: Lia Haraki, Maria Hassabi, Phanos Kyriacou, Constantinos Taliotis, Natalie Yiaxi, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister
Commissioner: Louli Michaelidou
Deputy Commissioners: Angela Skordi, Marika Ioannou
Curator: Raimundas Malašauskas
Czech Republic & Slovak Republic
Artists: Petra Feriancova, Zbynek Baladran
Commissioner: Monika Palcova
Curator: Marek Pokorny
Venue: Pavilion at Giardini
Denmark
Artist: Jesper Just in collaboration with Project Projects
Commissioners: The Danish Arts Council Committee for International Visual Arts: Jette Gejl Kristensen (chairman), Lise Harlev, Jesper Elg, Mads Gamdrup, Anna Krogh
Curator: Lotte S. Lederballe Pedersen
Venue: Pavilion at Giardini
Egypt
Artists: Mohamed Banawy, Khaled Zaki
Commissioner: Ministry of Culture
Venue: Pavilion at Giardini
Estonia
Artist: Dénes Farkas
Commissioner: Maria Arusoo
Curator: Adam Budak
Venue: Palazzo Malipiero, San Marco 3199, San Samuele
Finland
Artist: Antti Laitinen
Commissioner: Raija Koli
Curators: Marko Karo, Mika Elo, Harri Laakso
Venue: Pavilion at Giardini
France
Artist: Anri Sala
Commissioner: Institut français
Curator: Christine Macel
Venue: Pavilion of Germany at the Giardini
Georgia
Artists: Bouillon Group,Thea Djordjadze, Nikoloz Lutidze, Gela Patashuri with Ei Arakawa and Sergei Tcherepnin, Gio Sumbadze
Commissioner: Marine Mizandari, First Deputy Minister of Culture
Curator: Joanna Warsza
Venue: Pavilion at Arsenale
Germany
Artists: Ai Weiwei, Romuald Karmakar, Santu Mofokeng, Dayanita Singh
Commissioner/Curator: Susanne Gaensheimer
Venue: Pavilion of France at Giardini
Great Britain
Artist: Jeremy Deller
Commissioner: Andrea Rose
Curator: Emma Gifford-Mead
Venue: Pavilion at Giardini
Greece
Artist: Stefanos Tsivopoulos
Commissioner: Hellenic Ministry of Education and Religious Affairs, Culture and Sports
Curator: Syrago Tsiara
Venue: Pavilion at Giardini
Holy See
Artists: Lawrence Carroll, Josef Koudelka, Studio Azzurro
Curator: Antonio Paolucci
Venue: Pavilion at Arsenale
Hungary
Artist: Zsolt Asztalos
Commissioner: Kunstahalle (Art Hall)
Curator: Gabriella Uhl
Venue: Pavilion at Giardini
Iceland
Artist: Katrín Sigurðardóttir
Commissioner: Dorotheé Kirch
Curators: Mary Ceruti , Ilaria Bonacossa
Venue: Lavanderia, Palazzo Zenobio, Collegio Armeno Moorat-Raphael, Fondamenta del Soccorso, Dorsoduro 2596
Indonesia
Artists: Albert Yonathan Setyawan, Eko Nugroho, Entang Wiharso, Rahayu Supanggah, Sri Astari, Titarubi
Commissioner: Soedarmadji JH Damais
Deputy Commissioner: Achille Bonito Oliva
Assistant Commissioner: Mirah M. Sjarif
Curators: Carla Bianpoen, Rifky Effendy
Venue: Pavilion at Arsenale
Iraq
Artists: Abdul Raheem Yassir, Akeel Khreef, Ali Samiaa, Bassim Al-Shaker, Cheeman Ismaeel, Furat al Jamil, Hareth Alhomaam, Jamal Penjweny, Kadhim Nwir, WAMI (Yaseen Wami, Hashim Taeeh)
Commissioner: Tamara Chalabi (Ruya Foundation for Contemporary Culture)
Deputy Commissioner: Vittorio Urbani
Curator: Jonathan Watkins.
Venue: Ca' Dandolo, San Tomà, Venezia
Ireland
Artist: Richard Mosse
Commissioner, Curator: Anna O’Sullivan
Venue: Fondaco Marcello, San Marco 3415
Israel
Artist: Gilad Ratman
Commissioners: Arad Turgeman, Michael Gov
Curator: Sergio Edelstein
Venue: Pavilion at Giardini
Italy
Artists: Francesco Arena, Massimo Bartolini, Gianfranco Baruchello, Elisabetta Benassi, Flavio Favelli, Luigi Ghirri, Piero Golia, Francesca Grilli, Marcello Maloberti, Fabio Mauri, Giulio Paolini, Marco Tirelli, Luca Vitone, Sislej Xhafa
Commissioner: Maddalena Ragni
Curator: Bartolomeo Pietromarchi
Venue: Italian Pavilion, Tese delle Vergini at Arsenale
Ivory Coast
Artists: Frédéric Bruly Bouabré, Tamsir Dia, Jems Koko Bi, Franck Fanny
Commissioner: Paolo De Grandis
Curator: Yacouba Konaté
Venue: Spiazzi, Arsenale, Castello 3865
Japan
Artist: Koki Tanaka
Commissioner: The Japan Foundation
Curator: Mika Kuraya
Venue: Pavilion at Giardini
Kenya
Artists: Kivuthi Mbuno, Armando Tanzini, Chrispus Wangombe Wachira, Fan Bo, Luo Ling & Liu Ke, Lu Peng, Li Wei, He Weiming, Chen Wenling, Feng Zhengjie, César Meneghetti
Commissioner: Paola Poponi
Curators: Sandro Orlandi, Paola Poponi
Venue: Caserma Cornoldi, Castello 4142 and San Servolo island
Korea (Republic of)
Artist: Kimsooja
Commissioner/Curator: Seungduk Kim
Deputy Commissioner: Kyungyun Ho
Venue: Pavilion at Giardini
Kosovo
Artist: Petrit Halilaj
Commissioner: Erzen Shkololli
Curator: Kathrin Rhomberg
Venue: Pavilion at Arsenale
Kuwait
Artists: Sami Mohammad, Tarek Al-Ghoussein
Commissioner: Mohammed Al-Asoussi (National Council of Culture, Arts and Letters)
Curator: Ala Younis
Venue: Palazzo Michiel, Sestriere Cannaregio, Strada Nuova
Latin America
Istituto Italo-Latino Americano
Artists:
Marcos Agudelo, Miguel Alvear & Patricio Andrade, Susana Arwas, François Bucher, Fredi Casco, Colectivo Quintapata (Pascal Meccariello, Raquel Paiewonsky, Jorge Pineda, Belkis Ramírez), Humberto Díaz, Sonia Falcone, León & Cociña, Lucía Madriz, Jhafis Quintero, Martín Sastre, Guillermo Srodek-Hart, Juliana Stein, Simón Vega, Luca Vitone, David Zink Yi.
Harun Farocki & Antje Ehmann. In collaboration with: Cristián Silva-Avária, Anna Azevedo, Paola Barreto, Fred Benevides, Anna Bentes, Hermano Callou, Renata Catharino, Patrick Sonni Cavalier, Lucas Ferraço Nassif, Luiz Garcia, André Herique, Bruna Mastrogiovanni, Cezar Migliorin, Felipe Ribeiro, Roberto Robalinho, Bruno Vianna, Beny Wagner, Christian Jankowski
Commissioner: Sylvia Irrazábal
Curator: Alfons Hug
Deputy Curator: Paz Guevara
Venue: Pavilion at Arsenale
Latvia
Artists: Kaspars Podnieks, Krišs Salmanis
Commissioners: Zane Culkstena, Zane Onckule
Curators: Anne Barlow, Courtenay Finn, Alise Tifentale
Venue: Pavilion at Arsenale
Lebanon
Artist: Akram Zaatari
Commissioner: Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Curators: Sam Bardaouil, Till Fellrath
Venue: Pavilion at Arsenale
Lithuania
Artist: Gintaras Didžiapetris, Elena Narbutaite, Liudvikas Buklys, Kazys Varnelis, Vytaute Žilinskaite, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister
Commissioners: Jonas Žokaitis, Aurime Aleksandraviciute
Curator: Raimundas Malašauskas
Venue: Palasport Arsenale, Calle San Biagio 2132, Castello
Luxembourg
Artist: Catherine Lorent
Commissioner: Clément Minighetti
Curator: Anna Loporcaro
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
Macedonia
Artist: Elpida Hadzi-Vasileva
Commissioner: Halide Paloshi
Curator: Ana Frangovska
Venue: Scuola dei Laneri, Santa Croce 113/A
Maldives
Participants: Paul Miller (aka DJ Spooky), Thierry Geoffrey (aka Colonel), Gregory Niemeyer, Stefano Cagol, Hanna Husberg, Laura McLean & Kalliopi, Tsipni-Kolaza, Khaled Ramadan, Moomin Fouad, Mohamed Ali, Sama Alshaibi, Patrizio Travagli, Achilleas Kentonis & Maria Papacaharalambous, Wooloo, Khaled Hafez in collaboration with Wael Darwesh, Ursula Biemann, Heidrun Holzfeind & Christoph Draeger, Klaus Schafler
Commissioner: Ministry of Tourism, Arts & Culture
Curators: CPS – Chamber of Public Secrets (Alfredo Cramerotti, Aida Eltorie, Khaled
Ramadan)
Deputy Curators: Maren Richter, Camilla Boemio
Venue: Gervasuti Foundation, Via Garibaldi
Mexico
Artist: Ariel Guzik
Commissioner: Gastón Ramírez Feltrín
Curator: Itala Schmelz
Venue: Ex Chiesa di San Lorenzo, Campo San Lorenzo
Montenegro
Artist: Irena Lagator Pejovic
Commissioner/Curator: Nataša Nikcevic
Venue: Palazzo Malipiero, San Marco 3078-3079/A, Ramo Malipiero Venezia – Ground Floor
The Netherlands
Artist: Mark Manders
Commissioner: Mondriaan Fund
Curator: Lorenzo Benedetti
Venue: Pavilion at Giardini
New Zealand
Artist: Bill Culbert
Commissioner: Jenny Harper
Deputy Commissioner: Heather Galbraith
Curator: Justin Paton
Venue: Santa Maria della Pietà, Calle della Pietà, Castello
Nordic Pavilion (Finland, Norway)
Finland:
Artist: Terike Haapoja
Commissioner: Raija Koli
Curators: Marko Karo, Mika Elo, Harri Laakso
Venue: Pavilion at Giardini
Norway:
Artists: Edvard Munch, Lene Berg
Commissioner: Office for Contemporary Art Norway (OCA)
Curators: Marta Kuzma, Pablo Lafuente, Angela Vettese
Venue: Galleria di Piazza San Marco, Fondazione Bevilacqua La Masa
Paraguay
Artists: Pedro Barrail, Felix Toranzos, Diana Rossi, Daniel Milessi
Commissioner: Elisa Victoria Aquino Laterza
Deputy Commissioner: Nori Vaccari Starck
Curator: Osvaldo González Real
Venue: Palazzo Carminati, Santa Croce 1882
Poland
Artist: Konrad Smolenski
Commissioner: Hanna Wróblewska
Curators: Agnieszka Pindera, Daniel Muzyczuk
Venue: Pavilion at Giardini
Portugal
Artist: Joana Vasconcelos
Commissioner: Direção-Geral das Artes/Secretário de Estado da Cultura, Governo de Portugal
Curator: Miguel Amado
Venue: Riva dei Partigiani
Romania
Artists: Maria Alexandra Pirici, Manuel Pelmus
Commissioner: Monica Morariu
Deputy Commissioner: Alexandru Damian
Curator: Raluca Voinea
Venue: Pavilion at Giardini
Artists: Anca Mihulet, Apparatus 22 (Dragos Olea, Maria Farcas,Erika Olea), Irina Botea, Nicu Ilfoveanu, Karolina Bregula, Adi Matei, Olivia Mihaltianu, Sebastian Moldovan
Commissioner: Monica Morariu
Deputy Commissioner: Alexandru Damian
Curator: Anca Mihulet
Venue: Nuova Galleria dell'Istituto Romeno di Venezia, Palazzo Correr, Campo Santa Fosca, Cannaregio 2214
Russia
Artist: Vadim Zakharov
Commissioner: Stella Kasaeva
Curator: Udo Kittelmann
Venue: Pavilion at Giardini
Serbia
Artists: Vladimir Peric, Miloš Tomic
Commissioner: Maja Ciric
Venue: Pavilion at Giardini
Singapore
Cancelled the participation
Slovenia
Artist: Jasmina Cibic
Commissioner: Blaž Peršin
Curator: Tevž Logar
Venue: Galleria A+A, San Marco 3073
South Africa
Contemporary South African Art and the Archive
Commissioner: Saul Molobi
Curator: Brenton Maart
Venue: Pavilion at Arsenale
Spain
Artist: Lara Almarcegui
Commissioner/Curator: Octavio Zaya
Venue: Pavilion at Giardini
Switzerland
Artist: Valentin Carron
Commissioners: Pro Helvetia - Sandi Paucic and Marianne Burki
Deputy Commissioner: Pro Helvetia - Rachele Giudici Legittimo
Curator: Giovanni Carmine
Venue: Pavilion at Giardini
Syrian Arab Republic
Artists: Giorgio De Chirico, Miro George, Makhowl Moffak, Al Samman Nabil, Echtai Shaffik, Giulio Durini, Dario Arcidiacono, Massimiliano Alioto, Felipe Cardena, Roberto Paolini, Concetto Pozzati, Sergio Lombardo, Camilla Ancilotto, Lucio Micheletti, Lidia Bachis, Cracking Art Group, Hannu Palosuo
Commissioner: Christian Maretti
Curator: Duccio Trombadori
Venue: Isola di San Servolo
Taiwan
Artists: Bernd Behr, Chia-Wei Hsu, Kateřina Šedá + BATEŽO MIKILU
Curator: Esther Lu
Organizer: Taipei Fine Arts Museum
Venue: Palazzo delle Prigioni, Castello 4209, San Marco
Thailand
Artists: Wasinburee Supanichvoraparch, Arin Rungjang
Commissioner: Office of Contemporary Art and Culture, Ministry of Culture
Curators: Penwadee Nophaket Manont, Worathep Akkabootara
Venue: Santa Croce 556
Turkey
Artist: Ali Kazma
Commissioner: Istanbul Foundation for Culture and Arts
Curator: Emre Baykal
Venue: Pavilion at Arsenale
Tuvalu
Artist: Vincent J.F.Huang
Commissioners: Apisai Ielemia, Minister of Foreign Affair, Trade, Tourism, Environment & Labour; Tapugao Falefou, Permanent Secretary of Foreign Affairs, Tourism, Environment & Labour
Curators: An-Yi Pan, Szu Hsien Li, Shu Ping Shih
Venue: Forte Marghera, via Forte Marghera, 30
Ukraine
Artists: Ridnyi Mykola, Zinkovskyi Hamlet, Kadyrova Zhanna
Commissioner: Victor Sydorenko
Curators: Soloviov Oleksandr, Burlaka Victoria
Venue: Palazzo Loredan, Istituto Veneto di Scienze, Lettere ed Arti, Campo Santo Stefano
United Arab Emirates
Artist: Mohammed Kazem
Commissioner: Dr. Lamees Hamdan
Curator: Reem Fadda
Venue: Pavilion at Arsenale, Sale d'Armi
Uruguay
Artist: Wifredo Díaz Valdéz
Commissioner: Ricardo Pascale
Curators: Carlos Capelán, Verónica Cordeiro
Venue: Pavilion at Giardini
USA
Artist: Sarah Sze
Commissioners/Curators: Carey Lovelace, Holly Block
Venue: Pavilion at Giardini
Venezuela
Colectivo de Artistas Urbanos Venezolanos
Commissioner: Edgar Ernesto González
Curator: Juan Calzadilla
Venue: Pavilion at Giardini
Zimbabwe
Artists: Portia Zvavahera, Michele Mathison, Rashid Jogee, Voti Thebe, Virginia Chihota
Commissioner: Doreen Sibanda
Curator: Raphael Chikukwa
Venue: Santa Maria della Pietà, Calle della Pietà, Castello 3701
---
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some background:
As the Egyptian border was threatened by an Italian and German invasion during the Second World War, the Royal Air Force established more airfields in Egypt. The Royal Egyptian Air Force was sometimes treated as a part of the Royal Air Force, at other times a strict policy of neutrality was followed as Egypt maintained its official neutrality until very late in the war. As a result, few additional aircraft were supplied by Britain, however the arm did receive its first modern fighters, Hawker Hurricanes and a small number of Curtiss P-40 Tomahawks. In the immediate post-war period, cheap war surplus aircraft, including a large number of Supermarine Spitfire Mk.IXs were acquired.
Following the British withdrawal from the British Protectorate of Palestine and the establishment of the State of Israel on 14 May 1948, Egyptian forces crossed into Palestine as part of a wider Arab League military coalition in support of the Palestinians against the Israelis. During 1948–1949, Egypt received 62 refurbished Macchi C.205V Veltro (Italian: Greyhound) fighters. The C.205 was an Italian World War II fighter aircraft built by the Aeronautica Macchi. Along with the Reggiane Re.2005 and Fiat G.55, the Macchi C.205 was one of the three "Serie 5" Italian fighters built around the powerful German Daimler-Benz DB 605 engine.
The C.205 Veltro was a refinement of the earlier C.202 Folgore. With a top speed of some 640 km/h (400 mph) and equipped with a pair of 20 mm cannon as well as two 12.7 mm Breda machine guns, the Macchi C.205 had been highly respected by Allied and Axis pilots alike. Widely regarded as one of the best Italian aircraft of World War II, it proved to be extremely effective, destroying a large number of Allied bombers, and it proved capable of meeting fighters such as the North American P-51D Mustang on equal terms.
For the Egyptian order, eight C.205 and 16 C.202 were upgraded to C.205 standard in May 1948. In February 1949, three brand new and 15 ex-C.202, and in May another ten C.205 and C.202 each were brought to the Egyptian C.205 standard. This last contract was not finalized, though: Israeli secret services reacted with a bombing in Italy, which at the time was supplying both Israel and the Arab states, which, among others, destroyed Macchi facilities and damaged Egyptian C.205s still on order.
Only 15 completed Macchis were delivered to Egypt before the end of the 1948 Arab-Israeli War, seeing brief combat against the Israeli Air Force. The new Veltros were fully equipped, while the Folgore conversions were armed with only two 12.7 mm Breda machine guns. They were the lightest series of the entire production, and consequently had the best performance, but were seriously under-armed. Some Veltros, equipped with underwing bomb racks were used in ground-attack sorties against Israeli targets.
This left the Egyptian air force with a lack of capable fighters, so that Egypt ordered nineteen additional Fiat G.55 fighters from Italian surplus stocks and searched for ways to remedy the situation, since the relations with Great Britain had severely suffered under the Arab-Israeli War. This led to the plan to build and develop aircraft independently and just based on national resources, and eventually to the Helwan HA-100, Egypt’s first indigenous combat aircraft – even though it was rather a thorough upgrade program than a complete new construction.
Opened in late 1950 to manufacture airplanes, the Helwan Aircraft Factory, located in the South of Cairo, took on the challenge to create a domestic, improved fighter from existing C.205 and C.202 airframes in Egyptian service and its Fiat engines still available from Italy. The resulting Helwan HA-100 retained most of the forward fuselage structure of the C.205 with the original engine mounts, as well as the wings, but measures were taken to improve aerodynamics and combat value. One of these was the introduction of a new (yet framed) bubble canopy, which afforded the pilot with a much better all-round field of view and also improved the forward view while taxiing. This modification necessitated a lowered spine section, and wind tunnel tests suggested a deteriorated longitudinal stability, so that the tail section was completely redesigned. The fin was considerably enlarged and now had a square outline, while the stabilizers were raised into an almost cruciform tail configuration and also enlarged to improve the aircraft’s responsiveness to directional changes. The wings were clipped to improve handling and roll characteristics at low to medium altitudes, where most dogfights in the Arab-Israeli War had taken place.
The HA-100 retained the license-built Daimler Bent DB 605 from Italy, but to adapt this Fiat Tifone engine to the typical desert climate in Egypt with higher ambient temperatures and constant sand dust in the air, the HA-100 received an indigenous dust filter, a more effective (and larger) ventral radiator and a bigger, single oil cooler that replaced the C.205’s small drum coolers under the engine, which were very vulnerable, esp. to ground fire from light caliber weapons. To gain space in the fuselage under the cockpit for new fuel tank, both radiator and oil cooler were re-located to positions under the inner wings, similar in layout to early Supermarine Spitfire Marks.
While the HA-100 left the drawing boards and an initial converted C.205 went through trials, relations with Britain had been restored and the official state of war with Israel ensured that arms purchases continued. This gave the REAF an unexpected technological push forward: In late 1949, Egypt already received its first jet fighter, the British Gloster Meteor F4, and shortly after some de Havilland Vampire FB5s, which rendered the HA-100 obsolete. Nevertheless, the project was kept alive to strengthen Egypt’s nascent aircraft industry, but the type was only met with lukewarm enthusiasm.
The first HA-100 re-builds were delivered to 2 Sqn Royal Egyptian Air Force at Edku (East of Alexandria) in mid-1951, painted in a camouflage scheme of Dark Earth and Middle Stone with Azure Blue undersides, using leftover RAF material from WWII. Later, REAF 1 Sqn at Almaza near Cairo received HA-100s, too. Eventually, around forty HA-100s were built for the REAF until 1952. The only export customer for the HA-100 was Syria: sixteen machines, rejected by the REAF, were delivered in early 1952, where they served alongside former RAF Spitfire F.Mk.22s.
The REAF HA-100s only had a short career, but they eventually faced frontline duties and fired in anger. This also marked their last deployments, which occurred during the early stages of the Suez Crisis in 1956.
Only about 15 HA-100s of REAF No. 2 Squadron were still in flying condition due to quickly worsening engine spares shortages, and the aircraft had, in the meantime, been hardwired to carry up to four “Sakr” unguided 122mm rockets on the underwing hardpoints. Due to their agility at low altitude, the HA-100s were primarily used for ground attacks and low-level reconnaissance duties. On their missions the aircraft still performed well, but at that time, all Egyptian aircraft had been stripped off of their camouflage and were operated in a bare metal finish – a poor decision, since the glinting airframes were highly visible both in the air and on the ground. Consequently, the vintage propeller aircraft became easy targets, resulting high losses, and the HA-100s were grounded. They were officially retired by April 1957, after the end of the Suez conflict, and scrapped.
General characteristics:
Crew: 1
Length: 9,10 m (29 ft 10 in)
Wingspan: 10.01 m (32 ft 9½ in)
Height: 3.52 m (11 ft 6¼ in)
Wing area: 16.8 m² (181 sq ft)
Airfoil: root: NACA 23018 (modified); tip: NACA 23009 (modified)
Empty weight: 2.695 kg (5,936 lb)
Gross weight: 3.621 kg (7,975 lb)
Max takeoff weight: 4.100 kg (9,030 lb)
Powerplant:
1× Fiat RA.1050 R.C.58 Tifone (license-built Daimler Bent DB 605) V-12 inverted liquid-cooled piston
engine with 1,100 kW (1,500 hp), driving a 3-bladed constant-speed propeller#
Performance:
Maximum speed: 642 km/h (399 mph, 347 kn) at 7,200 m (23,600 ft)
Cruise speed: 400 km/h (250 mph, 220 kn)
Range: 950 km (590 mi, 510 nmi)
Service ceiling: 11,500 m (37,700 ft)
Time to altitude: 3,000 m (9,800 ft) in 2 minutes 40 seconds
Wing loading: 202.9 kg/m2 (41.6 lb/sq ft)
Armament.
2× 12.7 mm (.5 in) Breda-SAFAT machine guns, 400 RPG, in the nose
2× 20 mm MG 151 cannon, 250 RPG, in the outer wings
2× underwing hardpoints for 160 kg (350 lb) each for bombs or four 122mm Sakr unguided rockets
The kit and its assembly:
This oddity was spawned from curiosity – when read about the lightweight Helwan HA-300 fighter from the early Sixties, I wondered when and how the Egyptian aircraft industry had started? I was even more curious because I had already attributed a what-if model, the purely fictional (and later) HA-410 fighter bomber, to Egyptian engineering. So, I researched Helwan’s origins, checked the time frame of its establishment and eventually came across the REAF’s post-WWII C.205 Veltros. What if there had been an indigenous update program…?
Consequently, this conversion’s basis is a C.205V kit from Delta 2. This kit is based upon a unique mold, quite similar to the later Italeri kit, but it is different and has some curious solutions. For instance, the landing gear struts are mounted into the wings with L-shaped attachment pegs – as if the landing gear is supposed to be retractable. Odd, but very stable. Another weird solution: the wing gun barrels are attached to the wings together with massive plastic wedges that fit into respective openings. Another quite rigid construction, even though it calls for trimming and PSR. Beyond these quirks, the kit is quite nice. It comes with a convincing mix of recessed panel lines and raised rivet heads. Some parts are a bit soft in shape, though, e. g. the cowling fairings, but overall I am positively surprised.
To change the aircraft’s look I did some conversions, though. The most obvious change is the new tail section, which was transplanted wholesale from a KP Yak-23 and had the C.205’s tail wheel attachment section transplanted from the Delta 2 kit. Originally, I wanted to move the whole cockpit forward, but then just replaced canopy and spine section with a clear part from a Hobby Boss MiG-15 and putty. Other, rather cosmetic changes include clipped wing tips to match the Yak-23’s square tail surfaces shape, and the C.205’s small elliptic stabilizers were replaced with tailored, slightly bigger parts from the scrap box. A bigger/deeper radiator and a different oil cooler replaced the original parts, and I placed them under the inner wings behind the landing gear wells. Both donors come from Spitfires, even though from different kits (IIRC, the oil cooler from an AZ Models Mk. V kit and the radiator from a FROG Mk. XIV). The flaps were lowered, too, because this detail was easy to realize with this kit.
Painting and markings:
The HA-100 received a contemporary camouflage, the RAF Tropical Paint Scheme consisting of Dark Earth and Middle Stone with Azure Blue undersides. The pattern was adapted from RAF Spitfires, and Modelmaster (2052 and 2054) and Humbrol (157) enamels were used, with a light overall black ink washing and some post panel shading. Being a former Italian aircraft, I painted the cockpit in a typical, Italian tone, a very light grayish green called “Verde Anticorrosione“, which was used during WWII on many interior surfaces – I used a mix of Revell 59 with some 45. The landing gear and the respective wells became aluminum (Humbrol 56), though.
One challenge became the characteristic black-and-white REAF ID bands on the wings. These were improvised with generic decal material from TL-Modellbau: on a 1 cm wide black band I simply added two white 2.5 mm stripes, for a very good result. Most other markings belong to an early REAF MiG-15, taken from a Microscale omnibus sheet for various MiG fighters. This provided the green-trimmed white fuselage band, the roundels and the fin flash, and a white spinner completed the REAF ID markings. Unfortunately the decals turned out to be brittle (ESCI-esque...) and disintegrated upon the first attempt to apply them, so I tried to save them with Microsol Decal Film, and this actually worked like a charm, even though the resurrected decals did not adhere well to the model's surface. The REAF 2 Squadron emblem comes from a vintage PrintScale Hawker Hurricane sheet, the white code letter on the fuselage came from an Xtradecal RAF codes sheet, and the black Arabic serials came from a Begemot sheet for MiG-29s.
The kit received some soot stains around the exhaust ports and the gun muzzles and was finally sealed with matt acrylic varnish (Italeri).
Even though it’s just a modded Macchi C.205, the result looks …different. From certain angles the aircraft reminds a lot of a P-51D Mustang, like one of the lightweight prototypes? The Egyptian markings add a confusing touch, though, and while the bodywork is not perfect, I am happy with the result. The Yak-23 tail fits perfectly, and with the narrow wings the HA-100 also reminds a bit of the two-engine Westland Whirlwind?
A Slovenian Soldier assist U.S. Air Force Staff Sgt. Eric Hansen, 2d Air Support Operations Squadron Vilseck, Germany, prepping his radios prior to making movement into the Immediate Resolve 15 training area. Immediate Response 15 is a multinational, brigade-level exercise utilizing computer-assisted simulations and field training exercises in Croatia and Slovenia. The exercises and simulations are built upon a scenario designed to enhance regional stability, strengthen partner capacity and improve interoperability between partner nations. The exercise will run Sept. 9-22, 2015, and will include more than 1,400 soldiers from Albania, Bosnia-Herzegovina, Croatia, Kosovo, Macedonia, Montenegro, Slovenia, the U.S. and the United Kingdom. Immediate Response 15 supports the goal of a “Strong Europe” in that partner nations are trained and ready to combine forces to ensure unified security across allied nations. Immediate Response is a preplanned exercise that has occurred annually for the past five years.
Photo by: U.S. Army Photo (Mr. Tony Sweeney)
***FOR IMMEDIATE RELEASE***
Super Phat Productions Continues Its Trek Toward Elite Independent Status!
Detroit, Michigan April 23, 2009- Independent Hip Hop companies have survived predictions of their “impending death” more times than any other force in popular music. With four albums released in 2007, two album releases in 2008, and now three albums scheduled for release in 2009, Super Phat Productions (Stir Crazy) defies the odds and continues its trek towards elite independent status.
On the schedule for spring 09' are two eclectic album releases, "Stirred and Mixed VOL 3,” Stir Crazy’s highly anticipated 3rd full lengthed remix and mash up album produced by Stir Crazy and “Penny Dreadfuls,” a Dood Computer and Stir Crazy collaboration project. In circulation now is Dood Computer and Stir Crazy's lead off single and video “Rachel Profiling,” which a true heat seeker. View video here: www.Myspace.com/DoodComputer
Super Phat Productions is a company formed to act as a talent sources, production company and record labels in the traditional sense of selling manufactured music all under one roof. Super Phat Productions is one fo the fastest-growing independent e music companies in North America. The record label covers multiple music genres and styles. Super Phat Productions has built unique strengths in the development, production ,and marketing of music. “We are better then your favorite band or label, and if you don't agree i'll punch your face” says Dood Computer.
For additional information on Super Phat Productions, please visit www.StirCrazyMusic.com
Stir Crazy
StirCrazySPP@Yahoo.com
STIR CRAZY Music Production!
High quality and affordable music production and recording!!!!!!!!!
Please contact for quotes or any other information regarding beats and production for your next album!
www.Myspace.com/StirCrazyMusic
www.twitter.com/StirCrazyMusic
Email: StirCrazySPP@yahoo.com
Call: (206)-600-5713
Super-producer Stir Crazy has stamped his imprint on the music scene since 2003. His production has helped create career defining hits for artists such as Potluck, D12, Bizzy Bone, Toxsick, Kamal, Tre Pound, SOL, T.O.N.Ez, The Insane Clown Posse and many others. Respected beyond the genres of hip hop and urban music, Stir Crazy, has also been sought by superstars and underground legends whose music needs a new edge.
Born Jesse Elliott in Detroit, Michigan on December 23, 1986, Stir Crazy has had many reincarnations-- from a partnership in the label Super Phat Productions, and involved in a super group which consists of Dood Computer (of Doom Fist) and Himself.
Chop Shops smash hit single ‘Heart”, and Kamal’s debut cd Certified produced by Stir Crazy, introduced a unique style that defined the new wave of music in the years too come. Hip Hop and R&B with crazy effects held together by complex drum patterns. Death B4 Dishoner a group consisting of Lokey, T.O.N.Ez and Stir Crazy proved Stir Crazy could step out his normal boundaries and do heavy metal and rock production.
Recently he has helped form, and in a music group with Dood Computer from Albany, New York and about to release there new upcoming album. The reason this album is getting so much attention is because of the marketing. It is coming out on cassette tape only.
Stir Crazy’s sound is unexplainable, and meant to be listened to, not read….
His partnership with fellow producer Tre Pound, has spanned the untouchable label Super Phat Productions, and there trademark sound has spawned numerous imitators in the Detroit area. Still known as the originators of the new wave of Detroit sound when it comes to hip hop and R&B music.
Along the way he built an impressive arsenal of studio equipment, and worked/works at many studios in Detroit where he does most of his production. He regularly travels between his home studio and other studios around the area and other states working on many projects.
Stir Crazy’s genre breaking has changed music today and he takes pride in his success at staying ahead of the game with his experimentation and originality. Hard working and confident, his goal is to always stay ten steps ahead of the competitors while making fans not only hear but ‘feel’ music.
One thing Stir Crazy has on his side, other than incredible talent, is visibility. He has been featured on numerous websites as well as print.. He has been seen on several DVD’s, and he has a role in a feature film, Zombie Prom.. Then there are his numerous other appearances and accomplishments. He was named producer of the year by Juggalo News by voting of fans. The acknowledgment came as a surprise, he got a message that he was going to be featured, and there he was, without having to submit anything about himself. The word is out!
“You can accomplish any dream or goals in life, with hard work and confidence” says the dedicated Stir Crazy. He is a innovator of sound which continues to set new standards, while always expanding his musical palette.
TAGS:
Twiztid,twiztid, ICP, juggalos, Juggalos, juggalo, Juggalo, Juggalette, juggalette, Juggalettes, juggalettes, Halloween, ghosts, esham, Esham, PDM, pdm, project deadman, Project Deadman, MEC, mec, Mike Clark, Mike E Clark, mike e clark, rotten radio, Rotten Radio, icp, stircrazy, psychopathic, eric davies, seven, akuma,insane clown posse, twiztid, shaggy, super phatproductions, juggalo, wicked, murder, kill, sick, crazy,
weird, gross, producer, music, production, beats, sex, blood, drugs, rotten radio, rotten, radio, rottenradio,dirtball, kmk, Tech N9ne,DJ Clay, DJ Fillin, Chop Shop, Tre Pound
Artist that have purchased or been on Stir Crazy Beats....(non completed list)
A
Autopzy
Abica
Ajax
B
Blaze Ya Dead Homie
Boondox
Bizzare of D12
B-side
Bizzy Bone
Brutal
Ben Stockwell- Area 51 music
Big frame
Bankrupt
Big Sin
Brain Trama
Badluck
Big Jim/2 phat
C
Cartoon Killa
Chop Shop
CDC
Chris Brewer
Chief The Beast
Cellar Mannequin
Chuk Ruck
Creech
D
Dizzo
Doc Hollywood hustle
DJ Rick
Dez
Dr Gigglez
Disfucktional Phamily
Dead N Dirty
Dood Computer
Doom Fist
DarkHalf
Dj Rec
Dramadeus/2 fold horror
Dead Arm
Death B4 Dishoner
Dan tha Saltine
Duece Duece
Durty White Boyz
DCO
Delusional
Dynamic Duo
DJ Clay
E
Eklypze
F
Fury
Frantik
G
GM
G-Wizz
H
Harm
Half Fiction
I
Intrizink
Ikkurruz
Izzy Rotten
Ill E Gal
Ignited
Insane Clown Posse
J
Judge Cryptic
Jak Progresso
J Reno
J- Fill
Jenetiqs
J3
J-Kidd/J Truth/ JR Writer
K
Koopsta Knicca
King Kold
Kreepy-X
kLepTo
King Gordy
Kamel
Kasket Kyle
L
Lokey
LaVey
Lental
Leo Giovonni
M
Musa
McNastee
Mars
Mass Kunfusion
Mad Maxxx
Mad Max
MrPPV
Mr. Madman
Mr freeze
Maniaxe
Movement Records
N
Natural Dizaztaz
Noodle Nugget/Dredge
Non Shalant
O
Okkultlegion
P
Potluck
Pierre Vito
Pony boy
Poe Whosaine
Polo
Q
R
Renegade
Rone Bone
Rashak
Rated R
Raven Hunter
ROC
S
Scum
Sirkis
Spuratic
Squad 19
Skeptyk
Shyste
Sketch
Scum
Sean Strange
Sol
Saint Sinna
Slink Dogg
T
Twiztid
TBMA
Troubled Mindz
Trips
T.O.N.E.Z
Tony Sinister
Toxsick
U
V
Vishiss
W
Wayne Dub
X
Y
Y.U.G.
Z
4Saken
333s
2.DIE.4
IANPHI PRESIDENCY AND SECRETARY GENERAL
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IANPHI President
Director
National Public Health Institute, Mexico
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National Institute for Medical Research, Tanzania
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IANPHI Secretary General
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Santé publique France
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Director General
National Public Health Institute
ARMENIA
Aleksandr Bazarchyan
Director
Zelveian National Institute of Health
BELGIUM
Myriam Sneyers
Director
Scientific Institute of Public Health
BRAZIL
Augusto Paulo Silva
Director/Advisor
Global Health Centre
FIOCRUZ
BURUNDI
Pierre Claver Kazihise
Director General
National Institute of Public Health
CAMBODIA
Chhea Chhorvann
Director
National Institute of Public Health
CAMEROON
Georges Alain Etoundi Mballa
Director
Direction de La Lutte Contre la Maladie, les Epidémies, et Les Pandémies (DLMEP)
CANADA
Siddika Mithani
President
Public Health Agency of Canada (PHAC)
Alain Poirier
Vice-President Knowledge mobilization and Communications Institut national de santé publique du Québec (INSPQ) (National Institute of Public Health – Québec)
CHINA
Yu Wang
Director
Chinese Center for Disease Control and Prevention
EB Member
Kwok Po Ng
Principal Medical & Health Officer for NCDs
Centre for Health Protection (CHP)
Hong Kong
COLOMBIA
Martha Lucía Ospina Martínez
Director
National Institute of Health
COTE D'IVOIRE
Kouassi Dinard
Director
National Institute of Public Health (INSP)
CUBA
Jorge Pérez Avila
Director
Institute of Tropical Medicine 'Pedro Kouri'
DENMARK
Morten Grønbæk
Director
National Institute of Public Health
EL SALVADOR
Mauricio Salazar
Director
National Institute of Public Health
ETHIOPIA
Amha Kebede
Director
Ethiopian Public Health Institute (EPHI)
EB Member
FINLAND
Juhani Eskola
Director General
National Institute for Health and Welfare (THL)
GEORGIA
Amiran Gamkrelidze
Director General
National Center for Disease Control and Public Health
GERMANY
Lothar Wieler
President
Robert Koch Institute
Reinhard Burger
President
Robert Koch Institute (2010-2015)
EB Member
GUINEA
Lamine Koivogui
Director
National Institute of Public Health
GUINEA-BISSAU
Placido Cardoso
President
National Institute of Public Health (INASA)
INDIA
Venkatesh Srinivasa Raghavan
Director
National Centre of Disease Control
ITALY
Pietro Comba
Head, Department of Environment and Primary Prevention
Instituto Superiore di Sanita
JAPAN
Kazuya Shimmura
Director
National Institute of Public Health
Mari Asami
Chief Senior Researcher
National Institute of Public Health
KENYA
Jackson Kioko
Director of Medical Services
Ministry of Health
MALAWI
Ben Chilima
Acting Director
Public Health Institute of Malawi
MEXICO
Mauricio Hernandez-Avila
Director
National Public Health Institute
IANPHI President
MONGOLIA
Tsogtbaatar Byambaa
Director
Public Health Institute of Mongolia
MOROCCO
Naima El Mdaghri
Director
Pasteur Institute of Morocco
EB Member
Mohamed Rhajaoui
Director
National Institute of Hygiene
Mohammed Hassar
Emeritus Director
Pasteur Institute of Morocco
Former EB member (2006-2010)
MOZAMBIQUE
Eduardo Samo Gudo
Scientific Director
National Institute of Health (INS)
NEPAL
Nilambar Jha
Director
B.P. Koirala Institute of Health Sciences
NETHERLANDS
André van der Zande
Director General
National Institute for Public Health & the Environment (RIVM)
NIGERIA
Chikwe Ihekweazu
Director
Nigeria Centre for Disease Control
Innocent Ujah
Former Director General
Nigerian Institute of Medical Research
Oni Idigbe
Research Planning and Management Coordinator
Nigerian Institute of Medical Research
NORWAY
Camilla Stoltenberg
Director General
Norwegian Institute of Public Health
Bjørn Iversen
Director, International Public Health
Norwegian Institute of Public Health
Anne Bergh
Specialist Director
Norwegian Institute of Public Health
Therese Oegaard
Specialist Director Strategy & Organization
Norwegian Institute of Public Health
PAKISTAN
Ahmad Mukhtar
Director
National Institute of Health
PALESTINE
Rand Salman
Director
National Institute of Public Health
Gerald Rockenschaub
Head of Office
World Health Organization/Palestine
KINGDOM SAUDI ARABIA
Ali Al Barrak
Director
Saudi Center for Disease Control & Prevention
SOUTH AFRICA
Natalie Mayet
Co-Director
South Africa Regional Global Disease Detection Centre
National Institute for Communicable Diseases (NICD)
SPAIN
Isabel Noguer
Director
National Centre of Epidemiology
Institute of Health Carlos III
SUDAN
Abdalla Sid Ahmed
Director
Sudan Public Health Institute
SWEDEN
Johan Carlson
Director General
Public Health Agency of Sweden
TANZANIA
Mwelecele Malecela
Director General
National Institute for Medical Research
IANPHI Vice President
TOGO
Abiba Banla
Director
National Institute of Hygiene
UNITED KINGDOM
Public Health England
Duncan Selbie
Chief Executive
Gemma Lien
Head of Global Health Strategy
Public Health Wales
Quentin Sandifer
Executive Director of Public Health Services
Mark Bellis
Director of Policy Research and International Development
UNITED STATES
Shelly Bratton
NPHI Program Lead
Center for Global Health
Centers for Disease Control and Prevention (CDC)
Ezra Barzilay
Medical Epidemiologist
Center for Global Health
Centers for Disease Control and Prevention (CDC)
Rachel Idowu
CDC Technical Advisor to the Africa CDC, Center for Global Health
Centers for Disease Control and Prevention (CDC)
John Nkengasong
Acting Principal Deputy Director
Center for Global Health
Centers for Disease Control and Prevention (CDC)
Henry Vandi
Evaluation Specialist
NPHI Program
Center for Global Health,
Centers for Disease Control and Prevention (CDC)
ZAMBIA
Maximilian Bweupe
Director
National Public Health Institute
2016 ANNUAL MEETING HOST INSTITUTE, CHINA – INVITED GUESTS
FENG Yong
Deputy Director General
Department of International Cooperation, National Health and Family Planning Commission,
P. R. China
LIANG Xiaofeng
Deputy Director General
China CDC
ZHOU Xiaonong
Director
National Institute of Parasitic Disease
China CDC
WANG Xiaoqi
Director
Office of International Cooperation
China CDC
WANG Xiaochun
Acting Director
Center for Global Public Health
China CDC
QI Xiaopeng
Deputy Director
Center for Public Health Surveillance
& Information Services
China CDC
YIN Dapeng
Deputy Director
Office of Directors
China CDC
HU Yiyun
Director
Division of Exchange and Cooperation
National Center for AIDS/STD Control and Prevention
China CDC
FENG Ning
Senior health specialist
National Center for Women and Children's Health
China CDC
DENG Ying
Director General
Beijing Municipal CDC, China
LIN Changying
Senior Researcher
Beijing Municipal CDC
WU Fan
Director General
Shanghai Municipal CDC
ZHANG Yonghui
Director General
Guangdong Provincial CDC
YIN Hui
Lecturer
Department of Global Health
School of Public Health,
Peking University
YANG Xiaoguang
Lecturer
School of Public Health
Fudan University
WANG Chen
Institute of Development Cooperation
Chinese Academy of International Trade and Economic Cooperation
Ministry of Commerce, P. R. China
YANG Weizhong
Vice President, Secretary General
Chinese Preventive Medicine Association
YI Heya
Deputy Director, Office of Internal Relations
Chinese Preventive Medicine Association
TANG Kun
China Medical Board
IANPHI GUESTS AND PARTNERS
Andrea Ammon
Acting Director
European Center for Disease Prevention and Control (ECDC)
Sweden
Alex Riolexus Ario
Director
National Institute of Public Health
Uganda
Carlos Brito
Director
Department for Disease and Epidemic Control
West African Health Organization (WAHO)
Ana Sofia Charvel
Head of Academic Department of Law, Autonomous Technical Institute of Mexico
Kwami Dadji
Health Officer
African Union, Africa CDC
Ethiopia
Mosoka Fallah
Director
Liberian Public Health Institute
Liberia
Matt Hanson
Senior Program Officer
Bill & Melinda Gates Foundation
USA
David Harper
Senior Consulting Fellow
Chatham House
United Kingdom
Haruna Baba Jibril
Deputy Permanent Secretary Preventive Health Services
Ministry of Health
Botswana
Richard Nchabi Kamwi
African Union Representative to the Africa CDC
Former Minister of Health, Namibia
Ruediger Krech
Director
Health Systems and Innovation
Office of the Assistant Director-General
World Health Organization (WHO) Switzerland
Valerie McCormack
Scientist
International Agency for Research on Cancer (IARC)
France
Nicolas Meda
Director General
Center MURAZ
Burkina Faso
Jeffery Minton
Director/Senior Designer
Design for Others/HDR
USA
Virginia Murray
Public Health Consultant in Global Disaster Risk Reduction
UK
Thomas Samba
District Medical Officer for Western Area
Sierra Leone
Htay Htay Tin
Deputy Director General
National Health Laboratory
Myanmar
Main Office
Santé Publique France, France
Anne-Catherine Viso
Deputy
Office for Science and International Affairs
Tek-Ang Lim
Program Manager
U.S. Office
Emory Global Health Institute
Jeffrey Koplan
Founding IANPHI President
Vice President
Emory Global Health Institute
Emory University, USA
Courtenay Dusenbury
Director
Sue Binder
Senior Advisor for Public Health Practice
Shenandoah Evans
Communications Director
Allison Greenspan
Program Manager
Katy Seib
Assistant Director of Programs
Ellen Whitney
Director of Programs
Catherine Witherspoon
Communications Specialist
Celebrating IANPHI: 10 Stories from the First Decade (Plenary Session)
From the seed of an idea planted in 2006, IANPHI has taken root and flourished over 10 years into a vigorous force for improved global health through development of and linkages among the world’s NPHIs. In this session, we hear from ten champions who were there from the beginning -- offering their memories, insights, and inspiration.
Moderator:
Jeffrey Koplan, Vice President, Emory Global Health Institute, USA
Panel:
Margaret Chan, WHO (via video)
Pekka Puska, Former Director, National Institute for Health & Welfare, Finland
Jeffrey Koplan, Vice President, Emory Global Health Institute, USA
Matt Hanson, Senior Program Officer, Bill & Melinda Gates Foundation, USA
Augusto Paulo Silva, Director, Global Health Centre, FIOCRUZ, Brazil
Placido Cardoso, President, INASA, Guinea-Bissau
Jeffery Minton, Senior Designer, HDR Inc., USA
Camilla Stoltenberg, Director-General, Norwegian Institute of Public Health, Norway
Mwele Malecela, Director-General, National Institute of Medical Research, Tanzania
Mauricio Hernandez, IANPHI President, National Institute of Public Health, Mexico
IMMEDIATE FIRST AID ADVICE:
1. Rinse the area liberally with seawater or fresh water to remove any tentacles stuck to the skin. This can be from a spray bottle or in a beach shower. Do not apply vinegar. A study shows that vinegar in these stings sometimes makes the sting worse. (Portuguese man-of-wars belong to a different family than box jellyfish [Carybdea alata] and therefore must be treated separately.)
2. For severe pain, try applying heat or cold, whichever feels better to the victim.
3. Few Portuguese man-of-war stings in Hawai`i cause life-threatening reactions, but this is always a possibility. Some people are extremely sensitive to the venom; a few have allergic reactions. Consider even the slightest breathing difficulty, or altered level of consciousness, a medical emergency. Call for help and use automatic epinephrine injector if available.
POSTOJNA, Slovenia - More than 1400 participants, including U.S. Service Members, took part in two opening ceremonies held for the multinational exercise Immediate Response 15. The ceremonies took place in Postojna, Slovenia and one in Slunj, Croatia, on September 9, 2015. Immediate Response 15 is an annual exercise designed to provide opportunities to plan and synchronize missions and responsibilities among allied and partnered nations to enhance combat readiness and compatibility in the current operational environment. This year’s participants include contingents from Slovenia, Croatia, The United States, Albania, Bosnia and Herzegovina, Kosovo, Macedonia, Montenegro, and United Kingdom. (U.S. Army Photo by SGT. 1st Class Walter E. van Ochten 118th MPAD TARNG).
The Mobile Emergency Room is a project by Thierry Geoffroy/Colonel, a participating artist of the Maldives Pavilion working with art formats developed around the notion of emergency.
Emergency Room is a format providing space for artists to engage in urgent debates, address societal dysfunctions and express emergencies in the now, today, before it is too late. Geoffroy’s approach allows immediate artistic intervention and displaces the contemporary to the status of delayed comment on yesterday’s world.
Taking as point of departure climate change and the Maldives, Geoffroy developed a scenario of disappearance and translated actual emergencies and hospitality needs into artistic interventions. In this context he activated his penetration format in order to transform “rigid exhibition spaces” into “elastic and generous exhibition spaces”.
An intervention facilitated by curator Christine Eyene, the Mobile Emergency Room was set up at the Zimbabwe Pavilion during the opening week of the biennale with the hospitality of commissioner Doreen Sibanda and curator Raphael Chikukwa. The first pieces presented in this room consisted in Geoffroy’s tent and an installation by Polish artist Christian Costa. Since then it has been animated online and has extended from being a space for artists expressing emergencies about climate change, to encompassing various emergency topics.
From 24 to 28 August, Geoffroy was in Venice collaborating with Danish artists Nadia Plesner, Mads Vind Ludvigsen, who created new work everyday, raising various emergencies and concerns, with a daily change of exhibition (“passage”) at 3.00 pm. For his last day in Venice, Geoffroy addressed the Syrian situation.
The work produced during this intervention is displayed until 30 September. The presentation is based on Geoffroy's concept of "Delay Museum" where art created for past emergencies is exhibited, while new work enters the Mobile Emergency Room.
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the Emergency Room Mobile at the Zimbabwe pavilion / Venice Biennale has now been completed with some work from the The Delay Museum ,Please visit the pavilion when you go the Venice Biennale this is part of the PENETRATIONS formats ( the Zimbabwe pavilion gave hopsitality for a period of several monthes ) the displayed art works in the Delay Museum are still "boiling " as they are from last week . ( Nadia Plesner / Mads Vind Ludvigsen , COLONEL ) ( this project is a convergence with BIENNALIST / Emergency Room ) more on Christine Eyene blog as she facilated and work within ....This penetration was in connection with my participation in the Maldives pavilion " CAN A NATION WELCOME ANOTHER NATION ?"CAN EMERGENCIES BE RANKED " .Thank you also for the work by David Marin , @Guillaume Dimanche and Christian Costa
venice-biennale-biennalists.blogspot.dk/2013/09/recents-w...
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VENICE BIENNALE / VENEZIA BIENNIAL 2013 : BIENNALIST
www.emergencyrooms.org/biennalist.html
Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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Countries( nations ) that participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni
Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,
Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,
Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,
Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore
Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe
the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay
Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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lists of artists participating at the Venice Biennale
Hilma af Klint, Victor Alimpiev, Ellen Altfest, Paweł Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Mirosław Bałka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Graphic Works of Southeast Asia and Melanesia, Hugo A. Bernatzik Collection, Ștefan Bertalan, Rossella Biscotti, Arthur Bispo do Rosário, John Bock, Frédéric Bruly Bouabré, Geta Brătescu, KP Brehmer, James Lee Byars, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Aleister Crowley & Frieda Harris, Robert Crumb, Roberto Cuoghi, Enrico David, Tacita Dean, John De Andrea, Thierry De Cordier, Jos De Gruyter e Harald Thys, Walter De Maria, Simon Denny, Trisha Donnelly, Jimmie Durham, Harun Farocki, Peter Fischli & David Weiss, Linda Fregni Nagler, Peter Fritz, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian & Angela Ricci Lucchi, Domenico Gnoli, Robert Gober, Tamar Guimarães and Kasper Akhøj, Guo Fengyi, João Maria Gusmão & Pedro Paiva, Wade Guyton, Haitian Vodou Flags, Duane Hanson, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsoh, Kan Xuan, Bouchra Khalili, Ragnar Kjartansson, Eva Kotátková, Evgenij Kozlov, Emma Kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Lin Xue, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Helen Marten, Paul McCarthy, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Bruce Nauman, Albert Oehlen, Shinro Ohtake, J.D. ‘Okhai Ojeikere, Henrik Olesen, John Outterbridg, Paño Drawings, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Shaker Gift Drawings, Jim Shaw, Cindy Sherman, Laurie Simmons e Allan McCollum, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Anonymous Tantric Paintings, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Patrick Van Caeckenbergh, Stan VanDerBeek, Erik van Lieshout, Danh Vo, Eugene Von Bruenchenhein, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Lynette Yiadom-Boakye, Kohei YoshiyUKi, Sergey Zarva, Anna Zemánková, Jakub Julian Ziółkowski ,Artur Żmijewski.
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other pavilions at Venice Biennale
Andorra
Artists: Javier Balmaseda, Samantha Bosque, Fiona Morrison
Commissioner: Henry Périer
Deputy Commissioners: Francesc Rodríguez, Ermengol Puig, Ruth Casabella
Curators: Josep M. Ubach, Paolo De Grandis
Venue: Arsenale di Venezia, Nappa 90
Angola
Artist: Edson Chagas
Commissioner: Ministry of Culture
Curators: Beyond Entropy (Paula Nascimento, Stefano Rabolli Pansera), Jorge Gumbe, Feliciano dos Santos
Venue: Palazzo Cini, San Vio, Dorsoduro 864
Argentina
Artist: Nicola Costantino
Commissioner: Magdalena Faillace
Curator: Fernando Farina
Venue: Pavilion at Arsenale
Armenia
Artist: Ararat Sarkissian
Commissioner: Ministry of Culture
Curator: Arman Grogoryan
Venue: Isola di San Lazzaro degli Armeni, everyday from 2:30 p.m. to 5:30 p.m.
Australia
Artist: Simryn Gill
Commissioner: Simon Mordant
Deputy Commissioner: Penelope Seidler
Curator: Catherine de Zegher
Venue: Pavilion at Giardini
Austria
Artist: Mathias Poledna
Commissioner/Curator: Jasper Sharp
Venue: Pavilion at Giardini
Azerbaijan
Artists: Rashad Alakbarov, Sanan Aleskerov, Chingiz Babayev, Butunay Hagverdiyev, Fakhriyya Mammadova, Farid Rasulov
Commissioner: Heydar Aliyev Foundation
Curator: Hervé Mikaeloff
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
Bahamas
Artist: Tavares Strachan
Commissioner: Nalini Bethel, Ministry of Tourism
Curators: Jean Crutchfield, Robert Hobbs
Deputy Curator: Stamatina Gregory
Venue: Arsenale, Tese Cinquecentesche
Bangladesh
Chhakka Artists’ Group: Mokhlesur Rahman, Mahbub Zamal, A. K. M. Zahidul Mustafa, Ashok Karmaker, Lala Rukh Selim, Uttam Kumar Karmaker. Dhali Al Mamoon, Yasmin Jahan Nupur, Gavin Rain, Gianfranco Meggiato, Charupit School
Commissioner/Curator: Francesco Elisei.
Curator: Fabio Anselmi.
Venue: Officina delle Zattere, Dorsoduro 947
Bahrain
Artists: Mariam Haji, Waheeda Malullah, Camille Zakharia
Commissioner: Mai bint Mohammed Al Khalifa, Minister of Culture
Curator: Melissa Enders-Bhatiaa
Venue: Pavilion at Arsenale
Belgium
Artist: Berlinde De Bruyckere
Commissioner: Joke Schauvliege, Flemish Minister for Environment, Nature and Culture
Curator: J. M. Coetzee
Deputy Curator: Philippe Van Cauteren
Venue: Pavilion at Giardini
Bosnia and Herzegovina
Artist: Mladen Miljanovic
Commissioners: Sarita Vujković, Irfan Hošić
Venue: Palazzo Malipiero, San Marco
Brazil
Artists: Hélio Fervenza, Odires Mlászho, Lygia Clark, Max Bill, Bruno Munari
Commissioner: Luis Terepins, Fundação Bienal de São Paulo
Curator: Luis Pérez-Oramas
Deputy Curator: André Severo
Venue: Pavilion at Giardini
Canada
Artist: Shary Boyle
Commissioner: National Gallery of Canada / Musée des beaux-arts du Canada
Curator: Josée Drouin-Brisebois
Venue: Pavilion at Giardini
Central Asia
Artists: Vyacheslav Akhunov, Sergey Chutkov, Saodat Ismailova, Kamilla Kurmanbekova, Ikuru Kuwajima, Anton Rodin, Aza Shade, Erlan Tuyakov
Commissioner: HIVOS (Humanist Institute for Development Cooperation)
Deputy Commissioner: Dean Vanessa Ohlraun (Oslo National Academy of the Arts/The Academy of Fine Art)
Curators: Ayatgali Tuleubek, Tiago Bom
Scientific Committee: Susanne M. Winterling
Venue: Palazzo Malipiero, San Marco 3199-3201
Chile
Artist: Alfredo Jaar
Commissioner: CNCA, National Council of Culture and the Arts
Curator: Madeleine Grynsztejn
Venue: Pavilion at Arsenale
China
Artists: He Yunchang, Hu Yaolin, Miao Xiaochun, Shu Yong, Tong Hongsheng, Wang Qingsong, Zhang Xiaotao
Commissioner: China Arts and Entertainment Group (CAEG)
Curator: Wang Chunchen
Venue: Pavilion at Arsenale
Costa Rica
Artists: Priscilla Monge, Esteban Piedra, Rafael Ottón Solís, Cinthya Soto
Commissioner: Francesco Elisei
Curator: Francisco Córdoba, Museo de Arte y Diseño Contemporáneo (Fiorella Resenterra)
Venue: Ca’ Bonvicini, Santa Croce
Croatia
Artist: Kata Mijatovic
Commissioner/Curator: Branko Franceschi.
Venue: Sala Tiziano, Opera don Orione Artigianelli, Fondamenta delle Zattere ai Gesuati 919
Cuba
Artists: Liudmila and Nelson, Maria Magdalena Campos & Neil Leonard, Sandra Ramos, Glenda León, Lázaro Saavedra, Tonel, Hermann Nitsch, Gilberto Zorio, Wang Du, H.H.Lim, Pedro Costa, Rui Chafes, Francesca Leone
Commissioner: Miria Vicini
Curators: Jorge Fernández Torres, Giacomo Zaza
Venue: Museo Archeologico Nazionale di Venezia, Palazzo Reale, Piazza San Marco 17
Cyprus
Artists: Lia Haraki, Maria Hassabi, Phanos Kyriacou, Constantinos Taliotis, Natalie Yiaxi, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister
Commissioner: Louli Michaelidou
Deputy Commissioners: Angela Skordi, Marika Ioannou
Curator: Raimundas Malašauskas
Czech Republic & Slovak Republic
Artists: Petra Feriancova, Zbynek Baladran
Commissioner: Monika Palcova
Curator: Marek Pokorny
Venue: Pavilion at Giardini
Denmark
Artist: Jesper Just in collaboration with Project Projects
Commissioners: The Danish Arts Council Committee for International Visual Arts: Jette Gejl Kristensen (chairman), Lise Harlev, Jesper Elg, Mads Gamdrup, Anna Krogh
Curator: Lotte S. Lederballe Pedersen
Venue: Pavilion at Giardini
Egypt
Artists: Mohamed Banawy, Khaled Zaki
Commissioner: Ministry of Culture
Venue: Pavilion at Giardini
Estonia
Artist: Dénes Farkas
Commissioner: Maria Arusoo
Curator: Adam Budak
Venue: Palazzo Malipiero, San Marco 3199, San Samuele
Finland
Artist: Antti Laitinen
Commissioner: Raija Koli
Curators: Marko Karo, Mika Elo, Harri Laakso
Venue: Pavilion at Giardini
France
Artist: Anri Sala
Commissioner: Institut français
Curator: Christine Macel
Venue: Pavilion of Germany at the Giardini
Georgia
Artists: Bouillon Group,Thea Djordjadze, Nikoloz Lutidze, Gela Patashuri with Ei Arakawa and Sergei Tcherepnin, Gio Sumbadze
Commissioner: Marine Mizandari, First Deputy Minister of Culture
Curator: Joanna Warsza
Venue: Pavilion at Arsenale
Germany
Artists: Ai Weiwei, Romuald Karmakar, Santu Mofokeng, Dayanita Singh
Commissioner/Curator: Susanne Gaensheimer
Venue: Pavilion of France at Giardini
Great Britain
Artist: Jeremy Deller
Commissioner: Andrea Rose
Curator: Emma Gifford-Mead
Venue: Pavilion at Giardini
Greece
Artist: Stefanos Tsivopoulos
Commissioner: Hellenic Ministry of Education and Religious Affairs, Culture and Sports
Curator: Syrago Tsiara
Venue: Pavilion at Giardini
Holy See
Artists: Lawrence Carroll, Josef Koudelka, Studio Azzurro
Curator: Antonio Paolucci
Venue: Pavilion at Arsenale
Hungary
Artist: Zsolt Asztalos
Commissioner: Kunstahalle (Art Hall)
Curator: Gabriella Uhl
Venue: Pavilion at Giardini
Iceland
Artist: Katrín Sigurðardóttir
Commissioner: Dorotheé Kirch
Curators: Mary Ceruti , Ilaria Bonacossa
Venue: Lavanderia, Palazzo Zenobio, Collegio Armeno Moorat-Raphael, Fondamenta del Soccorso, Dorsoduro 2596
Indonesia
Artists: Albert Yonathan Setyawan, Eko Nugroho, Entang Wiharso, Rahayu Supanggah, Sri Astari, Titarubi
Commissioner: Soedarmadji JH Damais
Deputy Commissioner: Achille Bonito Oliva
Assistant Commissioner: Mirah M. Sjarif
Curators: Carla Bianpoen, Rifky Effendy
Venue: Pavilion at Arsenale
Iraq
Artists: Abdul Raheem Yassir, Akeel Khreef, Ali Samiaa, Bassim Al-Shaker, Cheeman Ismaeel, Furat al Jamil, Hareth Alhomaam, Jamal Penjweny, Kadhim Nwir, WAMI (Yaseen Wami, Hashim Taeeh)
Commissioner: Tamara Chalabi (Ruya Foundation for Contemporary Culture)
Deputy Commissioner: Vittorio Urbani
Curator: Jonathan Watkins.
Venue: Ca' Dandolo, San Tomà, Venezia
Ireland
Artist: Richard Mosse
Commissioner, Curator: Anna O’Sullivan
Venue: Fondaco Marcello, San Marco 3415
Israel
Artist: Gilad Ratman
Commissioners: Arad Turgeman, Michael Gov
Curator: Sergio Edelstein
Venue: Pavilion at Giardini
Italy
Artists: Francesco Arena, Massimo Bartolini, Gianfranco Baruchello, Elisabetta Benassi, Flavio Favelli, Luigi Ghirri, Piero Golia, Francesca Grilli, Marcello Maloberti, Fabio Mauri, Giulio Paolini, Marco Tirelli, Luca Vitone, Sislej Xhafa
Commissioner: Maddalena Ragni
Curator: Bartolomeo Pietromarchi
Venue: Italian Pavilion, Tese delle Vergini at Arsenale
Ivory Coast
Artists: Frédéric Bruly Bouabré, Tamsir Dia, Jems Koko Bi, Franck Fanny
Commissioner: Paolo De Grandis
Curator: Yacouba Konaté
Venue: Spiazzi, Arsenale, Castello 3865
Japan
Artist: Koki Tanaka
Commissioner: The Japan Foundation
Curator: Mika Kuraya
Venue: Pavilion at Giardini
Kenya
Artists: Kivuthi Mbuno, Armando Tanzini, Chrispus Wangombe Wachira, Fan Bo, Luo Ling & Liu Ke, Lu Peng, Li Wei, He Weiming, Chen Wenling, Feng Zhengjie, César Meneghetti
Commissioner: Paola Poponi
Curators: Sandro Orlandi, Paola Poponi
Venue: Caserma Cornoldi, Castello 4142 and San Servolo island
Korea (Republic of)
Artist: Kimsooja
Commissioner/Curator: Seungduk Kim
Deputy Commissioner: Kyungyun Ho
Venue: Pavilion at Giardini
Kosovo
Artist: Petrit Halilaj
Commissioner: Erzen Shkololli
Curator: Kathrin Rhomberg
Venue: Pavilion at Arsenale
Kuwait
Artists: Sami Mohammad, Tarek Al-Ghoussein
Commissioner: Mohammed Al-Asoussi (National Council of Culture, Arts and Letters)
Curator: Ala Younis
Venue: Palazzo Michiel, Sestriere Cannaregio, Strada Nuova
Latin America
Istituto Italo-Latino Americano
Artists:
Marcos Agudelo, Miguel Alvear & Patricio Andrade, Susana Arwas, François Bucher, Fredi Casco, Colectivo Quintapata (Pascal Meccariello, Raquel Paiewonsky, Jorge Pineda, Belkis Ramírez), Humberto Díaz, Sonia Falcone, León & Cociña, Lucía Madriz, Jhafis Quintero, Martín Sastre, Guillermo Srodek-Hart, Juliana Stein, Simón Vega, Luca Vitone, David Zink Yi.
Harun Farocki & Antje Ehmann. In collaboration with: Cristián Silva-Avária, Anna Azevedo, Paola Barreto, Fred Benevides, Anna Bentes, Hermano Callou, Renata Catharino, Patrick Sonni Cavalier, Lucas Ferraço Nassif, Luiz Garcia, André Herique, Bruna Mastrogiovanni, Cezar Migliorin, Felipe Ribeiro, Roberto Robalinho, Bruno Vianna, Beny Wagner, Christian Jankowski
Commissioner: Sylvia Irrazábal
Curator: Alfons Hug
Deputy Curator: Paz Guevara
Venue: Pavilion at Arsenale
Latvia
Artists: Kaspars Podnieks, Krišs Salmanis
Commissioners: Zane Culkstena, Zane Onckule
Curators: Anne Barlow, Courtenay Finn, Alise Tifentale
Venue: Pavilion at Arsenale
Lebanon
Artist: Akram Zaatari
Commissioner: Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Curators: Sam Bardaouil, Till Fellrath
Venue: Pavilion at Arsenale
Lithuania
Artist: Gintaras Didžiapetris, Elena Narbutaite, Liudvikas Buklys, Kazys Varnelis, Vytaute Žilinskaite, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister
Commissioners: Jonas Žokaitis, Aurime Aleksandraviciute
Curator: Raimundas Malašauskas
Venue: Palasport Arsenale, Calle San Biagio 2132, Castello
Luxembourg
Artist: Catherine Lorent
Commissioner: Clément Minighetti
Curator: Anna Loporcaro
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
Macedonia
Artist: Elpida Hadzi-Vasileva
Commissioner: Halide Paloshi
Curator: Ana Frangovska
Venue: Scuola dei Laneri, Santa Croce 113/A
Maldives
Participants: Paul Miller (aka DJ Spooky), Thierry Geoffrey (aka Colonel), Gregory Niemeyer, Stefano Cagol, Hanna Husberg, Laura McLean & Kalliopi, Tsipni-Kolaza, Khaled Ramadan, Moomin Fouad, Mohamed Ali, Sama Alshaibi, Patrizio Travagli, Achilleas Kentonis & Maria Papacaharalambous, Wooloo, Khaled Hafez in collaboration with Wael Darwesh, Ursula Biemann, Heidrun Holzfeind & Christoph Draeger, Klaus Schafler
Commissioner: Ministry of Tourism, Arts & Culture
Curators: CPS – Chamber of Public Secrets (Alfredo Cramerotti, Aida Eltorie, Khaled
Ramadan)
Deputy Curators: Maren Richter, Camilla Boemio
Venue: Gervasuti Foundation, Via Garibaldi
Mexico
Artist: Ariel Guzik
Commissioner: Gastón Ramírez Feltrín
Curator: Itala Schmelz
Venue: Ex Chiesa di San Lorenzo, Campo San Lorenzo
Montenegro
Artist: Irena Lagator Pejovic
Commissioner/Curator: Nataša Nikcevic
Venue: Palazzo Malipiero, San Marco 3078-3079/A, Ramo Malipiero Venezia – Ground Floor
The Netherlands
Artist: Mark Manders
Commissioner: Mondriaan Fund
Curator: Lorenzo Benedetti
Venue: Pavilion at Giardini
New Zealand
Artist: Bill Culbert
Commissioner: Jenny Harper
Deputy Commissioner: Heather Galbraith
Curator: Justin Paton
Venue: Santa Maria della Pietà, Calle della Pietà, Castello
Nordic Pavilion (Finland, Norway)
Finland:
Artist: Terike Haapoja
Commissioner: Raija Koli
Curators: Marko Karo, Mika Elo, Harri Laakso
Venue: Pavilion at Giardini
Norway:
Artists: Edvard Munch, Lene Berg
Commissioner: Office for Contemporary Art Norway (OCA)
Curators: Marta Kuzma, Pablo Lafuente, Angela Vettese
Venue: Galleria di Piazza San Marco, Fondazione Bevilacqua La Masa
Paraguay
Artists: Pedro Barrail, Felix Toranzos, Diana Rossi, Daniel Milessi
Commissioner: Elisa Victoria Aquino Laterza
Deputy Commissioner: Nori Vaccari Starck
Curator: Osvaldo González Real
Venue: Palazzo Carminati, Santa Croce 1882
Poland
Artist: Konrad Smolenski
Commissioner: Hanna Wróblewska
Curators: Agnieszka Pindera, Daniel Muzyczuk
Venue: Pavilion at Giardini
Portugal
Artist: Joana Vasconcelos
Commissioner: Direção-Geral das Artes/Secretário de Estado da Cultura, Governo de Portugal
Curator: Miguel Amado
Venue: Riva dei Partigiani
Romania
Artists: Maria Alexandra Pirici, Manuel Pelmus
Commissioner: Monica Morariu
Deputy Commissioner: Alexandru Damian
Curator: Raluca Voinea
Venue: Pavilion at Giardini
Artists: Anca Mihulet, Apparatus 22 (Dragos Olea, Maria Farcas,Erika Olea), Irina Botea, Nicu Ilfoveanu, Karolina Bregula, Adi Matei, Olivia Mihaltianu, Sebastian Moldovan
Commissioner: Monica Morariu
Deputy Commissioner: Alexandru Damian
Curator: Anca Mihulet
Venue: Nuova Galleria dell'Istituto Romeno di Venezia, Palazzo Correr, Campo Santa Fosca, Cannaregio 2214
Russia
Artist: Vadim Zakharov
Commissioner: Stella Kasaeva
Curator: Udo Kittelmann
Venue: Pavilion at Giardini
Serbia
Artists: Vladimir Peric, Miloš Tomic
Commissioner: Maja Ciric
Venue: Pavilion at Giardini
Singapore
Cancelled the participation
Slovenia
Artist: Jasmina Cibic
Commissioner: Blaž Peršin
Curator: Tevž Logar
Venue: Galleria A+A, San Marco 3073
South Africa
Contemporary South African Art and the Archive
Commissioner: Saul Molobi
Curator: Brenton Maart
Venue: Pavilion at Arsenale
Spain
Artist: Lara Almarcegui
Commissioner/Curator: Octavio Zaya
Venue: Pavilion at Giardini
Switzerland
Artist: Valentin Carron
Commissioners: Pro Helvetia - Sandi Paucic and Marianne Burki
Deputy Commissioner: Pro Helvetia - Rachele Giudici Legittimo
Curator: Giovanni Carmine
Venue: Pavilion at Giardini
Syrian Arab Republic
Artists: Giorgio De Chirico, Miro George, Makhowl Moffak, Al Samman Nabil, Echtai Shaffik, Giulio Durini, Dario Arcidiacono, Massimiliano Alioto, Felipe Cardena, Roberto Paolini, Concetto Pozzati, Sergio Lombardo, Camilla Ancilotto, Lucio Micheletti, Lidia Bachis, Cracking Art Group, Hannu Palosuo
Commissioner: Christian Maretti
Curator: Duccio Trombadori
Venue: Isola di San Servolo
Taiwan
Artists: Bernd Behr, Chia-Wei Hsu, Kateřina Šedá + BATEŽO MIKILU
Curator: Esther Lu
Organizer: Taipei Fine Arts Museum
Venue: Palazzo delle Prigioni, Castello 4209, San Marco
Thailand
Artists: Wasinburee Supanichvoraparch, Arin Rungjang
Commissioner: Office of Contemporary Art and Culture, Ministry of Culture
Curators: Penwadee Nophaket Manont, Worathep Akkabootara
Venue: Santa Croce 556
Turkey
Artist: Ali Kazma
Commissioner: Istanbul Foundation for Culture and Arts
Curator: Emre Baykal
Venue: Pavilion at Arsenale
Tuvalu
Artist: Vincent J.F.Huang
Commissioners: Apisai Ielemia, Minister of Foreign Affair, Trade, Tourism, Environment & Labour; Tapugao Falefou, Permanent Secretary of Foreign Affairs, Tourism, Environment & Labour
Curators: An-Yi Pan, Szu Hsien Li, Shu Ping Shih
Venue: Forte Marghera, via Forte Marghera, 30
Ukraine
Artists: Ridnyi Mykola, Zinkovskyi Hamlet, Kadyrova Zhanna
Commissioner: Victor Sydorenko
Curators: Soloviov Oleksandr, Burlaka Victoria
Venue: Palazzo Loredan, Istituto Veneto di Scienze, Lettere ed Arti, Campo Santo Stefano
United Arab Emirates
Artist: Mohammed Kazem
Commissioner: Dr. Lamees Hamdan
Curator: Reem Fadda
Venue: Pavilion at Arsenale, Sale d'Armi
Uruguay
Artist: Wifredo Díaz Valdéz
Commissioner: Ricardo Pascale
Curators: Carlos Capelán, Verónica Cordeiro
Venue: Pavilion at Giardini
USA
Artist: Sarah Sze
Commissioners/Curators: Carey Lovelace, Holly Block
Venue: Pavilion at Giardini
Venezuela
Colectivo de Artistas Urbanos Venezolanos
Commissioner: Edgar Ernesto González
Curator: Juan Calzadilla
Venue: Pavilion at Giardini
Zimbabwe
Artists: Portia Zvavahera, Michele Mathison, Rashid Jogee, Voti Thebe, Virginia Chihota
Commissioner: Doreen Sibanda
Curator: Raphael Chikukwa
Venue: Santa Maria della Pietà, Calle della Pietà, Castello 3701
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The Mobile Emergency Room is a project by Thierry Geoffroy/Colonel, a participating artist of the Maldives Pavilion working with art formats developed around the notion of emergency.
Emergency Room is a format providing space for artists to engage in urgent debates, address societal dysfunctions and express emergencies in the now, today, before it is too late. Geoffroy’s approach allows immediate artistic intervention and displaces the contemporary to the status of delayed comment on yesterday’s world.
Taking as point of departure climate change and the Maldives, Geoffroy developed a scenario of disappearance and translated actual emergencies and hospitality needs into artistic interventions. In this context he activated his penetration format in order to transform “rigid exhibition spaces” into “elastic and generous exhibition spaces”.
An intervention facilitated by curator Christine Eyene, the Mobile Emergency Room was set up at the Zimbabwe Pavilion during the opening week of the biennale with the hospitality of commissioner Doreen Sibanda and curator Raphael Chikukwa. The first pieces presented in this room consisted in Geoffroy’s tent and an installation by Polish artist Christian Costa. Since then it has been animated online and has extended from being a space for artists expressing emergencies about climate change, to encompassing various emergency topics.
From 24 to 28 August, Geoffroy was in Venice collaborating with Danish artists Nadia Plesner, Mads Vind Ludvigsen, who created new work everyday, raising various emergencies and concerns, with a daily change of exhibition (“passage”) at 3.00 pm. For his last day in Venice, Geoffroy addressed the Syrian situation.
The work produced during this intervention is displayed until 30 September. The presentation is based on Geoffroy's concept of "Delay Museum" where art created for past emergencies is exhibited, while new work enters the Mobile Emergency Room.
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the Emergency Room Mobile at the Zimbabwe pavilion / Venice Biennale has now been completed with some work from the The Delay Museum ,Please visit the pavilion when you go the Venice Biennale this is part of the PENETRATIONS formats ( the Zimbabwe pavilion gave hopsitality for a period of several monthes ) the displayed art works in the Delay Museum are still "boiling " as they are from last week . ( Nadia Plesner / Mads Vind Ludvigsen , COLONEL ) ( this project is a convergence with BIENNALIST / Emergency Room ) more on Christine Eyene blog as she facilated and work within ....This penetration was in connection with my participation in the Maldives pavilion " CAN A NATION WELCOME ANOTHER NATION ?"CAN EMERGENCIES BE RANKED " .Thank you also for the work by David Marin , @Guillaume Dimanche and Christian Costa
venice-biennale-biennalists.blogspot.dk/2013/09/recents-w...
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VENICE BIENNALE / VENEZIA BIENNIAL 2013 : BIENNALIST
www.emergencyrooms.org/biennalist.html
Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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Countries( nations ) that participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni
Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,
Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,
Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,
Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore
Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe
the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay
Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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lists of artists participating at the Venice Biennale
Hilma af Klint, Victor Alimpiev, Ellen Altfest, Paweł Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Mirosław Bałka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Graphic Works of Southeast Asia and Melanesia, Hugo A. Bernatzik Collection, Ștefan Bertalan, Rossella Biscotti, Arthur Bispo do Rosário, John Bock, Frédéric Bruly Bouabré, Geta Brătescu, KP Brehmer, James Lee Byars, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Aleister Crowley & Frieda Harris, Robert Crumb, Roberto Cuoghi, Enrico David, Tacita Dean, John De Andrea, Thierry De Cordier, Jos De Gruyter e Harald Thys, Walter De Maria, Simon Denny, Trisha Donnelly, Jimmie Durham, Harun Farocki, Peter Fischli & David Weiss, Linda Fregni Nagler, Peter Fritz, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian & Angela Ricci Lucchi, Domenico Gnoli, Robert Gober, Tamar Guimarães and Kasper Akhøj, Guo Fengyi, João Maria Gusmão & Pedro Paiva, Wade Guyton, Haitian Vodou Flags, Duane Hanson, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsoh, Kan Xuan, Bouchra Khalili, Ragnar Kjartansson, Eva Kotátková, Evgenij Kozlov, Emma Kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Lin Xue, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Helen Marten, Paul McCarthy, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Bruce Nauman, Albert Oehlen, Shinro Ohtake, J.D. ‘Okhai Ojeikere, Henrik Olesen, John Outterbridg, Paño Drawings, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Shaker Gift Drawings, Jim Shaw, Cindy Sherman, Laurie Simmons e Allan McCollum, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Anonymous Tantric Paintings, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Patrick Van Caeckenbergh, Stan VanDerBeek, Erik van Lieshout, Danh Vo, Eugene Von Bruenchenhein, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Lynette Yiadom-Boakye, Kohei YoshiyUKi, Sergey Zarva, Anna Zemánková, Jakub Julian Ziółkowski ,Artur Żmijewski.
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other pavilions at Venice Biennale
Andorra
Artists: Javier Balmaseda, Samantha Bosque, Fiona Morrison
Commissioner: Henry Périer
Deputy Commissioners: Francesc Rodríguez, Ermengol Puig, Ruth Casabella
Curators: Josep M. Ubach, Paolo De Grandis
Venue: Arsenale di Venezia, Nappa 90
Angola
Artist: Edson Chagas
Commissioner: Ministry of Culture
Curators: Beyond Entropy (Paula Nascimento, Stefano Rabolli Pansera), Jorge Gumbe, Feliciano dos Santos
Venue: Palazzo Cini, San Vio, Dorsoduro 864
Argentina
Artist: Nicola Costantino
Commissioner: Magdalena Faillace
Curator: Fernando Farina
Venue: Pavilion at Arsenale
Armenia
Artist: Ararat Sarkissian
Commissioner: Ministry of Culture
Curator: Arman Grogoryan
Venue: Isola di San Lazzaro degli Armeni, everyday from 2:30 p.m. to 5:30 p.m.
Australia
Artist: Simryn Gill
Commissioner: Simon Mordant
Deputy Commissioner: Penelope Seidler
Curator: Catherine de Zegher
Venue: Pavilion at Giardini
Austria
Artist: Mathias Poledna
Commissioner/Curator: Jasper Sharp
Venue: Pavilion at Giardini
Azerbaijan
Artists: Rashad Alakbarov, Sanan Aleskerov, Chingiz Babayev, Butunay Hagverdiyev, Fakhriyya Mammadova, Farid Rasulov
Commissioner: Heydar Aliyev Foundation
Curator: Hervé Mikaeloff
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
Bahamas
Artist: Tavares Strachan
Commissioner: Nalini Bethel, Ministry of Tourism
Curators: Jean Crutchfield, Robert Hobbs
Deputy Curator: Stamatina Gregory
Venue: Arsenale, Tese Cinquecentesche
Bangladesh
Chhakka Artists’ Group: Mokhlesur Rahman, Mahbub Zamal, A. K. M. Zahidul Mustafa, Ashok Karmaker, Lala Rukh Selim, Uttam Kumar Karmaker. Dhali Al Mamoon, Yasmin Jahan Nupur, Gavin Rain, Gianfranco Meggiato, Charupit School
Commissioner/Curator: Francesco Elisei.
Curator: Fabio Anselmi.
Venue: Officina delle Zattere, Dorsoduro 947
Bahrain
Artists: Mariam Haji, Waheeda Malullah, Camille Zakharia
Commissioner: Mai bint Mohammed Al Khalifa, Minister of Culture
Curator: Melissa Enders-Bhatiaa
Venue: Pavilion at Arsenale
Belgium
Artist: Berlinde De Bruyckere
Commissioner: Joke Schauvliege, Flemish Minister for Environment, Nature and Culture
Curator: J. M. Coetzee
Deputy Curator: Philippe Van Cauteren
Venue: Pavilion at Giardini
Bosnia and Herzegovina
Artist: Mladen Miljanovic
Commissioners: Sarita Vujković, Irfan Hošić
Venue: Palazzo Malipiero, San Marco
Brazil
Artists: Hélio Fervenza, Odires Mlászho, Lygia Clark, Max Bill, Bruno Munari
Commissioner: Luis Terepins, Fundação Bienal de São Paulo
Curator: Luis Pérez-Oramas
Deputy Curator: André Severo
Venue: Pavilion at Giardini
Canada
Artist: Shary Boyle
Commissioner: National Gallery of Canada / Musée des beaux-arts du Canada
Curator: Josée Drouin-Brisebois
Venue: Pavilion at Giardini
Central Asia
Artists: Vyacheslav Akhunov, Sergey Chutkov, Saodat Ismailova, Kamilla Kurmanbekova, Ikuru Kuwajima, Anton Rodin, Aza Shade, Erlan Tuyakov
Commissioner: HIVOS (Humanist Institute for Development Cooperation)
Deputy Commissioner: Dean Vanessa Ohlraun (Oslo National Academy of the Arts/The Academy of Fine Art)
Curators: Ayatgali Tuleubek, Tiago Bom
Scientific Committee: Susanne M. Winterling
Venue: Palazzo Malipiero, San Marco 3199-3201
Chile
Artist: Alfredo Jaar
Commissioner: CNCA, National Council of Culture and the Arts
Curator: Madeleine Grynsztejn
Venue: Pavilion at Arsenale
China
Artists: He Yunchang, Hu Yaolin, Miao Xiaochun, Shu Yong, Tong Hongsheng, Wang Qingsong, Zhang Xiaotao
Commissioner: China Arts and Entertainment Group (CAEG)
Curator: Wang Chunchen
Venue: Pavilion at Arsenale
Costa Rica
Artists: Priscilla Monge, Esteban Piedra, Rafael Ottón Solís, Cinthya Soto
Commissioner: Francesco Elisei
Curator: Francisco Córdoba, Museo de Arte y Diseño Contemporáneo (Fiorella Resenterra)
Venue: Ca’ Bonvicini, Santa Croce
Croatia
Artist: Kata Mijatovic
Commissioner/Curator: Branko Franceschi.
Venue: Sala Tiziano, Opera don Orione Artigianelli, Fondamenta delle Zattere ai Gesuati 919
Cuba
Artists: Liudmila and Nelson, Maria Magdalena Campos & Neil Leonard, Sandra Ramos, Glenda León, Lázaro Saavedra, Tonel, Hermann Nitsch, Gilberto Zorio, Wang Du, H.H.Lim, Pedro Costa, Rui Chafes, Francesca Leone
Commissioner: Miria Vicini
Curators: Jorge Fernández Torres, Giacomo Zaza
Venue: Museo Archeologico Nazionale di Venezia, Palazzo Reale, Piazza San Marco 17
Cyprus
Artists: Lia Haraki, Maria Hassabi, Phanos Kyriacou, Constantinos Taliotis, Natalie Yiaxi, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister
Commissioner: Louli Michaelidou
Deputy Commissioners: Angela Skordi, Marika Ioannou
Curator: Raimundas Malašauskas
Czech Republic & Slovak Republic
Artists: Petra Feriancova, Zbynek Baladran
Commissioner: Monika Palcova
Curator: Marek Pokorny
Venue: Pavilion at Giardini
Denmark
Artist: Jesper Just in collaboration with Project Projects
Commissioners: The Danish Arts Council Committee for International Visual Arts: Jette Gejl Kristensen (chairman), Lise Harlev, Jesper Elg, Mads Gamdrup, Anna Krogh
Curator: Lotte S. Lederballe Pedersen
Venue: Pavilion at Giardini
Egypt
Artists: Mohamed Banawy, Khaled Zaki
Commissioner: Ministry of Culture
Venue: Pavilion at Giardini
Estonia
Artist: Dénes Farkas
Commissioner: Maria Arusoo
Curator: Adam Budak
Venue: Palazzo Malipiero, San Marco 3199, San Samuele
Finland
Artist: Antti Laitinen
Commissioner: Raija Koli
Curators: Marko Karo, Mika Elo, Harri Laakso
Venue: Pavilion at Giardini
France
Artist: Anri Sala
Commissioner: Institut français
Curator: Christine Macel
Venue: Pavilion of Germany at the Giardini
Georgia
Artists: Bouillon Group,Thea Djordjadze, Nikoloz Lutidze, Gela Patashuri with Ei Arakawa and Sergei Tcherepnin, Gio Sumbadze
Commissioner: Marine Mizandari, First Deputy Minister of Culture
Curator: Joanna Warsza
Venue: Pavilion at Arsenale
Germany
Artists: Ai Weiwei, Romuald Karmakar, Santu Mofokeng, Dayanita Singh
Commissioner/Curator: Susanne Gaensheimer
Venue: Pavilion of France at Giardini
Great Britain
Artist: Jeremy Deller
Commissioner: Andrea Rose
Curator: Emma Gifford-Mead
Venue: Pavilion at Giardini
Greece
Artist: Stefanos Tsivopoulos
Commissioner: Hellenic Ministry of Education and Religious Affairs, Culture and Sports
Curator: Syrago Tsiara
Venue: Pavilion at Giardini
Holy See
Artists: Lawrence Carroll, Josef Koudelka, Studio Azzurro
Curator: Antonio Paolucci
Venue: Pavilion at Arsenale
Hungary
Artist: Zsolt Asztalos
Commissioner: Kunstahalle (Art Hall)
Curator: Gabriella Uhl
Venue: Pavilion at Giardini
Iceland
Artist: Katrín Sigurðardóttir
Commissioner: Dorotheé Kirch
Curators: Mary Ceruti , Ilaria Bonacossa
Venue: Lavanderia, Palazzo Zenobio, Collegio Armeno Moorat-Raphael, Fondamenta del Soccorso, Dorsoduro 2596
Indonesia
Artists: Albert Yonathan Setyawan, Eko Nugroho, Entang Wiharso, Rahayu Supanggah, Sri Astari, Titarubi
Commissioner: Soedarmadji JH Damais
Deputy Commissioner: Achille Bonito Oliva
Assistant Commissioner: Mirah M. Sjarif
Curators: Carla Bianpoen, Rifky Effendy
Venue: Pavilion at Arsenale
Iraq
Artists: Abdul Raheem Yassir, Akeel Khreef, Ali Samiaa, Bassim Al-Shaker, Cheeman Ismaeel, Furat al Jamil, Hareth Alhomaam, Jamal Penjweny, Kadhim Nwir, WAMI (Yaseen Wami, Hashim Taeeh)
Commissioner: Tamara Chalabi (Ruya Foundation for Contemporary Culture)
Deputy Commissioner: Vittorio Urbani
Curator: Jonathan Watkins.
Venue: Ca' Dandolo, San Tomà, Venezia
Ireland
Artist: Richard Mosse
Commissioner, Curator: Anna O’Sullivan
Venue: Fondaco Marcello, San Marco 3415
Israel
Artist: Gilad Ratman
Commissioners: Arad Turgeman, Michael Gov
Curator: Sergio Edelstein
Venue: Pavilion at Giardini
Italy
Artists: Francesco Arena, Massimo Bartolini, Gianfranco Baruchello, Elisabetta Benassi, Flavio Favelli, Luigi Ghirri, Piero Golia, Francesca Grilli, Marcello Maloberti, Fabio Mauri, Giulio Paolini, Marco Tirelli, Luca Vitone, Sislej Xhafa
Commissioner: Maddalena Ragni
Curator: Bartolomeo Pietromarchi
Venue: Italian Pavilion, Tese delle Vergini at Arsenale
Ivory Coast
Artists: Frédéric Bruly Bouabré, Tamsir Dia, Jems Koko Bi, Franck Fanny
Commissioner: Paolo De Grandis
Curator: Yacouba Konaté
Venue: Spiazzi, Arsenale, Castello 3865
Japan
Artist: Koki Tanaka
Commissioner: The Japan Foundation
Curator: Mika Kuraya
Venue: Pavilion at Giardini
Kenya
Artists: Kivuthi Mbuno, Armando Tanzini, Chrispus Wangombe Wachira, Fan Bo, Luo Ling & Liu Ke, Lu Peng, Li Wei, He Weiming, Chen Wenling, Feng Zhengjie, César Meneghetti
Commissioner: Paola Poponi
Curators: Sandro Orlandi, Paola Poponi
Venue: Caserma Cornoldi, Castello 4142 and San Servolo island
Korea (Republic of)
Artist: Kimsooja
Commissioner/Curator: Seungduk Kim
Deputy Commissioner: Kyungyun Ho
Venue: Pavilion at Giardini
Kosovo
Artist: Petrit Halilaj
Commissioner: Erzen Shkololli
Curator: Kathrin Rhomberg
Venue: Pavilion at Arsenale
Kuwait
Artists: Sami Mohammad, Tarek Al-Ghoussein
Commissioner: Mohammed Al-Asoussi (National Council of Culture, Arts and Letters)
Curator: Ala Younis
Venue: Palazzo Michiel, Sestriere Cannaregio, Strada Nuova
Latin America
Istituto Italo-Latino Americano
Artists:
Marcos Agudelo, Miguel Alvear & Patricio Andrade, Susana Arwas, François Bucher, Fredi Casco, Colectivo Quintapata (Pascal Meccariello, Raquel Paiewonsky, Jorge Pineda, Belkis Ramírez), Humberto Díaz, Sonia Falcone, León & Cociña, Lucía Madriz, Jhafis Quintero, Martín Sastre, Guillermo Srodek-Hart, Juliana Stein, Simón Vega, Luca Vitone, David Zink Yi.
Harun Farocki & Antje Ehmann. In collaboration with: Cristián Silva-Avária, Anna Azevedo, Paola Barreto, Fred Benevides, Anna Bentes, Hermano Callou, Renata Catharino, Patrick Sonni Cavalier, Lucas Ferraço Nassif, Luiz Garcia, André Herique, Bruna Mastrogiovanni, Cezar Migliorin, Felipe Ribeiro, Roberto Robalinho, Bruno Vianna, Beny Wagner, Christian Jankowski
Commissioner: Sylvia Irrazábal
Curator: Alfons Hug
Deputy Curator: Paz Guevara
Venue: Pavilion at Arsenale
Latvia
Artists: Kaspars Podnieks, Krišs Salmanis
Commissioners: Zane Culkstena, Zane Onckule
Curators: Anne Barlow, Courtenay Finn, Alise Tifentale
Venue: Pavilion at Arsenale
Lebanon
Artist: Akram Zaatari
Commissioner: Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Curators: Sam Bardaouil, Till Fellrath
Venue: Pavilion at Arsenale
Lithuania
Artist: Gintaras Didžiapetris, Elena Narbutaite, Liudvikas Buklys, Kazys Varnelis, Vytaute Žilinskaite, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister
Commissioners: Jonas Žokaitis, Aurime Aleksandraviciute
Curator: Raimundas Malašauskas
Venue: Palasport Arsenale, Calle San Biagio 2132, Castello
Luxembourg
Artist: Catherine Lorent
Commissioner: Clément Minighetti
Curator: Anna Loporcaro
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
Macedonia
Artist: Elpida Hadzi-Vasileva
Commissioner: Halide Paloshi
Curator: Ana Frangovska
Venue: Scuola dei Laneri, Santa Croce 113/A
Maldives
Participants: Paul Miller (aka DJ Spooky), Thierry Geoffrey (aka Colonel), Gregory Niemeyer, Stefano Cagol, Hanna Husberg, Laura McLean & Kalliopi, Tsipni-Kolaza, Khaled Ramadan, Moomin Fouad, Mohamed Ali, Sama Alshaibi, Patrizio Travagli, Achilleas Kentonis & Maria Papacaharalambous, Wooloo, Khaled Hafez in collaboration with Wael Darwesh, Ursula Biemann, Heidrun Holzfeind & Christoph Draeger, Klaus Schafler
Commissioner: Ministry of Tourism, Arts & Culture
Curators: CPS – Chamber of Public Secrets (Alfredo Cramerotti, Aida Eltorie, Khaled
Ramadan)
Deputy Curators: Maren Richter, Camilla Boemio
Venue: Gervasuti Foundation, Via Garibaldi
Mexico
Artist: Ariel Guzik
Commissioner: Gastón Ramírez Feltrín
Curator: Itala Schmelz
Venue: Ex Chiesa di San Lorenzo, Campo San Lorenzo
Montenegro
Artist: Irena Lagator Pejovic
Commissioner/Curator: Nataša Nikcevic
Venue: Palazzo Malipiero, San Marco 3078-3079/A, Ramo Malipiero Venezia – Ground Floor
The Netherlands
Artist: Mark Manders
Commissioner: Mondriaan Fund
Curator: Lorenzo Benedetti
Venue: Pavilion at Giardini
New Zealand
Artist: Bill Culbert
Commissioner: Jenny Harper
Deputy Commissioner: Heather Galbraith
Curator: Justin Paton
Venue: Santa Maria della Pietà, Calle della Pietà, Castello
Nordic Pavilion (Finland, Norway)
Finland:
Artist: Terike Haapoja
Commissioner: Raija Koli
Curators: Marko Karo, Mika Elo, Harri Laakso
Venue: Pavilion at Giardini
Norway:
Artists: Edvard Munch, Lene Berg
Commissioner: Office for Contemporary Art Norway (OCA)
Curators: Marta Kuzma, Pablo Lafuente, Angela Vettese
Venue: Galleria di Piazza San Marco, Fondazione Bevilacqua La Masa
Paraguay
Artists: Pedro Barrail, Felix Toranzos, Diana Rossi, Daniel Milessi
Commissioner: Elisa Victoria Aquino Laterza
Deputy Commissioner: Nori Vaccari Starck
Curator: Osvaldo González Real
Venue: Palazzo Carminati, Santa Croce 1882
Poland
Artist: Konrad Smolenski
Commissioner: Hanna Wróblewska
Curators: Agnieszka Pindera, Daniel Muzyczuk
Venue: Pavilion at Giardini
Portugal
Artist: Joana Vasconcelos
Commissioner: Direção-Geral das Artes/Secretário de Estado da Cultura, Governo de Portugal
Curator: Miguel Amado
Venue: Riva dei Partigiani
Romania
Artists: Maria Alexandra Pirici, Manuel Pelmus
Commissioner: Monica Morariu
Deputy Commissioner: Alexandru Damian
Curator: Raluca Voinea
Venue: Pavilion at Giardini
Artists: Anca Mihulet, Apparatus 22 (Dragos Olea, Maria Farcas,Erika Olea), Irina Botea, Nicu Ilfoveanu, Karolina Bregula, Adi Matei, Olivia Mihaltianu, Sebastian Moldovan
Commissioner: Monica Morariu
Deputy Commissioner: Alexandru Damian
Curator: Anca Mihulet
Venue: Nuova Galleria dell'Istituto Romeno di Venezia, Palazzo Correr, Campo Santa Fosca, Cannaregio 2214
Russia
Artist: Vadim Zakharov
Commissioner: Stella Kasaeva
Curator: Udo Kittelmann
Venue: Pavilion at Giardini
Serbia
Artists: Vladimir Peric, Miloš Tomic
Commissioner: Maja Ciric
Venue: Pavilion at Giardini
Singapore
Cancelled the participation
Slovenia
Artist: Jasmina Cibic
Commissioner: Blaž Peršin
Curator: Tevž Logar
Venue: Galleria A+A, San Marco 3073
South Africa
Contemporary South African Art and the Archive
Commissioner: Saul Molobi
Curator: Brenton Maart
Venue: Pavilion at Arsenale
Spain
Artist: Lara Almarcegui
Commissioner/Curator: Octavio Zaya
Venue: Pavilion at Giardini
Switzerland
Artist: Valentin Carron
Commissioners: Pro Helvetia - Sandi Paucic and Marianne Burki
Deputy Commissioner: Pro Helvetia - Rachele Giudici Legittimo
Curator: Giovanni Carmine
Venue: Pavilion at Giardini
Syrian Arab Republic
Artists: Giorgio De Chirico, Miro George, Makhowl Moffak, Al Samman Nabil, Echtai Shaffik, Giulio Durini, Dario Arcidiacono, Massimiliano Alioto, Felipe Cardena, Roberto Paolini, Concetto Pozzati, Sergio Lombardo, Camilla Ancilotto, Lucio Micheletti, Lidia Bachis, Cracking Art Group, Hannu Palosuo
Commissioner: Christian Maretti
Curator: Duccio Trombadori
Venue: Isola di San Servolo
Taiwan
Artists: Bernd Behr, Chia-Wei Hsu, Kateřina Šedá + BATEŽO MIKILU
Curator: Esther Lu
Organizer: Taipei Fine Arts Museum
Venue: Palazzo delle Prigioni, Castello 4209, San Marco
Thailand
Artists: Wasinburee Supanichvoraparch, Arin Rungjang
Commissioner: Office of Contemporary Art and Culture, Ministry of Culture
Curators: Penwadee Nophaket Manont, Worathep Akkabootara
Venue: Santa Croce 556
Turkey
Artist: Ali Kazma
Commissioner: Istanbul Foundation for Culture and Arts
Curator: Emre Baykal
Venue: Pavilion at Arsenale
Tuvalu
Artist: Vincent J.F.Huang
Commissioners: Apisai Ielemia, Minister of Foreign Affair, Trade, Tourism, Environment & Labour; Tapugao Falefou, Permanent Secretary of Foreign Affairs, Tourism, Environment & Labour
Curators: An-Yi Pan, Szu Hsien Li, Shu Ping Shih
Venue: Forte Marghera, via Forte Marghera, 30
Ukraine
Artists: Ridnyi Mykola, Zinkovskyi Hamlet, Kadyrova Zhanna
Commissioner: Victor Sydorenko
Curators: Soloviov Oleksandr, Burlaka Victoria
Venue: Palazzo Loredan, Istituto Veneto di Scienze, Lettere ed Arti, Campo Santo Stefano
United Arab Emirates
Artist: Mohammed Kazem
Commissioner: Dr. Lamees Hamdan
Curator: Reem Fadda
Venue: Pavilion at Arsenale, Sale d'Armi
Uruguay
Artist: Wifredo Díaz Valdéz
Commissioner: Ricardo Pascale
Curators: Carlos Capelán, Verónica Cordeiro
Venue: Pavilion at Giardini
USA
Artist: Sarah Sze
Commissioners/Curators: Carey Lovelace, Holly Block
Venue: Pavilion at Giardini
Venezuela
Colectivo de Artistas Urbanos Venezolanos
Commissioner: Edgar Ernesto González
Curator: Juan Calzadilla
Venue: Pavilion at Giardini
Zimbabwe
Artists: Portia Zvavahera, Michele Mathison, Rashid Jogee, Voti Thebe, Virginia Chihota
Commissioner: Doreen Sibanda
Curator: Raphael Chikukwa
Venue: Santa Maria della Pietà, Calle della Pietà, Castello 3701
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The Mobile Emergency Room is a project by Thierry Geoffroy/Colonel, a participating artist of the Maldives Pavilion working with art formats developed around the notion of emergency.
Emergency Room is a format providing space for artists to engage in urgent debates, address societal dysfunctions and express emergencies in the now, today, before it is too late. Geoffroy’s approach allows immediate artistic intervention and displaces the contemporary to the status of delayed comment on yesterday’s world.
Taking as point of departure climate change and the Maldives, Geoffroy developed a scenario of disappearance and translated actual emergencies and hospitality needs into artistic interventions. In this context he activated his penetration format in order to transform “rigid exhibition spaces” into “elastic and generous exhibition spaces”.
An intervention facilitated by curator Christine Eyene, the Mobile Emergency Room was set up at the Zimbabwe Pavilion during the opening week of the biennale with the hospitality of commissioner Doreen Sibanda and curator Raphael Chikukwa. The first pieces presented in this room consisted in Geoffroy’s tent and an installation by Polish artist Christian Costa. Since then it has been animated online and has extended from being a space for artists expressing emergencies about climate change, to encompassing various emergency topics.
From 24 to 28 August, Geoffroy was in Venice collaborating with Danish artists Nadia Plesner, Mads Vind Ludvigsen, who created new work everyday, raising various emergencies and concerns, with a daily change of exhibition (“passage”) at 3.00 pm. For his last day in Venice, Geoffroy addressed the Syrian situation.
The work produced during this intervention is displayed until 30 September. The presentation is based on Geoffroy's concept of "Delay Museum" where art created for past emergencies is exhibited, while new work enters the Mobile Emergency Room.
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the Emergency Room Mobile at the Zimbabwe pavilion / Venice Biennale has now been completed with some work from the The Delay Museum ,Please visit the pavilion when you go the Venice Biennale this is part of the PENETRATIONS formats ( the Zimbabwe pavilion gave hopsitality for a period of several monthes ) the displayed art works in the Delay Museum are still "boiling " as they are from last week . ( Nadia Plesner / Mads Vind Ludvigsen , COLONEL ) ( this project is a convergence with BIENNALIST / Emergency Room ) more on Christine Eyene blog as she facilated and work within ....This penetration was in connection with my participation in the Maldives pavilion " CAN A NATION WELCOME ANOTHER NATION ?"CAN EMERGENCIES BE RANKED " .Thank you also for the work by David Marin , @Guillaume Dimanche and Christian Costa
venice-biennale-biennalists.blogspot.dk/2013/09/recents-w...
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VENICE BIENNALE / VENEZIA BIENNIAL 2013 : BIENNALIST
www.emergencyrooms.org/biennalist.html
Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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Countries( nations ) that participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni
Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,
Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,
Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,
Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore
Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe
the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay
Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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lists of artists participating at the Venice Biennale
Hilma af Klint, Victor Alimpiev, Ellen Altfest, Paweł Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Mirosław Bałka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Graphic Works of Southeast Asia and Melanesia, Hugo A. Bernatzik Collection, Ștefan Bertalan, Rossella Biscotti, Arthur Bispo do Rosário, John Bock, Frédéric Bruly Bouabré, Geta Brătescu, KP Brehmer, James Lee Byars, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Aleister Crowley & Frieda Harris, Robert Crumb, Roberto Cuoghi, Enrico David, Tacita Dean, John De Andrea, Thierry De Cordier, Jos De Gruyter e Harald Thys, Walter De Maria, Simon Denny, Trisha Donnelly, Jimmie Durham, Harun Farocki, Peter Fischli & David Weiss, Linda Fregni Nagler, Peter Fritz, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian & Angela Ricci Lucchi, Domenico Gnoli, Robert Gober, Tamar Guimarães and Kasper Akhøj, Guo Fengyi, João Maria Gusmão & Pedro Paiva, Wade Guyton, Haitian Vodou Flags, Duane Hanson, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsoh, Kan Xuan, Bouchra Khalili, Ragnar Kjartansson, Eva Kotátková, Evgenij Kozlov, Emma Kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Lin Xue, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Helen Marten, Paul McCarthy, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Bruce Nauman, Albert Oehlen, Shinro Ohtake, J.D. ‘Okhai Ojeikere, Henrik Olesen, John Outterbridg, Paño Drawings, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Shaker Gift Drawings, Jim Shaw, Cindy Sherman, Laurie Simmons e Allan McCollum, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Anonymous Tantric Paintings, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Patrick Van Caeckenbergh, Stan VanDerBeek, Erik van Lieshout, Danh Vo, Eugene Von Bruenchenhein, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Lynette Yiadom-Boakye, Kohei YoshiyUKi, Sergey Zarva, Anna Zemánková, Jakub Julian Ziółkowski ,Artur Żmijewski.
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other pavilions at Venice Biennale
Andorra
Artists: Javier Balmaseda, Samantha Bosque, Fiona Morrison
Commissioner: Henry Périer
Deputy Commissioners: Francesc Rodríguez, Ermengol Puig, Ruth Casabella
Curators: Josep M. Ubach, Paolo De Grandis
Venue: Arsenale di Venezia, Nappa 90
Angola
Artist: Edson Chagas
Commissioner: Ministry of Culture
Curators: Beyond Entropy (Paula Nascimento, Stefano Rabolli Pansera), Jorge Gumbe, Feliciano dos Santos
Venue: Palazzo Cini, San Vio, Dorsoduro 864
Argentina
Artist: Nicola Costantino
Commissioner: Magdalena Faillace
Curator: Fernando Farina
Venue: Pavilion at Arsenale
Armenia
Artist: Ararat Sarkissian
Commissioner: Ministry of Culture
Curator: Arman Grogoryan
Venue: Isola di San Lazzaro degli Armeni, everyday from 2:30 p.m. to 5:30 p.m.
Australia
Artist: Simryn Gill
Commissioner: Simon Mordant
Deputy Commissioner: Penelope Seidler
Curator: Catherine de Zegher
Venue: Pavilion at Giardini
Austria
Artist: Mathias Poledna
Commissioner/Curator: Jasper Sharp
Venue: Pavilion at Giardini
Azerbaijan
Artists: Rashad Alakbarov, Sanan Aleskerov, Chingiz Babayev, Butunay Hagverdiyev, Fakhriyya Mammadova, Farid Rasulov
Commissioner: Heydar Aliyev Foundation
Curator: Hervé Mikaeloff
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
Bahamas
Artist: Tavares Strachan
Commissioner: Nalini Bethel, Ministry of Tourism
Curators: Jean Crutchfield, Robert Hobbs
Deputy Curator: Stamatina Gregory
Venue: Arsenale, Tese Cinquecentesche
Bangladesh
Chhakka Artists’ Group: Mokhlesur Rahman, Mahbub Zamal, A. K. M. Zahidul Mustafa, Ashok Karmaker, Lala Rukh Selim, Uttam Kumar Karmaker. Dhali Al Mamoon, Yasmin Jahan Nupur, Gavin Rain, Gianfranco Meggiato, Charupit School
Commissioner/Curator: Francesco Elisei.
Curator: Fabio Anselmi.
Venue: Officina delle Zattere, Dorsoduro 947
Bahrain
Artists: Mariam Haji, Waheeda Malullah, Camille Zakharia
Commissioner: Mai bint Mohammed Al Khalifa, Minister of Culture
Curator: Melissa Enders-Bhatiaa
Venue: Pavilion at Arsenale
Belgium
Artist: Berlinde De Bruyckere
Commissioner: Joke Schauvliege, Flemish Minister for Environment, Nature and Culture
Curator: J. M. Coetzee
Deputy Curator: Philippe Van Cauteren
Venue: Pavilion at Giardini
Bosnia and Herzegovina
Artist: Mladen Miljanovic
Commissioners: Sarita Vujković, Irfan Hošić
Venue: Palazzo Malipiero, San Marco
Brazil
Artists: Hélio Fervenza, Odires Mlászho, Lygia Clark, Max Bill, Bruno Munari
Commissioner: Luis Terepins, Fundação Bienal de São Paulo
Curator: Luis Pérez-Oramas
Deputy Curator: André Severo
Venue: Pavilion at Giardini
Canada
Artist: Shary Boyle
Commissioner: National Gallery of Canada / Musée des beaux-arts du Canada
Curator: Josée Drouin-Brisebois
Venue: Pavilion at Giardini
Central Asia
Artists: Vyacheslav Akhunov, Sergey Chutkov, Saodat Ismailova, Kamilla Kurmanbekova, Ikuru Kuwajima, Anton Rodin, Aza Shade, Erlan Tuyakov
Commissioner: HIVOS (Humanist Institute for Development Cooperation)
Deputy Commissioner: Dean Vanessa Ohlraun (Oslo National Academy of the Arts/The Academy of Fine Art)
Curators: Ayatgali Tuleubek, Tiago Bom
Scientific Committee: Susanne M. Winterling
Venue: Palazzo Malipiero, San Marco 3199-3201
Chile
Artist: Alfredo Jaar
Commissioner: CNCA, National Council of Culture and the Arts
Curator: Madeleine Grynsztejn
Venue: Pavilion at Arsenale
China
Artists: He Yunchang, Hu Yaolin, Miao Xiaochun, Shu Yong, Tong Hongsheng, Wang Qingsong, Zhang Xiaotao
Commissioner: China Arts and Entertainment Group (CAEG)
Curator: Wang Chunchen
Venue: Pavilion at Arsenale
Costa Rica
Artists: Priscilla Monge, Esteban Piedra, Rafael Ottón Solís, Cinthya Soto
Commissioner: Francesco Elisei
Curator: Francisco Córdoba, Museo de Arte y Diseño Contemporáneo (Fiorella Resenterra)
Venue: Ca’ Bonvicini, Santa Croce
Croatia
Artist: Kata Mijatovic
Commissioner/Curator: Branko Franceschi.
Venue: Sala Tiziano, Opera don Orione Artigianelli, Fondamenta delle Zattere ai Gesuati 919
Cuba
Artists: Liudmila and Nelson, Maria Magdalena Campos & Neil Leonard, Sandra Ramos, Glenda León, Lázaro Saavedra, Tonel, Hermann Nitsch, Gilberto Zorio, Wang Du, H.H.Lim, Pedro Costa, Rui Chafes, Francesca Leone
Commissioner: Miria Vicini
Curators: Jorge Fernández Torres, Giacomo Zaza
Venue: Museo Archeologico Nazionale di Venezia, Palazzo Reale, Piazza San Marco 17
Cyprus
Artists: Lia Haraki, Maria Hassabi, Phanos Kyriacou, Constantinos Taliotis, Natalie Yiaxi, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister
Commissioner: Louli Michaelidou
Deputy Commissioners: Angela Skordi, Marika Ioannou
Curator: Raimundas Malašauskas
Czech Republic & Slovak Republic
Artists: Petra Feriancova, Zbynek Baladran
Commissioner: Monika Palcova
Curator: Marek Pokorny
Venue: Pavilion at Giardini
Denmark
Artist: Jesper Just in collaboration with Project Projects
Commissioners: The Danish Arts Council Committee for International Visual Arts: Jette Gejl Kristensen (chairman), Lise Harlev, Jesper Elg, Mads Gamdrup, Anna Krogh
Curator: Lotte S. Lederballe Pedersen
Venue: Pavilion at Giardini
Egypt
Artists: Mohamed Banawy, Khaled Zaki
Commissioner: Ministry of Culture
Venue: Pavilion at Giardini
Estonia
Artist: Dénes Farkas
Commissioner: Maria Arusoo
Curator: Adam Budak
Venue: Palazzo Malipiero, San Marco 3199, San Samuele
Finland
Artist: Antti Laitinen
Commissioner: Raija Koli
Curators: Marko Karo, Mika Elo, Harri Laakso
Venue: Pavilion at Giardini
France
Artist: Anri Sala
Commissioner: Institut français
Curator: Christine Macel
Venue: Pavilion of Germany at the Giardini
Georgia
Artists: Bouillon Group,Thea Djordjadze, Nikoloz Lutidze, Gela Patashuri with Ei Arakawa and Sergei Tcherepnin, Gio Sumbadze
Commissioner: Marine Mizandari, First Deputy Minister of Culture
Curator: Joanna Warsza
Venue: Pavilion at Arsenale
Germany
Artists: Ai Weiwei, Romuald Karmakar, Santu Mofokeng, Dayanita Singh
Commissioner/Curator: Susanne Gaensheimer
Venue: Pavilion of France at Giardini
Great Britain
Artist: Jeremy Deller
Commissioner: Andrea Rose
Curator: Emma Gifford-Mead
Venue: Pavilion at Giardini
Greece
Artist: Stefanos Tsivopoulos
Commissioner: Hellenic Ministry of Education and Religious Affairs, Culture and Sports
Curator: Syrago Tsiara
Venue: Pavilion at Giardini
Holy See
Artists: Lawrence Carroll, Josef Koudelka, Studio Azzurro
Curator: Antonio Paolucci
Venue: Pavilion at Arsenale
Hungary
Artist: Zsolt Asztalos
Commissioner: Kunstahalle (Art Hall)
Curator: Gabriella Uhl
Venue: Pavilion at Giardini
Iceland
Artist: Katrín Sigurðardóttir
Commissioner: Dorotheé Kirch
Curators: Mary Ceruti , Ilaria Bonacossa
Venue: Lavanderia, Palazzo Zenobio, Collegio Armeno Moorat-Raphael, Fondamenta del Soccorso, Dorsoduro 2596
Indonesia
Artists: Albert Yonathan Setyawan, Eko Nugroho, Entang Wiharso, Rahayu Supanggah, Sri Astari, Titarubi
Commissioner: Soedarmadji JH Damais
Deputy Commissioner: Achille Bonito Oliva
Assistant Commissioner: Mirah M. Sjarif
Curators: Carla Bianpoen, Rifky Effendy
Venue: Pavilion at Arsenale
Iraq
Artists: Abdul Raheem Yassir, Akeel Khreef, Ali Samiaa, Bassim Al-Shaker, Cheeman Ismaeel, Furat al Jamil, Hareth Alhomaam, Jamal Penjweny, Kadhim Nwir, WAMI (Yaseen Wami, Hashim Taeeh)
Commissioner: Tamara Chalabi (Ruya Foundation for Contemporary Culture)
Deputy Commissioner: Vittorio Urbani
Curator: Jonathan Watkins.
Venue: Ca' Dandolo, San Tomà, Venezia
Ireland
Artist: Richard Mosse
Commissioner, Curator: Anna O’Sullivan
Venue: Fondaco Marcello, San Marco 3415
Israel
Artist: Gilad Ratman
Commissioners: Arad Turgeman, Michael Gov
Curator: Sergio Edelstein
Venue: Pavilion at Giardini
Italy
Artists: Francesco Arena, Massimo Bartolini, Gianfranco Baruchello, Elisabetta Benassi, Flavio Favelli, Luigi Ghirri, Piero Golia, Francesca Grilli, Marcello Maloberti, Fabio Mauri, Giulio Paolini, Marco Tirelli, Luca Vitone, Sislej Xhafa
Commissioner: Maddalena Ragni
Curator: Bartolomeo Pietromarchi
Venue: Italian Pavilion, Tese delle Vergini at Arsenale
Ivory Coast
Artists: Frédéric Bruly Bouabré, Tamsir Dia, Jems Koko Bi, Franck Fanny
Commissioner: Paolo De Grandis
Curator: Yacouba Konaté
Venue: Spiazzi, Arsenale, Castello 3865
Japan
Artist: Koki Tanaka
Commissioner: The Japan Foundation
Curator: Mika Kuraya
Venue: Pavilion at Giardini
Kenya
Artists: Kivuthi Mbuno, Armando Tanzini, Chrispus Wangombe Wachira, Fan Bo, Luo Ling & Liu Ke, Lu Peng, Li Wei, He Weiming, Chen Wenling, Feng Zhengjie, César Meneghetti
Commissioner: Paola Poponi
Curators: Sandro Orlandi, Paola Poponi
Venue: Caserma Cornoldi, Castello 4142 and San Servolo island
Korea (Republic of)
Artist: Kimsooja
Commissioner/Curator: Seungduk Kim
Deputy Commissioner: Kyungyun Ho
Venue: Pavilion at Giardini
Kosovo
Artist: Petrit Halilaj
Commissioner: Erzen Shkololli
Curator: Kathrin Rhomberg
Venue: Pavilion at Arsenale
Kuwait
Artists: Sami Mohammad, Tarek Al-Ghoussein
Commissioner: Mohammed Al-Asoussi (National Council of Culture, Arts and Letters)
Curator: Ala Younis
Venue: Palazzo Michiel, Sestriere Cannaregio, Strada Nuova
Latin America
Istituto Italo-Latino Americano
Artists:
Marcos Agudelo, Miguel Alvear & Patricio Andrade, Susana Arwas, François Bucher, Fredi Casco, Colectivo Quintapata (Pascal Meccariello, Raquel Paiewonsky, Jorge Pineda, Belkis Ramírez), Humberto Díaz, Sonia Falcone, León & Cociña, Lucía Madriz, Jhafis Quintero, Martín Sastre, Guillermo Srodek-Hart, Juliana Stein, Simón Vega, Luca Vitone, David Zink Yi.
Harun Farocki & Antje Ehmann. In collaboration with: Cristián Silva-Avária, Anna Azevedo, Paola Barreto, Fred Benevides, Anna Bentes, Hermano Callou, Renata Catharino, Patrick Sonni Cavalier, Lucas Ferraço Nassif, Luiz Garcia, André Herique, Bruna Mastrogiovanni, Cezar Migliorin, Felipe Ribeiro, Roberto Robalinho, Bruno Vianna, Beny Wagner, Christian Jankowski
Commissioner: Sylvia Irrazábal
Curator: Alfons Hug
Deputy Curator: Paz Guevara
Venue: Pavilion at Arsenale
Latvia
Artists: Kaspars Podnieks, Krišs Salmanis
Commissioners: Zane Culkstena, Zane Onckule
Curators: Anne Barlow, Courtenay Finn, Alise Tifentale
Venue: Pavilion at Arsenale
Lebanon
Artist: Akram Zaatari
Commissioner: Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Curators: Sam Bardaouil, Till Fellrath
Venue: Pavilion at Arsenale
Lithuania
Artist: Gintaras Didžiapetris, Elena Narbutaite, Liudvikas Buklys, Kazys Varnelis, Vytaute Žilinskaite, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister
Commissioners: Jonas Žokaitis, Aurime Aleksandraviciute
Curator: Raimundas Malašauskas
Venue: Palasport Arsenale, Calle San Biagio 2132, Castello
Luxembourg
Artist: Catherine Lorent
Commissioner: Clément Minighetti
Curator: Anna Loporcaro
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
Macedonia
Artist: Elpida Hadzi-Vasileva
Commissioner: Halide Paloshi
Curator: Ana Frangovska
Venue: Scuola dei Laneri, Santa Croce 113/A
Maldives
Participants: Paul Miller (aka DJ Spooky), Thierry Geoffrey (aka Colonel), Gregory Niemeyer, Stefano Cagol, Hanna Husberg, Laura McLean & Kalliopi, Tsipni-Kolaza, Khaled Ramadan, Moomin Fouad, Mohamed Ali, Sama Alshaibi, Patrizio Travagli, Achilleas Kentonis & Maria Papacaharalambous, Wooloo, Khaled Hafez in collaboration with Wael Darwesh, Ursula Biemann, Heidrun Holzfeind & Christoph Draeger, Klaus Schafler
Commissioner: Ministry of Tourism, Arts & Culture
Curators: CPS – Chamber of Public Secrets (Alfredo Cramerotti, Aida Eltorie, Khaled
Ramadan)
Deputy Curators: Maren Richter, Camilla Boemio
Venue: Gervasuti Foundation, Via Garibaldi
Mexico
Artist: Ariel Guzik
Commissioner: Gastón Ramírez Feltrín
Curator: Itala Schmelz
Venue: Ex Chiesa di San Lorenzo, Campo San Lorenzo
Montenegro
Artist: Irena Lagator Pejovic
Commissioner/Curator: Nataša Nikcevic
Venue: Palazzo Malipiero, San Marco 3078-3079/A, Ramo Malipiero Venezia – Ground Floor
The Netherlands
Artist: Mark Manders
Commissioner: Mondriaan Fund
Curator: Lorenzo Benedetti
Venue: Pavilion at Giardini
New Zealand
Artist: Bill Culbert
Commissioner: Jenny Harper
Deputy Commissioner: Heather Galbraith
Curator: Justin Paton
Venue: Santa Maria della Pietà, Calle della Pietà, Castello
Nordic Pavilion (Finland, Norway)
Finland:
Artist: Terike Haapoja
Commissioner: Raija Koli
Curators: Marko Karo, Mika Elo, Harri Laakso
Venue: Pavilion at Giardini
Norway:
Artists: Edvard Munch, Lene Berg
Commissioner: Office for Contemporary Art Norway (OCA)
Curators: Marta Kuzma, Pablo Lafuente, Angela Vettese
Venue: Galleria di Piazza San Marco, Fondazione Bevilacqua La Masa
Paraguay
Artists: Pedro Barrail, Felix Toranzos, Diana Rossi, Daniel Milessi
Commissioner: Elisa Victoria Aquino Laterza
Deputy Commissioner: Nori Vaccari Starck
Curator: Osvaldo González Real
Venue: Palazzo Carminati, Santa Croce 1882
Poland
Artist: Konrad Smolenski
Commissioner: Hanna Wróblewska
Curators: Agnieszka Pindera, Daniel Muzyczuk
Venue: Pavilion at Giardini
Portugal
Artist: Joana Vasconcelos
Commissioner: Direção-Geral das Artes/Secretário de Estado da Cultura, Governo de Portugal
Curator: Miguel Amado
Venue: Riva dei Partigiani
Romania
Artists: Maria Alexandra Pirici, Manuel Pelmus
Commissioner: Monica Morariu
Deputy Commissioner: Alexandru Damian
Curator: Raluca Voinea
Venue: Pavilion at Giardini
Artists: Anca Mihulet, Apparatus 22 (Dragos Olea, Maria Farcas,Erika Olea), Irina Botea, Nicu Ilfoveanu, Karolina Bregula, Adi Matei, Olivia Mihaltianu, Sebastian Moldovan
Commissioner: Monica Morariu
Deputy Commissioner: Alexandru Damian
Curator: Anca Mihulet
Venue: Nuova Galleria dell'Istituto Romeno di Venezia, Palazzo Correr, Campo Santa Fosca, Cannaregio 2214
Russia
Artist: Vadim Zakharov
Commissioner: Stella Kasaeva
Curator: Udo Kittelmann
Venue: Pavilion at Giardini
Serbia
Artists: Vladimir Peric, Miloš Tomic
Commissioner: Maja Ciric
Venue: Pavilion at Giardini
Singapore
Cancelled the participation
Slovenia
Artist: Jasmina Cibic
Commissioner: Blaž Peršin
Curator: Tevž Logar
Venue: Galleria A+A, San Marco 3073
South Africa
Contemporary South African Art and the Archive
Commissioner: Saul Molobi
Curator: Brenton Maart
Venue: Pavilion at Arsenale
Spain
Artist: Lara Almarcegui
Commissioner/Curator: Octavio Zaya
Venue: Pavilion at Giardini
Switzerland
Artist: Valentin Carron
Commissioners: Pro Helvetia - Sandi Paucic and Marianne Burki
Deputy Commissioner: Pro Helvetia - Rachele Giudici Legittimo
Curator: Giovanni Carmine
Venue: Pavilion at Giardini
Syrian Arab Republic
Artists: Giorgio De Chirico, Miro George, Makhowl Moffak, Al Samman Nabil, Echtai Shaffik, Giulio Durini, Dario Arcidiacono, Massimiliano Alioto, Felipe Cardena, Roberto Paolini, Concetto Pozzati, Sergio Lombardo, Camilla Ancilotto, Lucio Micheletti, Lidia Bachis, Cracking Art Group, Hannu Palosuo
Commissioner: Christian Maretti
Curator: Duccio Trombadori
Venue: Isola di San Servolo
Taiwan
Artists: Bernd Behr, Chia-Wei Hsu, Kateřina Šedá + BATEŽO MIKILU
Curator: Esther Lu
Organizer: Taipei Fine Arts Museum
Venue: Palazzo delle Prigioni, Castello 4209, San Marco
Thailand
Artists: Wasinburee Supanichvoraparch, Arin Rungjang
Commissioner: Office of Contemporary Art and Culture, Ministry of Culture
Curators: Penwadee Nophaket Manont, Worathep Akkabootara
Venue: Santa Croce 556
Turkey
Artist: Ali Kazma
Commissioner: Istanbul Foundation for Culture and Arts
Curator: Emre Baykal
Venue: Pavilion at Arsenale
Tuvalu
Artist: Vincent J.F.Huang
Commissioners: Apisai Ielemia, Minister of Foreign Affair, Trade, Tourism, Environment & Labour; Tapugao Falefou, Permanent Secretary of Foreign Affairs, Tourism, Environment & Labour
Curators: An-Yi Pan, Szu Hsien Li, Shu Ping Shih
Venue: Forte Marghera, via Forte Marghera, 30
Ukraine
Artists: Ridnyi Mykola, Zinkovskyi Hamlet, Kadyrova Zhanna
Commissioner: Victor Sydorenko
Curators: Soloviov Oleksandr, Burlaka Victoria
Venue: Palazzo Loredan, Istituto Veneto di Scienze, Lettere ed Arti, Campo Santo Stefano
United Arab Emirates
Artist: Mohammed Kazem
Commissioner: Dr. Lamees Hamdan
Curator: Reem Fadda
Venue: Pavilion at Arsenale, Sale d'Armi
Uruguay
Artist: Wifredo Díaz Valdéz
Commissioner: Ricardo Pascale
Curators: Carlos Capelán, Verónica Cordeiro
Venue: Pavilion at Giardini
USA
Artist: Sarah Sze
Commissioners/Curators: Carey Lovelace, Holly Block
Venue: Pavilion at Giardini
Venezuela
Colectivo de Artistas Urbanos Venezolanos
Commissioner: Edgar Ernesto González
Curator: Juan Calzadilla
Venue: Pavilion at Giardini
Zimbabwe
Artists: Portia Zvavahera, Michele Mathison, Rashid Jogee, Voti Thebe, Virginia Chihota
Commissioner: Doreen Sibanda
Curator: Raphael Chikukwa
Venue: Santa Maria della Pietà, Calle della Pietà, Castello 3701
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The Mobile Emergency Room is a project by Thierry Geoffroy/Colonel, a participating artist of the Maldives Pavilion working with art formats developed around the notion of emergency.
Emergency Room is a format providing space for artists to engage in urgent debates, address societal dysfunctions and express emergencies in the now, today, before it is too late. Geoffroy’s approach allows immediate artistic intervention and displaces the contemporary to the status of delayed comment on yesterday’s world.
Taking as point of departure climate change and the Maldives, Geoffroy developed a scenario of disappearance and translated actual emergencies and hospitality needs into artistic interventions. In this context he activated his penetration format in order to transform “rigid exhibition spaces” into “elastic and generous exhibition spaces”.
An intervention facilitated by curator Christine Eyene, the Mobile Emergency Room was set up at the Zimbabwe Pavilion during the opening week of the biennale with the hospitality of commissioner Doreen Sibanda and curator Raphael Chikukwa. The first pieces presented in this room consisted in Geoffroy’s tent and an installation by Polish artist Christian Costa. Since then it has been animated online and has extended from being a space for artists expressing emergencies about climate change, to encompassing various emergency topics.
From 24 to 28 August, Geoffroy was in Venice collaborating with Danish artists Nadia Plesner, Mads Vind Ludvigsen, who created new work everyday, raising various emergencies and concerns, with a daily change of exhibition (“passage”) at 3.00 pm. For his last day in Venice, Geoffroy addressed the Syrian situation.
The work produced during this intervention is displayed until 30 September. The presentation is based on Geoffroy's concept of "Delay Museum" where art created for past emergencies is exhibited, while new work enters the Mobile Emergency Room.
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the Emergency Room Mobile at the Zimbabwe pavilion / Venice Biennale has now been completed with some work from the The Delay Museum ,Please visit the pavilion when you go the Venice Biennale this is part of the PENETRATIONS formats ( the Zimbabwe pavilion gave hopsitality for a period of several monthes ) the displayed art works in the Delay Museum are still "boiling " as they are from last week . ( Nadia Plesner / Mads Vind Ludvigsen , COLONEL ) ( this project is a convergence with BIENNALIST / Emergency Room ) more on Christine Eyene blog as she facilated and work within ....This penetration was in connection with my participation in the Maldives pavilion " CAN A NATION WELCOME ANOTHER NATION ?"CAN EMERGENCIES BE RANKED " .Thank you also for the work by David Marin , @Guillaume Dimanche and Christian Costa
venice-biennale-biennalists.blogspot.dk/2013/09/recents-w...
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VENICE BIENNALE / VENEZIA BIENNIAL 2013 : BIENNALIST
www.emergencyrooms.org/biennalist.html
Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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Countries( nations ) that participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni
Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,
Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,
Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,
Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore
Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe
the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay
Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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lists of artists participating at the Venice Biennale
Hilma af Klint, Victor Alimpiev, Ellen Altfest, Paweł Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Mirosław Bałka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Graphic Works of Southeast Asia and Melanesia, Hugo A. Bernatzik Collection, Ștefan Bertalan, Rossella Biscotti, Arthur Bispo do Rosário, John Bock, Frédéric Bruly Bouabré, Geta Brătescu, KP Brehmer, James Lee Byars, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Aleister Crowley & Frieda Harris, Robert Crumb, Roberto Cuoghi, Enrico David, Tacita Dean, John De Andrea, Thierry De Cordier, Jos De Gruyter e Harald Thys, Walter De Maria, Simon Denny, Trisha Donnelly, Jimmie Durham, Harun Farocki, Peter Fischli & David Weiss, Linda Fregni Nagler, Peter Fritz, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian & Angela Ricci Lucchi, Domenico Gnoli, Robert Gober, Tamar Guimarães and Kasper Akhøj, Guo Fengyi, João Maria Gusmão & Pedro Paiva, Wade Guyton, Haitian Vodou Flags, Duane Hanson, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsoh, Kan Xuan, Bouchra Khalili, Ragnar Kjartansson, Eva Kotátková, Evgenij Kozlov, Emma Kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Lin Xue, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Helen Marten, Paul McCarthy, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Bruce Nauman, Albert Oehlen, Shinro Ohtake, J.D. ‘Okhai Ojeikere, Henrik Olesen, John Outterbridg, Paño Drawings, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Shaker Gift Drawings, Jim Shaw, Cindy Sherman, Laurie Simmons e Allan McCollum, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Anonymous Tantric Paintings, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Patrick Van Caeckenbergh, Stan VanDerBeek, Erik van Lieshout, Danh Vo, Eugene Von Bruenchenhein, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Lynette Yiadom-Boakye, Kohei YoshiyUKi, Sergey Zarva, Anna Zemánková, Jakub Julian Ziółkowski ,Artur Żmijewski.
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other pavilions at Venice Biennale
Andorra
Artists: Javier Balmaseda, Samantha Bosque, Fiona Morrison
Commissioner: Henry Périer
Deputy Commissioners: Francesc Rodríguez, Ermengol Puig, Ruth Casabella
Curators: Josep M. Ubach, Paolo De Grandis
Venue: Arsenale di Venezia, Nappa 90
Angola
Artist: Edson Chagas
Commissioner: Ministry of Culture
Curators: Beyond Entropy (Paula Nascimento, Stefano Rabolli Pansera), Jorge Gumbe, Feliciano dos Santos
Venue: Palazzo Cini, San Vio, Dorsoduro 864
Argentina
Artist: Nicola Costantino
Commissioner: Magdalena Faillace
Curator: Fernando Farina
Venue: Pavilion at Arsenale
Armenia
Artist: Ararat Sarkissian
Commissioner: Ministry of Culture
Curator: Arman Grogoryan
Venue: Isola di San Lazzaro degli Armeni, everyday from 2:30 p.m. to 5:30 p.m.
Australia
Artist: Simryn Gill
Commissioner: Simon Mordant
Deputy Commissioner: Penelope Seidler
Curator: Catherine de Zegher
Venue: Pavilion at Giardini
Austria
Artist: Mathias Poledna
Commissioner/Curator: Jasper Sharp
Venue: Pavilion at Giardini
Azerbaijan
Artists: Rashad Alakbarov, Sanan Aleskerov, Chingiz Babayev, Butunay Hagverdiyev, Fakhriyya Mammadova, Farid Rasulov
Commissioner: Heydar Aliyev Foundation
Curator: Hervé Mikaeloff
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
Bahamas
Artist: Tavares Strachan
Commissioner: Nalini Bethel, Ministry of Tourism
Curators: Jean Crutchfield, Robert Hobbs
Deputy Curator: Stamatina Gregory
Venue: Arsenale, Tese Cinquecentesche
Bangladesh
Chhakka Artists’ Group: Mokhlesur Rahman, Mahbub Zamal, A. K. M. Zahidul Mustafa, Ashok Karmaker, Lala Rukh Selim, Uttam Kumar Karmaker. Dhali Al Mamoon, Yasmin Jahan Nupur, Gavin Rain, Gianfranco Meggiato, Charupit School
Commissioner/Curator: Francesco Elisei.
Curator: Fabio Anselmi.
Venue: Officina delle Zattere, Dorsoduro 947
Bahrain
Artists: Mariam Haji, Waheeda Malullah, Camille Zakharia
Commissioner: Mai bint Mohammed Al Khalifa, Minister of Culture
Curator: Melissa Enders-Bhatiaa
Venue: Pavilion at Arsenale
Belgium
Artist: Berlinde De Bruyckere
Commissioner: Joke Schauvliege, Flemish Minister for Environment, Nature and Culture
Curator: J. M. Coetzee
Deputy Curator: Philippe Van Cauteren
Venue: Pavilion at Giardini
Bosnia and Herzegovina
Artist: Mladen Miljanovic
Commissioners: Sarita Vujković, Irfan Hošić
Venue: Palazzo Malipiero, San Marco
Brazil
Artists: Hélio Fervenza, Odires Mlászho, Lygia Clark, Max Bill, Bruno Munari
Commissioner: Luis Terepins, Fundação Bienal de São Paulo
Curator: Luis Pérez-Oramas
Deputy Curator: André Severo
Venue: Pavilion at Giardini
Canada
Artist: Shary Boyle
Commissioner: National Gallery of Canada / Musée des beaux-arts du Canada
Curator: Josée Drouin-Brisebois
Venue: Pavilion at Giardini
Central Asia
Artists: Vyacheslav Akhunov, Sergey Chutkov, Saodat Ismailova, Kamilla Kurmanbekova, Ikuru Kuwajima, Anton Rodin, Aza Shade, Erlan Tuyakov
Commissioner: HIVOS (Humanist Institute for Development Cooperation)
Deputy Commissioner: Dean Vanessa Ohlraun (Oslo National Academy of the Arts/The Academy of Fine Art)
Curators: Ayatgali Tuleubek, Tiago Bom
Scientific Committee: Susanne M. Winterling
Venue: Palazzo Malipiero, San Marco 3199-3201
Chile
Artist: Alfredo Jaar
Commissioner: CNCA, National Council of Culture and the Arts
Curator: Madeleine Grynsztejn
Venue: Pavilion at Arsenale
China
Artists: He Yunchang, Hu Yaolin, Miao Xiaochun, Shu Yong, Tong Hongsheng, Wang Qingsong, Zhang Xiaotao
Commissioner: China Arts and Entertainment Group (CAEG)
Curator: Wang Chunchen
Venue: Pavilion at Arsenale
Costa Rica
Artists: Priscilla Monge, Esteban Piedra, Rafael Ottón Solís, Cinthya Soto
Commissioner: Francesco Elisei
Curator: Francisco Córdoba, Museo de Arte y Diseño Contemporáneo (Fiorella Resenterra)
Venue: Ca’ Bonvicini, Santa Croce
Croatia
Artist: Kata Mijatovic
Commissioner/Curator: Branko Franceschi.
Venue: Sala Tiziano, Opera don Orione Artigianelli, Fondamenta delle Zattere ai Gesuati 919
Cuba
Artists: Liudmila and Nelson, Maria Magdalena Campos & Neil Leonard, Sandra Ramos, Glenda León, Lázaro Saavedra, Tonel, Hermann Nitsch, Gilberto Zorio, Wang Du, H.H.Lim, Pedro Costa, Rui Chafes, Francesca Leone
Commissioner: Miria Vicini
Curators: Jorge Fernández Torres, Giacomo Zaza
Venue: Museo Archeologico Nazionale di Venezia, Palazzo Reale, Piazza San Marco 17
Cyprus
Artists: Lia Haraki, Maria Hassabi, Phanos Kyriacou, Constantinos Taliotis, Natalie Yiaxi, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister
Commissioner: Louli Michaelidou
Deputy Commissioners: Angela Skordi, Marika Ioannou
Curator: Raimundas Malašauskas
Czech Republic & Slovak Republic
Artists: Petra Feriancova, Zbynek Baladran
Commissioner: Monika Palcova
Curator: Marek Pokorny
Venue: Pavilion at Giardini
Denmark
Artist: Jesper Just in collaboration with Project Projects
Commissioners: The Danish Arts Council Committee for International Visual Arts: Jette Gejl Kristensen (chairman), Lise Harlev, Jesper Elg, Mads Gamdrup, Anna Krogh
Curator: Lotte S. Lederballe Pedersen
Venue: Pavilion at Giardini
Egypt
Artists: Mohamed Banawy, Khaled Zaki
Commissioner: Ministry of Culture
Venue: Pavilion at Giardini
Estonia
Artist: Dénes Farkas
Commissioner: Maria Arusoo
Curator: Adam Budak
Venue: Palazzo Malipiero, San Marco 3199, San Samuele
Finland
Artist: Antti Laitinen
Commissioner: Raija Koli
Curators: Marko Karo, Mika Elo, Harri Laakso
Venue: Pavilion at Giardini
France
Artist: Anri Sala
Commissioner: Institut français
Curator: Christine Macel
Venue: Pavilion of Germany at the Giardini
Georgia
Artists: Bouillon Group,Thea Djordjadze, Nikoloz Lutidze, Gela Patashuri with Ei Arakawa and Sergei Tcherepnin, Gio Sumbadze
Commissioner: Marine Mizandari, First Deputy Minister of Culture
Curator: Joanna Warsza
Venue: Pavilion at Arsenale
Germany
Artists: Ai Weiwei, Romuald Karmakar, Santu Mofokeng, Dayanita Singh
Commissioner/Curator: Susanne Gaensheimer
Venue: Pavilion of France at Giardini
Great Britain
Artist: Jeremy Deller
Commissioner: Andrea Rose
Curator: Emma Gifford-Mead
Venue: Pavilion at Giardini
Greece
Artist: Stefanos Tsivopoulos
Commissioner: Hellenic Ministry of Education and Religious Affairs, Culture and Sports
Curator: Syrago Tsiara
Venue: Pavilion at Giardini
Holy See
Artists: Lawrence Carroll, Josef Koudelka, Studio Azzurro
Curator: Antonio Paolucci
Venue: Pavilion at Arsenale
Hungary
Artist: Zsolt Asztalos
Commissioner: Kunstahalle (Art Hall)
Curator: Gabriella Uhl
Venue: Pavilion at Giardini
Iceland
Artist: Katrín Sigurðardóttir
Commissioner: Dorotheé Kirch
Curators: Mary Ceruti , Ilaria Bonacossa
Venue: Lavanderia, Palazzo Zenobio, Collegio Armeno Moorat-Raphael, Fondamenta del Soccorso, Dorsoduro 2596
Indonesia
Artists: Albert Yonathan Setyawan, Eko Nugroho, Entang Wiharso, Rahayu Supanggah, Sri Astari, Titarubi
Commissioner: Soedarmadji JH Damais
Deputy Commissioner: Achille Bonito Oliva
Assistant Commissioner: Mirah M. Sjarif
Curators: Carla Bianpoen, Rifky Effendy
Venue: Pavilion at Arsenale
Iraq
Artists: Abdul Raheem Yassir, Akeel Khreef, Ali Samiaa, Bassim Al-Shaker, Cheeman Ismaeel, Furat al Jamil, Hareth Alhomaam, Jamal Penjweny, Kadhim Nwir, WAMI (Yaseen Wami, Hashim Taeeh)
Commissioner: Tamara Chalabi (Ruya Foundation for Contemporary Culture)
Deputy Commissioner: Vittorio Urbani
Curator: Jonathan Watkins.
Venue: Ca' Dandolo, San Tomà, Venezia
Ireland
Artist: Richard Mosse
Commissioner, Curator: Anna O’Sullivan
Venue: Fondaco Marcello, San Marco 3415
Israel
Artist: Gilad Ratman
Commissioners: Arad Turgeman, Michael Gov
Curator: Sergio Edelstein
Venue: Pavilion at Giardini
Italy
Artists: Francesco Arena, Massimo Bartolini, Gianfranco Baruchello, Elisabetta Benassi, Flavio Favelli, Luigi Ghirri, Piero Golia, Francesca Grilli, Marcello Maloberti, Fabio Mauri, Giulio Paolini, Marco Tirelli, Luca Vitone, Sislej Xhafa
Commissioner: Maddalena Ragni
Curator: Bartolomeo Pietromarchi
Venue: Italian Pavilion, Tese delle Vergini at Arsenale
Ivory Coast
Artists: Frédéric Bruly Bouabré, Tamsir Dia, Jems Koko Bi, Franck Fanny
Commissioner: Paolo De Grandis
Curator: Yacouba Konaté
Venue: Spiazzi, Arsenale, Castello 3865
Japan
Artist: Koki Tanaka
Commissioner: The Japan Foundation
Curator: Mika Kuraya
Venue: Pavilion at Giardini
Kenya
Artists: Kivuthi Mbuno, Armando Tanzini, Chrispus Wangombe Wachira, Fan Bo, Luo Ling & Liu Ke, Lu Peng, Li Wei, He Weiming, Chen Wenling, Feng Zhengjie, César Meneghetti
Commissioner: Paola Poponi
Curators: Sandro Orlandi, Paola Poponi
Venue: Caserma Cornoldi, Castello 4142 and San Servolo island
Korea (Republic of)
Artist: Kimsooja
Commissioner/Curator: Seungduk Kim
Deputy Commissioner: Kyungyun Ho
Venue: Pavilion at Giardini
Kosovo
Artist: Petrit Halilaj
Commissioner: Erzen Shkololli
Curator: Kathrin Rhomberg
Venue: Pavilion at Arsenale
Kuwait
Artists: Sami Mohammad, Tarek Al-Ghoussein
Commissioner: Mohammed Al-Asoussi (National Council of Culture, Arts and Letters)
Curator: Ala Younis
Venue: Palazzo Michiel, Sestriere Cannaregio, Strada Nuova
Latin America
Istituto Italo-Latino Americano
Artists:
Marcos Agudelo, Miguel Alvear & Patricio Andrade, Susana Arwas, François Bucher, Fredi Casco, Colectivo Quintapata (Pascal Meccariello, Raquel Paiewonsky, Jorge Pineda, Belkis Ramírez), Humberto Díaz, Sonia Falcone, León & Cociña, Lucía Madriz, Jhafis Quintero, Martín Sastre, Guillermo Srodek-Hart, Juliana Stein, Simón Vega, Luca Vitone, David Zink Yi.
Harun Farocki & Antje Ehmann. In collaboration with: Cristián Silva-Avária, Anna Azevedo, Paola Barreto, Fred Benevides, Anna Bentes, Hermano Callou, Renata Catharino, Patrick Sonni Cavalier, Lucas Ferraço Nassif, Luiz Garcia, André Herique, Bruna Mastrogiovanni, Cezar Migliorin, Felipe Ribeiro, Roberto Robalinho, Bruno Vianna, Beny Wagner, Christian Jankowski
Commissioner: Sylvia Irrazábal
Curator: Alfons Hug
Deputy Curator: Paz Guevara
Venue: Pavilion at Arsenale
Latvia
Artists: Kaspars Podnieks, Krišs Salmanis
Commissioners: Zane Culkstena, Zane Onckule
Curators: Anne Barlow, Courtenay Finn, Alise Tifentale
Venue: Pavilion at Arsenale
Lebanon
Artist: Akram Zaatari
Commissioner: Association for the Promotion and Exhibition of the Arts in Lebanon (APEAL)
Curators: Sam Bardaouil, Till Fellrath
Venue: Pavilion at Arsenale
Lithuania
Artist: Gintaras Didžiapetris, Elena Narbutaite, Liudvikas Buklys, Kazys Varnelis, Vytaute Žilinskaite, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister
Commissioners: Jonas Žokaitis, Aurime Aleksandraviciute
Curator: Raimundas Malašauskas
Venue: Palasport Arsenale, Calle San Biagio 2132, Castello
Luxembourg
Artist: Catherine Lorent
Commissioner: Clément Minighetti
Curator: Anna Loporcaro
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
Macedonia
Artist: Elpida Hadzi-Vasileva
Commissioner: Halide Paloshi
Curator: Ana Frangovska
Venue: Scuola dei Laneri, Santa Croce 113/A
Maldives
Participants: Paul Miller (aka DJ Spooky), Thierry Geoffrey (aka Colonel), Gregory Niemeyer, Stefano Cagol, Hanna Husberg, Laura McLean & Kalliopi, Tsipni-Kolaza, Khaled Ramadan, Moomin Fouad, Mohamed Ali, Sama Alshaibi, Patrizio Travagli, Achilleas Kentonis & Maria Papacaharalambous, Wooloo, Khaled Hafez in collaboration with Wael Darwesh, Ursula Biemann, Heidrun Holzfeind & Christoph Draeger, Klaus Schafler
Commissioner: Ministry of Tourism, Arts & Culture
Curators: CPS – Chamber of Public Secrets (Alfredo Cramerotti, Aida Eltorie, Khaled
Ramadan)
Deputy Curators: Maren Richter, Camilla Boemio
Venue: Gervasuti Foundation, Via Garibaldi
Mexico
Artist: Ariel Guzik
Commissioner: Gastón Ramírez Feltrín
Curator: Itala Schmelz
Venue: Ex Chiesa di San Lorenzo, Campo San Lorenzo
Montenegro
Artist: Irena Lagator Pejovic
Commissioner/Curator: Nataša Nikcevic
Venue: Palazzo Malipiero, San Marco 3078-3079/A, Ramo Malipiero Venezia – Ground Floor
The Netherlands
Artist: Mark Manders
Commissioner: Mondriaan Fund
Curator: Lorenzo Benedetti
Venue: Pavilion at Giardini
New Zealand
Artist: Bill Culbert
Commissioner: Jenny Harper
Deputy Commissioner: Heather Galbraith
Curator: Justin Paton
Venue: Santa Maria della Pietà, Calle della Pietà, Castello
Nordic Pavilion (Finland, Norway)
Finland:
Artist: Terike Haapoja
Commissioner: Raija Koli
Curators: Marko Karo, Mika Elo, Harri Laakso
Venue: Pavilion at Giardini
Norway:
Artists: Edvard Munch, Lene Berg
Commissioner: Office for Contemporary Art Norway (OCA)
Curators: Marta Kuzma, Pablo Lafuente, Angela Vettese
Venue: Galleria di Piazza San Marco, Fondazione Bevilacqua La Masa
Paraguay
Artists: Pedro Barrail, Felix Toranzos, Diana Rossi, Daniel Milessi
Commissioner: Elisa Victoria Aquino Laterza
Deputy Commissioner: Nori Vaccari Starck
Curator: Osvaldo González Real
Venue: Palazzo Carminati, Santa Croce 1882
Poland
Artist: Konrad Smolenski
Commissioner: Hanna Wróblewska
Curators: Agnieszka Pindera, Daniel Muzyczuk
Venue: Pavilion at Giardini
Portugal
Artist: Joana Vasconcelos
Commissioner: Direção-Geral das Artes/Secretário de Estado da Cultura, Governo de Portugal
Curator: Miguel Amado
Venue: Riva dei Partigiani
Romania
Artists: Maria Alexandra Pirici, Manuel Pelmus
Commissioner: Monica Morariu
Deputy Commissioner: Alexandru Damian
Curator: Raluca Voinea
Venue: Pavilion at Giardini
Artists: Anca Mihulet, Apparatus 22 (Dragos Olea, Maria Farcas,Erika Olea), Irina Botea, Nicu Ilfoveanu, Karolina Bregula, Adi Matei, Olivia Mihaltianu, Sebastian Moldovan
Commissioner: Monica Morariu
Deputy Commissioner: Alexandru Damian
Curator: Anca Mihulet
Venue: Nuova Galleria dell'Istituto Romeno di Venezia, Palazzo Correr, Campo Santa Fosca, Cannaregio 2214
Russia
Artist: Vadim Zakharov
Commissioner: Stella Kasaeva
Curator: Udo Kittelmann
Venue: Pavilion at Giardini
Serbia
Artists: Vladimir Peric, Miloš Tomic
Commissioner: Maja Ciric
Venue: Pavilion at Giardini
Singapore
Cancelled the participation
Slovenia
Artist: Jasmina Cibic
Commissioner: Blaž Peršin
Curator: Tevž Logar
Venue: Galleria A+A, San Marco 3073
South Africa
Contemporary South African Art and the Archive
Commissioner: Saul Molobi
Curator: Brenton Maart
Venue: Pavilion at Arsenale
Spain
Artist: Lara Almarcegui
Commissioner/Curator: Octavio Zaya
Venue: Pavilion at Giardini
Switzerland
Artist: Valentin Carron
Commissioners: Pro Helvetia - Sandi Paucic and Marianne Burki
Deputy Commissioner: Pro Helvetia - Rachele Giudici Legittimo
Curator: Giovanni Carmine
Venue: Pavilion at Giardini
Syrian Arab Republic
Artists: Giorgio De Chirico, Miro George, Makhowl Moffak, Al Samman Nabil, Echtai Shaffik, Giulio Durini, Dario Arcidiacono, Massimiliano Alioto, Felipe Cardena, Roberto Paolini, Concetto Pozzati, Sergio Lombardo, Camilla Ancilotto, Lucio Micheletti, Lidia Bachis, Cracking Art Group, Hannu Palosuo
Commissioner: Christian Maretti
Curator: Duccio Trombadori
Venue: Isola di San Servolo
Taiwan
Artists: Bernd Behr, Chia-Wei Hsu, Kateřina Šedá + BATEŽO MIKILU
Curator: Esther Lu
Organizer: Taipei Fine Arts Museum
Venue: Palazzo delle Prigioni, Castello 4209, San Marco
Thailand
Artists: Wasinburee Supanichvoraparch, Arin Rungjang
Commissioner: Office of Contemporary Art and Culture, Ministry of Culture
Curators: Penwadee Nophaket Manont, Worathep Akkabootara
Venue: Santa Croce 556
Turkey
Artist: Ali Kazma
Commissioner: Istanbul Foundation for Culture and Arts
Curator: Emre Baykal
Venue: Pavilion at Arsenale
Tuvalu
Artist: Vincent J.F.Huang
Commissioners: Apisai Ielemia, Minister of Foreign Affair, Trade, Tourism, Environment & Labour; Tapugao Falefou, Permanent Secretary of Foreign Affairs, Tourism, Environment & Labour
Curators: An-Yi Pan, Szu Hsien Li, Shu Ping Shih
Venue: Forte Marghera, via Forte Marghera, 30
Ukraine
Artists: Ridnyi Mykola, Zinkovskyi Hamlet, Kadyrova Zhanna
Commissioner: Victor Sydorenko
Curators: Soloviov Oleksandr, Burlaka Victoria
Venue: Palazzo Loredan, Istituto Veneto di Scienze, Lettere ed Arti, Campo Santo Stefano
United Arab Emirates
Artist: Mohammed Kazem
Commissioner: Dr. Lamees Hamdan
Curator: Reem Fadda
Venue: Pavilion at Arsenale, Sale d'Armi
Uruguay
Artist: Wifredo Díaz Valdéz
Commissioner: Ricardo Pascale
Curators: Carlos Capelán, Verónica Cordeiro
Venue: Pavilion at Giardini
USA
Artist: Sarah Sze
Commissioners/Curators: Carey Lovelace, Holly Block
Venue: Pavilion at Giardini
Venezuela
Colectivo de Artistas Urbanos Venezolanos
Commissioner: Edgar Ernesto González
Curator: Juan Calzadilla
Venue: Pavilion at Giardini
Zimbabwe
Artists: Portia Zvavahera, Michele Mathison, Rashid Jogee, Voti Thebe, Virginia Chihota
Commissioner: Doreen Sibanda
Curator: Raphael Chikukwa
Venue: Santa Maria della Pietà, Calle della Pietà, Castello 3701
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For great photographs and the low down on the G20 Summit, Protests and Demonstrations visit www.ravishlondon.com/g20
The world faces a problem: recession and a spiraling fall in trade. The Economist puts it like this, “Trade is contracting again, at a rate unmatched in the post-war period. This week the World Trade Organisation (WTO) predicted that the volume of global merchandise trade would shrink by 9% this year. This will be the first fall in trade flows since 1982. Between 1990 and 2006 trade volumes grew by more than 6% a year, easily outstripping the growth rate of world output, which was about 3% (see chart 1). Now the global economic machine has gone into reverse: output is declining and trade is tumbling at a faster pace. The turmoil has shaken commerce in goods of all sorts, bought and sold by rich and poor countries alike.” According to the Economist, “The immediate cause of shrinking trade is plain: global recession means a collapse in demand. The credit crunch adds an additional squeeze, thanks to an estimated shortfall of $100 billion in trade finance, which lubricates 90% of world trade.”
According to the Guardian, “On Thursday 2 April Gordon Brown is going to host the G20 summit in London. Leaders from 22 countries will be at the summit. The G20 is an organisation for finance ministers and central bankers, who in the past met once a year to discuss international cooperation in finance. There are 19 countries who are members: Argentina, Australia, Brazil, Canada, China, France, Germany, India, Indonesia, Italy, Japan, Mexico, Russia, Saudi Arabia, South Africa, South Korea, Turkey, the United Kingdom and the United States. The 20th member is the European Union, which is represented by whichever country holds the EU presidency (currently, it's the Czech Republic). These countries represent 90% of global GDP, 80% of world trade and two thirds of the world's population. The IMF and the World Bank also attend G20 meetings, although technically the London event isn't a normal G20 meeting.”
This G20 meeting will be for the leaders of all G20 countries. According to the Guardian the policy agenda developed by the last G20 meeting “did not in fact go much beyond pre-existing international initiatives that had recently been developed in more technocratic international bodies.” According to the Guardian, “On the London summit website, the British government has explained what it hopes to achieve. At the summit, countries need to come together to enhance global coordination in order to help restore global economic growth. World leaders must make three commitments:
• First, to take whatever action is necessary to stabilise financial markets and enable families and businesses to get through the recession.
• Second, to reform and strengthen the global financial and economic system to restore confidence and trust.
• Third, to put the global economy on track for sustainable growth.
Gordon Brown has argued that the world must avoid protectionism. According to the Economist, “The World Bank says that, since the G20 leaders last met in November in Washington, DC, 17 of their countries have restricted trade. Some have raised tariffs, as Russia did on second-hand cars and India did on steel. Citing safety, China has banned imports of Irish pork and Italian brandy. Across the world, there has been a surge in actions against “dumping”—the sale of exports, supposedly at a loss, in order to undermine the competition. Governments everywhere are favouring locally made goods.” The Economist also says, “Kei-Mu Yi, an economist at the Federal Reserve Bank of Philadelphia, argues that trade has fallen so fast and so uniformly around the world largely because of the rise of “vertical specialisation”, or global supply chains. This contributed to trade’s rapid expansion in recent decades. Now it is adding to the rate of shrinkage. When David Ricardo argued in the early 19th century that comparative advantage was the basis of trade, he conceived of countries specialising in products, like wine or cloth. But Mr Yi points out that countries now specialise not so much in final products as in steps in the process of production.”
Protectionism in itself sounds bad – but it is a policy option available and used in all political economies – including the most liberal. Protectionism can also lead to a more self-sustainable economy, and can lead to the internal development of an economy, which means the economy is less reliant and dependent on external sources of finance. Development will be slower, but it can be more secure and sustainable. It is likely that if countries do operate protectionist policies it will be a short-term opportunist and populist response to workers and unions, but it could be seen as an alternative economic model of development. It worked in Brazil and Argentina during the 1960s and 1970s for a while, until a more neo-liberal and external finance model was preferred.
The Brazilian President Luiz Inacio Lula da Silva was reported on Channel 4 News to have told Mr Brown the crisis was caused by "white blue eyed people". This overtly racist remark has been noted, but there has been no visible backlash. It is interesting how the whole agenda about racism never applies to the dominant one, i.e. you can racially slur white people, and white people with blue eyes without anyone batting an eye lid, whereas if you racially slur other ethnic groups you can find yourself battered. I find this state of affairs deeply offensive to the human race in general, and very patronizing to those groups who don’t come from the dominant ethnic group (i.e. its almost to say the whole anti-racist thing is a way of patting you on the head and saying there, there – because when it comes to racism we don’t really give a shit – see the way we couldn’t give a f*** if you slur our own dominant white ethnic group).
The reality is that the summit will represent a reshuffling of position, support and dependencies between the world’s twenty richest countries. Spectators are expecting China to come out feeling puffed up and proud, given that China has faired relatively in recent years, or so we are led to believe. Meanwhile national demonstrations seem to be focusing our attention to the fact that a different way of working is needed. In fact it will be work as usual – the question is who will come out on top.
In anticipation of the G20 summit a demonstration was held in London. 10,000 were predicted to attend the demonstrations. The police reported 35,000. I was there at the demonstration and I don’t believe I saw 35,000 people walk past Big Ben – and I saw it from start to finish. As one commentator, on the Guardian observed, “Apart from the small contingent of student SWP calling 'One solution, Revolution' and about 20 anarchists making noise the spirit was generally depressed and lacking any anger or sense of direction.” Cognitator joked, “Perhaps the police were adding their number to the protesters. As opposed to taking them away as per usual.”
According to the Guardian, “The Put People First march yesterday was organised by a collaboration of more than 100 trade unions, church groups and charities including ActionAid, Save the Children and Friends of the Earth. The theme was "jobs, justice and climate" and the message was aimed at the world leaders who will be gathering for the G20 summit here this week.”
The march started on the Embankment. When I arrived there I walked around desperately finding somewhere where I could have a piss for free. I tried Starbucks and Costa Cofee, but they seemed to have no toilets, I even tried the stamp collectors fayre a subterranean culture of badly dressed old people, with poor eyesight and even worse posture, which was momentary distraction from my full bladder, but which did not provide the answer to my pressing problem as the toilet door was locked and for staff only. Stephen Moss writing for the Guardian said, “Westminster is not a great place for someone like me, who has a weak bladder, to go on a march. The public loos there cost an outrageous 50p a go. The Socialist Worker magazine-seller next to Embankment tube station is on to this in a flash. "50p to have a piss – a lesson in capitalism," he is soon shouting. Later, I'm pleased to see someone has punched a hole in the wooden sign advertising the price.” In the end I walked all the way to the National Portrait Gallery where you can always be assured a good quality toilet seat.
The Guardian continued, “The marchers, estimated at 35,000 by police, accompanied by brass bands and drummers and a colourful assortment of banners and flags, walked the four miles from Embankment to Hyde Park, where speeches from comedian Mark Thomas and environmental campaigner Tony Juniper, and music from the Kooks, made for a party-like atmosphere.”
The Guardian reported, “A group of fewer than 200 anarchists joined the march and were kept isolated and surrounded by police. Chants of "Burn the bankers!" were the closest anyone came to any show of aggression.’ Yes I witnessed this, it was clear that the anarchists, dressed in black, some of them with scarves covering their faces, generally looked cool as fuck, like some post-nuclear vigilante gang, their black signifying the dark depressing reality from which humanity starts, and the point from which they wish to depart. Whether the police presence was heavy is debatable but they certainly had a line of police accompanying them, whereas no other group were honored with such a presence. Of the anarchists Stephen Moss says, “I fall in with some anarchists halfway through the march – a delightful young Greek called Alex and an Italian, who is happy to talk about Bakunin, but is, I sense, a little suspicious of me. The anarchists march together – with the police flanking them in a way they don't with the rest of the march – and I am intrigued that they never shout slogans or bang drums. Their mission is a serious one.” Moss goes on, “Alex tells me a reporter from the Sunday Times has already approached him to ask why anarchists wear masks. "Work it out for yourself – you're a journalist," he'd told him. "People always ask why we wear masks; they never ask about our ideology," he complains. In essence, that ideology is: power corrupts; all elites will be corrupt; so government should be by the people, for the people – a mass movement of the type they claim is emerging in South America. Hezbollah is also mentioned favourably, a movement they see as developing organically. "Organic" is a key word for anarchists, and it would save a lot of aggro and bad press if they were called organicists rather than anarchists.” Good point. But who wants to be called an organicist? And in any case everything is organic really – its just that some organisms develop in a way we or anarchists done like and some do. To call anarchists, organic is to miss the point, anarachists are like Christian, they dream of a reality which transcends human nature as it is and known. Structure, corruption, self-interest and greed underpin all human activity – the question is not how we can do away with it, but how can we manage it in a fair way.
Stephen Moss wrote about the variety of organizations on the march. He said, “Socialist Worker has a three-point strategy: "Seize their wealth," "Stamp out poverty," "End all wars." Sounds good, but I can't work out exactly who "their" refers to. The Socialist party is hot on slogans, colder on the mechanism by which they are put into practice. The likely outcome to the current crisis still appears to be government by Etonians.” Most of these movements are nothing to do with instituting political change. The people involved in them do not want to genuinely change things. Instead what these groups function as is self-help groups for people, for whatever reason, feel that they have been wronged in life, probably at a personal level, and feeling quite hopeless about their personal wrongs, they want to transpose their personal woe on to a faceless, unintelligible other – the government, the state, the capitalist, the rich and the greedy. Its not so much that socialist workers and anarchists want to change things, they know they are completely ineffectual, and too screwed up and traumatized, too aggressive, unintelligent and incapable of engaging people into a different way of organizing; they just want to shout out to people ‘we hurt’. Fair enough.
The TUC don’t seem to be turning up to do anything more than saying ‘there there’ to threatened workers, and stating the downright bloody obvious to the government. Their message is “The importance of this summit cannot be underestimated. Unemployment and deprivation will grow massively over the next two years unless governments work together. People need to know that there is an international solution to this crisis. If the summit suggests that there is not, many will turn to nationalist and protectionist politics with all that implies for the global economy and world peace.” Mind you they do go on to say that, “But while the immediate response to the crisis will be at the forefront of the leaders' minds, the unprecedented Put People First coalition shows there is a huge appetite for a new economic direction. Thirty years of the increasing dominance of the neo-liberal agenda has got us into this mess. The summit must show that the next 30 years need to be about a renewed era of economic growth based on a much fairer share of the proceeds. One that is environmentally sustainable and one that does not end in the burst of yet another financial bubble.” But what are they really saying? Nothing much.
There is of course something about how all of this is just about having a laugh, getting a kick, getting an emotional fix. There’s something very similar to the way that some of the more violent groups get ready for a rumble with the police and football hooliganism. Football hooligans are much more honest about the emotional kick they get from fighting. The protestors pretend that they are doing it for the people. Whatever the so called reasons, it is clear that a lot of protestors enjoy confrontation. They are much more focused on the enemy and combating the enemy than they are on creating peaceful societies. So Stephen Moss makes the interesting observation, “When the march eventually gets to Hyde Park, the anarchists refuse to join the "TUC bureaucrats" for the official rally and hold their own open-platform meeting at Speakers' Corner, dominated by elderly men in hats who talk less about Bakunin than about beating up the BNP and confronting the police on the streets of Whitechapel. It's all a bit depressing (and expletive-filled – I take serious exception to the denunciation of "Oxbridge cunts"), though I like the fact that the elderly men refuse even to use a megaphone – only the ordinary human voice is organic enough.” The media and police have both hyped the April 2009 marches as like the possible end of the British way of life, of democracy, of capitalism. Nothing could be further from the truth, but its like we all want to will it to happen – we all are looking for excitement – war may be bad but peace is fucking boring – I once read.
The Guardian also reported, “Thomas told the Observer he believed the protest marked "the start of a grassroots movement". He added: "This is a moment. This is the first time people have had a chance to come out on to the streets in a big way." But this is nonsense. This was just an opportunity for a plethora of groups, amongst whom there are more differences, and the only thing that can unite them is a general concern for jobs, justice and climate, which incidentally are three themes that unite most of the country, and all the main political parties, to catch the government at a weak moment, and hope to build up support for whatever cause they have, on the back of the anger and desperation amongst people at this time.
The protest ended up in Hyde Park. I didn’t go, it was too cold and rainy, and although I did aim to walk there via a short-cut through Victoria, I ended up taking refuge in Westminster Cathedral, where I saw another procession, of Catholic priests and altar boys, who were holding a service for the Union of Catholic Mothers. I listened to the Catholic priests, they sounded much more happy and at peace with themselves and their surroundings, than the rankerous socialist bile spitting leaders.
People are blaming the bankers, but there is in actual fact no-one to blame for this. The this needs to be qualified too. The ‘this’ is the fact that people are loosing their jobs, consumption will have to be reduced. It is ironic that it is precisely that people are facing the prospect of lower consumption that they are out on the streets protesting against greedy bankers, it is not so much the greed of the bankers that people resent, so much as the increased consuming power of the bankers that they are envious of. The bankers are not to blame for working within a system, which promoted risky investments, a system which was encouraged and deregulated by politicians who realized that whilst the bubble was growing there were huge financial gains to be made from encouraging bankers to reap the rewards both for themselves but through the state through taxation, and politicians who were encouraged by the people who voted them in, who probably formed the majority of people marching in demonstration and protest today, who voted in the governments believing the deregulation of banks not to be a serious enough issue to vote against a government for, and realizing that even if it was a risk, whilst the bubble was growing, they were happy enough to see their elected government ensuring that the country got a share of the pie. We all contributed to this fucking mess – if you can call it a mess – its only a mess for those who no longer have jobs and cannot consume so much – by voting in the government, who deregulated the banks and encouraged the lending of our money several times over to riskier and riskier ventures which in actual fact were not producing anything of material benefit, but were instead relying on house prices going up and up, as more people poured their money into it. Now we are in deep shit, because Gordon Brown has poured what little remaining money we have, and we have on credit into the black hole – it has simply disappeared.
There are some people who are saying the bankers should pay for the crisis they created. It doesn’t work like that – it works by people putting their money into a bank – and entrusting the bank to invest it wisely. Where the bank looses the money – the original investor looses the money. This creates a motivation on behalf of the investor to invest wisely, e.g. on the basis of what we know right now investing in Barclays rather than Lloyds TSB or the Royal Bank of Scotland. However reality begins to change once one’s livelihood is threatened – now it is solely the banker’s responsibility to have invested the money wisely, the public who invest their money into the banks are seen to be helpless, powerless twits, whose securities should have been looked after by a paternalistic and caring banking sector. So for example, according to Fox New, “Berlin police estimated that around 10,000 people gathered in front of the capital's city hall and more than 1,000 in Frankfurt, Germany's banking capital, for similar demonstrations under the slogan: "We won't pay for your crisis." Its not a crisis – its just that there are now lots of personal crises – the public didn’t bother to check whether their banks were investing their money properly or wisely and now they are paying for it. But the banks aren’t responsible for this – they really aren’t.
We have two problems. The first was created by the fact that banks lent out our money several times over – so we thought the country was several times as wealthy as it actually was. This led to inflationary pressures especially in the housing market – where the same money was lent to several different people – all investing in housing leading to unrealistic housing prices. We now realize we have a fraction of the wealth we thought we had. This creates deflationary pressures – i.e. where everyone has less money prices are reduced. This problem can be solved by creating a soft deflationary landing to a level where the price of labor and goods reflects the value of the money we have not the value of the money we have and we loaned. This means everyone has to accept lower wages – we can either do this peacefully based around a consensus and agreement between corporations, banks, trade unions or governments – or we can do it aggressively – letting perfectly good companies whose workers refuse to take pay cuts go to the wall – and then watch as millions of unemployed people try to reform and reorganize new companies and enterprises.
The second problem is that banks are no longer making such risky investments – so they are not looking to lend their money on to others – which means there is less money to be lent to people – which means less activity and less economy. We have to get used to less activity – but at least the activity will be invested in activities which are genuinely producing material benefit for people – not leading to an apparent generation of wealth – which is the artificial effect of lending x amount of money to people ten times, making it seem that we are ten times as rich as previously – when actual fact we are equally as wealthy – but with prices ten times as high. We should have also let the banks go to the wall – and started again with a heavily regulated banking sector – which was not allowed to lend out peoples’ money irresponsibly. No-one wants to have to feel the pain from this – i.e. the rich bankers who keep their pensions and bonuses, the people who have banked with them who want to keep their savings, and the businesses who are funded by the banks who want to hang on to their business and jobs. So what Gordon Brown is doing, is in the name of the people, funneling money into the banking system, paying for the debts, and thus, keeping the bankers sweet, keeping the investors sweet, keeping the businesses sweet. Who looses out? All of us – the poor! They never really had anything to loose in the first place, however whilst Gordon Brown borrows money to give to the banks so they can lend to businesses and pay bankers bonuses and salaries, we move a step closer to becoming bankrupt – i.e. not being able to borrow any more money because no-one believes we can pay it back. Once we become bankrupt, social services and welfare will be cut.
According to Gaby Hinsliff, “Many economists believe a recovery now requires bursting that artificial bubble and rebalancing the economy so that Chinese consumers are encouraged spend a little more - reducing America's trade deficit - and Americans a little less. Malloch Brown suggests Britons, too, will need to relearn the art of saving.”
According to the Guardian, “But Scotland Yard is expecting a greater challenge on Wednesday 1 April, dubbed "Financial Fools Day", with a series of protests aiming to cause disruption in the Square Mile and elsewhere.” The Guardian says, “On 1 April an alliance of anti-capitalist groups called G20 Meltdown is organising a carnival headed by "Four Horsefolk of the Apocalypse", which will converge in front of the Bank of England. Anarchists are planning to target the second day of the summit at ExCel. Other groups mounting demonstrations include Climate Camp, the Stop the War Coalition, and Government of the Dead. An alternative summit will be held a few hundred yards from the ExCel centre at the University of East London.”
The alternative G20 summit website provides the following manifesto: Can we oust the bankers from power? Can we get rid of the corrupt politicians in their pay? Can we guarantee everyone a job, a home, a future? Can we establish government by the people, for the people, of the people? Can we abolish all borders and be patriots for our planet? Can we all live sustainably and stop climate chaos? Can we make capitalism history? YES WE CAN!
According to the Daily Telegraph, “The G20 conference will lead to a London "lockdown" next week, with parks, roads and businesses closed to keep world leaders safe, Government officials are warning.” The media are really building this up, as an attempt to build readership and sell advertising. Its interesting how a force created by the desire to advertise and promote consumption causes papers to distort and promote a threat and confrontation to the very system upon which it is built. The Daily Telegraph article continues, “Protesters with armed with buckets and spades are among several thousand people who are planning to bring chaos to the heart of central London.Last night it emerged that City workers were being advised to "dress down" next week to avoid drawing attention to themselves.”
To anyone really wanting revolution bear in mind these words from Stephen Moss, “Changing society is hard, and usually starts with a split in the elite. The English civil war and the French revolution both began with a fissure in the governing classes; their falling-out created the space for populist movements to develop. For a grassroots movement to effect change is enormously difficult. It was only possible in Russia in 1917 because of the devastation wrought by war.”
The reality of the demo was perhaps best summer up by ‘one789’ who said, “My experience of the demo, in talking to people and observing, is that no one had any real clue of why they were there. They recognise 'blame the bankers' to be futile and a distraction, think capitalism 'is rubbish' and 'want change', but say nothing beyond that.I at least expected a high degree of frustration and anger, but more than anything what came across was disillusionment and confusion. But then, that's what you get I suppose from such a middle-class yummy-mummy bleeding-heart rally.”
As rabbit95 said, “Be glad we live in a society free enough to protest and where, apart from the police possibly taping your presence at such a demo, there will be no comeback.”
www.londonsummit.gov.uk/en/summit-aims/summit-progress/
www.economist.com/opinion/displayStory.cfm?story_id=13362...
www.economist.com/opinion/displaystory.cfm?story_id=13362027
www.guardian.co.uk/world/2009/mar/29/g20-protests-london
www.guardian.co.uk/world/gallery/2009/mar/28/g20-protest-...
www.guardian.co.uk/commentisfree/video/2009/mar/28/g20-su...
www.guardian.co.uk/commentisfree/2009/mar/28/g20-protest
www.guardian.co.uk/world/2009/mar/29/g20-summit-globalisa...
www.guardian.co.uk/politics/2009/mar/25/g20-q-a
news.google.co.uk/news?q=G20+summit+London+2009&oe=ut...
www.telegraph.co.uk/finance/financetopics/g20-summit/5050...
www.guardian.co.uk/world/2009/mar/29/g20-summit
www.londonsummit.gov.uk/en/global-update/cp-china/active-...
www.londonsummit.gov.uk/en/summit-aims/summit-progress/qu...
www.channel4.com/news/articles/politics/domestic_politics...
www.channel4.com/news/articles/politics/international_pol...
For great photographs and the low down on the G20 Summit, Protests and Demonstrations visit www.ravishlondon.com/g20
For great photographs and the low down on the G20 Summit, Protests and Demonstrations visit www.ravishlondon.com/g20
The world faces a problem: recession and a spiraling fall in trade. The Economist puts it like this, “Trade is contracting again, at a rate unmatched in the post-war period. This week the World Trade Organisation (WTO) predicted that the volume of global merchandise trade would shrink by 9% this year. This will be the first fall in trade flows since 1982. Between 1990 and 2006 trade volumes grew by more than 6% a year, easily outstripping the growth rate of world output, which was about 3% (see chart 1). Now the global economic machine has gone into reverse: output is declining and trade is tumbling at a faster pace. The turmoil has shaken commerce in goods of all sorts, bought and sold by rich and poor countries alike.” According to the Economist, “The immediate cause of shrinking trade is plain: global recession means a collapse in demand. The credit crunch adds an additional squeeze, thanks to an estimated shortfall of $100 billion in trade finance, which lubricates 90% of world trade.”
According to the Guardian, “On Thursday 2 April Gordon Brown is going to host the G20 summit in London. Leaders from 22 countries will be at the summit. The G20 is an organisation for finance ministers and central bankers, who in the past met once a year to discuss international cooperation in finance. There are 19 countries who are members: Argentina, Australia, Brazil, Canada, China, France, Germany, India, Indonesia, Italy, Japan, Mexico, Russia, Saudi Arabia, South Africa, South Korea, Turkey, the United Kingdom and the United States. The 20th member is the European Union, which is represented by whichever country holds the EU presidency (currently, it's the Czech Republic). These countries represent 90% of global GDP, 80% of world trade and two thirds of the world's population. The IMF and the World Bank also attend G20 meetings, although technically the London event isn't a normal G20 meeting.”
This G20 meeting will be for the leaders of all G20 countries. According to the Guardian the policy agenda developed by the last G20 meeting “did not in fact go much beyond pre-existing international initiatives that had recently been developed in more technocratic international bodies.” According to the Guardian, “On the London summit website, the British government has explained what it hopes to achieve. At the summit, countries need to come together to enhance global coordination in order to help restore global economic growth. World leaders must make three commitments:
• First, to take whatever action is necessary to stabilise financial markets and enable families and businesses to get through the recession.
• Second, to reform and strengthen the global financial and economic system to restore confidence and trust.
• Third, to put the global economy on track for sustainable growth.
Gordon Brown has argued that the world must avoid protectionism. According to the Economist, “The World Bank says that, since the G20 leaders last met in November in Washington, DC, 17 of their countries have restricted trade. Some have raised tariffs, as Russia did on second-hand cars and India did on steel. Citing safety, China has banned imports of Irish pork and Italian brandy. Across the world, there has been a surge in actions against “dumping”—the sale of exports, supposedly at a loss, in order to undermine the competition. Governments everywhere are favouring locally made goods.” The Economist also says, “Kei-Mu Yi, an economist at the Federal Reserve Bank of Philadelphia, argues that trade has fallen so fast and so uniformly around the world largely because of the rise of “vertical specialisation”, or global supply chains. This contributed to trade’s rapid expansion in recent decades. Now it is adding to the rate of shrinkage. When David Ricardo argued in the early 19th century that comparative advantage was the basis of trade, he conceived of countries specialising in products, like wine or cloth. But Mr Yi points out that countries now specialise not so much in final products as in steps in the process of production.”
Protectionism in itself sounds bad – but it is a policy option available and used in all political economies – including the most liberal. Protectionism can also lead to a more self-sustainable economy, and can lead to the internal development of an economy, which means the economy is less reliant and dependent on external sources of finance. Development will be slower, but it can be more secure and sustainable. It is likely that if countries do operate protectionist policies it will be a short-term opportunist and populist response to workers and unions, but it could be seen as an alternative economic model of development. It worked in Brazil and Argentina during the 1960s and 1970s for a while, until a more neo-liberal and external finance model was preferred.
The Brazilian President Luiz Inacio Lula da Silva was reported on Channel 4 News to have told Mr Brown the crisis was caused by "white blue eyed people". This overtly racist remark has been noted, but there has been no visible backlash. It is interesting how the whole agenda about racism never applies to the dominant one, i.e. you can racially slur white people, and white people with blue eyes without anyone batting an eye lid, whereas if you racially slur other ethnic groups you can find yourself battered. I find this state of affairs deeply offensive to the human race in general, and very patronizing to those groups who don’t come from the dominant ethnic group (i.e. its almost to say the whole anti-racist thing is a way of patting you on the head and saying there, there – because when it comes to racism we don’t really give a shit – see the way we couldn’t give a f*** if you slur our own dominant white ethnic group).
The reality is that the summit will represent a reshuffling of position, support and dependencies between the world’s twenty richest countries. Spectators are expecting China to come out feeling puffed up and proud, given that China has faired relatively in recent years, or so we are led to believe. Meanwhile national demonstrations seem to be focusing our attention to the fact that a different way of working is needed. In fact it will be work as usual – the question is who will come out on top.
In anticipation of the G20 summit a demonstration was held in London. 10,000 were predicted to attend the demonstrations. The police reported 35,000. I was there at the demonstration and I don’t believe I saw 35,000 people walk past Big Ben – and I saw it from start to finish. As one commentator, on the Guardian observed, “Apart from the small contingent of student SWP calling 'One solution, Revolution' and about 20 anarchists making noise the spirit was generally depressed and lacking any anger or sense of direction.” Cognitator joked, “Perhaps the police were adding their number to the protesters. As opposed to taking them away as per usual.”
According to the Guardian, “The Put People First march yesterday was organised by a collaboration of more than 100 trade unions, church groups and charities including ActionAid, Save the Children and Friends of the Earth. The theme was "jobs, justice and climate" and the message was aimed at the world leaders who will be gathering for the G20 summit here this week.”
The march started on the Embankment. When I arrived there I walked around desperately finding somewhere where I could have a piss for free. I tried Starbucks and Costa Cofee, but they seemed to have no toilets, I even tried the stamp collectors fayre a subterranean culture of badly dressed old people, with poor eyesight and even worse posture, which was momentary distraction from my full bladder, but which did not provide the answer to my pressing problem as the toilet door was locked and for staff only. Stephen Moss writing for the Guardian said, “Westminster is not a great place for someone like me, who has a weak bladder, to go on a march. The public loos there cost an outrageous 50p a go. The Socialist Worker magazine-seller next to Embankment tube station is on to this in a flash. "50p to have a piss – a lesson in capitalism," he is soon shouting. Later, I'm pleased to see someone has punched a hole in the wooden sign advertising the price.” In the end I walked all the way to the National Portrait Gallery where you can always be assured a good quality toilet seat.
The Guardian continued, “The marchers, estimated at 35,000 by police, accompanied by brass bands and drummers and a colourful assortment of banners and flags, walked the four miles from Embankment to Hyde Park, where speeches from comedian Mark Thomas and environmental campaigner Tony Juniper, and music from the Kooks, made for a party-like atmosphere.”
The Guardian reported, “A group of fewer than 200 anarchists joined the march and were kept isolated and surrounded by police. Chants of "Burn the bankers!" were the closest anyone came to any show of aggression.’ Yes I witnessed this, it was clear that the anarchists, dressed in black, some of them with scarves covering their faces, generally looked cool as fuck, like some post-nuclear vigilante gang, their black signifying the dark depressing reality from which humanity starts, and the point from which they wish to depart. Whether the police presence was heavy is debatable but they certainly had a line of police accompanying them, whereas no other group were honored with such a presence. Of the anarchists Stephen Moss says, “I fall in with some anarchists halfway through the march – a delightful young Greek called Alex and an Italian, who is happy to talk about Bakunin, but is, I sense, a little suspicious of me. The anarchists march together – with the police flanking them in a way they don't with the rest of the march – and I am intrigued that they never shout slogans or bang drums. Their mission is a serious one.” Moss goes on, “Alex tells me a reporter from the Sunday Times has already approached him to ask why anarchists wear masks. "Work it out for yourself – you're a journalist," he'd told him. "People always ask why we wear masks; they never ask about our ideology," he complains. In essence, that ideology is: power corrupts; all elites will be corrupt; so government should be by the people, for the people – a mass movement of the type they claim is emerging in South America. Hezbollah is also mentioned favourably, a movement they see as developing organically. "Organic" is a key word for anarchists, and it would save a lot of aggro and bad press if they were called organicists rather than anarchists.” Good point. But who wants to be called an organicist? And in any case everything is organic really – its just that some organisms develop in a way we or anarchists done like and some do. To call anarchists, organic is to miss the point, anarachists are like Christian, they dream of a reality which transcends human nature as it is and known. Structure, corruption, self-interest and greed underpin all human activity – the question is not how we can do away with it, but how can we manage it in a fair way.
Stephen Moss wrote about the variety of organizations on the march. He said, “Socialist Worker has a three-point strategy: "Seize their wealth," "Stamp out poverty," "End all wars." Sounds good, but I can't work out exactly who "their" refers to. The Socialist party is hot on slogans, colder on the mechanism by which they are put into practice. The likely outcome to the current crisis still appears to be government by Etonians.” Most of these movements are nothing to do with instituting political change. The people involved in them do not want to genuinely change things. Instead what these groups function as is self-help groups for people, for whatever reason, feel that they have been wronged in life, probably at a personal level, and feeling quite hopeless about their personal wrongs, they want to transpose their personal woe on to a faceless, unintelligible other – the government, the state, the capitalist, the rich and the greedy. Its not so much that socialist workers and anarchists want to change things, they know they are completely ineffectual, and too screwed up and traumatized, too aggressive, unintelligent and incapable of engaging people into a different way of organizing; they just want to shout out to people ‘we hurt’. Fair enough.
The TUC don’t seem to be turning up to do anything more than saying ‘there there’ to threatened workers, and stating the downright bloody obvious to the government. Their message is “The importance of this summit cannot be underestimated. Unemployment and deprivation will grow massively over the next two years unless governments work together. People need to know that there is an international solution to this crisis. If the summit suggests that there is not, many will turn to nationalist and protectionist politics with all that implies for the global economy and world peace.” Mind you they do go on to say that, “But while the immediate response to the crisis will be at the forefront of the leaders' minds, the unprecedented Put People First coalition shows there is a huge appetite for a new economic direction. Thirty years of the increasing dominance of the neo-liberal agenda has got us into this mess. The summit must show that the next 30 years need to be about a renewed era of economic growth based on a much fairer share of the proceeds. One that is environmentally sustainable and one that does not end in the burst of yet another financial bubble.” But what are they really saying? Nothing much.
There is of course something about how all of this is just about having a laugh, getting a kick, getting an emotional fix. There’s something very similar to the way that some of the more violent groups get ready for a rumble with the police and football hooliganism. Football hooligans are much more honest about the emotional kick they get from fighting. The protestors pretend that they are doing it for the people. Whatever the so called reasons, it is clear that a lot of protestors enjoy confrontation. They are much more focused on the enemy and combating the enemy than they are on creating peaceful societies. So Stephen Moss makes the interesting observation, “When the march eventually gets to Hyde Park, the anarchists refuse to join the "TUC bureaucrats" for the official rally and hold their own open-platform meeting at Speakers' Corner, dominated by elderly men in hats who talk less about Bakunin than about beating up the BNP and confronting the police on the streets of Whitechapel. It's all a bit depressing (and expletive-filled – I take serious exception to the denunciation of "Oxbridge cunts"), though I like the fact that the elderly men refuse even to use a megaphone – only the ordinary human voice is organic enough.” The media and police have both hyped the April 2009 marches as like the possible end of the British way of life, of democracy, of capitalism. Nothing could be further from the truth, but its like we all want to will it to happen – we all are looking for excitement – war may be bad but peace is fucking boring – I once read.
The Guardian also reported, “Thomas told the Observer he believed the protest marked "the start of a grassroots movement". He added: "This is a moment. This is the first time people have had a chance to come out on to the streets in a big way." But this is nonsense. This was just an opportunity for a plethora of groups, amongst whom there are more differences, and the only thing that can unite them is a general concern for jobs, justice and climate, which incidentally are three themes that unite most of the country, and all the main political parties, to catch the government at a weak moment, and hope to build up support for whatever cause they have, on the back of the anger and desperation amongst people at this time.
The protest ended up in Hyde Park. I didn’t go, it was too cold and rainy, and although I did aim to walk there via a short-cut through Victoria, I ended up taking refuge in Westminster Cathedral, where I saw another procession, of Catholic priests and altar boys, who were holding a service for the Union of Catholic Mothers. I listened to the Catholic priests, they sounded much more happy and at peace with themselves and their surroundings, than the rankerous socialist bile spitting leaders.
People are blaming the bankers, but there is in actual fact no-one to blame for this. The this needs to be qualified too. The ‘this’ is the fact that people are loosing their jobs, consumption will have to be reduced. It is ironic that it is precisely that people are facing the prospect of lower consumption that they are out on the streets protesting against greedy bankers, it is not so much the greed of the bankers that people resent, so much as the increased consuming power of the bankers that they are envious of. The bankers are not to blame for working within a system, which promoted risky investments, a system which was encouraged and deregulated by politicians who realized that whilst the bubble was growing there were huge financial gains to be made from encouraging bankers to reap the rewards both for themselves but through the state through taxation, and politicians who were encouraged by the people who voted them in, who probably formed the majority of people marching in demonstration and protest today, who voted in the governments believing the deregulation of banks not to be a serious enough issue to vote against a government for, and realizing that even if it was a risk, whilst the bubble was growing, they were happy enough to see their elected government ensuring that the country got a share of the pie. We all contributed to this fucking mess – if you can call it a mess – its only a mess for those who no longer have jobs and cannot consume so much – by voting in the government, who deregulated the banks and encouraged the lending of our money several times over to riskier and riskier ventures which in actual fact were not producing anything of material benefit, but were instead relying on house prices going up and up, as more people poured their money into it. Now we are in deep shit, because Gordon Brown has poured what little remaining money we have, and we have on credit into the black hole – it has simply disappeared.
There are some people who are saying the bankers should pay for the crisis they created. It doesn’t work like that – it works by people putting their money into a bank – and entrusting the bank to invest it wisely. Where the bank looses the money – the original investor looses the money. This creates a motivation on behalf of the investor to invest wisely, e.g. on the basis of what we know right now investing in Barclays rather than Lloyds TSB or the Royal Bank of Scotland. However reality begins to change once one’s livelihood is threatened – now it is solely the banker’s responsibility to have invested the money wisely, the public who invest their money into the banks are seen to be helpless, powerless twits, whose securities should have been looked after by a paternalistic and caring banking sector. So for example, according to Fox New, “Berlin police estimated that around 10,000 people gathered in front of the capital's city hall and more than 1,000 in Frankfurt, Germany's banking capital, for similar demonstrations under the slogan: "We won't pay for your crisis." Its not a crisis – its just that there are now lots of personal crises – the public didn’t bother to check whether their banks were investing their money properly or wisely and now they are paying for it. But the banks aren’t responsible for this – they really aren’t.
We have two problems. The first was created by the fact that banks lent out our money several times over – so we thought the country was several times as wealthy as it actually was. This led to inflationary pressures especially in the housing market – where the same money was lent to several different people – all investing in housing leading to unrealistic housing prices. We now realize we have a fraction of the wealth we thought we had. This creates deflationary pressures – i.e. where everyone has less money prices are reduced. This problem can be solved by creating a soft deflationary landing to a level where the price of labor and goods reflects the value of the money we have not the value of the money we have and we loaned. This means everyone has to accept lower wages – we can either do this peacefully based around a consensus and agreement between corporations, banks, trade unions or governments – or we can do it aggressively – letting perfectly good companies whose workers refuse to take pay cuts go to the wall – and then watch as millions of unemployed people try to reform and reorganize new companies and enterprises.
The second problem is that banks are no longer making such risky investments – so they are not looking to lend their money on to others – which means there is less money to be lent to people – which means less activity and less economy. We have to get used to less activity – but at least the activity will be invested in activities which are genuinely producing material benefit for people – not leading to an apparent generation of wealth – which is the artificial effect of lending x amount of money to people ten times, making it seem that we are ten times as rich as previously – when actual fact we are equally as wealthy – but with prices ten times as high. We should have also let the banks go to the wall – and started again with a heavily regulated banking sector – which was not allowed to lend out peoples’ money irresponsibly. No-one wants to have to feel the pain from this – i.e. the rich bankers who keep their pensions and bonuses, the people who have banked with them who want to keep their savings, and the businesses who are funded by the banks who want to hang on to their business and jobs. So what Gordon Brown is doing, is in the name of the people, funneling money into the banking system, paying for the debts, and thus, keeping the bankers sweet, keeping the investors sweet, keeping the businesses sweet. Who looses out? All of us – the poor! They never really had anything to loose in the first place, however whilst Gordon Brown borrows money to give to the banks so they can lend to businesses and pay bankers bonuses and salaries, we move a step closer to becoming bankrupt – i.e. not being able to borrow any more money because no-one believes we can pay it back. Once we become bankrupt, social services and welfare will be cut.
According to Gaby Hinsliff, “Many economists believe a recovery now requires bursting that artificial bubble and rebalancing the economy so that Chinese consumers are encouraged spend a little more - reducing America's trade deficit - and Americans a little less. Malloch Brown suggests Britons, too, will need to relearn the art of saving.”
According to the Guardian, “But Scotland Yard is expecting a greater challenge on Wednesday 1 April, dubbed "Financial Fools Day", with a series of protests aiming to cause disruption in the Square Mile and elsewhere.” The Guardian says, “On 1 April an alliance of anti-capitalist groups called G20 Meltdown is organising a carnival headed by "Four Horsefolk of the Apocalypse", which will converge in front of the Bank of England. Anarchists are planning to target the second day of the summit at ExCel. Other groups mounting demonstrations include Climate Camp, the Stop the War Coalition, and Government of the Dead. An alternative summit will be held a few hundred yards from the ExCel centre at the University of East London.”
The alternative G20 summit website provides the following manifesto: Can we oust the bankers from power? Can we get rid of the corrupt politicians in their pay? Can we guarantee everyone a job, a home, a future? Can we establish government by the people, for the people, of the people? Can we abolish all borders and be patriots for our planet? Can we all live sustainably and stop climate chaos? Can we make capitalism history? YES WE CAN!
According to the Daily Telegraph, “The G20 conference will lead to a London "lockdown" next week, with parks, roads and businesses closed to keep world leaders safe, Government officials are warning.” The media are really building this up, as an attempt to build readership and sell advertising. Its interesting how a force created by the desire to advertise and promote consumption causes papers to distort and promote a threat and confrontation to the very system upon which it is built. The Daily Telegraph article continues, “Protesters with armed with buckets and spades are among several thousand people who are planning to bring chaos to the heart of central London.Last night it emerged that City workers were being advised to "dress down" next week to avoid drawing attention to themselves.”
To anyone really wanting revolution bear in mind these words from Stephen Moss, “Changing society is hard, and usually starts with a split in the elite. The English civil war and the French revolution both began with a fissure in the governing classes; their falling-out created the space for populist movements to develop. For a grassroots movement to effect change is enormously difficult. It was only possible in Russia in 1917 because of the devastation wrought by war.”
The reality of the demo was perhaps best summer up by ‘one789’ who said, “My experience of the demo, in talking to people and observing, is that no one had any real clue of why they were there. They recognise 'blame the bankers' to be futile and a distraction, think capitalism 'is rubbish' and 'want change', but say nothing beyond that.I at least expected a high degree of frustration and anger, but more than anything what came across was disillusionment and confusion. But then, that's what you get I suppose from such a middle-class yummy-mummy bleeding-heart rally.”
As rabbit95 said, “Be glad we live in a society free enough to protest and where, apart from the police possibly taping your presence at such a demo, there will be no comeback.”
www.londonsummit.gov.uk/en/summit-aims/summit-progress/
www.economist.com/opinion/displayStory.cfm?story_id=13362...
www.economist.com/opinion/displaystory.cfm?story_id=13362027
www.guardian.co.uk/world/2009/mar/29/g20-protests-london
www.guardian.co.uk/world/gallery/2009/mar/28/g20-protest-...
www.guardian.co.uk/commentisfree/video/2009/mar/28/g20-su...
www.guardian.co.uk/commentisfree/2009/mar/28/g20-protest
www.guardian.co.uk/world/2009/mar/29/g20-summit-globalisa...
www.guardian.co.uk/politics/2009/mar/25/g20-q-a
news.google.co.uk/news?q=G20+summit+London+2009&oe=ut...
www.telegraph.co.uk/finance/financetopics/g20-summit/5050...
www.guardian.co.uk/world/2009/mar/29/g20-summit
www.londonsummit.gov.uk/en/global-update/cp-china/active-...
www.londonsummit.gov.uk/en/summit-aims/summit-progress/qu...
www.channel4.com/news/articles/politics/domestic_politics...
www.channel4.com/news/articles/politics/international_pol...
For great photographs and the low down on the G20 Summit, Protests and Demonstrations visit www.ravishlondon.com/g20
Speaking in german, although evidently he understood English, he proceeded to harangue me about the 'gangster' methods of the New Zealanders. It appeared that we had bayoneted the German wounded at Minqarqaim in the night battle behind Matruh and he was very much annoyed by it. He said that if we wanted to fight rough, so could they, and that any further action of this sort on our part would be answered by immediate reprisals.
As the nearest New Zealander available for such reprisals, it became a rather personal matter to me. I was, however, able to explain our point of view over the occurances of that famous night attack. Our first wave, going through in the dark, caught the Germans by surprise. Some of them, lying on the ground, had fired and thrown bombs after the first company had passed. As a result, the supports following on simply stuck every man who failed to stand up and surrender. It is quite likely that some of the Germans were bayoneted several times by people in passing.
From a passage in Dal McQuirks's book, "Rommel's Army in Africa"
published in 1987, McQuirk described how 2nd NZ division "steam-rollered" through a German field hospital killing everyone in it. The 104
Regimental Field Hospital lay behind the first line of German vehicles
and trenches in an area held by 111 Bn of the 104th Motorised Infantry
Regiment of the 21st Panzer Division. According to McQuirk: "What
followed was an incident that was to incense Rommel and gave rise to
charges in the German Press that the New Zealanders were gangsters
fightingan uncivilised war."
According to both sides it was chaos. Some of the
Afrika Korps described the New Zealand division as behaving like
"Bolsheviks drunk on vodka" and according to Brigadier JT Burrows (4
Brigade), "complained bitterly about the way the New Zealanders carried
out thier bayonet attack that night". Brigadier George Clifton was
closely questioned by Field Marshall Edwin Rommel about the break out
after Clifton was captured.
Transcript of Phil Goff's (Minister of Defence) speech during the launch of 'Breakout: Minqar Qaim, North Africa, 1942'
Veterans of the Second New Zealand Expeditionary Force, National President of the Royal New Zealand Returned Services Association, John Campbell, Deputy Chief of Army, Brigadier Barry Vryenhoek, Bob Anderson, ladies and gentlemen. Thank you for the invitation to launch, Breakout: Minqar Qaim, North Africa, 1942 by Colin Cameron. I congratulate Colin and also Bob Anderson and his team at Willson Scott Publishing.
To Tim Skinner and Capital Books, thank you for hosting this function. Capital Books has a strong tradition of supporting publications about New Zealand's military history. As a shop much frequented by Defence Force and Ministry of Defence staff, this is an appropriate place to do the launch.
In a few days time it will be the 64th anniversary of the New Zealand Division's epic escape from encircling German forces at Minqar Qaim, near Egypt's border with Libya. Late in June 1942 the New Zealand Division was within hours of destruction by vastly superior enemy forces. 'Breakout' is about how the Division escaped this fate.
Surrounded and facing defeat the following day, the plan was formulated for the Division to break through the German lines just after midnight on 28 June 1942. The infantrymen of the fourth brigade spearheaded the Division's attack. Their advance was marked by cheers and Maori war cries that struck terror into the heart their opponents. The attack caught the surrounding German forces by surprise. In confused and ferocious close-quarter combat the New Zealanders bayoneted and shot their way through the enemy forces. One man, in a very New Zealand metaphor described how "we went straight down the field through everything and everybody, like a pack of All Black forwards."
The Fourth Brigade's commander Jim Burrows was stunned by the way his men surged forward spontaneously. Every man appreciated that they were in a desperate position, and that the fate of the New Zealand Division and the hopes of New Zealanders at home depended on them. The spearhead of infantry was followed by hundreds of vehicles of all sorts into which as many men as possible had been crammed.
The breakout was an audacious operation and an electrifying experience for all those who took part. The New Zealand war artist, Peter McIntyre captured this in his famous painting of the battle. One of the things that comes through clearly in this book is the way in which the confusion, fear and exhilaration of that night has imprinted itself on the memory of all who survived it. Colin has used first-hand accounts, both by New Zealanders and Germans, to bring the battle to life.
The day before the breakout, General Freyberg was seriously wounded and had to pass command of the Division to Brigadier Lindsay Inglis. During the breakout, the improvised ambulance carrying Freyberg was twice hit by enemy fire. At one point Freyberg pulled himself up from his stretcher and looking out a window called out: "My God, Another Balaclava"!
Fortunately, the breakout was not another charge of the Light Brigade, and although the New Zealand Division suffered significant losses, it quickly recovered and went on to play a key role in stopping the Axis advance into Egypt. Had the Division been destroyed at Minqar Qaim, New Zealand would not have been able to make the significant contribution it did between 1942 and 1945, in North Africa and in Italy, to the defeat of Nazi Germany.
The outstanding bravery and leadership displayed by Captain Charles Upham during the breakout is well known, contributing to the awarding of his second VC. Moreover Colin Cameron recounts numerous other incidents in which the officers and men of the New Zealand Division showed great courage and devotion to duty.
However, the breakout was not without controversy. Unfortunately, during the melee a German medical unit was inadvertently attacked and many of its personnel and patients killed. This incident has led to allegations that some of the New Zealand troops involved in the battle committed a war crime. Colin Cameron's work, like earlier studies that have examined the battle in detail, demonstrates that these charges are not justified. All the available evidence shows that in the heat of the battle the New Zealand troops involved not aware that the German personnel they were attacking were from a medical unit.
Military historian and soldier Chris Pugsley has pointed out, in the context of a battle being fought in the middle of the night 'anything that moved received attention just in case you suddenly got a burst from behind once you had passed over'. A few months after the battle, Field Marshal Rommel, the commander of the German Africa Corps, raised these allegations with the newly captured New Zealander, Brigadier George Clifton. Clifton responded by explaining the circumstances of intense and confused fighting at night. Rommel, a honourable man and a vastly experienced front-line soldier, accepted this explanation. I hope that this book will help ensure that what really happened in the early hours of 28 June 1942 is properly understood.
Rommel's conversation with George Clifton is the most famous exchange between a senior New Zealand officer and an enemy commander. During that conversation Rommel also asked why the New Zealanders were fighting in North Africa, so far away from their homeland. In this context it is worth repeating wartime Prime Minister, Peter Fraser's comments about why New Zealand had gone to war with Germany in 1939. Fraser saw the war as "a conflict between two diametrically opposed conceptions of international relationships, between reason and force" and believed that victory for Germany would "mean the triumph of violence and the trampling underfoot of all that we hold dear".
These same ideals lie at the heart of why New Zealand currently has its military personnel serving around the world in places such as Afghanistan and Timor-Leste. New Zealand has never been afraid to stand up for the core values that we treasure. This tradition is an important part of New Zealand's identity on the world stage.
It is now more than 60 years since the end of the Second World War. The men and women who served our nation in that great conflict are now elderly and with each passing month there are fewer of them to explain to younger New Zealanders what it meant to serve in a world war. By writing this book Colin Cameron has done much to ensure that this dramatic action and the experiences of those involved are remembered by current and future generations of New Zealanders. It is with pleasure that I officially launch, Breakout: Minqar Qaim, North Africa, 1942.
Steve Weir: New Zealand's Master Gunner
by Staff Sergeant Tim Rowe
Chapter 4 Return to Battle: Minqar Qaim and Ruweisat Ridge
A planned divisional exercise was interrupted on 14 June when the New Zealand Division was suddenly ordered to move to Mersa Matruh in Egypt, following Rommel's penetration of the 8th Army line at Gazala. The Division departed in piecemeal fashion, gathering isolated detachments en route and reaching the Suez Canal on 19 June. Weir led the Division the rest of the way to Mersa Matruh as Freyberg was temporarily detained in Cairo. As the Division moved westwards, it encountered a mass of 8th Army troops retreating from the front in various states of flight and disorder.
Weir's orders were to concentrate the Division to the west of Matruh in readiness for a counterstroke and most of the units were there by 21 June. News that day that Tobruk had fallen, however, meant the Division was ordered to withdraw to the Matruh Box. The withdrawal that night was confused, due to a late change in the route orders, with a result that Weir described as a 'sorry spectacle'. The Matruh Box was a poor defensive position, as an escarpment overlooked it from the south. Freyberg (now back from Cairo) was determined to challenge his orders to defend it and appealed to Lieutenant General Neil Ritchie (GOC 8th Army). The Division was subsequently ordered to move instead into the Nagamish Nulla and then to Minqar Qaim, an area of high ground about 25 miles south of Matruh that offered the New Zealanders a much better defensive position.
In the course of reconnoitring Minqar Qaim with Weir and Brigadier W. (Bill) Gentry, Freyberg turned to Weir and told him 'the position we take up will depend a good deal on what you say. You must fight the guns'. Weir later remarked 'as far as I know, in the development of Artillery doctrine in 2nd NZ Div that event marked a positive milestone from which we never looked back and as far as I know was the first occasion when the requirements of the Artillery Control took very high priority in the siting of the Division'. Weir considered Minqar Qaim 'not a bad position with fair observation and fair cover' but it was exposed to enemy observation. There was insufficient transport to move the entire Division and 6 Brigade (stripped of most of its vehicles) was sent eastwards to Amiriya, while the rest of the Division moved south as brigade groups. The New Zealand Division at Minqar Qaim on 26 June consequently faced the Afrika Korps with only two of its three infantry brigades.
There was intense activity throughout the night and at dawn on 27 June, enemy columns were observed to the north advancing eastwards past the New Zealanders' positions. A column of the German 90th Light Division was engaged at about 0900 hours and an artillery duel began that lasted most of the day. Late in the afternoon the New Zealand Division was attacked by tanks of the 21st Panzer Division, which emerged from the opposite direction. Casualties were light considering the concentrated deployment of the New Zealand guns and the difficulty of digging into the rocky ground, although a major blow was suffered when Freyberg was seriously wounded. The tanks were finally driven off by 25-pounders from 6 Field Regiment that had been hastily switched around from the action to the north and by 33 Anti-Tank Battery using its new 6-pounder guns for the first time in action. The gunners fought well and Kippenberger later commented 'I could see shells bursting incessantly among our guns and admired the way our gunners were standing to their work'. Headquarters Divisional Artillery had been scattered in the confusion of the night move and Weir improvised by controlling his guns from the central signals exchange.
By nightfall, the New Zealand Division was encircled. Ammunition was down to 35 rounds per field gun and the Division's capacity to resist a further attack was very much in doubt. Brigadier Lindsay (Bill) Inglis (now acting GOC) decided to stage a night breakout to the Alamein line. The artillery's role was to use the 25-pounders and portee anti-tank guns to guard the transport's rear and flanks. Fortunately for the New Zealanders, many of the Germans were caught by surprise as 4 Brigade charged through their lines. Tracer fire was so thick that Weir claimed he 'dodged lines of fire as you could see them as plain as day'. The charge continued for about five miles before halting and then moving off again to the safety of the Alamein line. Weir was extremely fatigued at the end of the battle and journey, describing himself as 'terribly tired - more tired than I think I had ever been before'.
Minqar Qaim was a narrow escape for the New Zealanders. 'What had saved the division was the ability of the divisional artillery to keep the tanks of Afrika Korps at bay on 27 June and the skill and discipline of the New Zealand transport drivers'. It took several days for Weir's regiments to reorganise in the Kaponga Box, which was occupied by 6 Brigade and located about 20 miles south of El Alamein. On 30 June, the New Zealand Artillery (less 6 Field Regiment) departed the Kaponga Box for Deir el Munassib, which was 10 miles away. The Alamein to Qattara line was thinly manned over its 40-mile length and Rommel was expected to launch a final offensive to reach the Nile Valley.
It was soon evident that Rommel's forces were advancing towards Ruweisat Ridge - a long and narrow feature protruding into the Alamein Line. Weir was ordered to 'take out a column and roam the country and do what I could'. The column, comprising an infantry battalion and 32 guns, after patrolling an area to the west, narrowly avoiding firing on a British column and being shelled by British artillery, halted and laagered for the night. At daybreak, a large concentration of Italian tanks, vehicles and guns (including Italian-manned German 88-mm guns) of Ariete Armoured Division was spotted on a ridge about a mile and a half away, oblivious to the presence of the New Zealanders. Weir went up to have a look, expecting them to be part of 2 Armoured Brigade but immediately recognised the 88s. He quickly got his forward observer officers together and ordered the guns aimed on the Italian position. What followed was described by Lieutenant Colonel Jim Burrows (acting GOC 4 Brigade) as 'one of the most extraordinary artillery duels that have ever been fought - a real toe to toe slugging match with the gunners on both sides blasting each other over open sights'.
Four batteries of New Zealand artillery (4 Field Regiment and 28 Battery) plus four troops of anti-tank guns simultaneously opened fire. The Italian gunners returned fire but were silenced within 30 minutes. Burrows described Weir that morning 'literally licking his lips at the glorious opportunity that had presented itself, his big voice booming encouragement to his gun teams'. After an hour, Weir ordered firing to cease and sent in some infantry from 19 Battalion who returned with about 500 prisoners. In addition, 11 German 88mm guns, seven Italian 105mm, four Italian 75-mm and over 30 Italian 47-mm guns were captured, along with three tanks and over 100 vehicles. Only two New Zealand infantrymen were wounded. Weir inspected the carnage for himself, 'Italian gunners [were] blown to bits and burnt to death by exploding charges, not by the dozen but by the hundred'. This action on 3 July severely damaged the Ariete Division and has been described in the Official History as an 'outstanding episode in the Dominion's military history'. Even Rommel described the attack on Ariete as a 'complete success' and a 'reverse that took us completely by surprise'.
The New Zealand Division (renamed 2nd New Zealand Division on 8 July) regrouped and prepared for a night attack on the western half of Ruweisat Ridge. 4 and 5 Brigades were deployed near Alam Nayil on 11 July and for the next two days, Weir and his staff worked hard on the artillery plan. Throughout this time the guns were constantly in action harassing the enemy and engaging known targets in preparation for an assault in the early hours of 15 July.
The night attack on Ruweisat by the New Zealand Division was initially successful. The infantry pushed through the enemy front and seized most of the objectives, but they by-passed pockets of enemy infantry and 20 tanks of 8th Panzer Regiment. These were left unmolested and proved decisive in preventing most of the anti-tank guns and all of the artillery from following up in support. With daylight, the unprotected infantry on top of the feature were exposed to shellfire and an armoured counter attack. The ridge was too rocky for digging in and the result was a disaster with 355 troops taken prisoner, mainly from 22 Battalion.
The New Zealand Artillery was on call for the attack and fired in support at maximum range. Weir prepared his regiments to move up to the edge of Ruweisat, but enemy fire forced them to halt. The gunners were then forced to engage the enemy forces in their immediate vicinity, sometimes under air attack, at the expense of supporting their own infantry on top of Ruweisat Ridge. Matters were made worse when few of the forward observers accompanying the infantry succeeded in maintaining radio contact. Promised British armoured support failed to arrive and the position became untenable.
Ruweisat Ridge was a frustrating battle for the artillery and Weir acknowledged his regiments' failure to provide adequate support. He later wrote 'I don't think there is any doubt that the Artillery did fail to give good support on this day'. Weir attributed much of the blame to himself as the CRA, for not properly communicating the difficulties for the guns to the acting divisional commander. The guns had to support an advance over a long distance (about seven miles) and the loss of fire cover for the attacking infantry would be serious if the guns were unable to quickly deploy nearer to Ruweisat Ridge after its capture. Kippenberger was one who felt that Weir was unduly hard on himself, noting that 'we all saw the difficulty and knew what range our guns had'. One positive outcome for the employment of artillery did emerge from Ruweisat - the BRA, Headquarters 8th Army broke with tradition and for the first time co-ordinated the British artillery under centralised control.
The New Zealanders were in action again on 21 July when Auchinleck ordered a further attack. 6 Brigade advanced along Ruweisat Ridge towards the El Mreir depression under a heavy preliminary bombardment from Weir's three regiments, 64th Medium Regiment, RA (under Weir's command) and an RHA battery. At zero hour at 2045 hours, the artillery erupted and 'the dim skyline was darkened with the pall of dust and smoke from the mass of heavy artillery concentrations'. It was one of the heaviest concentrations so far in the North African campaign and 'only First World War men had experienced anything like it'.
The infantry attack by 6 Brigade was initially successful but it was soon pinned down on the primary objectives and the problems of a week prior surfaced again. The anti-tank guns of 7th Anti-Tank Regiment suffered heavy casualties from enemy artillery and small arms fire while advancing and the infantry faced close attack from German tanks at first light. British armoured support again failed to arrive and by the end of the day the New Zealand Division had lost 6 Brigade Headquarters and most of 24th and 25 Battalions, comprising a total of 904 men. The gunners lost 25 anti-tank guns, of which half were 6-pounders. The portee anti-tank guns suffered the heaviest losses with Brigadier George Clifton (GOC 6 Brigade) lamenting that 'it is regrettable that the gun shield is not double and proof against heavy MG [machine gun] fire'. The New Zealand Artillery gave further support on the night of 26/27 July to a diversionary attack in the north and then settled into a lull as both sides ceased offensive operations, due to few remaining reserves and a mutual state of exhaustion.
The 8th Army's morale was at its lowest ebb in the aftermath of the disasters of Ruweisat Ridge and El Mreir. The New Zealanders, from the divisional commander down, felt particular contempt for the British armour that had twice failed to support them at critical junctures and had diminishing confidence in the 8th Army's high command. Kippenberger revealed his disdain for the performance of Gott and Auchinleck in personal letters home and was reluctantly admonished by Freyberg. Weir privately shared this lack of confidence and later wrote that 'this period will stand out in my memory as one of great vacillation and lack of determination on the part of our [8th Army] higher command'.
Kentucky arrow darter
Credit
Matt Thomas_KDFWR
FOR IMMEDIATE RELEASE August 31, 2015
Contacts: Tom MacKenzie, U.S. Fish and Wildlife Service, tom_mackenzie@fws.gov, 404-679-7291
Kristen Peters, U.S. Fish and Wildlife Service, kristen_peters@fws.gov, 404-679-7172
Marie Walker, U.S. Forest Service, mwalker04@fs.fed.us, 859-745-3145
Agencies Conserve Imperiled Species in Eastern Kentucky;
Propose delisting for one plant, and positive steps for a darter
Stanton, Ky. – State and Federal conservation agencies came together here today to celebrate partnerships that are delivering conservation successes in eastern Kentucky.
After more than two decades of collaboration and conservation work in the Daniel Boone National Forest, the U.S. Fish and Wildlife Service is proposing to remove the white-haired goldenrod – a plant unique to eastern Kentucky – from the list of threatened and endangered species under the Endangered Species Act (ESA).
Daniel Boone National Forest and the Kentucky State Nature Preserves Commission played leading roles in the white-haired goldenrod’s recovery. White-haired goldenrod is only found in sandstone rock shelters or on sandstone cliffs with overhanging ledges in the Red River Gorge region of eastern
Kentucky. When the plant was listed as threatened in 1988, threats included the loss of habitat due to recreational activities such as rock climbing, hiking, camping, and rappelling; artifact collection; and a proposed reservoir project.
“The Daniel Boone National Forest began a project to fence white-haired goldenrod sites affected by recreational use in about 2003,” said Bill Lorenz, forest supervisor for the Daniel Boone National Forest.
“We asked the public to help us protect the plant by staying out of the fenced rock shelters where some damage was occurring. We were pleased at how quickly members of the public acknowledged our request and complied.”
“The Kentucky State Nature Preserves Commission has been monitoring white-haired goldenrod in the
Red River Gorge for more than 20 years,” said Donald S. Dott, Jr., director Kentucky State Nature Preserves Commission. “While recreational impact to some of the populations has occurred, the majority of the plant’s populations have been stable for well over 10 years. We believe that with an annual
monitoring program, public education, and an effective management plan coordinated by several agencies and conservation groups, this unique and rare goldenrod will be protected.”
“We are thankful for the great efforts of the U.S. Forest Service and the Kentucky State Nature Preserves Commission that helped us guide the white-haired goldenrod toward recovery,” said Mike Oetker, the
U.S. Fish and Wildlife Service’s Southeast Deputy Regional Director. “The proposed delisting of the white-haired goldenrod demonstrates that the Endangered Species Act works, and we will continue to work with our conservation partners to monitor and manage the plant’s populations.”
At the same time, the two federal agencies also are stepping up to proactively conserve the Kentucky arrow darter, a candidate for protection under the ESA. Through a Candidate Conservation Agreement signed today, the U.S. Fish and Wildlife Service and U.S. Forest Service are committing to take actions that will protect the small fish found in some of the small, headwater streams of the Daniel Boone National Forest. The Red Bird Ranger District of the Daniel Boone National Forest is a stronghold for the darter. Populations of the Kentucky arrow darter in the Daniel Boone National Forest and the University of Kentucky’s Robinson Forest constitute almost 49 percent of the species’ remaining occupied habitat.
Habitat loss and degradation represent the most significant threats to the darter.
This commitment to proactive, voluntary conservation will ensure needed management actions for the Kentucky arrow darter will occur. Some improvements under this agreement include replacing culverts impeding the Kentucky arrow darter’s natural movements and developing a forest-wide monitoring program for the fish.
“The Candidate Conservation Agreement is the latest step to proactively address at-risk species throughout the Southeast,” said Southern Regional Forester Tony Tooke. “The CCA is another example
of the long-standing partnership between the U.S. Fish and Wildlife Service and the U.S. Forest Service, which has produced multiple CCAs over the past several years.”
The U.S. Fish and Wildlife Service will decide whether to protect the Kentucky arrow darter under the ESA later this fall. This decision is part of the Service’s efforts to implement a court-approved work plan under a Multi-District Listing Agreement aimed at addressing a series of lawsuits concerning the agency’s ESA listing program. The intent of the agreement is to significantly reduce a litigation-driven workload.
For more information about the work plan, see www.fws.gov/southeast/candidateconservation/.
This settlement and others led to a broader partner-driven effort in the Southeast to more fully use
flexibilities within the ESA to put the right conservation in the right places and benefit imperiled species.
The proactive effort for the Kentucky arrow darter is part of this collaborative strategy to boost plant and wildlife populations and habitat before they need protection under the ESA.
The proposed delisting of the white-haired goldenrod follows a comprehensive review by the Service of the best available scientific and commercial information concerning the plant’s status as required by the ESA.
Along with the goldenrod’s proposed delisting, the Service is announcing a draft post-delisting monitoring plan for the plant. The public is invited to submit comments on the delisting proposal and the draft post-delisting monitoring plan for 60 days through November 2, 2015.
Over the last 21 years, the Daniel Boone National Forest redirected trails, installed and maintained protective fencing around sensitive locations where the plant is found, completed numerous back-country patrols near white-haired goldenrod habitats, and placed informational signs at rock shelters, picnic areas, and trailheads that provided information about the plant and ways the public could avoid impacting it.
The Kentucky State Nature Preserves Commission completed multiple status surveys for the species from 1996 to 2013, including an intensive range-wide effort in 2008-2009. These surveys documented each occurrence’s population size and viability, habitat condition, and the severity of the threats facing each population. The Kentucky State Nature Preserves Commission also prepared a variety of fact sheets and
posters that educated the public about the plant and how to protect its populations.
Currently, the U.S. Fish and Wildlife Service, the Daniel Boone National Forest and the Kentucky State Nature Preserves Commission are working to finalize a cooperative management agreement that will provide for the plant’s long-term protection. The management agreement outlines conservation actions
that will benefit the goldenrod.
Written comments concerning the proposed delisting of the white-haired goldenrod or its draft post-delisting monitoring plan should be submitted by accessing the Federal eRulemaking Portal: www.regulations.gov.
Follow the instructions for submitting comments on Attn: FWS-R4-ES-2014-0054. Comments also can be mailed to U.S. Fish and Wildlife Service Headquarters, MS. ES, 5275 Leesburg Pike, Falls Church, VA, 22041-3803, Attn: FWS-R4-ES-2014-0054.
For more information about the proposed delisting of white-haired goldenrod, please visit
fws.gov/southeast/wildlife/plant/white-haired-goldenrod or the U.S. Fish and Wildlife Service’s Kentucky Ecological Services Field Office website at www.fws.gov/frankfort/.
###
2-16-08
My name is Lori Zarlenga- Blaquiere. I was born on September 14, 1961 in the state of Rhode Island. I am writing to you for your immediate help. My life is in immediate danger from orders issued by President George W. Bush and Rhode Island Governor Donald Carcieri to
assassinate/murder me. You can contact me at my email LoriZarlenga@gmail.com and
my space.com/lorizz Also, you can find me on “google” by entering my name as keyword. My case is legitimate. Please do not disregard my case.
I have evidence and tapes on top officials and law enforcement among others to support my
claims. The current Rhode Island Senators Sheldon Whitehouse , Senator Jack Reed and former Senator Lincoln Chafee, among others are covering up and will not help me.
I posted a diary on the Daily Kos website on August 12, 2007 with regard to my life being in immediate danger from orders issued by President George W. Bush and Rhode Island Governor Donald Carcieri to assassinate/murder me.
I continued to stay on the Daily Kos website until sometime after 5:00 am and received
comments from the Daily Kos members community. The Daily Kos has over 1 million
members on their website.
On August 12, 2007, I was uploading exhibits, photos, and evidence to the Daily Kos members that support my claims against the United States Government et al.
On August 12, 2007 at approximately between 5:00 am & 6:00 am a West Warwick
Police officer came out to my house at 101 Border Street West Warwick, R.I. and violently banged at the doors at my house and continued to violently bang at the doors of my house for a long period of time in a terrorizing manner. The West Warwick Police Officer was given orders to stop me from getting the truth out to the American public .
I Lori Ann Zarlenga state that on August 21, 2007, a West Warwick Police vehicle came
up behind the vehicle where I was located in the back seat with my 5 year
old granddaughter and my mother Victoria Zarlenga who was seated on the passenger
side and my son Michael Zarlenga who was driving the vehicle on Cowesett Avenue
West Warwick, R.I.
I Lori Ann Zarlenga state that the police officers proceeded to get out of their police
vehicles with their guns drawn and aimed at the vehicle where I was located in the back
seat of the vehicle along with my 5 year old granddaughter, my mother and son .
The Coventry police, East Greenwich Police, the Rhode Island State Police, and the West
Warwick Police were on the scene.
I Lori Ann Zarlenga state that a West Warwick Police Officer pulled me out of the
vehicle where I was located in the back seat near my 5 year old granddaughter, with my
mother and son in the front seat of the vehicle.
I Lori Ann Zarlenga state that the Police proceeded to slam me to the ground and force
handcuffs on me and force me in the back seat of the West Warwick Police Vehicle.
I repeatedly asked the West Warwick Police Officer why the police forced handcuffs on
me and forced me in the back seat of the police vehicle, but the West Warwick Police
Officer repeatedly ignored me.
I continued to ask the West Warwick Police Officer why the police forced handcuffs on
me and forced me in the back seat of the police vehicle, he then stated to me that he was
trying to protect me .
While I was in the West Warwick Police vehicle, I observed police officers saluting to
each other with regard to capturing me.
While I was in the back seat of the West Warwick Police vehicle, a West Warwick Police
Officer asked me if I was injured and if I needed to go to the hospital inorder to lure me
into consenting to go to the hospital.
I stated to the West Warwick Police officer that I did not need to go to the hospital.
The West Warwick Police Officer told me that the fire rescue was going to take me to the
hospital for a psych evaluation.
I stated to the West Warwick Police officer that I did not want to go to the hospital and
that I did not need a pych evaluation. However, the West Warwick Police Officer told me
that I had to get into the Fire Rescue and go to the hospital. As a result, I had no other
choice but be taken by fire rescue to Kent County Memorial Hospital for a psych
evaluation without my consent.
My mother told me that the police officers apologized to her and stated to my mother
that they made a mistake .
I was subsequently taken by ambulance and transferred
to Land mark Medical Center without my consent and held hostage in lock down mental
health unit against my will. All of the evidence that was in my favor was ignored
by the doctors, social workers, and psychiatrist at Kent County Memorial Hospital and
Landmark Medical Center. The doctors, social workers, and psychiatrist at Kent County
Memorial Hospital and Land mark Medical Center manipulated and skewed the true facts
to cause me harm in connection with helping law enforcement and United States
Government from preventing me from exposing the truth to the American people and
my case continuing on Appeal with regard to the criminal acts committed by law
enforcement and the United States Government.
My Mother stated to the psychiatrist and nurses at Landmark Medical Center that I was
not delusional or paranoid and that I have never been a danger to myself or others and
that I have no history of mental health, and that I have never had a history of being
prescribed psychiatric medication and that I did not need psychiatric medication
my complaints against law enforcement are legitimate.
However, Dr. Elahi disregarded my mother statements and proceeded to contact his lawyer to
discuss whether or not he should discharge me, despite all evidence in my favor.
My family member stated to me that nurses at Landmark Medial Center made
statements about being disgusted with Dr. Shahid Elahi for consulting with his lawyer
with regard to whether or not to discharge me and delaying my discharge.
The nurses at Landmark Medical Center stated to me that I did not belong at Landmark
Medical Center Mental Health Unit
I have never had a history of mental illness.
On September 4, 2007, I was discharged from Landmark Medical Center.
I have never had a history of being targeted by the United States Government, Federal
and State law enforcement, among others prior to my L-tryptophan lawsuit.
In August of 2007, I had an Appeal pending in the First Circuit United States Court of
Appeals with regard to my December 7, 2006 Complaint against the United States
Government et al. As a result, of being held hostage in the hospital from August 21, 2007
to September of 2007, along with intimidation from law enforcement, among others in
connection with the United States Government I was unable to respond important
deadlines set by the First Circuit United States Court of Appeals . As a result, my Appeal with the First Circuit United States Court of Appeals is in default/dismissed for lack of
diligent prosecution.
As a result of my ingestion of contaminated L-tryptophan manufactured by Showa
Denko K.K., I developed a disease Eosinphilia Myalgia Syndrome. There are
approximately 5,000 people who ingested contaminated L-tryptophan
manufactured by Showa Denko K.K., and developed a disease Eosinphilia Myalgia
Syndrome. There maybe more unreported cases of Eosinphilia Myalgia
Syndrome caused by ingestion of contaminated L-tryptophan .
The L-tryptophan problem is the fault of the FDA due to lack of enforcement of 172.320,
among other violations of the FDA rules. Therefore, the FDA permitted the continued
illegal use of L-tryptophan.
If the FDA had enforced action against Showa Denko K.K., for violation of the FDA
rules mentioned herein, then L-tryptophan would not have been on the market and sold
to the American Public and caused death and illnesses associated with the sales of L-
tryptophan .
On October 25, 1995, I filed a products liability lawsuit against the Defendants
Showa Denko, K.K., Showa Denko America, Inc. General Nutrition Centers (GNC), et al. in
the State of Rhode Island Superior Court.
My case was transferred to Rhode Island District Court, (Blaquiere v. Showa Denko, K.K.,
Showa Denko America, Inc. General Nutrition Centers (GNC), et al., C.A.No.1:95-629 ).
My case was subsequently transferred for discovery to (MDL) United States District Court
Columbia, South Carolina, C. A. No. 3:96-361-0.
My case (Blaquiere v. Showa Denko, K.K., Showa Denko America, Inc. General
Nutrition Centers (GNC), et al., (C.A.No.1:95-629 ) was remanded to Rhode Island
District Court in 2003.
I hired a lawyer Dennis S. Mackin in 2000/2001 who used my case to file discovery
motions in the(MDL) United States District Court Columbia, South Carolina, (C. A. No. 3:96-
361-0), damaging to the defendant ShowaDenkoK.K.,their lawyers,Cleary,Gottlieb,Steen,and
Hamilton, and the United States Government.
My former lawyer Dennis Mackin was paid off to withdraw from my case and to
not go forward with the discovery motions and depositions damaging to Showa
Denko K.K., their lawyers, and the United States Government.
The discovery sought in my case that my former attorney Dennis Mackin filed in 2001 in the(MDL) United States District Court Columbia, South Carolina, (C. A. No. 3:96-361-0) was to demonstrate that Showa Denko K.K. and its attorneys have been involved in a continuing conspiracy to not only circumvent the discovery process, but to manipulate any scientific examination of Showa Denko K.K.’s reckless and wanton conduct”.
The United States Government wiretapped my phones, hacked my computers, surviellanced me during my L-tryptophan litigation and to the present. The United States Government obstructed justice, unlawfully sabotage my case inside and outside of the court system at every level.
My former attorney Dennis Mackin stated in his October 12, 2001 Reply of Plaintiff to Defendant's Motion to Qaush Deposition of Kenneth Rabin , that "additional questions must be answered about political pressure brought to bear upon members of the South Carolina Congressional delegation."" What information was given to Senator Thurmond, Senator Hollings and Congressman Ravenell?"
Documents made by Showa Denko K.K. included a budget attached to their public
relation scheme which was an amount determined for congressional
contracts, including the South Carolina delegation which was for 16, 000.00.
My former attorney Dennis Mackin stated in his motions that, “ The research of
this Eosinophilia Myalgia Syndrome has been twisted by the endless
manipulations by Showa Denko K.K and their lawyers,Cleary,Gottlieb,Steen,and
Hamilton and their confederates”. “ Worst of all, the scientific literature now
contains representations by shills for Showa Denko K.K. that will cause erroneous
medical science in the future”.
The United States Government is involved in the cover up .
My former attorney Dennis Mackin informed me that a promoter of an EMS
support group was being surveillanced and that anyone that who was viewed as a
threat was being surveillanced and intelligence was gathered .
The defendant Showa Denko K.K. a corrupt corporate giant, their corrupt lawyers,
and the United States Government conspired with all the courts at every level to
sabotage my case and the L-tryptophan litigation.
Showa Denko K.K., their lawyers, and the United States Government view me as
a threat, since my lawsuit still remains open that is damaging against Showa
Denko K.K. and General Nutrition Centers (GNC), among others. Also, Showa Denko K.K., their lawyers, and the United States Government, President George W. Bush and Rhode Island Governor Donald Carcieri fear the threat of civil and criminal action against them for their unlawful criminal activities.
I pose a threat to Showa Denko K.K. and the United States Government since,
my L-tryptophan lawsuit could re-open previous settlements entered into by
2,000- 5,000 L-tryptophan litigants on the basis of fraudulent inducement and the
United States Government's involvement in the cover up.
They were entered into by L-tryptophan Plaintiffs who were unaware of the defendants fraudulent concealment and the United States Government's cover up.
Showa Denko K.K., the United States Government, President George W. Bush and
Rhode Island Governor Donald Carcieri fear a movie being made and publicizing
their criminal activities which has continued to date.
President George W. Bush's father former President George H. W. Bush Sr. was
President of the United States from 1989 to 1993 during the Eosiophilia Myalgia Syndrome epidemic.
I filed a Complaint on December 7, 2006 against the United States Government et al. in
the United States District Court of Rhode Island, CA. No. 06-534 ML. My complaint is
pending in the First Circuit Court of Appeals. The United States Government have hired
my family, among others as informants to surveillance and gather intelligence on me.
At the time that I filed my December 7, 2006 complaint against a number of defendants
who are employed by the United States Government, I was unaware of orders issued by
President George W. Bush and Rhode Island Governor Donald Carcieri to assasinate/
murder me.
I spoke to a state senator with regard to my circumstances of law enforcement on the state and federal level that have harassed, targeted, survillenced me and have come out to my house and follow me on a daily basis. Also, the West Warwick police have even parked at my grandchild’s school shortly after I exposed President George W. Bush orders to assassinate/murder me.
The state senator stated to me that federal law enforcement, the Attorney General of the United States, and the Department of Justice are employed by President George W. Bush.
Moreover, my case is not isolated by a small number of police and law enforcement targeting and surveillanceing me. There are to many law enforcement and police and government officials organized at the highest level on the federal and local level that have targeted and surviellanced me. The state senator stated that the orders to murder me are coming from the President George W. Bush .
Further, the Rhode Island State Police who have been targeting and surviellancing me are given orders from Rhode Island Governor Donald Carcieri
In June or July of 2007, President George W. Bush came to Rhode Island and went on a
private helicopter ride with Rhode Island Governor Donald Carcieri and had discussions.
Shortly after I filed my December 7, 2006 complaint against the United States
Government et al, two key defendants named in my complaint retired Captain Gregory
Johnson of the West Warwick Police Department and Supervisory Special Agent
Nicholas Murphy of the Federal Bureau of investigation of R.I., and there may be others
who have also retired.
I am targeted, followed, and surveillanced by police officers, among others in the towns and places I travel in the state of Rhode Island and out of the state of Rhode Island on a daily basis.
The level of intensity and the number of police targeting, surviellancing, and following me has increased after I filed my December 7, 2006 complaint. And now since I have exposed President George W. Bush who issued orders to assassinate/murder me, the level of intensity and the number of police surviellacing and following me has further increased.
My telephones are wiretapped. The United States Government is hacking my computers.
The Federal Bureau of investigation, among others covered up the investigation of the hacking of my computers.
The Federal Bureau of investigation, United States Attorneys Office , Attorney Generals office, Department of Justice, among others are covering up and aware of the fact that I was kidnapped and assaulted by a Warwick Police Officer Joseph Mee on January 22, 2006 that was organized at the highest level of United States Government to assassinate/ murder me.
Further, law enforcement, among others are covering up the fact that on December 15, 2005 and December 16, 2005, Captain Gregg Johnson and Officer Patrick Kelly and the Kent County Memorial Hospital Emergency Room Staff violated my constitutional rights and deprived me of liberty against my will and without my consent to cause me harm in connection with the United States Government and Showa Denko K.K.
On April 14, 2006, I spoke to Laura Lineberry who is Condalezza Rice's personal assistant. Laura Lineberry informed me that she could not help me with regard to my circumstances mentioned herein, and that I should leave a message with the Representative of Secretary of State. I left a message with the Representative of Secretary of State, but no one returned my call.
On April 14, 2006, I contacted the White House comments department in Washington, DC for help with regard to my circumstances mentioned herein, and spoke to a young lady number(77) who stated she would pass on my comments to her supervisor and that her supervisor would summarize my comments and give it to President Bush. On April 14, 2006, I was unaware that President George W. Bush issued orders to assassinate/ murder me.
President George W. Bush, Condalezza Rice's office , nor anyone associated with the White House, responded in any way shape or form to my plea for help with regard to my circumstances mentioned herein.
I have evidence of my telephone calls to the White House, among others.
The IP Addresses with regard to the hacking of my computers have been traced to Washington, D.C.
You can view my complaint at pacer.psc.uscourts.gov.
My login is: lz0129 My password is 3y6!pomz ( party name is under my married name of Blaquiere) December 8, 2006 thru December 8, 2007 is the date you would use to view my complaint, since December 8, 2006 is the date my complaint was entered by the United States District Court of Rhode Island.
The United States District Court of Rhode Island omitted my supporting exhibits on
Pacer website and have intentionally obstructed my case and deprived me of a fair judicial process, inorder to protect and insulate the United States Government et al.
UNITED STATES GOVERNMENT DOES NOT INITIATE ACTION AGAINST SHOWA DENKO K.K. FOR THE FOLLOWING VIOLATIONS:
The L-tryptophan problem is the fault of the FDA due to lack of enforcement of 172.320, among other
violations of the FDA rules. Therefore, the FDA permitted the continued illegal use of L-tryptophan.
If the FDA had enforced action against Showa Denko K.K.,for violation of the FDA rules mentioned
herein, then L-tryptophan would not have been on the market and sold to the American Public and
caused death and illnesses associated with the sales of L-tryptophan in violation of the FDA rule.
In 1970 FDA considered L-tryptophan (amino acids) , when used as nutrients or dietary supplements, to
be generally recognized as safe (GRAS) for those uses, and published that fact in the code of Federal
Regulations.
In 1972 FDA engaged in rule making to withdraw and remove approximately twenty amino acids
including L-tryptophan from the GRAS list ( generally recognized as safe) and to regulate them as
approved food additives that could not be sold without FDA's prior approval in the form of a food
additive petition, (37 Fed. Reg. 6938; April 6, 1972).
In 1973 FDA promulgated a binding substantive rule that is presently on the books, the Food additive
regulation that makes all amino acids, when used as components of dietary supplements,
unsafe food additives that violate the adulteration provisions of Act. 21 C.F.R. 172. 320.
In 1977, FDA seized L-tryptophan tablets on the grounds that the L-tryptophan that they contained
was an unapproved food additive. The court, however, found for the manufacturer of the tablets
because L-tryptophan was still on the FDA's GRAS list, (FDA had failed to remove it after the 1973
rulemaking), and the manufacturer was acting in accordance with the FDA's regulation.
In 1977, FDA deleted the listing of twenty amino acids that were the subject of the 1973 rulemaking
form the GRAS list, ( 42 Fed. Reg. 56720; October 28, 1977).
The FDA never renewed its regulatory action against dietary supplements containing L-tryptophan .
The food additive regulation that the FDA adopted in 1973 does not list (approve) L-tryptophan for
this use, and foods that contain unapproved food additive are deemed to be adulterated (21 U.S.C. 342
(a) (2) (c)).
FDA has not brought an action since 1977 against an L-tryptophan dietary supplement.
The FDA sought to enforce the rule prohibiting the use of amino acids in dietary supplements in two
seizure actions against products containing L-tryptophan. Those seizure actions were not successful.
The U.S. Government voluntarily dismissed the second lawsuit because the lawsuit was controlled by
a very hostile judge and the government feared that it would obtain an adverse ruling that would
insulate all dietary supplements from regulation under the food additive provisions of the act.
The FDA has not made any efforts to regulate amino acids since 1982. FDA ignored the food additive
regulations since 1982. In 1990, there was evidence showing that 30 amino acids other than L-
tryptophan were being sold by at least 22 companies.
The FDA has failed to date to bring charges against Showa Denko K.K. Showa Denko K.K. was in
violation of the FDA Food additive regulation that makes all amino acids, when used as components of
dietary supplements, unsafe food additives that violate the adulteration provisions of Act. 21
C.F.R. 172. 320. FDA should have gone after Showa Denko K.K. on an adulteration charge that the
L-tryptophan in the supplements is an unapproved food additive under 21 U.S.C. 342 (a) (2) (c).
Also, FDA failed to bring charges against Showa Denko K.K. with regard to L-
tryptophan being unfit for food, ( 21 U.S.C. 342 (a) (3). L-trytophan associated with illness
Eosinophilia Myalgia Syndrome, is unfit for food.
The FDA could have gone after L-tryptophan supplements as drugs. The FDA could have
developed evidence that L-tryptophan used for therapeutic purposes to combat sleeplessness and PMS
which is what L-tryptophan was advertized for is considered a drug and the FDA finding L-tryptophan
had not met the FDA's rational food supplement test would permit the FDA to bring drug charges
against the product under either 21 U.S.C. 321(g) (1) (B) or (c), National Nutritional Foods
Association v. Mathews, 557 F.2nd 325, 334 ( 2d Cir. 1977).
If the FDA had enforced action against Showa Denko K.K.,for violation of the FDA rules mentioned
herein, then L-tryptophan would not have been on the market and sold to the American Public and
caused death and illnesses associated with the sales of L-tryptophan in violation of the FDA rule.
On the Rhode Island ACLU website, there is a lawsuit against the United States
Government for Illegally surviellacing individuals attending a peace group in Rhode
Island and in other states.
The United States Government has files on these peace groups and have labeled these
peace group individuals as a threat because their simply anti-war.
The illegal acts of our United States Government is not an example of democracy, it is a
Dictatorship ruled by a dictator President George W. Bush who has committed crimes
against humanity and has violated our human rights.
Representative John Conyers Jr, was the Chairman re: the July 18, 1991 hearing on the FDA oversight of L-tryptophan. Representative John Conyers Jr, is currently the Chairman of the U.S.
House of Representatives Committee on the Judiciary who can call for an investigation and immediate congressional hearings into this matter.
Please help me by writing to congress and. to investigate and call for immediate congressional hearings into this matter. Also, contact Rhode Island Senator Sheldon Whitehouse and Senator Jack Reed to investigate and call for congressional hearings into this matter. If the American people place enough political pressure to investigate and call for congressional hearings into this matter, then an investigation into this matter will go forward and the truth will be exposed to the American people.
Also, please contact Senate Majority Leader, Senator Harry Reid, Senate Judiciary Chairman Patrick Leahy of Vermont, Senator Arlen Specter, Senator Charles E. Schumer, Senator Joseph R. Biden Jr., Senator John McCain, Senator Hillary Clinton, Senator Barack Obama, and all members of the Senate to call for investigation and congressional hearings with regard to law enforcement engaged in an ongoing organized crime to assassinate/murder me by orders issued by President George W. Bush.
President George W. Bush has scammed the American people into believing that the Iraq
war is a "just war" and that the United States military are fighting for democracy,
freedom and for our safety here at home, and yet at the same time President George W.
Bush is committing the worst crimes in american history against innocent american
citizens.
Please expedite the above and contact me at my email: LoriZarlenga@hotmail.com
You can view documents and obtain information about L-tryptophan and Eosinophilia Myalgia Syndrome on the National EMS Support Group website at www.nemsn.org
You can find me at myspace.com/lorizz
Also, you can find me at my website www.tiptopwebsite.com/lorizz.
I posted a letter explaining in more detail on my website and on my space.com/lorizz
If you have any questions or want to view my exhibits that support my December 7, 2006 complaint filed in the United States District Court of Rhode Island, then you can e-mail me and I will send you attachments you can view .
Thank You, Lori Zarlenga
For great photographs and the low down on the G20 Summit, Protests and Demonstrations visit www.ravishlondon.com/g20
The world faces a problem: recession and a spiraling fall in trade. The Economist puts it like this, “Trade is contracting again, at a rate unmatched in the post-war period. This week the World Trade Organisation (WTO) predicted that the volume of global merchandise trade would shrink by 9% this year. This will be the first fall in trade flows since 1982. Between 1990 and 2006 trade volumes grew by more than 6% a year, easily outstripping the growth rate of world output, which was about 3% (see chart 1). Now the global economic machine has gone into reverse: output is declining and trade is tumbling at a faster pace. The turmoil has shaken commerce in goods of all sorts, bought and sold by rich and poor countries alike.” According to the Economist, “The immediate cause of shrinking trade is plain: global recession means a collapse in demand. The credit crunch adds an additional squeeze, thanks to an estimated shortfall of $100 billion in trade finance, which lubricates 90% of world trade.”
According to the Guardian, “On Thursday 2 April Gordon Brown is going to host the G20 summit in London. Leaders from 22 countries will be at the summit. The G20 is an organisation for finance ministers and central bankers, who in the past met once a year to discuss international cooperation in finance. There are 19 countries who are members: Argentina, Australia, Brazil, Canada, China, France, Germany, India, Indonesia, Italy, Japan, Mexico, Russia, Saudi Arabia, South Africa, South Korea, Turkey, the United Kingdom and the United States. The 20th member is the European Union, which is represented by whichever country holds the EU presidency (currently, it's the Czech Republic). These countries represent 90% of global GDP, 80% of world trade and two thirds of the world's population. The IMF and the World Bank also attend G20 meetings, although technically the London event isn't a normal G20 meeting.”
This G20 meeting will be for the leaders of all G20 countries. According to the Guardian the policy agenda developed by the last G20 meeting “did not in fact go much beyond pre-existing international initiatives that had recently been developed in more technocratic international bodies.” According to the Guardian, “On the London summit website, the British government has explained what it hopes to achieve. At the summit, countries need to come together to enhance global coordination in order to help restore global economic growth. World leaders must make three commitments:
• First, to take whatever action is necessary to stabilise financial markets and enable families and businesses to get through the recession.
• Second, to reform and strengthen the global financial and economic system to restore confidence and trust.
• Third, to put the global economy on track for sustainable growth.
Gordon Brown has argued that the world must avoid protectionism. According to the Economist, “The World Bank says that, since the G20 leaders last met in November in Washington, DC, 17 of their countries have restricted trade. Some have raised tariffs, as Russia did on second-hand cars and India did on steel. Citing safety, China has banned imports of Irish pork and Italian brandy. Across the world, there has been a surge in actions against “dumping”—the sale of exports, supposedly at a loss, in order to undermine the competition. Governments everywhere are favouring locally made goods.” The Economist also says, “Kei-Mu Yi, an economist at the Federal Reserve Bank of Philadelphia, argues that trade has fallen so fast and so uniformly around the world largely because of the rise of “vertical specialisation”, or global supply chains. This contributed to trade’s rapid expansion in recent decades. Now it is adding to the rate of shrinkage. When David Ricardo argued in the early 19th century that comparative advantage was the basis of trade, he conceived of countries specialising in products, like wine or cloth. But Mr Yi points out that countries now specialise not so much in final products as in steps in the process of production.”
Protectionism in itself sounds bad – but it is a policy option available and used in all political economies – including the most liberal. Protectionism can also lead to a more self-sustainable economy, and can lead to the internal development of an economy, which means the economy is less reliant and dependent on external sources of finance. Development will be slower, but it can be more secure and sustainable. It is likely that if countries do operate protectionist policies it will be a short-term opportunist and populist response to workers and unions, but it could be seen as an alternative economic model of development. It worked in Brazil and Argentina during the 1960s and 1970s for a while, until a more neo-liberal and external finance model was preferred.
The Brazilian President Luiz Inacio Lula da Silva was reported on Channel 4 News to have told Mr Brown the crisis was caused by "white blue eyed people". This overtly racist remark has been noted, but there has been no visible backlash. It is interesting how the whole agenda about racism never applies to the dominant one, i.e. you can racially slur white people, and white people with blue eyes without anyone batting an eye lid, whereas if you racially slur other ethnic groups you can find yourself battered. I find this state of affairs deeply offensive to the human race in general, and very patronizing to those groups who don’t come from the dominant ethnic group (i.e. its almost to say the whole anti-racist thing is a way of patting you on the head and saying there, there – because when it comes to racism we don’t really give a shit – see the way we couldn’t give a f*** if you slur our own dominant white ethnic group).
The reality is that the summit will represent a reshuffling of position, support and dependencies between the world’s twenty richest countries. Spectators are expecting China to come out feeling puffed up and proud, given that China has faired relatively in recent years, or so we are led to believe. Meanwhile national demonstrations seem to be focusing our attention to the fact that a different way of working is needed. In fact it will be work as usual – the question is who will come out on top.
In anticipation of the G20 summit a demonstration was held in London. 10,000 were predicted to attend the demonstrations. The police reported 35,000. I was there at the demonstration and I don’t believe I saw 35,000 people walk past Big Ben – and I saw it from start to finish. As one commentator, on the Guardian observed, “Apart from the small contingent of student SWP calling 'One solution, Revolution' and about 20 anarchists making noise the spirit was generally depressed and lacking any anger or sense of direction.” Cognitator joked, “Perhaps the police were adding their number to the protesters. As opposed to taking them away as per usual.”
According to the Guardian, “The Put People First march yesterday was organised by a collaboration of more than 100 trade unions, church groups and charities including ActionAid, Save the Children and Friends of the Earth. The theme was "jobs, justice and climate" and the message was aimed at the world leaders who will be gathering for the G20 summit here this week.”
The march started on the Embankment. When I arrived there I walked around desperately finding somewhere where I could have a piss for free. I tried Starbucks and Costa Cofee, but they seemed to have no toilets, I even tried the stamp collectors fayre a subterranean culture of badly dressed old people, with poor eyesight and even worse posture, which was momentary distraction from my full bladder, but which did not provide the answer to my pressing problem as the toilet door was locked and for staff only. Stephen Moss writing for the Guardian said, “Westminster is not a great place for someone like me, who has a weak bladder, to go on a march. The public loos there cost an outrageous 50p a go. The Socialist Worker magazine-seller next to Embankment tube station is on to this in a flash. "50p to have a piss – a lesson in capitalism," he is soon shouting. Later, I'm pleased to see someone has punched a hole in the wooden sign advertising the price.” In the end I walked all the way to the National Portrait Gallery where you can always be assured a good quality toilet seat.
The Guardian continued, “The marchers, estimated at 35,000 by police, accompanied by brass bands and drummers and a colourful assortment of banners and flags, walked the four miles from Embankment to Hyde Park, where speeches from comedian Mark Thomas and environmental campaigner Tony Juniper, and music from the Kooks, made for a party-like atmosphere.”
The Guardian reported, “A group of fewer than 200 anarchists joined the march and were kept isolated and surrounded by police. Chants of "Burn the bankers!" were the closest anyone came to any show of aggression.’ Yes I witnessed this, it was clear that the anarchists, dressed in black, some of them with scarves covering their faces, generally looked cool as fuck, like some post-nuclear vigilante gang, their black signifying the dark depressing reality from which humanity starts, and the point from which they wish to depart. Whether the police presence was heavy is debatable but they certainly had a line of police accompanying them, whereas no other group were honored with such a presence. Of the anarchists Stephen Moss says, “I fall in with some anarchists halfway through the march – a delightful young Greek called Alex and an Italian, who is happy to talk about Bakunin, but is, I sense, a little suspicious of me. The anarchists march together – with the police flanking them in a way they don't with the rest of the march – and I am intrigued that they never shout slogans or bang drums. Their mission is a serious one.” Moss goes on, “Alex tells me a reporter from the Sunday Times has already approached him to ask why anarchists wear masks. "Work it out for yourself – you're a journalist," he'd told him. "People always ask why we wear masks; they never ask about our ideology," he complains. In essence, that ideology is: power corrupts; all elites will be corrupt; so government should be by the people, for the people – a mass movement of the type they claim is emerging in South America. Hezbollah is also mentioned favourably, a movement they see as developing organically. "Organic" is a key word for anarchists, and it would save a lot of aggro and bad press if they were called organicists rather than anarchists.” Good point. But who wants to be called an organicist? And in any case everything is organic really – its just that some organisms develop in a way we or anarchists done like and some do. To call anarchists, organic is to miss the point, anarachists are like Christian, they dream of a reality which transcends human nature as it is and known. Structure, corruption, self-interest and greed underpin all human activity – the question is not how we can do away with it, but how can we manage it in a fair way.
Stephen Moss wrote about the variety of organizations on the march. He said, “Socialist Worker has a three-point strategy: "Seize their wealth," "Stamp out poverty," "End all wars." Sounds good, but I can't work out exactly who "their" refers to. The Socialist party is hot on slogans, colder on the mechanism by which they are put into practice. The likely outcome to the current crisis still appears to be government by Etonians.” Most of these movements are nothing to do with instituting political change. The people involved in them do not want to genuinely change things. Instead what these groups function as is self-help groups for people, for whatever reason, feel that they have been wronged in life, probably at a personal level, and feeling quite hopeless about their personal wrongs, they want to transpose their personal woe on to a faceless, unintelligible other – the government, the state, the capitalist, the rich and the greedy. Its not so much that socialist workers and anarchists want to change things, they know they are completely ineffectual, and too screwed up and traumatized, too aggressive, unintelligent and incapable of engaging people into a different way of organizing; they just want to shout out to people ‘we hurt’. Fair enough.
The TUC don’t seem to be turning up to do anything more than saying ‘there there’ to threatened workers, and stating the downright bloody obvious to the government. Their message is “The importance of this summit cannot be underestimated. Unemployment and deprivation will grow massively over the next two years unless governments work together. People need to know that there is an international solution to this crisis. If the summit suggests that there is not, many will turn to nationalist and protectionist politics with all that implies for the global economy and world peace.” Mind you they do go on to say that, “But while the immediate response to the crisis will be at the forefront of the leaders' minds, the unprecedented Put People First coalition shows there is a huge appetite for a new economic direction. Thirty years of the increasing dominance of the neo-liberal agenda has got us into this mess. The summit must show that the next 30 years need to be about a renewed era of economic growth based on a much fairer share of the proceeds. One that is environmentally sustainable and one that does not end in the burst of yet another financial bubble.” But what are they really saying? Nothing much.
There is of course something about how all of this is just about having a laugh, getting a kick, getting an emotional fix. There’s something very similar to the way that some of the more violent groups get ready for a rumble with the police and football hooliganism. Football hooligans are much more honest about the emotional kick they get from fighting. The protestors pretend that they are doing it for the people. Whatever the so called reasons, it is clear that a lot of protestors enjoy confrontation. They are much more focused on the enemy and combating the enemy than they are on creating peaceful societies. So Stephen Moss makes the interesting observation, “When the march eventually gets to Hyde Park, the anarchists refuse to join the "TUC bureaucrats" for the official rally and hold their own open-platform meeting at Speakers' Corner, dominated by elderly men in hats who talk less about Bakunin than about beating up the BNP and confronting the police on the streets of Whitechapel. It's all a bit depressing (and expletive-filled – I take serious exception to the denunciation of "Oxbridge cunts"), though I like the fact that the elderly men refuse even to use a megaphone – only the ordinary human voice is organic enough.” The media and police have both hyped the April 2009 marches as like the possible end of the British way of life, of democracy, of capitalism. Nothing could be further from the truth, but its like we all want to will it to happen – we all are looking for excitement – war may be bad but peace is fucking boring – I once read.
The Guardian also reported, “Thomas told the Observer he believed the protest marked "the start of a grassroots movement". He added: "This is a moment. This is the first time people have had a chance to come out on to the streets in a big way." But this is nonsense. This was just an opportunity for a plethora of groups, amongst whom there are more differences, and the only thing that can unite them is a general concern for jobs, justice and climate, which incidentally are three themes that unite most of the country, and all the main political parties, to catch the government at a weak moment, and hope to build up support for whatever cause they have, on the back of the anger and desperation amongst people at this time.
The protest ended up in Hyde Park. I didn’t go, it was too cold and rainy, and although I did aim to walk there via a short-cut through Victoria, I ended up taking refuge in Westminster Cathedral, where I saw another procession, of Catholic priests and altar boys, who were holding a service for the Union of Catholic Mothers. I listened to the Catholic priests, they sounded much more happy and at peace with themselves and their surroundings, than the rankerous socialist bile spitting leaders.
People are blaming the bankers, but there is in actual fact no-one to blame for this. The this needs to be qualified too. The ‘this’ is the fact that people are loosing their jobs, consumption will have to be reduced. It is ironic that it is precisely that people are facing the prospect of lower consumption that they are out on the streets protesting against greedy bankers, it is not so much the greed of the bankers that people resent, so much as the increased consuming power of the bankers that they are envious of. The bankers are not to blame for working within a system, which promoted risky investments, a system which was encouraged and deregulated by politicians who realized that whilst the bubble was growing there were huge financial gains to be made from encouraging bankers to reap the rewards both for themselves but through the state through taxation, and politicians who were encouraged by the people who voted them in, who probably formed the majority of people marching in demonstration and protest today, who voted in the governments believing the deregulation of banks not to be a serious enough issue to vote against a government for, and realizing that even if it was a risk, whilst the bubble was growing, they were happy enough to see their elected government ensuring that the country got a share of the pie. We all contributed to this fucking mess – if you can call it a mess – its only a mess for those who no longer have jobs and cannot consume so much – by voting in the government, who deregulated the banks and encouraged the lending of our money several times over to riskier and riskier ventures which in actual fact were not producing anything of material benefit, but were instead relying on house prices going up and up, as more people poured their money into it. Now we are in deep shit, because Gordon Brown has poured what little remaining money we have, and we have on credit into the black hole – it has simply disappeared.
There are some people who are saying the bankers should pay for the crisis they created. It doesn’t work like that – it works by people putting their money into a bank – and entrusting the bank to invest it wisely. Where the bank looses the money – the original investor looses the money. This creates a motivation on behalf of the investor to invest wisely, e.g. on the basis of what we know right now investing in Barclays rather than Lloyds TSB or the Royal Bank of Scotland. However reality begins to change once one’s livelihood is threatened – now it is solely the banker’s responsibility to have invested the money wisely, the public who invest their money into the banks are seen to be helpless, powerless twits, whose securities should have been looked after by a paternalistic and caring banking sector. So for example, according to Fox New, “Berlin police estimated that around 10,000 people gathered in front of the capital's city hall and more than 1,000 in Frankfurt, Germany's banking capital, for similar demonstrations under the slogan: "We won't pay for your crisis." Its not a crisis – its just that there are now lots of personal crises – the public didn’t bother to check whether their banks were investing their money properly or wisely and now they are paying for it. But the banks aren’t responsible for this – they really aren’t.
We have two problems. The first was created by the fact that banks lent out our money several times over – so we thought the country was several times as wealthy as it actually was. This led to inflationary pressures especially in the housing market – where the same money was lent to several different people – all investing in housing leading to unrealistic housing prices. We now realize we have a fraction of the wealth we thought we had. This creates deflationary pressures – i.e. where everyone has less money prices are reduced. This problem can be solved by creating a soft deflationary landing to a level where the price of labor and goods reflects the value of the money we have not the value of the money we have and we loaned. This means everyone has to accept lower wages – we can either do this peacefully based around a consensus and agreement between corporations, banks, trade unions or governments – or we can do it aggressively – letting perfectly good companies whose workers refuse to take pay cuts go to the wall – and then watch as millions of unemployed people try to reform and reorganize new companies and enterprises.
The second problem is that banks are no longer making such risky investments – so they are not looking to lend their money on to others – which means there is less money to be lent to people – which means less activity and less economy. We have to get used to less activity – but at least the activity will be invested in activities which are genuinely producing material benefit for people – not leading to an apparent generation of wealth – which is the artificial effect of lending x amount of money to people ten times, making it seem that we are ten times as rich as previously – when actual fact we are equally as wealthy – but with prices ten times as high. We should have also let the banks go to the wall – and started again with a heavily regulated banking sector – which was not allowed to lend out peoples’ money irresponsibly. No-one wants to have to feel the pain from this – i.e. the rich bankers who keep their pensions and bonuses, the people who have banked with them who want to keep their savings, and the businesses who are funded by the banks who want to hang on to their business and jobs. So what Gordon Brown is doing, is in the name of the people, funneling money into the banking system, paying for the debts, and thus, keeping the bankers sweet, keeping the investors sweet, keeping the businesses sweet. Who looses out? All of us – the poor! They never really had anything to loose in the first place, however whilst Gordon Brown borrows money to give to the banks so they can lend to businesses and pay bankers bonuses and salaries, we move a step closer to becoming bankrupt – i.e. not being able to borrow any more money because no-one believes we can pay it back. Once we become bankrupt, social services and welfare will be cut.
According to Gaby Hinsliff, “Many economists believe a recovery now requires bursting that artificial bubble and rebalancing the economy so that Chinese consumers are encouraged spend a little more - reducing America's trade deficit - and Americans a little less. Malloch Brown suggests Britons, too, will need to relearn the art of saving.”
According to the Guardian, “But Scotland Yard is expecting a greater challenge on Wednesday 1 April, dubbed "Financial Fools Day", with a series of protests aiming to cause disruption in the Square Mile and elsewhere.” The Guardian says, “On 1 April an alliance of anti-capitalist groups called G20 Meltdown is organising a carnival headed by "Four Horsefolk of the Apocalypse", which will converge in front of the Bank of England. Anarchists are planning to target the second day of the summit at ExCel. Other groups mounting demonstrations include Climate Camp, the Stop the War Coalition, and Government of the Dead. An alternative summit will be held a few hundred yards from the ExCel centre at the University of East London.”
The alternative G20 summit website provides the following manifesto: Can we oust the bankers from power? Can we get rid of the corrupt politicians in their pay? Can we guarantee everyone a job, a home, a future? Can we establish government by the people, for the people, of the people? Can we abolish all borders and be patriots for our planet? Can we all live sustainably and stop climate chaos? Can we make capitalism history? YES WE CAN!
According to the Daily Telegraph, “The G20 conference will lead to a London "lockdown" next week, with parks, roads and businesses closed to keep world leaders safe, Government officials are warning.” The media are really building this up, as an attempt to build readership and sell advertising. Its interesting how a force created by the desire to advertise and promote consumption causes papers to distort and promote a threat and confrontation to the very system upon which it is built. The Daily Telegraph article continues, “Protesters with armed with buckets and spades are among several thousand people who are planning to bring chaos to the heart of central London.Last night it emerged that City workers were being advised to "dress down" next week to avoid drawing attention to themselves.”
To anyone really wanting revolution bear in mind these words from Stephen Moss, “Changing society is hard, and usually starts with a split in the elite. The English civil war and the French revolution both began with a fissure in the governing classes; their falling-out created the space for populist movements to develop. For a grassroots movement to effect change is enormously difficult. It was only possible in Russia in 1917 because of the devastation wrought by war.”
The reality of the demo was perhaps best summer up by ‘one789’ who said, “My experience of the demo, in talking to people and observing, is that no one had any real clue of why they were there. They recognise 'blame the bankers' to be futile and a distraction, think capitalism 'is rubbish' and 'want change', but say nothing beyond that.I at least expected a high degree of frustration and anger, but more than anything what came across was disillusionment and confusion. But then, that's what you get I suppose from such a middle-class yummy-mummy bleeding-heart rally.”
As rabbit95 said, “Be glad we live in a society free enough to protest and where, apart from the police possibly taping your presence at such a demo, there will be no comeback.”
www.londonsummit.gov.uk/en/summit-aims/summit-progress/
www.economist.com/opinion/displayStory.cfm?story_id=13362...
www.economist.com/opinion/displaystory.cfm?story_id=13362027
www.guardian.co.uk/world/2009/mar/29/g20-protests-london
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www.guardian.co.uk/politics/2009/mar/25/g20-q-a
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www.telegraph.co.uk/finance/financetopics/g20-summit/5050...
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www.londonsummit.gov.uk/en/global-update/cp-china/active-...
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www.channel4.com/news/articles/politics/domestic_politics...
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For great photographs and the low down on the G20 Summit, Protests and Demonstrations visit www.ravishlondon.com/g20
For great photographs and the low down on the G20 Summit, Protests and Demonstrations visit www.ravishlondon.com/g20
The world faces a problem: recession and a spiraling fall in trade. The Economist puts it like this, “Trade is contracting again, at a rate unmatched in the post-war period. This week the World Trade Organisation (WTO) predicted that the volume of global merchandise trade would shrink by 9% this year. This will be the first fall in trade flows since 1982. Between 1990 and 2006 trade volumes grew by more than 6% a year, easily outstripping the growth rate of world output, which was about 3% (see chart 1). Now the global economic machine has gone into reverse: output is declining and trade is tumbling at a faster pace. The turmoil has shaken commerce in goods of all sorts, bought and sold by rich and poor countries alike.” According to the Economist, “The immediate cause of shrinking trade is plain: global recession means a collapse in demand. The credit crunch adds an additional squeeze, thanks to an estimated shortfall of $100 billion in trade finance, which lubricates 90% of world trade.”
According to the Guardian, “On Thursday 2 April Gordon Brown is going to host the G20 summit in London. Leaders from 22 countries will be at the summit. The G20 is an organisation for finance ministers and central bankers, who in the past met once a year to discuss international cooperation in finance. There are 19 countries who are members: Argentina, Australia, Brazil, Canada, China, France, Germany, India, Indonesia, Italy, Japan, Mexico, Russia, Saudi Arabia, South Africa, South Korea, Turkey, the United Kingdom and the United States. The 20th member is the European Union, which is represented by whichever country holds the EU presidency (currently, it's the Czech Republic). These countries represent 90% of global GDP, 80% of world trade and two thirds of the world's population. The IMF and the World Bank also attend G20 meetings, although technically the London event isn't a normal G20 meeting.”
This G20 meeting will be for the leaders of all G20 countries. According to the Guardian the policy agenda developed by the last G20 meeting “did not in fact go much beyond pre-existing international initiatives that had recently been developed in more technocratic international bodies.” According to the Guardian, “On the London summit website, the British government has explained what it hopes to achieve. At the summit, countries need to come together to enhance global coordination in order to help restore global economic growth. World leaders must make three commitments:
• First, to take whatever action is necessary to stabilise financial markets and enable families and businesses to get through the recession.
• Second, to reform and strengthen the global financial and economic system to restore confidence and trust.
• Third, to put the global economy on track for sustainable growth.
Gordon Brown has argued that the world must avoid protectionism. According to the Economist, “The World Bank says that, since the G20 leaders last met in November in Washington, DC, 17 of their countries have restricted trade. Some have raised tariffs, as Russia did on second-hand cars and India did on steel. Citing safety, China has banned imports of Irish pork and Italian brandy. Across the world, there has been a surge in actions against “dumping”—the sale of exports, supposedly at a loss, in order to undermine the competition. Governments everywhere are favouring locally made goods.” The Economist also says, “Kei-Mu Yi, an economist at the Federal Reserve Bank of Philadelphia, argues that trade has fallen so fast and so uniformly around the world largely because of the rise of “vertical specialisation”, or global supply chains. This contributed to trade’s rapid expansion in recent decades. Now it is adding to the rate of shrinkage. When David Ricardo argued in the early 19th century that comparative advantage was the basis of trade, he conceived of countries specialising in products, like wine or cloth. But Mr Yi points out that countries now specialise not so much in final products as in steps in the process of production.”
Protectionism in itself sounds bad – but it is a policy option available and used in all political economies – including the most liberal. Protectionism can also lead to a more self-sustainable economy, and can lead to the internal development of an economy, which means the economy is less reliant and dependent on external sources of finance. Development will be slower, but it can be more secure and sustainable. It is likely that if countries do operate protectionist policies it will be a short-term opportunist and populist response to workers and unions, but it could be seen as an alternative economic model of development. It worked in Brazil and Argentina during the 1960s and 1970s for a while, until a more neo-liberal and external finance model was preferred.
The Brazilian President Luiz Inacio Lula da Silva was reported on Channel 4 News to have told Mr Brown the crisis was caused by "white blue eyed people". This overtly racist remark has been noted, but there has been no visible backlash. It is interesting how the whole agenda about racism never applies to the dominant one, i.e. you can racially slur white people, and white people with blue eyes without anyone batting an eye lid, whereas if you racially slur other ethnic groups you can find yourself battered. I find this state of affairs deeply offensive to the human race in general, and very patronizing to those groups who don’t come from the dominant ethnic group (i.e. its almost to say the whole anti-racist thing is a way of patting you on the head and saying there, there – because when it comes to racism we don’t really give a shit – see the way we couldn’t give a f*** if you slur our own dominant white ethnic group).
The reality is that the summit will represent a reshuffling of position, support and dependencies between the world’s twenty richest countries. Spectators are expecting China to come out feeling puffed up and proud, given that China has faired relatively in recent years, or so we are led to believe. Meanwhile national demonstrations seem to be focusing our attention to the fact that a different way of working is needed. In fact it will be work as usual – the question is who will come out on top.
In anticipation of the G20 summit a demonstration was held in London. 10,000 were predicted to attend the demonstrations. The police reported 35,000. I was there at the demonstration and I don’t believe I saw 35,000 people walk past Big Ben – and I saw it from start to finish. As one commentator, on the Guardian observed, “Apart from the small contingent of student SWP calling 'One solution, Revolution' and about 20 anarchists making noise the spirit was generally depressed and lacking any anger or sense of direction.” Cognitator joked, “Perhaps the police were adding their number to the protesters. As opposed to taking them away as per usual.”
According to the Guardian, “The Put People First march yesterday was organised by a collaboration of more than 100 trade unions, church groups and charities including ActionAid, Save the Children and Friends of the Earth. The theme was "jobs, justice and climate" and the message was aimed at the world leaders who will be gathering for the G20 summit here this week.”
The march started on the Embankment. When I arrived there I walked around desperately finding somewhere where I could have a piss for free. I tried Starbucks and Costa Cofee, but they seemed to have no toilets, I even tried the stamp collectors fayre a subterranean culture of badly dressed old people, with poor eyesight and even worse posture, which was momentary distraction from my full bladder, but which did not provide the answer to my pressing problem as the toilet door was locked and for staff only. Stephen Moss writing for the Guardian said, “Westminster is not a great place for someone like me, who has a weak bladder, to go on a march. The public loos there cost an outrageous 50p a go. The Socialist Worker magazine-seller next to Embankment tube station is on to this in a flash. "50p to have a piss – a lesson in capitalism," he is soon shouting. Later, I'm pleased to see someone has punched a hole in the wooden sign advertising the price.” In the end I walked all the way to the National Portrait Gallery where you can always be assured a good quality toilet seat.
The Guardian continued, “The marchers, estimated at 35,000 by police, accompanied by brass bands and drummers and a colourful assortment of banners and flags, walked the four miles from Embankment to Hyde Park, where speeches from comedian Mark Thomas and environmental campaigner Tony Juniper, and music from the Kooks, made for a party-like atmosphere.”
The Guardian reported, “A group of fewer than 200 anarchists joined the march and were kept isolated and surrounded by police. Chants of "Burn the bankers!" were the closest anyone came to any show of aggression.’ Yes I witnessed this, it was clear that the anarchists, dressed in black, some of them with scarves covering their faces, generally looked cool as fuck, like some post-nuclear vigilante gang, their black signifying the dark depressing reality from which humanity starts, and the point from which they wish to depart. Whether the police presence was heavy is debatable but they certainly had a line of police accompanying them, whereas no other group were honored with such a presence. Of the anarchists Stephen Moss says, “I fall in with some anarchists halfway through the march – a delightful young Greek called Alex and an Italian, who is happy to talk about Bakunin, but is, I sense, a little suspicious of me. The anarchists march together – with the police flanking them in a way they don't with the rest of the march – and I am intrigued that they never shout slogans or bang drums. Their mission is a serious one.” Moss goes on, “Alex tells me a reporter from the Sunday Times has already approached him to ask why anarchists wear masks. "Work it out for yourself – you're a journalist," he'd told him. "People always ask why we wear masks; they never ask about our ideology," he complains. In essence, that ideology is: power corrupts; all elites will be corrupt; so government should be by the people, for the people – a mass movement of the type they claim is emerging in South America. Hezbollah is also mentioned favourably, a movement they see as developing organically. "Organic" is a key word for anarchists, and it would save a lot of aggro and bad press if they were called organicists rather than anarchists.” Good point. But who wants to be called an organicist? And in any case everything is organic really – its just that some organisms develop in a way we or anarchists done like and some do. To call anarchists, organic is to miss the point, anarachists are like Christian, they dream of a reality which transcends human nature as it is and known. Structure, corruption, self-interest and greed underpin all human activity – the question is not how we can do away with it, but how can we manage it in a fair way.
Stephen Moss wrote about the variety of organizations on the march. He said, “Socialist Worker has a three-point strategy: "Seize their wealth," "Stamp out poverty," "End all wars." Sounds good, but I can't work out exactly who "their" refers to. The Socialist party is hot on slogans, colder on the mechanism by which they are put into practice. The likely outcome to the current crisis still appears to be government by Etonians.” Most of these movements are nothing to do with instituting political change. The people involved in them do not want to genuinely change things. Instead what these groups function as is self-help groups for people, for whatever reason, feel that they have been wronged in life, probably at a personal level, and feeling quite hopeless about their personal wrongs, they want to transpose their personal woe on to a faceless, unintelligible other – the government, the state, the capitalist, the rich and the greedy. Its not so much that socialist workers and anarchists want to change things, they know they are completely ineffectual, and too screwed up and traumatized, too aggressive, unintelligent and incapable of engaging people into a different way of organizing; they just want to shout out to people ‘we hurt’. Fair enough.
The TUC don’t seem to be turning up to do anything more than saying ‘there there’ to threatened workers, and stating the downright bloody obvious to the government. Their message is “The importance of this summit cannot be underestimated. Unemployment and deprivation will grow massively over the next two years unless governments work together. People need to know that there is an international solution to this crisis. If the summit suggests that there is not, many will turn to nationalist and protectionist politics with all that implies for the global economy and world peace.” Mind you they do go on to say that, “But while the immediate response to the crisis will be at the forefront of the leaders' minds, the unprecedented Put People First coalition shows there is a huge appetite for a new economic direction. Thirty years of the increasing dominance of the neo-liberal agenda has got us into this mess. The summit must show that the next 30 years need to be about a renewed era of economic growth based on a much fairer share of the proceeds. One that is environmentally sustainable and one that does not end in the burst of yet another financial bubble.” But what are they really saying? Nothing much.
There is of course something about how all of this is just about having a laugh, getting a kick, getting an emotional fix. There’s something very similar to the way that some of the more violent groups get ready for a rumble with the police and football hooliganism. Football hooligans are much more honest about the emotional kick they get from fighting. The protestors pretend that they are doing it for the people. Whatever the so called reasons, it is clear that a lot of protestors enjoy confrontation. They are much more focused on the enemy and combating the enemy than they are on creating peaceful societies. So Stephen Moss makes the interesting observation, “When the march eventually gets to Hyde Park, the anarchists refuse to join the "TUC bureaucrats" for the official rally and hold their own open-platform meeting at Speakers' Corner, dominated by elderly men in hats who talk less about Bakunin than about beating up the BNP and confronting the police on the streets of Whitechapel. It's all a bit depressing (and expletive-filled – I take serious exception to the denunciation of "Oxbridge cunts"), though I like the fact that the elderly men refuse even to use a megaphone – only the ordinary human voice is organic enough.” The media and police have both hyped the April 2009 marches as like the possible end of the British way of life, of democracy, of capitalism. Nothing could be further from the truth, but its like we all want to will it to happen – we all are looking for excitement – war may be bad but peace is fucking boring – I once read.
The Guardian also reported, “Thomas told the Observer he believed the protest marked "the start of a grassroots movement". He added: "This is a moment. This is the first time people have had a chance to come out on to the streets in a big way." But this is nonsense. This was just an opportunity for a plethora of groups, amongst whom there are more differences, and the only thing that can unite them is a general concern for jobs, justice and climate, which incidentally are three themes that unite most of the country, and all the main political parties, to catch the government at a weak moment, and hope to build up support for whatever cause they have, on the back of the anger and desperation amongst people at this time.
The protest ended up in Hyde Park. I didn’t go, it was too cold and rainy, and although I did aim to walk there via a short-cut through Victoria, I ended up taking refuge in Westminster Cathedral, where I saw another procession, of Catholic priests and altar boys, who were holding a service for the Union of Catholic Mothers. I listened to the Catholic priests, they sounded much more happy and at peace with themselves and their surroundings, than the rankerous socialist bile spitting leaders.
People are blaming the bankers, but there is in actual fact no-one to blame for this. The this needs to be qualified too. The ‘this’ is the fact that people are loosing their jobs, consumption will have to be reduced. It is ironic that it is precisely that people are facing the prospect of lower consumption that they are out on the streets protesting against greedy bankers, it is not so much the greed of the bankers that people resent, so much as the increased consuming power of the bankers that they are envious of. The bankers are not to blame for working within a system, which promoted risky investments, a system which was encouraged and deregulated by politicians who realized that whilst the bubble was growing there were huge financial gains to be made from encouraging bankers to reap the rewards both for themselves but through the state through taxation, and politicians who were encouraged by the people who voted them in, who probably formed the majority of people marching in demonstration and protest today, who voted in the governments believing the deregulation of banks not to be a serious enough issue to vote against a government for, and realizing that even if it was a risk, whilst the bubble was growing, they were happy enough to see their elected government ensuring that the country got a share of the pie. We all contributed to this fucking mess – if you can call it a mess – its only a mess for those who no longer have jobs and cannot consume so much – by voting in the government, who deregulated the banks and encouraged the lending of our money several times over to riskier and riskier ventures which in actual fact were not producing anything of material benefit, but were instead relying on house prices going up and up, as more people poured their money into it. Now we are in deep shit, because Gordon Brown has poured what little remaining money we have, and we have on credit into the black hole – it has simply disappeared.
There are some people who are saying the bankers should pay for the crisis they created. It doesn’t work like that – it works by people putting their money into a bank – and entrusting the bank to invest it wisely. Where the bank looses the money – the original investor looses the money. This creates a motivation on behalf of the investor to invest wisely, e.g. on the basis of what we know right now investing in Barclays rather than Lloyds TSB or the Royal Bank of Scotland. However reality begins to change once one’s livelihood is threatened – now it is solely the banker’s responsibility to have invested the money wisely, the public who invest their money into the banks are seen to be helpless, powerless twits, whose securities should have been looked after by a paternalistic and caring banking sector. So for example, according to Fox New, “Berlin police estimated that around 10,000 people gathered in front of the capital's city hall and more than 1,000 in Frankfurt, Germany's banking capital, for similar demonstrations under the slogan: "We won't pay for your crisis." Its not a crisis – its just that there are now lots of personal crises – the public didn’t bother to check whether their banks were investing their money properly or wisely and now they are paying for it. But the banks aren’t responsible for this – they really aren’t.
We have two problems. The first was created by the fact that banks lent out our money several times over – so we thought the country was several times as wealthy as it actually was. This led to inflationary pressures especially in the housing market – where the same money was lent to several different people – all investing in housing leading to unrealistic housing prices. We now realize we have a fraction of the wealth we thought we had. This creates deflationary pressures – i.e. where everyone has less money prices are reduced. This problem can be solved by creating a soft deflationary landing to a level where the price of labor and goods reflects the value of the money we have not the value of the money we have and we loaned. This means everyone has to accept lower wages – we can either do this peacefully based around a consensus and agreement between corporations, banks, trade unions or governments – or we can do it aggressively – letting perfectly good companies whose workers refuse to take pay cuts go to the wall – and then watch as millions of unemployed people try to reform and reorganize new companies and enterprises.
The second problem is that banks are no longer making such risky investments – so they are not looking to lend their money on to others – which means there is less money to be lent to people – which means less activity and less economy. We have to get used to less activity – but at least the activity will be invested in activities which are genuinely producing material benefit for people – not leading to an apparent generation of wealth – which is the artificial effect of lending x amount of money to people ten times, making it seem that we are ten times as rich as previously – when actual fact we are equally as wealthy – but with prices ten times as high. We should have also let the banks go to the wall – and started again with a heavily regulated banking sector – which was not allowed to lend out peoples’ money irresponsibly. No-one wants to have to feel the pain from this – i.e. the rich bankers who keep their pensions and bonuses, the people who have banked with them who want to keep their savings, and the businesses who are funded by the banks who want to hang on to their business and jobs. So what Gordon Brown is doing, is in the name of the people, funneling money into the banking system, paying for the debts, and thus, keeping the bankers sweet, keeping the investors sweet, keeping the businesses sweet. Who looses out? All of us – the poor! They never really had anything to loose in the first place, however whilst Gordon Brown borrows money to give to the banks so they can lend to businesses and pay bankers bonuses and salaries, we move a step closer to becoming bankrupt – i.e. not being able to borrow any more money because no-one believes we can pay it back. Once we become bankrupt, social services and welfare will be cut.
According to Gaby Hinsliff, “Many economists believe a recovery now requires bursting that artificial bubble and rebalancing the economy so that Chinese consumers are encouraged spend a little more - reducing America's trade deficit - and Americans a little less. Malloch Brown suggests Britons, too, will need to relearn the art of saving.”
According to the Guardian, “But Scotland Yard is expecting a greater challenge on Wednesday 1 April, dubbed "Financial Fools Day", with a series of protests aiming to cause disruption in the Square Mile and elsewhere.” The Guardian says, “On 1 April an alliance of anti-capitalist groups called G20 Meltdown is organising a carnival headed by "Four Horsefolk of the Apocalypse", which will converge in front of the Bank of England. Anarchists are planning to target the second day of the summit at ExCel. Other groups mounting demonstrations include Climate Camp, the Stop the War Coalition, and Government of the Dead. An alternative summit will be held a few hundred yards from the ExCel centre at the University of East London.”
The alternative G20 summit website provides the following manifesto: Can we oust the bankers from power? Can we get rid of the corrupt politicians in their pay? Can we guarantee everyone a job, a home, a future? Can we establish government by the people, for the people, of the people? Can we abolish all borders and be patriots for our planet? Can we all live sustainably and stop climate chaos? Can we make capitalism history? YES WE CAN!
According to the Daily Telegraph, “The G20 conference will lead to a London "lockdown" next week, with parks, roads and businesses closed to keep world leaders safe, Government officials are warning.” The media are really building this up, as an attempt to build readership and sell advertising. Its interesting how a force created by the desire to advertise and promote consumption causes papers to distort and promote a threat and confrontation to the very system upon which it is built. The Daily Telegraph article continues, “Protesters with armed with buckets and spades are among several thousand people who are planning to bring chaos to the heart of central London.Last night it emerged that City workers were being advised to "dress down" next week to avoid drawing attention to themselves.”
To anyone really wanting revolution bear in mind these words from Stephen Moss, “Changing society is hard, and usually starts with a split in the elite. The English civil war and the French revolution both began with a fissure in the governing classes; their falling-out created the space for populist movements to develop. For a grassroots movement to effect change is enormously difficult. It was only possible in Russia in 1917 because of the devastation wrought by war.”
The reality of the demo was perhaps best summer up by ‘one789’ who said, “My experience of the demo, in talking to people and observing, is that no one had any real clue of why they were there. They recognise 'blame the bankers' to be futile and a distraction, think capitalism 'is rubbish' and 'want change', but say nothing beyond that.I at least expected a high degree of frustration and anger, but more than anything what came across was disillusionment and confusion. But then, that's what you get I suppose from such a middle-class yummy-mummy bleeding-heart rally.”
As rabbit95 said, “Be glad we live in a society free enough to protest and where, apart from the police possibly taping your presence at such a demo, there will be no comeback.”
www.londonsummit.gov.uk/en/summit-aims/summit-progress/
www.economist.com/opinion/displayStory.cfm?story_id=13362...
www.economist.com/opinion/displaystory.cfm?story_id=13362027
www.guardian.co.uk/world/2009/mar/29/g20-protests-london
www.guardian.co.uk/world/gallery/2009/mar/28/g20-protest-...
www.guardian.co.uk/commentisfree/video/2009/mar/28/g20-su...
www.guardian.co.uk/commentisfree/2009/mar/28/g20-protest
www.guardian.co.uk/world/2009/mar/29/g20-summit-globalisa...
www.guardian.co.uk/politics/2009/mar/25/g20-q-a
news.google.co.uk/news?q=G20+summit+London+2009&oe=ut...
www.telegraph.co.uk/finance/financetopics/g20-summit/5050...
www.guardian.co.uk/world/2009/mar/29/g20-summit
www.londonsummit.gov.uk/en/global-update/cp-china/active-...
www.londonsummit.gov.uk/en/summit-aims/summit-progress/qu...
www.channel4.com/news/articles/politics/domestic_politics...
www.channel4.com/news/articles/politics/international_pol...
For great photographs and the low down on the G20 Summit, Protests and Demonstrations visit www.ravishlondon.com/g20
Immediate to the left of where I was standing to take this photo, one enters the famous nightlife area of Shinjuku's Kabukicho district.
Olympus OM-D EM-1 with 12-40mm f/2.8 PRO
Professor Karoly has called for the immediate closure of the Hazelwood coal fired power station, one of the most inefficient and most polluting power stations in the world, at a rally in Melbourne on 6 November 2010, in a leadup to the Victorian state election on November 27.
Karoly served as a lead author for the Intergovernmental Panel on Climate Change (IPCC) Working Group 2 (awarded the 2007 Nobel Peace Prize, jointly with Al Gore) and is a member of the faculty of the School of Earth Sciences at the University of Melbourne.
Watch a video of his speech
Replace Hazelwood Rally in Melbourne 6 November 2010, increasing pressure on Premier John Brumby and Ted Baillieu to commit to replacing all of Hazelwood power station within the next term of Government.
===Transcript of speech =====
Thankyou Victoria, and it is a plasure to be here and a pleasure to see so many people here and it's also fantastic that it's such a sunny day because it shows the potential in Victoria for a solution to replacing Hazelwood.
...talk about politics because I am not a policymaker. I am just a scientist and what I am going to talk about very briefly is the climate science behind why we need to close down Hazelwood.
I am going to start by looking back from 60 or 70 years in the future.
There are some young people here. In fact there are many children here and they will look back from 60 years in the future and say who was to blame for the climate they will be living through that will be hotter, with more heat waves, and more bush fires, and worst of all sea level rise that will be innundating many people in low lying areas not only in Australia, but islands in the Pacific, in low lying areas in south east Asia and in many many parts of the world.
And they will ask - who is to blame? and the answer is Hazelwood is partly to blame for causing climate change.
Draw the dots - how do we connect the dots between climate change and the future impacts and what Hazelwood is doing.
Hazelwood as we've heard already, is the least efficient, worst polluting power station in Australia. It produces more greenhouse gases than any other power station in Australia, for the amount of electricity it produces. So it is producing lots of carbon dioxide, putting it into the atmosphere every year.
Carbon dioxide stays in the atmosphere and has impacts for more than a thousand years. It doesn't get removed quickly. So every hour, every day, every year that Hazelwood is still being used it is causing more climate change.
That climate change, people will argue, is very small. Hazelwood is only one of many power stations, but in fact the emissions are really, really important. Climate change causes warming; warming causes melting of ice and warming of the oceans which cause sea level rise.
One hundred million people will be flooded due to sea level rise before the end of the century, and that is not 100 million people in total but 100 million people every year subject to annual flooding from sea level rise for the very lowest estimate of sea level rise for any emission scenario.
What is Hazelwood's share? It is only small, only point 01 per cent. That is a small number. That means that 10,000 people, the typical size of many country towns in Victoria, will be flooded annually; will have to leave their homes.
So we can show that directly Hazelwood emissions will cause 10,000 people to have to leave their homes every year. What that means is Hazelwood is just as responsible for climate change as any other group. Closing down Hazelwood will prevent the damages due to the extra carbon dioxide that Hazelwood put in.
So what do we need to do if we want to slow down climate change, if we want to avoid the damage due to the emissions from Hazelwood? We need to not just close a quarter of Hazelwood, we need to close Hazelwood completely. We need to do that now.
[Crowd cheers]
You will hear lots of people make two other arguments. They say let's wait, let's wait until there is a better solution, let's wait until the evidence is clearer, let's wait until carbon capture and storage, that dirty lie, is developed.
Every hour, every day that we wait is actually making a conscious decision to make the problem worse.
Do we want to make the problem worse by allowing Hazelwood to continue?
[Crowd says No]
The only way to not make the problem worse is to take action now to stop carbon dioxide emissions and that is going to be helped by closing Hazelwood completely now.
[Crowd cheers]
The other thing you will hear is that Hazelwood is really important. We need the energy; we need the jobs; it's really good. But how do you balance the damages against the good.
Now, I'm not a lawyer. I know there are some lawyers in the audience and one of them is standing as a Greens Candidate. Brian Walters will tell you that no matter how many lives a doctor saves, if he kills someone intentionally he can be tried for murder. Hazelwood is guilty of the damages from the climate change it's causing and we need to stop it now.
Thankyou
(Castle)Immediate Records put this 3CD Set of Demos and unissued live tracks from "The Nice" in 2000 CMETD 055
An old photograph taken in Bingley of Bradford Corporation Tramways (BCT) tram No. 236. It has been taken in Main Street with the Midland Hotel on the immediate right, Market Street is on the right where the Maypole Dairy is, and on the left where the four people are standing outside a bank is Park Road.
Modern day view.
www.google.co.uk/maps/@53.8491021,-1.8387338,3a,75y,163.9...
The photo reverse is stamped with the photographer (and/or negative owner) name of W. A. Camwell. This photo appears in 'Bradford City Tramways' by D. M. Coates and is dated in that as Aug 1938.
This 2nd No. 236 (the 1st was built 1904 and renumbered as 31 in 1919) was built by English Electric as a vestibuled 'balcony car' seating 22/43 (19/43 when the seats were upholstered), running on a Dick Kerr 21E 4 wheel truck, going into service Oct 1919. It was withdrawn from service in Aug 1945, the parts of the Bradford tramways system that had not already been withdrawn or transferred to trolleybus/bus operation closing in May 1950.
📷 Any photograph I post on Flickr is an original in my possession, nothing is ever copied/downloaded from another location. 📷
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If there are any errors in the above description please let me know. Thanks.
Any photograph, ephemera, etc I post on Flickr is in my possession, nothing is copied from another location. The original photographer may have taken copies from their original negative and passed them out (sold them?) so there may be other copies out there of your (and my) 'original' transport photo, although occasionally there may be 'holiday snaps' type photos where there are not any other photos exactly the same in existence.
If you wish to use this image (bearing in mind it may not be my copyright) or obtain a full size version (most of my uploads are small size) please contact me.
Jessie Emmet and Virginia Mann
"immediate Family" a photograph taken by Sally Mann taken at temporary exhibit at Harn Museum UF.
So I picked up the waterslide decal paper with white backing and as you can see it come in better on dark surfaces.
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some background:
The Tiger-class cruisers were the last class of all-gun cruisers completed for the British Royal Navy. They came from an order of 8 Minotaur-class cruisers in 1941-2; work on the second group of three ships was effectively suspended in mid-1944. HMS Cerberus was originally one of these conventional cruisers for the British Royal Navy. Cerberus started out as HMS Superb and was the last of the Minotaurs to be built. The ship was completed to a slightly different design to that of the previous members of the class, with a foot more beam than her immediate predecessor HMS Swiftsure.
With Superb, the first Type 275 sets, modified versions of the lock and follow radar, were introduced to also control anti-aircraft fire of the twin 4-inch mounts. Construction on Superb’s unfinished sister ships was halted after the end of the war and they were later scrapped or converted into the new Tiger-class automatic gun cruisers.
Superb herself was planned to be converted to full automatic 6-inch and 3-inch/70 gun Tiger specifications. The plans to modernize Superb at the time of the 1957 Defense Review were much more cost-constricted and would have been similar to the limited modernization of HMS Belfast, with new MRS8 multi-channel directors for four twin 4-inch and six twin proximity fused L70 Bofors and new radar, fire control, AIO and a data link to the modernized carriers Victorious and Hermes.
Superb spent some time as the flagship of Rear Admiral Sir Herbert Packer, was refitted in 1955-6 and decommissioned, 18 months later in December 1957, when the ship’s update was cancelled in April 1957. She was approved for disposal 2 years later and arrived at the Dalmuir yards of Arnott Young on 8 August 1960 to be stored, waiting to be eventually scrapped. This did not happen, though.
In parallel, the Royal Navy was undergoing severe structural changes: In 1957, the Royal Navy had 21 cruisers, 9 of them in operation, but by 1961 the cruiser fleet had declined to 9 of which 5 were in service. By that time, the revised Tiger Class had been put into service (HMS Tiger was the first converted ship), but its automated weapons turned out to be unreliable and ineffective. One reason for this was that the Tigers’ revised weapon fit was based upon immediate post war requirements, and by the late Fifties her 6 inch turrets were insufficient to guarantee surface fire and were even less effective in the AA role due to improvements in missiles and aircraft. Furthermore, the basic fit of three twin 3 inch turrets was poor for effective, reliable coverage of the fire arcs – even more so without the L60 40mm Bofors guns or twin L70 40mm Bofors guns approved in 1954/57 as essential for CIWS. But the Tigers had no lighter anti-aircraft armament, and also lacked torpedo tubes.
Furthermore, the crew lacked space and comfort, even though air conditioning was fitted throughout the ship, and a 200-line automatic telephone exchange was installed.
HMS Tiger’s first captain (Captain Washbourn) said that the ship “(…) had been designed to cope with nuclear attacks, in that she can steam for up to a fortnight through radio-active fall-out with remotely controlled boiler and engine and armament operating with re-circulating purified air below decks, and could operate as a fighting unit even if a nuclear bomb was dropped nearby." However, in real life, the Tigers were not the modern, well-armed, fast, long range cruisers, likely to be “effective ships for a long period to come, and especially is this true east of Suez, where distances are so gigantic." Despite the many deficits, HMS Tiger and its sister ships Blake and Lion were accepted by the Navy in 1959 in order to fill the gaps among operational Royal Navy ships.
The ships’ career was lackluster, and in 1966, the decision was made to convert the Tiger Class ships into "helicopter and command cruisers" from 1968-72 in HMNB Devonport. This reconstruction included a thorough reconstruction of the upper structures and of the ship’s rear section, and beyond the modernized hulls of Tiger, Lion and Blake, Superb (still moored at Dalmuir, but surprisingly well preserved) was also chosen for a thorough conversion and further modernization.
In order to accommodate a flying deck, the ships’ hull rear section was widened and the aft 6 inch and 3 inch mounts were removed. Instead, a large, even deck and a hangar underneath to store and operate four helicopters was installed, together with a lift in an armored deck hangar bay.
When these plans were announced to Parliament in March 1964, it was said that the Navy did "not expect this conversion work to be difficult or particularly expensive". The refits were planned to take 18 months and to cost £5 million each, and the Tiger class update program was executed. Despite its rather derelict condition, Superb was the first ship to be modified, in order to test the plan and to have a benchmark for the other conversions.
Superb was earmarked to be given an even more thorough change, with a lengthened hull, that not only resulted in a larger flight deck with three landing pads instead of only two on the other ships. A 66’5” plug was inserted in front of the hangar section, and the resulting gain in internal space would now allow to store six helicopters and more fuel to operate them.
Superb’s upper structure was different from the other Tiger-Class cruisers, with an additional structure between the hangar and the command section ahead. The space was direly needed for crew accommodation: With the ship's helicopter squadron added, the ship's peacetime complement increased to 985 (95 officers and 870 ratings). The original Tigers had, before their conversion, a complement of roughly 720 men, and this had already been quite cramped. The other, later Tiger ships had, after their modernization, still a crew of round 880 men.
The modified upper structure of Superb was, however, also used for more sophisticated radar systems, which would allow long-range air space observation. The original two separate funnels for the four engines were grouped into a single structure, what made room for a second antenna array mast.
The ship’s armament was modified, too. Only the automatic 6 in turret on the front deck remained as gun armament, the former 3 in station behind it was replaced with a SeaDart SAM launcher against airborne attackers at medium range and altitude. In order to protect the ship from incoming aircraft and esp. modern, low-flying missiles at closer range, a pair of 20mm Oerlikon guns were added, as well as three automated Raytheon Phalanx CIWS 20 mm close-range Gatling guns, one placed on each side of the hull and the third one on top of the hangar structure.
In this new guise, the ship was re-christened Cerberus (C22), and even though she differed considerably from its shorter sister ships Tiger (C20), Lion (C34) and Blake (C99), Cerberus was still counted to the Tiger-class of cruisers. They all had, after the renovation, excellent command, control and communications facilities installed, and found use as flagships to task groups.
Despite the high costs and the extensive modernization phase, Cerberus was eventually recommissioned on 6 May 1972. The reconstruction of Superb, Blake, Lion and Tiger was examined in the third report of the Public Accounts Committee for 1972. Michael Barnes said in parliament that the refits "show too lax an attitude towards the way in which the taxpayers' money is being spent". "...”, but in the end, the Tiger-Class refit took over five years and cost over £28 million. Rear-Admiral Morgan-Giles suggested bringing the full-fledged aircraft carrier HMS Eagle back into commission instead of manning the Tiger-Class cruisers, which he said were "among the worst abortions which have ever been thrust on the Royal Navy."
The Tigers’ large crew (and esp. Cerberus with 100 men on top) made them expensive ships to operate and maintain, and the complex systems, esp. the aircraft infrastructure, raised operational costs even further. When the economic difficulties of the late seventies came around, this led to a defense manpower drawdown that resulted in manpower shortages. As consequence Cerberus was, together with the other Tiger ships, placed in reserve again in 1978. She was decommissioned on 4 May 1979 and soon put on the disposal list, but Cerberus and her sister-ships remained listed as part of the Standby Squadron, moored inactive at HMNB Chatham until further notice.
When the Falklands War broke out in early April 1982, the Tiger-Class ships were rapidly surveyed and it was determined that HMS Tiger and HMS Cerberus were still in very good material shape. Both were immediately dry-docked (Tiger in Portsmouth and Cerberus at Chatham) and recommissioning work was begun.
Whilst there was speculation that their remaining 6-inch guns would be useful for shore bombardment, the real reason for their potential deployment was the size of their flight decks (Cerberus offered the third largest in the Royal Navy at that time, after the aircraft carriers Hermes and Invincible, Tiger came in the fourth place).They offered the potential to use them as mobile forward operating and refueling bases for Task Force (Sea) Harriers, even though their benefit would be more as platforms to extend the range and endurance of the Harriers and as a refueling stop on the way back to the carriers, rather than as somewhere to operate offensive missions from.
Cerberus was intended to place two pairs of Sea Harriers as an extended-range CAP (Combat Air Patrol) ahead of the two carriers, reducing their own exposure to air strikes, but the need to take off vertically rather than the use of a ski-jump severely reduced the Harriers' endurance and weapons carrying capability. Two Sea Kings would also be carried for SAR and aerial surveillance missions, and there were plans to use the ship as launch platform for small commando troops on helicopters.
The British government had no contingency plan for an invasion of the islands, and the British task force was rapidly put together from whatever vessels were available, including HMS Cerberus. The nuclear-powered submarine Conqueror set sail from France on 4 April, whilst the two aircraft carriers Invincible and Hermes, in the company of escort vessels, left Portsmouth only a day later. The whole task force eventually comprised 127 ships: 43 Royal Navy vessels, 22 Royal Fleet Auxiliary ships and 62 merchant ships.
The retaking of the Falkland Islands was considered extremely difficult. The chances of a British counter-invasion succeeding were assessed by the US Navy, according to historian Arthur Herman, as "a military impossibility". Firstly, the British were significantly constrained by the disparity in deployable air cover. The British had 42 aircraft (28 Sea Harriers and 14 Harrier GR.3s) available for air combat operations, against approximately 122 serviceable jet fighters, of which about 50 were used as air superiority fighters and the remainder as strike aircraft, in Argentina's air forces during the war. Crucially, the British lacked airborne early warning and control (AEW) aircraft with suitable range - the Sea King AEW helicopters were only able to cover the direct vicinity of the carriers, in order to protect them from Exocet missile attacks from vessels and aircraft.
HMS Cerberus was ordered on 2 April 1982 to join the task force being assembled to retake the islands. Ammunition and supplies were taken on board. To avoid her being mistaken for Argentinean cruisers, a vertical black marking was painted on the funnel and down to the side to her waterline to aid recognition – a marking that soon disappeared after initial battle contacts, because Argentinian Skyhawk pilots used these markings as visual aims to place their bombs!
Departing for the South Atlantic HMS Cerberus reached Ascension Island on 10 April, sailing from there on 14 April accompanied by HMS Arrow, HMS Brilliant, HMS Coventry, HMS Glasgow and HMS Sheffield to be later joined by RFA Appleleaf. They joined other vessels of the Task Force 317 and commenced operations in the Total Exclusion Zone around the Falklands on 1 May 1982.
It was British policy that any Royal Navy vessel that suspected it might be under missile attack would turn toward the threat, accelerate to maximum speed and fire chaff to prevent the ship being caught defenseless again. The codeword used to start this procedure was 'handbrake', which had to be broadcast once the signal of the Super E Agave radar of Super Étendard aircraft was picked up.
Cerberus was first detected by an Argentine Naval Aviation Lockheed SP-2H Neptune (2-P-112) patrol aircraft at 07:50 on 4 May 1982. The Neptune kept the British ships under surveillance, verifying their position again at 08:14 and 08:43. Two Argentine Navy Super Étendards, both armed with AM39 Exocets, took off from Río Grande naval air base at 09:45. At 10:35, the Neptune climbed to 1,170 meters (3,840 ft) and detected two large and two medium-sized contacts. A few minutes later, the Neptune contacted the Super Étendards with this information. Flying at very low altitude at approximately 10:50, both Super Étendards climbed to 160 meters (520 ft) to verify these contacts but failed to locate them and returned to low altitude. 25 miles (40 km) later they climbed again and, after a few seconds of scanning, the targets appeared on their radar screens.
Both pilots loaded the coordinates into their weapons systems, returned to low level, and after last minute checks, each launched an AM39 Exocet missile at 11:04 while 20 to 30 miles (32 to 48 km) away from their targets.
One of these Exocets struck Cerberus, even though the missile was detected and a SeaDart ASM launched on short notice to counter it - but without success. The Exocet hit and impacted on the starboard side at deck level 2, traveling through the junior ratings' scullery and breaching the Forward Auxiliary Machinery Room/Forward Engine Room bulkhead 2.4 meters (7 ft 10 in) above the waterline, creating a hole in the hull roughly 1.2 by 3 meters (3.9 by 9.8 ft). Cerberus’ second line of defense, the Phalanx CIWS, though, apparently hit the missile and damaged it, because the warhead did not explode. Nevertheless, the missile’s initial impact disabled the ship's electrical distribution systems and breached the pressurized sea water fire main, severely hampering any potential firefighting response. With this severe damage, doubts about the ship's self-defense capabilities and a crew of almost 1.000 men exposed to further attacks, Cerberus was retired and sent back home. Before leaving the theatre of operation on 6 May, Cerberus’ complement of four Sea Harriers and two Sea Kings, together with their crews and maintenance personnel, was transferred to HMS Hermes.
Another ship from the same group, HMS Sheffield, was hit by the other Exocet missile and sank after fire broke out. The loss of Sheffield was a deep shock to the British public and government and justified the decision to save Cerberus and its crew from a similar fate with potentially disastrous outcome.
Back in Great Britain, Cerberus was immediately decommissioned again and tied to a mooring buoy in Portsmouth harbor. After the hostilities in the Southern Atlantic had ended, Chile showed a faint interest in acquiring the Tiger-Class ships, but this did not get past the discussion stage. Cerberus existed in a slowly deteriorating condition until mid-1986 and, following competitive tendering, she was sold for scrap to Desguaces Varela of Spain. She was towed to Spain and scrapping started in October 1986.
General characteristics:
Class and type: Tiger-class light cruiser
Displacement: 11.170 tons standard, 13.530 tons deep load
Length: 622.1 ft (189.9 m) overall
Beam: 64 ft (20 m)
Draught: 21 ft (6.4 m)
Complement: 985
Propulsion:
4× Admiralty-type three drum boilers (400 psi),
driving 4× Parsons shaft steam turbines, producing 80,000 shp
Performance:
Speed: 31.5 knots (58 km/h)
Range: 2,000 nautical miles (3,704 km) at 30 knots (55.6 km/h)
4,000 nautical miles (7,408 km) at 20 knots (37.0 km/h)
6,500 nautical miles (12,038 km) at 13 knots (24.1 km/h)
Sensors and processing systems:
Types 278, 903 (x4), 965M, 992Q radars, Types 174, 176 and 185 sonars
Armament:
2× 6-inch (1 × 2)
1× Sea Dart SAM missile system (1 × 2)
2× Oerlikon 20 mm cannons
3 × Raytheon Phalanx CIWS 20 mm close-range Gatling guns
SeaGnat launchers for chaff or flare decoys
Up to six aircraft; initially only helicopters (Westland Wessex, then Sea King),
but later Hawker Sea Harrier VTOL aircraft could be operated, too
The kit and its assembly:
Well, I am treading on hazardous terrain with this one, but I like the challenge. I have built some ships in the past, including some of Matchbox’ waterline models in 1:100, but that was decades ago. But for the current “in the navy” group build I found a ship model to be a suitable submission.
I have never built Matchbox’ HMS Tiger before, though, but I found the concept of a WWII cruiser turned into a quasi-modern heli carrier so absurd that the ship lent itself as basis. My initial idea was to create a fictional Royal Navy Tiger-class ship, but with Sea Harriers on board, part of Task Force 317 that took part in the Falklands conflict. For that purpose I had already stashed away a Revell HMS Invincible, primarily for the Sea Harriers, which are not available as aftermarket sets (e .g. from Trumpeter – you only get AV-8Bs, and the difference is quite visible).
However, for a what-if model, OOB is never enough – with the Invincible kit at hand I quickly considered some transplants and detail changes, and finally I wanted to enlarge the landing deck for more traffic and operational security. This called for a hull extension, and this is where the real adventure began.
I found a straight hull section around the hangar area, and with an L-shaped cut the ship was cut in two pieces. A 3cm 1.5mm styrene plug, together with internal stiffeners, was implanted, and the landing deck replaced with a tailored piece of 0.5mm styrene sheet.
The section between the hangar and the command structure was totally changed with parts from the Invincible’s kit, including a twin funnel that replaces Tiger’s separate funnels. The masts were also modified – the rear mast come from the Tiger, but made slightly taller, while the front mast comes from Invincible, but it was shortened.
The Invincible kit was furthermore used a donor bank for the modified armament and the aircraft models (4 Sea Harriers, 2 SeaKings, (one of them an AEW.2 with a retracted radome) and a Lynx).
Painting and markings:
Since I like subtle what-if models, I stayed close to the paint scheme of the real HMS Tiger: all upper structures in a uniform light grey (I assume it is RN “Light Weatherwork Grey”, BS 381C 676? But I am absolutely NO expert when it comes to ship camouflage and the respective authentic tones!) with a black waterline, together with deck surfaces in very dark grey (black?) and sea green. I used, after an unsuccessful experiment with FS 16473 (ADC Grey, from Modelmaster), which turned out to have a weird, greenish touch, Humbrol 127 (FS 36375), Revell 9 (Anthracite) and Humbrol 88 (Royal Navy Deck Green).
Due to the small scale of the model I added only a VERY light black ink washing for more contrast between the single structures and surfaces and to point out details on the hull. The whole painting process turned out to be nightmare, because there are so many edges and small parts – I know now (again) why I am not a fan of small-scale ship models!
The quick ID marker for British aircraft was created with black decal sheet material – very simple and effective. The landing deck markings come partly from the HMS Tiger OOB sheet, but some more white stripes were added. The tactical codes on the flanks and on the landing deck were created with single letters in black and white in various sizes. While the font is not exactly RN-like (it should be more squared), it works well.
Finally, the model received a coat with matt acrylic varnish from the rattle can, and final details were added, like the lifeboats (which received, according to real life pictures, different liveries in bright red and a dull dark blue), a crane and the aircraft – the Sea Kings and three Sea Harriers were painted in Dark Sea Grey while one Sea Harrier and the Lynx received a dark blue/white “peacetime livery”, in order to add some highlights to the flight deck.
Well, the first 1:700 ship model after years, and probably the last one for the next decades. This is not my home turf, but I am happy that I used the group build to motivate myself enough to tackle it. I am not 100% satisfied with the outcome, but that’s due to the many conversions and my lack of ship building experience. In the end, I can live with HMS Cerberus, since I was able to turn my ideas into model hardware – and overall the ship does not look bad or implausible at all?
World Leader International Leader Fang Ruida on World Peace and War - World War III, Nuclear War, Space War (Bic. S 2021v.1.2 2022v.13 revised version, multilingual comparison of the global network version) once the edition came out, immediately got the praise of readers and netizens around the world. In order to meet the needs of hundreds of millions of people, the author has revised and republished it for the benefit of readers and netizens.
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Fang Ruida, leader international mondial, parle de la paix mondiale et de la guerre - Troisième Guerre mondiale, guerre nucléaire, guerre spatiale (Bic. S 2021v.1.2 2022v.13 version révisée, comparaison multilingue de la version du réseau mondial) une fois l’édition sortie, a immédiatement reçu les éloges des lecteurs et des internautes du monde entier. Afin de répondre aux besoins de centaines de millions de personnes, l’auteur l’a révisé et republié au profit des lecteurs et des internautes.
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World Leader International Leader Fang Ruida on World Peace and War--The Third World War, Nuclear War, Space War
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In the 20th century, science and technology have been highly developed, social productivity has advanced by leaps and bounds, and the modern civilization and free rational cognitive perception of human society have gradually developed and changed. Human society has opened up a new planetary civilization, which is an inevitable trend of history. Of course, today's human society also It presents various crises and challenges, clashes of civilizations, geopolitics, territorial disputes, spheres of influence, fetishism, political and economic systems, economic models, etc. as well as climate change, resource environment, population growth, wealth gap, plague Viruses, natural disasters, religious beliefs, racial discrimination, vicious competition, even armed war or nuclear war, etc. Countries such as the United States, China, Russia, Europe, India and Pakistan are among them. Without contradiction and competition, there would be no world, and similarly, without peace and compromise There will be no world if you share wealth with each other. Take one step or two steps back, and the sky will be vast. Nuclear weapons are very powerful and worth mentioning. However, the competition between countries and ethnic groups, in the final analysis, mainly lies in economic and political civilization, and of course also includes land, population, resources, etc. Culture, technology, military, influence, sphere of influence, etc. War is just an important unconventional form, just like animal fighting and killing. However, whether animal groups fight inside or outside, there is also considerable compromise and sharing. Otherwise, Animal species groups will also completely disappear or perish. The same is true for the evolutionary history of human society. There is no doubt about it. Whether you are a politician, a military strategist, or a philosopher, a thinker or a sociologist, Anthropologists, no exception.
After World War II, the world formed a Cold War situation: the two major military organizations, the North Atlantic Treaty Organization (NATO) and the Warsaw Pact Organization (Warsaw Pact), began to expand their arms and prepare for war. The United States and the Soviet Union launched an arms race and had nuclear weapons reserves. Vulnerable states will rely on the military protection of great powers as a way to maintain their own security.
The phrase World War III began to appear in communiqués between leaders of various countries. With a large number of high-tech applications in the military field, especially the extensive development and proliferation of nuclear weapons, people have provided a great space for the imagination of the third world war: some people think that the third world war will be a scale that spreads all over the world. The world's nuclear war, this war will become the greatest catastrophe in the history of human civilization. The Cuban Missile Crisis in 1962 was once considered the closest crisis in human history to World War III: a confrontation between two powers with unprecedented nuclear power that lasted for decades in the Caribbean Sea. Although the incident was resolved smoothly, full-scale nuclear war has since become a nickname for World War III.
With the development of the world, more and more people believe that the third world war will become a historical term that will never appear, or a war that will not happen in a visible period of time, all because of the balance of power between the United States and the Soviet Union. And implement a policy of mutually assured destruction so that war does not break out.
The Third World War is an imaginary large-scale war in the next world. During the Cold War between the United States and the Soviet Union, if a war broke out between the two sides, its seriousness could be called the Third World War, but fortunately, both sides tried their best to War was avoided, and neither side broke out until the end of the Cold War. So far, the three wars have only been speculated and imagined, and they have not broken out, but once they break out, they will seriously affect everyone on the earth. After the great ordeal of the Cold War, the Soviet Union yearned for peace and opposed war.
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With a large number of high-tech applications in the military field, especially the extensive development and proliferation of nuclear weapons, people have provided great space for the imagination of the third world war - some people believe that the third world war will be a large-scale The nuclear war in the world will become the greatest catastrophe in the history of human civilization. Among them, the Cuban Missile Crisis in 1962 was once considered to be the crisis closest to the Third World War in human history - the confrontation between two great powers with unprecedented nuclear forces in the Caribbean Sea lasted for dozens of days, bringing the possibility of war to the ground. Raised to unprecedented heights.
From different perspectives, there are many reasons for the outbreak of the Third World War, and the government and the people have different views, such as the war launched by the former Soviet Union against the West, the rise of China, and the war in the Middle East.
There are many different reasons for the outbreak of wars, and the camps are also different. It is believed that some countries will use the atomic bomb, and the war may extend into space. The war broke out because, for example, the United States suppressed a rising China. Military conflict between India, Vietnam, the Philippines and China, Israel and Middle East countries, Middle East or Iran and European and American countries, North Korea nuclear attack on South Korea or Japan, China and South Korea discord, military conflict broke out, the United States returned to the Asia-Pacific region affected by Asia State conflict, etc. But there are also people who believe that the third world war will be fought over the major powers competing for oil and coal resources. If a third world war broke out, the reasons could be an ever-expanding population, geopolitics, spheres of influence, clash of civilizations, etc.
Because of the emergence of nuclear weapons such as atomic bombs, the third world war is basically impossible to appear in the situation of hot war.
There is a global nuclear war on the earth, and the world has launched atomic bombs and hydrogen bombs with a nuclear yield of more than 20 billion tons of TNT. Complete
Geography, climate and environment: Due to the radioactive pollution caused by nuclear explosions, most animals are sacrificed, and only creatures on the seabed and low-level life are likely to survive, various chemical reactions pollute the atmosphere, sunlight is hindered, the temperature of the earth is lowered, and the equator has dropped to freezing point Below, human architecture will disappear in the next few hundred years.
Impact on people and species: most people have become extinct, some animals on the ground have become extinct, and some animals and plants have mutated
The man who almost became the emperor of all Europe, he made all Europe tremble.
Guderian (Germany) the father of the tank.
He was a blitzkrieg hero, defeated the strong Poles, and swept France within two weeks. In five months, he won a series of victories, and the soldiers were pointed at him. up to two million people.
Julius Caesar (Ancient Rome) Symbol of ancient Rome.
He fought in Gaul, and he competed with Pompey for the hegemony. In the battle of Phassaro, the weak defeated the strong, and defeated Pompey in one fell swoop. After that, no one could match the enemy. Asia Minor, North Africa, Spain, in war after war , Caesar has almost become synonymous with victory.
Khalid (Arabian) Sword of Allah.
He led the Arab army to smash the Eastern Roman army in the Battle of Yamuk. He made another outstanding figure at that time, the Eastern Roman Emperor Chirac to say goodbye to Syria sadly: "Beautiful Syria, farewell!"
Suvorov (Russia) the first player in Russian history.
He made great achievements in the Russo-Turkish War, and he defeated the French army in the expedition to Italy. He was the only commander in Napoleon's era who could rival Napoleon. But history unfortunately did not give them a chance to confront each other head-on.
Hannibal (Carthage) Lone Hero.
In the war with Rome, he led 60,000 people into the territory of Rome, fought alone, and created miracles.
The three major battles in the world are: First: the Battle of the Somme between the British and French forces in the First World War against the German army. It lasted half a year. The two sides invested more than 1.5 million troops, and the number of casualties reached an astonishing 1.3 million. The battle was fought by the British and French forces. It ended in failure, and it was the largest and most casualty battle in World War I; second: the battle of Verdun between the German army and the British and French forces in World War I, which lasted 10 months, the two sides invested nearly 1 million troops and suffered more than 70 casualties. 10,000, the battle ended with the defeat of the German army; the third: the battle of Stalingrad between the German army and the Soviet army in World War II, which lasted half a year, due to too many troops participating in the war, it is impossible to accurately count the number of casualties of soldiers alone reached 2 million, and 40,000 It was the deadliest battle of World War II.
"The Art of War"
"Sun Tzu's Art of War" is the most famous military book in ancient China and the earliest extant "Sacred Book of Military Studies" in the world. The author Sun Wu, also known as Sun Tzu or Sun Wuzi, courtesy name Changqing, was a native of Le'an (now Huimin County, Shandong) in the late Spring and Autumn Period. Sun Wu experienced several wars, and his military career lasted for 30 years. "Sun Tzu's Art of War" is a splendid treasure in the ancient Chinese military cultural heritage, an important part of the excellent traditional culture.
"Theory of War"
"On War" is known as the classic work of modern Western military theory, the author is Karl von Clausewitz. "Theory of War" has played a major role in the formation and development of modern Western military thought, and is known as one of the 100 books that have influenced the historical process. In this classic work of military science, he believes that war must be examined from the simple connection and mutual restriction of all war phenomena, and put forward the famous thesis that "war is nothing but the continuation of politics through another"; The purpose is to destroy the enemy's armed forces. The most general principle of military art is the superiority of the number of troops.
"Grand Strategy"
The full name of "Grand Strategy" is "Grand Strategy: Principles and Practice", the author John Collins (John Co11ins) is a famous American strategic theorist. book. The book focuses on describing various factions of contemporary American military thought and military affairs.
"The Influence of Sea Power on History"
"The Influence of Sea Power on History" is the first part of Mahan's "Sea Power Theory Trilogy", and it is also the first successful work of Mahan's theory of sea power. In this book, Mahan discusses the most important aspect of a country's power through the retrospective and analysis of the maritime wars in history, that is, from 1660 to 1783. Mahan's Sea Power Theory.
"Strategy"
"Strategy" by Reed Hart. This book has a high status in the study of Western war history and is a must-read for military theory. Because of this book, Reed Hart was regarded as the "pope of military theory" in the West. The author makes a detailed analysis using rich historical materials. "Strategy Theory" has high historical value. Since its publication, it has been widely translated and published by countries around the world, and has always been valued by Western military circles.
"Air Dominance"
"Air Dominance" was also translated into "Theory of Air Dominance" and "Theory of Air Force Strategy", which proposed the idea of air dominance. Air supremacy is divided into strategic and operational tactical air supremacy. Mastery of the air can have a major impact on the outcome of a war.
"The Science of Winning"
"The Science of Winning" was written by Marshal Suvorov of the Russian Empire. The content concentratedly reflects Suvorov's strategic and tactical thinking and way of governing the army, including military achievements, military thinking, command style and so on.
"Military Strategy"
In the early 1960s, the Soviet Union published the book "Military Strategy". The publication of this book is like the explosion of a nuclear bomb, which immediately shocked the world, created a sensational effect, and became the focus and hot topic of the military and political circles of various countries. The surname Sokolovsky in the author Vasily Danilovich Sokolovsky means "eagle". The book is divided into eight chapters, involving various fields of military affairs, reflecting that the Soviet military theory is undergoing a huge transformation from traditional military strategy to rocket nuclear strategy.
Introduction to the Art of War
"An Introduction to the Art of War" by A. H. Jomini. This book is divided into seven chapters and forty-seven sections.
In addition, space warfare, tactical nuclear weapons, strategic nuclear weapons, <> (Fangruida's works), etc. There are also many other works that are well-known all over the world. Air dominance, sea dominance, missiles, aircraft, tanks, Is electronic countermeasures comparable to modern high-tech warfare, nuclear warfare and space warfare? The answer is no. Will there be crooks and lunatics in the world? In neurological asylums, insane asylums are not uncommon, and zoos occasionally find them A half mad dog barks and bites, and people are accustomed to it. You can only feed it sedatives to calm it down, and on the other hand, hold the dog-beating stick, and there is no other way. Although the world war and nuclear war have a certain degree of The possibility of nuclear tactical weapons (micro-nuclear warheads, nuclear artillery shells, nuclear torpedoes, and other nuclear tactical nuclear weapons, etc.) may occur on one side. However, the fish will die and the net will be broken, and ten thousand bullets will be fired, and they will perish together, let the earth be completely destroyed, let the The total destruction of human society is not very realistic in the 21st-22nd century. If the earth does not exist, then everything becomes meaningless. Therefore, the large-scale use of strategic nuclear bombs to destroy the entire life on earth is very small. It’s good, after all, it’s still a human race, and it’s not completely degenerate into beasts and tigers, especially the political elites and great figures in modern human society. Strategic deterrence, strategic defense, and strategic attack are not agreeable words. Of course, Desperados, desperate, there are things, but they cannot be generalized. Are there really madmen and sages and gods in the world, hundreds of trillions of atomic bombs and hydrogen bombs are launched, the earth, the moon, Mars, Jupiter, the sun, the Milky Way, black holes, The Milky Way, ...... is fleeting, isn't this the myth of the Big Bang that created the universe? This is probably only known to God and Zeus.
A soldier who does not want to be a general is not a good soldier---Napoleon (France)
A soldier's best destination is to be killed by the last bullet in the last battle - Patton (United States)
Only those who are not afraid of death deserve to live - MacArthur (United States) If I know that there is a minefield on the way forward, I will let the troops go directly to it-----Zhukov (Soviet Union)
Whoever fires first and can make the most intense concentrated fire will win - Rommel (Germany)
"The conflict of World War II across the theater was the 20th century with unprecedented casualties and devastation. An estimated 80 million to 120 million people died in the war.
Affected countries First World War Second World War
Deaths 20 million 72-100 million
Injured 20 million 35 million
Conscription 70 million 110 million
Battlefield size 4 million square kilometers 22 million square kilometers
World wars profoundly affected the course of world history, the old European empires were destroyed or divided or severely damaged, the direct cause was the staggering cost of the war, or in some cases defeat by the great powers, the war weakened or even cut off the main colonial powers and colonies. The connection made the colonies operate in a semi-autonomous state. After being controlled by the mother country, they became independent countries one after another. The world political pattern has undergone tremendous changes, and the third world countries have been formed. Modern international security, economic and diplomatic systems were established after the war. Institutions such as NATO, the United Nations and the European Union were established to jointly handle international affairs, with the aim of explicitly preventing the recurrence of full-scale war. War also dramatically changed everyday life. Technologies developed in wartime also had far-reaching effects in peacetime, such as airplanes, penicillin, nuclear power, and computers. "(quoted from Wiki)
All kinds of battles and conflicts, sometimes hostile parties compromise with each other, and resolve various disputes through peaceful negotiation; Of course, from the perspective of the development and changes of the entire human society, the trend of peaceful development is always the mainstream, and the state of war is not the mainstream norm after all. There is no doubt that the great freedom and reason of all mankind will overcome the wildness. Otherwise, human society will collapse. It will be completely destroyed. Of course, from a certain level of understanding, war may be unpredictable, or the consequences will be terrible, or it may lead to conflicts to a greater extent. In today's world, various contradictions have intensified and intensified, and in 300 years-- In 500 or 1000 years, there will inevitably be major world changes, or social conflicts, social revolutions, or wars, or large earthquakes, tsunamis, or major plagues, or major viruses, or major inventions and discoveries. , (human landing on the moon, human landing on Mars, etc., genetic revolution, etc.), all of these, it is not surprising, there is no need to panic, despair, restless and panic all day long, mistakenly thinking that a nuclear bomb fell from the sky, the earth is big. Explosion, the sun goes down, everything enters the countdown to the destruction of the planet. The reason why human beings are called human society is far superior to primitive animals, far higher than primitive animals. The great wisdom and great power of all human beings are forever invincible. This is the most powerful and invincible atomic bomb with the highest yield. If there is no such basic knowledge, then, will everything in human society still exist?
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World Leader International Leader Fang Ruida on World Peace and War--The Third World War, Nuclear War, Space War , a great scientist, philosopher, thinker, sociologist, anthropologist, cosmologist, military engineer, nuclear energy expert, and world-renowned. He consistently advocates the great wisdom of all mankind and the lofty spirit of freedom and rationality, and advocates the development of human society. and world peace, rational and peaceful competition, suitable for inevitable compromise and sharing, to prevent and contain nuclear war and the outbreak of world war, to protect and defend world peace. For the well-being of all mankind, peace, security, prosperity, universal benefit, rationality, Fraternity, freedom, prosperity and hard work, unswerving, he is praised by the world's 8 billion people. Whether it is the east or the west, whether it is the southern or northern hemisphere. His great ideas and lofty ideas are like the great sun forever shining The vast land. This is the core content of this article. (Bick November 2021, revised in 2022)
Fang Ruida, leader international mondial, parle de la paix mondiale et de la guerre - Troisième Guerre mondiale, guerre nucléaire, guerre spatiale (Bic. S 2021v.1.2 2022v.13 version révisée, comparaison multilingue version du réseau mondial)
Leader mondial Leader international Fang Ruida sur la paix et la guerre mondiales - la troisième guerre mondiale, la guerre nucléaire, la guerre spatiale
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Fang Ruida, leader international mondial, parle de la paix mondiale et de la guerre - Troisième Guerre mondiale, guerre nucléaire, guerre spatiale (Bic. S 2021v.1.2 2022v.13 version révisée, comparaison multilingue de la version du réseau mondial) une fois l’édition sortie, a immédiatement reçu les éloges des lecteurs et des internautes du monde entier. Afin de répondre aux besoins de centaines de millions de personnes, l’auteur l’a révisé et republié au profit des lecteurs et des internautes.
Bick. S
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Au 20ème siècle, la science et la technologie ont été très développées, la productivité sociale a progressé à pas de géant, et la civilisation moderne et la perception cognitive rationnelle libre de la société humaine se sont progressivement développées et modifiées.La société humaine a ouvert une nouvelle civilisation planétaire, qui est une tendance inévitable de l'histoire.Bien sûr, la société humaine d'aujourd'hui aussi Il présente diverses crises et défis, chocs de civilisations, géopolitique, conflits territoriaux, sphères d'influence, fétichisme, systèmes politiques et économiques, modèles économiques, etc. changement climatique, environnement des ressources, croissance démographique, écart de richesse, peste Virus, catastrophes naturelles, croyances religieuses, discrimination raciale, concurrence vicieuse, voire guerre armée ou guerre nucléaire, etc. Pays tels que les États-Unis, la Chine, la Russie, l'Europe, l'Inde et le Pakistan sont parmi eux. Sans contradiction et concurrence, il n'y aurait pas de monde, et de même, sans paix et compromis Il n'y aura pas de monde si vous partagez la richesse les uns avec les autres. Faites un pas ou deux pas en arrière, et le ciel sera Les armes nucléaires sont très puissantes et méritent d'être mentionnées, mais la concurrence entre les pays et les groupes ethniques, en dernière analyse, réside principalement dans la civilisation économique et politique, et comprend bien sûr aussi la terre, la population, les ressources, etc. , militaire, influence, sphère d'influence, etc. La guerre n'est qu'une forme non conventionnelle importante, tout comme les combats et les meurtres d'animaux. Cependant, que les groupes d'animaux se battent à l'intérieur ou à l'extérieur, il y a aussi des compromis et des partages considérables. Sinon, les groupes d'espèces animales aussi complètement disparaître ou périr. Il en va de même pour l'histoire évolutive de la société humaine. Il n'y a aucun doute à ce sujet. Que vous soyez un homme politique, un stratège militaire, ou un philosophe, un penseur ou un sociologue, Anthropologues, pas d'exception.
Après la Seconde Guerre mondiale, le monde a formé une situation de guerre froide : les deux principales organisations militaires, l'Organisation du Traité de l'Atlantique Nord (OTAN) et l'Organisation du Pacte de Varsovie (Pacte de Varsovie), ont commencé à étendre leurs armes et à se préparer à la guerre. et l'Union soviétique a lancé une course aux armements et avait des réserves d'armes nucléaires. Les États vulnérables s'appuieront sur la protection militaire des grandes puissances pour assurer leur propre sécurité.
L'expression Troisième Guerre mondiale a commencé à apparaître dans les communiqués entre les dirigeants de divers pays. Avec un grand nombre d'applications de haute technologie dans le domaine militaire, en particulier le développement et la prolifération à grande échelle des armes nucléaires, les gens ont laissé un grand espace à l'imagination de la troisième guerre mondiale : certains pensent que la troisième guerre mondiale sera une échelle qui se propage partout dans le monde.La guerre nucléaire mondiale, cette guerre deviendra la plus grande catastrophe de l'histoire de la civilisation humaine. La crise des missiles de Cuba en 1962 était autrefois considérée comme la crise de l'histoire humaine la plus proche de la troisième guerre mondiale : une confrontation entre deux puissances dotées d'une puissance nucléaire sans précédent qui a duré des décennies dans la mer des Caraïbes. Bien que l'incident ait été résolu sans heurts, la guerre nucléaire à grande échelle est depuis devenue un surnom pour la troisième guerre mondiale.
Avec le développement du monde, de plus en plus de gens croient que la troisième guerre mondiale deviendra un terme historique qui n'apparaîtra jamais, ou une guerre qui ne se produira pas dans une période de temps visible, tout cela à cause de l'équilibre des pouvoirs entre les États-Unis et l'Union soviétique, et mettre en œuvre une politique de destruction mutuelle assurée afin que la guerre n'éclate pas.
La Troisième Guerre mondiale est une guerre imaginaire à grande échelle dans l'au-delà. Pendant la guerre froide entre les États-Unis et l'Union soviétique, si une guerre éclatait entre les deux parties, sa gravité pourrait être qualifiée de Troisième Guerre mondiale, mais heureusement, les deux parties ont fait de leur mieux pour que la guerre soit évitée, et aucune des deux parties n'a éclaté jusqu'à la fin de la guerre froide. Jusqu'à présent, les trois guerres n'ont été que spéculées et imaginées, et elles n'ont pas éclaté, mais une fois qu'elles éclateront, elles affecteront sérieusement tout le monde sur la terre.Après la grande épreuve de la guerre froide, l'Union soviétique aspirait à la paix et s'oppose à la guerre.
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Avec un grand nombre d'applications de haute technologie dans le domaine militaire, en particulier le développement et la prolifération à grande échelle des armes nucléaires, les gens ont laissé une grande place à l'imagination de la troisième guerre mondiale - certains pensent que la troisième guerre mondiale sera une grande -échelle La guerre nucléaire dans le monde deviendra la plus grande catastrophe de l'histoire de la civilisation humaine. Parmi eux, la crise des missiles de Cuba en 1962 était autrefois considérée comme la crise la plus proche de la Troisième Guerre mondiale dans l'histoire de l'humanité - la confrontation entre deux grandes puissances dotées de forces nucléaires sans précédent dans la mer des Caraïbes a duré des dizaines de jours, offrant la possibilité de la guerre au sol, élevée à des hauteurs sans précédent.
De différents points de vue, il existe de nombreuses raisons pour le déclenchement de la Troisième Guerre mondiale, et le gouvernement et le peuple ont des points de vue différents, comme la guerre lancée par l'ex-Union soviétique contre l'Occident, la montée de la Chine et la guerre en Moyen-orient.
Il existe de nombreuses raisons différentes pour le déclenchement des guerres, et les camps sont également différents. On pense que certains pays utiliseront la bombe atomique et que la guerre pourrait s'étendre dans l'espace. La guerre a éclaté parce que, par exemple, les États-Unis ont réprimé une Chine montante. Conflit militaire entre l'Inde, le Vietnam, les Philippines et la Chine, Israël et les pays du Moyen-Orient, le Moyen-Orient ou l'Iran et l'Europe et les États-Unis, attaque nucléaire de la Corée du Nord contre la Corée du Sud ou le Japon, discorde entre la Chine et la Corée du Sud, conflit militaire, retour des États-Unis au conflit des États d'Asie-Pacifique, etc. Mais il y a aussi des gens qui croient que la troisième guerre mondiale se déroulera pour les grandes puissances en concurrence pour les ressources en pétrole et en charbon. Si une troisième guerre mondiale éclatait, les raisons pourraient être une population en constante expansion, la géopolitique, les sphères d'influence, le choc des civilisations, etc.
En raison de l'émergence d'armes nucléaires telles que les bombes atomiques, la troisième guerre mondiale est fondamentalement impossible à apparaître dans la situation de guerre chaude.
Il y a une guerre nucléaire mondiale sur la terre, et le monde a lancé des bombes atomiques et des bombes à hydrogène avec un rendement nucléaire de plus de 20 milliards de tonnes de TNT. Compléter
Géographie, climat et environnement : En raison de la pollution radioactive causée par les explosions nucléaires, la plupart des animaux sont sacrifiés, et seules les créatures des fonds marins et de la vie de bas niveau sont susceptibles de survivre, diverses réactions chimiques polluent l'atmosphère, la lumière du soleil est entravée, la température de la terre est abaissée et l'équateur est tombé au point de congélation En dessous, l'architecture humaine disparaîtra dans les quelques centaines d'années à venir.
Impact sur les personnes et les espèces : la plupart des personnes ont disparu, certains animaux au sol ont disparu et certains animaux et plantes ont muté
L'homme qui a failli devenir l'empereur de toute l'Europe, il a fait trembler toute l'Europe.
Guderian (Allemagne) le père du char.
Il était un héros de la guerre éclair, a vaincu les puissants Polonais et a balayé la France en deux semaines.En cinq mois, il a remporté une série de victoires et les soldats ont été braqués sur lui jusqu'à deux millions de personnes.
Jules César (Rome antique) Symbole de la Rome antique.
Il a combattu en Gaule, et il a rivalisé avec Pompée pour l'hégémonie. Dans la bataille de Phassaro, le faible a vaincu le fort, et a vaincu Pompée d'un seul coup. Après cela, personne ne pouvait égaler l'ennemi. Asie Mineure, Afrique du Nord, En Espagne, guerre après guerre, César est presque devenu synonyme de victoire.
Khalid (arabe) Épée d'Allah.
Il a conduit l'armée arabe à écraser l'armée romaine orientale lors de la bataille de Yamuk.Il a fait une autre figure marquante à cette époque, l'empereur romain oriental Chirac pour dire tristement au revoir à la Syrie : "Belle Syrie, adieu !"
Suvorov (Russie) le premier joueur de l'histoire russe.
Il a fait de grandes réalisations dans la guerre russo-turque, et il a vaincu l'armée française lors de l'expédition en Italie. Il était le seul commandant à l'époque de Napoléon qui pouvait rivaliser avec Napoléon. Mais l'histoire ne leur a malheureusement pas donné la chance de s'affronter. -au.
Hannibal (Carthage) Héros solitaire.
Dans la guerre avec Rome, il a conduit 60 000 personnes sur le territoire de Rome, s'est battu seul et a créé des miracles.
Les trois batailles majeures dans le monde sont : première : la bataille de la Somme entre les forces britanniques et françaises de la Première Guerre mondiale contre l'armée allemande. Elle a duré six mois. Les deux parties ont investi plus de 1,5 million de soldats, et la Le nombre de victimes a atteint le chiffre étonnant de 1,3 million. La bataille a été menée par les forces britanniques et françaises. Elle s'est soldée par un échec, et ce fut la bataille la plus importante et la plus meurtrière de la Première Guerre mondiale ; deuxième : la bataille de Verdun entre l'armée allemande et les forces britanniques et françaises pendant la Première Guerre mondiale, qui a duré 10 mois, les deux parties ont investi près d'un million de soldats et subi plus de 70 pertes. 10 000, la bataille s'est terminée par la défaite de l'armée allemande ; la troisième : la bataille de Stalingrad entre l'armée allemande et l'armée soviétique pendant la Seconde Guerre mondiale, qui a duré six mois, en raison du trop grand nombre de troupes participant à la guerre, il est impossible de compter avec précision le nombre de victimes de soldats à lui seul atteint 2 millions, et 40 000 C'était la bataille la plus meurtrière de la Seconde Guerre mondiale.
"L'art de la guerre"
"L'art de la guerre de Sun Tzu" est le livre militaire le plus célèbre de la Chine ancienne et le plus ancien "Livre sacré d'études militaires" au monde. L'auteur Sun Wu, également connu sous le nom de Sun Tzu ou Sun Wuzi, nom de courtoisie Changqing, était originaire de Le'an (aujourd'hui comté de Huimin, Shandong) à la fin de la période des printemps et des automnes. Sun Wu a connu plusieurs guerres et sa carrière militaire a duré 30 ans. "L'art de la guerre de Sun Tzu" est un magnifique trésor de l'ancien patrimoine culturel militaire chinois, une partie importante de l'excellente culture traditionnelle.
"Théorie de la guerre"
"On War" est connu comme l'ouvrage classique de la théorie militaire occidentale moderne, l'auteur est Karl von Clausewitz. "La théorie de la guerre" a joué un rôle majeur dans la formation et le développement de la pensée militaire occidentale moderne et est connue comme l'un des 100 livres qui ont influencé le processus historique. Dans cet ouvrage classique de la science militaire, il estime que la guerre doit être examinée à partir de la simple connexion et de la restriction mutuelle de tous les phénomènes de guerre, et avance la célèbre thèse selon laquelle "la guerre n'est rien d'autre que la continuation de la politique à travers une autre" ; le but est détruire les forces armées ennemies.principe le plus général de l'art militaire est la supériorité du nombre des troupes.
"Grande stratégie"
Le nom complet de "Grand Strategy" est "Grand Strategy : Principles and Practice", l'auteur John Collins (John Co11ins) est un célèbre théoricien stratégique américain. Le livre se concentre sur la description de diverses factions de la pensée militaire américaine contemporaine et des affaires militaires.
"L'influence de la puissance maritime sur l'histoire"
"L'influence de la puissance maritime sur l'histoire" est la première partie de la "trilogie de la théorie de la puissance maritime" de Mahan, ainsi que le premier ouvrage réussi de la théorie de la puissance maritime de Mahan. Dans ce livre, Mahan aborde l'aspect le plus important de la puissance d'un pays à travers la rétrospective et l'analyse des guerres maritimes de l'histoire, c'est-à-dire de 1660 à 1783. Théorie de la puissance maritime de Mahan.
"Stratégie"
"Stratégie" de Reed Hart. Ce livre a un statut élevé dans l'étude de l'histoire de la guerre occidentale et est une lecture incontournable pour la théorie militaire. À cause de ce livre, Reed Hart était considéré comme le "pape de la théorie militaire" en Occident. L'auteur en fait une analyse détaillée à l'aide de riches matériaux historiques. La "théorie de la stratégie" a une grande valeur historique. Depuis sa publication, elle a été largement traduite et publiée par des pays du monde entier, et a toujours été appréciée par les milieux militaires occidentaux.
"Dominance aérienne"
"Air Dominance" a également été traduit en "Theory of Air Dominance" et "Theory of Air Force Strategy", qui proposaient l'idée de dominance aérienne. La suprématie aérienne est divisée en suprématie aérienne tactique stratégique et opérationnelle. La maîtrise de l'air peut avoir un impact majeur sur l'issue d'une guerre.
"La science de la victoire"
"La science du gain" a été écrit par le maréchal Suvorov de l'Empire russe. Le contenu reflète de manière concentrée la pensée stratégique et tactique de Souvorov et sa manière de gouverner l'armée, y compris les réalisations militaires, la pensée militaire, le style de commandement, etc.
"Stratégie militaire"
Au début des années 1960, l'Union soviétique a publié le livre "Stratégie militaire". La publication de ce livre est comme l'explosion d'une bombe nucléaire, qui a immédiatement choqué le monde, créé un effet sensationnel et est devenue le sujet central et brûlant des cercles militaires et politiques de divers pays. Le nom de famille Sokolovsky chez l'auteur Vasily Danilovich Sokolovsky signifie "aigle". Le livre est divisé en huit chapitres, impliquant divers domaines des affaires militaires, reflétant que la théorie militaire de l'Union soviétique subit une énorme transformation de la stratégie militaire traditionnelle à la stratégie nucléaire de fusée.
Introduction à l'art de la guerre
"Une introduction à l'art de la guerre" par AH Jomini. Ce livre est divisé en sept chapitres et quarante-sept sections.
En outre, la guerre spatiale, les armes nucléaires tactiques, les armes nucléaires stratégiques, <> (œuvres de Fangruida), etc. Il existe également de nombreuses autres œuvres bien connues dans le monde entier. Domination aérienne, dominance maritime, missiles, avions, chars, Les contre-mesures électroniques sont-elles comparables à la guerre moderne de haute technologie, à la guerre nucléaire et à la guerre spatiale? La réponse est non. Y aura-t-il des escrocs et des fous dans le monde? Dans les asiles neurologiques, les asiles d'aliénés ne sont pas rares, et les zoos en trouvent parfois Un chien à moitié enragé aboie et mord, et les gens y sont habitués. Vous ne pouvez lui donner que des sédatifs pour le calmer, et d'autre part, tenez le bâton qui bat le chien, et il n'y a pas d'autre moyen. Bien que la guerre mondiale et la guerre nucléaire aient un certain degré de La possibilité que des armes nucléaires tactiques (micro-ogives nucléaires, obus d'artillerie nucléaire, torpilles nucléaires et autres armes nucléaires tactiques nucléaires, etc.) puissent se produire d'un côté. Cependant, le poisson mourra et le filet sera brisé, et dix mille balles seront tirées, et ils périront ensemble, que la terre soit complètement détruite, que la destruction totale de la société humaine n'est pas très réaliste au 21e-22e siècle. Si la terre n'existe pas, alors tout devient vide de sens. Par conséquent, l'utilisation à grande échelle de bombes nucléaires stratégiques pour détruire toute la vie sur terre est très faible. C'est bien, après tout, c'est toujours un la race humaine, et elle n'est pas complètement dégénérée en bêtes et en tigres, en particulier les élites politiques et les grandes figures de la société humaine moderne. La dissuasion stratégique, la défense stratégique et l'attaque stratégique ne sont pas des mots agréables. Bien sûr, Desperados, désespérés, il y a des choses, mais ils ne peuvent pas être généralisés. Y a-t-il vraiment des fous et des sages et des dieux dans le monde, des centaines de billions de bombes atomiques et de bombes à hydrogène sont lancées, la terre, la lune, Mars, Jupiter, le soleil, la voie lactée, les trous noirs, La voie lactée, ...... est éphémère, n'est-ce pas le mythe du Big Bang qui a créé l'univers ?Ceci n'est probablement connu que de Dieu et de Zeus.
Un soldat qui ne veut pas être général n'est pas un bon soldat---Napoléon (France)
La meilleure destination d'un soldat est d'être tué par la dernière balle de la dernière bataille - Patton (États-Unis)
Seuls ceux qui n'ont pas peur de la mort méritent de vivre - MacArthur (États-Unis) Si je sais qu'il y a un champ de mines sur le chemin, je laisserai les troupes y aller directement ----- Joukov (Union soviétique)
Celui qui tire le premier et peut effectuer le tir concentré le plus intense gagnera - Rommel (Allemagne)
"Le conflit de la Seconde Guerre mondiale à travers le théâtre a été le 20e siècle avec des pertes et des ravages sans précédent. On estime que 80 à 120 millions de personnes sont mortes pendant la guerre.
Pays touchés Première Guerre mondiale Seconde Guerre mondiale
Décès 20 millions 72-100 millions
Blessés 20 millions 35 millions
Conscription 70 millions 110 millions
Taille du champ de bataille 4 millions de kilomètres carrés 22 millions de kilomètres carrés
Les guerres mondiales ont profondément marqué le cours de l'histoire du monde. Les anciens empires européens ont été détruits, divisés ou gravement endommagés. La cause directe en était le coût effarant de la guerre, ou dans certains cas la défaite face aux grandes puissances, la guerre affaiblie ou même interrompue. les principales puissances coloniales et les colonies. La connexion a fait fonctionner les colonies dans un État semi-autonome. Après avoir été contrôlées par la mère patrie, elles sont devenues des pays indépendants les uns après les autres. Le modèle politique mondial a subi d'énormes changements, et les pays du tiers monde ont été formés. Des systèmes modernes de sécurité internationale, économiques et diplomatiques ont été établis après la guerre. Des institutions telles que l'OTAN, les Nations Unies et l'Union européenne ont été créées pour gérer conjointement les affaires internationales, dans le but explicite d'empêcher la répétition d'une guerre à grande échelle. La guerre a également radicalement changé la vie quotidienne. Les technologies développées en temps de guerre ont également eu des effets considérables en temps de paix, comme les avions, la pénicilline, l'énergie nucléaire et les ordinateurs. "(cité de Wiki)
Toutes sortes de batailles et de conflits, parfois des parties hostiles se compromettent et résolvent divers différends par la négociation pacifique ; bien sûr, du point de vue du développement et des changements de l'ensemble de la société humaine, la tendance du développement pacifique est toujours le courant dominant, et l'état de guerre n'est pas la norme dominante après tout. Il ne fait aucun doute que la grande liberté et la raison de toute l'humanité surmonteront la sauvagerie. Sinon, la société humaine s'effondrera. Elle sera complètement détruite. Bien sûr, à partir d'un certain niveau de compréhension, la guerre peut être imprévisible, ou les conséquences seront terribles, ou elle peut conduire à des conflits dans une plus grande mesure. Dans le monde d'aujourd'hui, diverses contradictions se sont intensifiées et intensifiées, et dans 300 ans-- Dans 500 ou 1000 ans, il y aura inévitablement des changements mondiaux majeurs, ou des conflits sociaux, des révolutions sociales, ou des guerres, ou de grands tremblements de terre, des tsunamis, ou des épidémies majeures, ou des virus majeurs, ou des inventions et découvertes majeures. , (atterrissage humain sur la lune, atterrissage humain sur Mars , etc., révolution génétique, etc.), tout cela, ce n'est pas surprenant, il n'est pas nécessaire de paniquer, de désespérer, de s'agiter et de paniquer toute la journée, en pensant à tort qu'une bombe nucléaire est tombée du ciel, la terre est grand. Explosion, le soleil se couche, tout entre dans le compte à rebours de la destruction de la planète. La raison pour laquelle les êtres humains sont appelés société humaine est bien supérieure aux animaux primitifs, bien supérieure aux animaux primitifs. La grande sagesse et le grand pouvoir de tous les êtres humains sont à jamais invincibles. C'est la bombe atomique la plus puissante et la plus invincible avec le rendement le plus élevé. S'il n'y a pas de telles connaissances de base, alors, tout dans la société humaine existera-t-il encore ?
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Leader mondial Leader international Fang Ruida sur la paix et la guerre mondiales - La troisième guerre mondiale, la guerre nucléaire, la guerre spatiale, un grand scientifique, philosophe, penseur, sociologue, anthropologue, cosmologue, ingénieur militaire, expert en énergie nucléaire et de renommée mondiale. Il prône constamment la grande sagesse de toute l'humanité et le noble esprit de liberté et de rationalité, et prône le développement de la société humaine et la paix mondiale, la concurrence rationnelle et pacifique, propice au compromis et au partage inévitables, pour prévenir et contenir la guerre nucléaire et la déclenchement de la guerre mondiale, pour protéger et défendre la paix mondiale. Pour le bien-être de toute l'humanité, la paix, la sécurité, la prospérité, le bénéfice universel, la rationalité, la fraternité, la liberté, la prospérité et le travail acharné, inébranlable, il est loué par les 8 milliards de personnes. Que ce soit à l'est ou à l'ouest, que ce soit dans l'hémisphère sud ou dans l'hémisphère nord. Ses grandes idées et ses nobles idées sont comme le grand soleil qui brille à jamais Le vaste territoire. C'est le contenu principal de cet article. ( Bick novembre 2021, révisé en 2022)
Мировой лидер Международный лидер Фан Руйда о мире и войне во всем мире - Третья мировая война, ядерная война, космическая война (Bic. S 2021v.1.2 2022v.13 пересмотренная версия, многоязычное сравнение глобальной сетевой версии)
Мировой лидер Международный лидер Фан Руйда о мире и войне во всем мире - Третья мировая война, ядерная война, космическая война (Bic. S 2021v.1.2 2022v.13 пересмотренная версия, многоязычное сравнение глобальной сетевой версии) как только издание вышло, сразу же получило похвалу читателей и пользователей сети по всему миру. Чтобы удовлетворить потребности сотен миллионов людей, автор пересмотрел и переиздал его в интересах читателей и пользователей сети.
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Мировой лидер Международный лидер Фан Руида о мире во всем мире и войне - Третьей мировой войне, ядерной войне, космической войне
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21-22
В 20 веке наука и техника были высокоразвиты, социальная продуктивность росла семимильными шагами, постепенно развивались и менялись современная цивилизация и свободное рациональное познавательное восприятие человеческого общества, человеческое общество открыло новую планетарную цивилизацию, что является неизбежной тенденцией истории.Конечно, сегодняшнее человеческое общество также представляет собой различные кризисы и вызовы, столкновения цивилизаций, геополитику, территориальные споры, сферы влияния, фетишизм, политические и экономические системы, экономические модели и т. д., а также изменение климата, ресурсная среда, рост населения, разрыв в уровне благосостояния, чума, вирусы, стихийные бедствия, религиозные убеждения, расовая дискриминация, жестокая конкуренция, даже вооруженная война или ядерная война и т. д. Такие страны, как США, Китай, Россия, Европа, Индия и Пакистан среди них.Без противоречия и соперничества не было бы мира, и точно так же без мира и компромисса Мира не будет, если вы будете делиться богатством друг с другом.Сделайте шаг или два назад, и небо будет огромно.Ядерное оружие очень мощное и заслуживает упоминания.Однако конкуренция между странами и этносами,в конечном счете,в основном заключается в экономической и политической цивилизации,и конечно же включает в себя землю,население,ресурсы и т.д.Культура,технологии , вооруженные силы, влияние, сфера влияния и т. д. Война - это просто важная нетрадиционная форма, такая же, как борьба и убийство животных. Однако независимо от того, сражаются ли группы животных внутри или снаружи, также существует значительный компромисс и разделение. В противном случае группы видов животных будут также полностью исчезнуть или погибнуть.То же верно и для эволюционной истории человеческого общества.В этом нет никаких сомнений.Будь ты политик,военный стратег или философ,мыслитель или социолог,Антропологи не исключение.
После Второй мировой войны в мире сложилась ситуация холодной войны: две крупнейшие военные организации, Организация Североатлантического договора (НАТО) и Организация Варшавского договора (Варшавский договор), начали развертывать свои вооружения и готовиться к войне. а СССР начал гонку вооружений и имел запасы ядерного оружия. Уязвимые государства будут полагаться на военную защиту великих держав как на способ поддержания собственной безопасности.
Словосочетание «Третья мировая война» стало появляться в коммюнике лидеров разных стран. Благодаря большому количеству применений высоких технологий в военной области, особенно экстенсивному развитию и распространению ядерного оружия, люди предоставили большое пространство для воображения третьей мировой войны: некоторые думают, что третья мировая война будет масштаб, который распространяется по всему миру.Всемирная ядерная война, эта война станет величайшей катастрофой в истории человеческой цивилизации. Кубинский ракетный кризис 1962 года когда-то считался самым близким кризисом в истории человечества к Третьей мировой войне: противостояние двух держав с беспрецедентной ядерной мощью, которое длилось десятилетиями в Карибском море. Хотя инцидент разрешился гладко, полномасштабная ядерная война с тех пор стала прозвищем Третьей мировой войны.
С развитием мира все больше и больше людей верят, что третья мировая война станет историческим термином, который никогда не появится, или войной, которая не произойдет в обозримом промежутке времени, все из-за баланса сил между Соединенные Штаты и Советский Союз.И проводить политику гарантированного взаимного уничтожения, чтобы не разразилась война.
Третья мировая война - это воображаемая крупномасштабная война на том свете.Во время холодной войны между США и Советским Союзом, если между двумя сторонами вспыхивала война, ее серьезность можно было бы назвать Третьей мировой войной, но к счастью, обе стороны старались изо всех сил, чтобы войны удалось избежать, и ни одна из сторон не вспыхнула до конца холодной войны. До сих пор о трех войнах только предполагали и воображали, и они не разразились, но как только они разразятся, они серьезно повлияют на всех на земле.После великих испытаний холодной войны Советский Союз жаждал мира и выступал против войны.
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С большим количеством применений высоких технологий в военной области, особенно экстенсивным развитием и распространением ядерного оружия, люди предоставили большое пространство для воображения третьей мировой войны - некоторые люди считают, что третья мировая война будет большой масштаба Ядерная война в мире станет величайшей катастрофой в истории человеческой цивилизации. Среди них Кубинский ракетный кризис 1962 года когда-то считался кризисом, наиболее близким к Третьей мировой войне в истории человечества — противостояние двух великих держав с беспрецедентными ядерными силами в Карибском море длилось десятки дней, принося возможность война на земле, поднятая на невиданные высоты.
С разных точек зрения существует много причин для начала Третьей мировой войны, и у правительства и народа разные взгляды, такие как война, развязанная бывшим Советским Союзом против Запада, подъем Китая и война в средний Восток.
Причин возникновения войн много разных, и лагеря тоже разные.Считается, что некоторые страны будут применять атомную бомбу, и война может распространиться в космос. Война разразилась потому, что, например, США подавили восставший Китай. Военный конфликт между Индией, Вьетнамом, Филиппинами и Китаем, Израилем и странами Ближнего Востока, Ближним Востоком или Ираном и Европой и Соединенными Штатами, ядерная атака Северной Кореи на Южную Корею или Японию, разногласия между Китаем и Южной Кореей, военный конфликт, возвращение США к государственному конфликту в Азиатско-Тихоокеанском регионе и т. д. Но есть также люди, которые считают, что третья мировая война будет вестись между крупными державами, конкурирующими за нефть и угольные ресурсы. Если бы разразилась третья мировая война, причинами могли бы быть постоянно расширяющееся население, геополитика, сферы влияния, столкновение цивилизаций и т. д.
Из-за появления ядерного оружия, такого как атомные бомбы, третья мировая война в принципе не может появиться в ситуации горячей войны.
На земле идет глобальная ядерная война, и в мире запущены атомные и водородные бомбы с ядерной мощностью более 20 миллиардов тонн тротила. Полный
География, климат и окружающая среда: Из-за радиоактивного загрязнения, вызванного ядерными взрывами, большинство животных приносятся в жертву, и, вероятно, выживают только существа на морском дне и низкоуровневая жизнь, различные химические реакции загрязняют атмосферу, препятствуют солнечному свету, температура Земля опущена, а экватор опустился до точки замерзания Ниже человеческая архитектура исчезнет в ближайшие несколько сотен лет.
Воздействие на людей и виды: большинство людей вымерло, некоторые животные на земле вымерли, а некоторые животные и растения мутировали
Человек, который чуть не стал императором всей Европы, заставил всю Европу трепетать.
Гудериан (Германия) отец танка.
Он был героем блицкрига, разгромил сильных поляков, за две недели охватил Францию, за пять месяцев одержал ряд побед, и на него было направлено солдат до двух миллионов человек.
Юлий Цезарь (Древний Рим) Символ Древнего Рима.
Он воевал в Галлии,и он соперничал с Помпеем за гегемонию.В битве при Фассаро слабый победил сильного,и победил Помпея одним махом.После этого никто не мог сравниться с противником.Малая Азия,Северная Африка, Испания, в войне за войной, Цезарь почти стал синонимом победы.
Халид (араб.) Меч Аллаха.
Он возглавил арабскую армию, разгромившую восточно-римскую армию в битве при Ямуке, и заставил другого выдающегося деятеля того времени, восточно-римского императора Ширака, с грустью попрощаться с Сирией: «Прекрасная Сирия, прощай!»
Суворов (Россия) первый шахматист в истории России.
Он добился больших успехов в русско-турецкой войне, и он разгромил французскую армию в экспедиции в Италию.Он был единственным полководцем в эпоху Наполеона, который мог соперничать с Наполеоном.Но история к сожалению не дала им шанса противостоять друг другу головой -на.
Ганнибал (Карфаген) Одинокий герой.
В войне с Римом он привел на территорию Рима 60 000 человек, сражался один и творил чудеса.
Три крупнейших сражения в мире: Первое: Битва на Сомме между британскими и французскими войсками в Первой мировой войне против немецкой армии. Она длилась полгода. Обе стороны вложили более 1,5 млн солдат, и число жертв достигло поразительных 1,3 млн. Сражение, в котором участвовали британские и французские войска, закончилось неудачей, и это было самое крупное и самое жертвенное сражение в Первой мировой войне, второе: сражение под Верденом между немецкой армией и британские и французские войска в Первой мировой войне, длившейся 10 месяцев, обе стороны вложили около 1 млн солдат и понесли более 70 потерь, 10 000, битва закончилась поражением немецкой армии, третья: Сталинградская битва между германской армией и советской армией во Второй мировой войне, длившейся полгода, из-за слишком большого количества войск, участвовавших в войне, невозможно точно подсчитать, число потерь одних толь
FOR IMMEDIATE RELEASE - Year of the Rat art show opening
Group show at GR2
March 15 - April 16
Reception: Saturday, March 15, 6:30 -10:00
GR2
2062 Sawtelle Blvd.
Los Angeles, CA 90025
gr2.net
(310) 445-9276
Giant Robot is proud to host Year of the Rat, a group art show celebrating year 4706 on the lunar calendar. Pieces will include oils, pencils, prints, sculpture, and other media–all dedicated to the first sign on the Chinese zodiac cycle.
Contributors will include (but are not limited to) the following:
Andrice Arp
Derek Ballard
Sasha Barr
Gary Baseman
Robert Bellm
Chris Bettig
Kelie Bowman
Aaron Brown
Jeffrey Brown
Buff Monster
Martin Cendreda
Shawn Cheng
Jo Dery
Dutch Door Press
Theo Ellsworth
Austin English
Noel Freibert
Susie Ghahremani
Leif Goldberg
Tim Gough
Katherine Guillen
Gunsho
Lizz Hickey
Andrew Holder
Yellena James
Kaori Kasai
Dan-ah Kim
Diana Kwok
Olaf Ladousse
Jesse Ledoux
Travis Lampe
David Magdaleno
Le Merde
Thom Lessner
The Little Friends of Printmaking
Jay Ryan
Tyler Parker
John Pham
Emilio Santoyo
Ashira Siegel
Ryan Jacob Smith
Daniel St. George
Hannah Stouffer
Deth P. Sun
Daria Tessler
Elisabeth Timpone
Kelly Tunstall
Edwin Ushiro
Steven Weissman
A reception for will take place from 6:30 - 10:00 on Saturday, March 15. For more information about the opening, the artists, GR2, or Giant Robot magazine.
***FOR IMMEDIATE RELEASE***
Super Phat Productions Continues Its Trek Toward Elite Independent Status!
Detroit, Michigan April 23, 2009- Independent Hip Hop companies have survived predictions of their “impending death” more times than any other force in popular music. With four albums released in 2007, two album releases in 2008, and now three albums scheduled for release in 2009, Super Phat Productions (Stir Crazy) defies the odds and continues its trek towards elite independent status.
On the schedule for spring 09' are two eclectic album releases, "Stirred and Mixed VOL 3,” Stir Crazy’s highly anticipated 3rd full lengthed remix and mash up album produced by Stir Crazy and “Penny Dreadfuls,” a Dood Computer and Stir Crazy collaboration project. In circulation now is Dood Computer and Stir Crazy's lead off single and video “Rachel Profiling,” which a true heat seeker. View video here: www.Myspace.com/DoodComputer
Super Phat Productions is a company formed to act as a talent sources, production company and record labels in the traditional sense of selling manufactured music all under one roof. Super Phat Productions is one fo the fastest-growing independent e music companies in North America. The record label covers multiple music genres and styles. Super Phat Productions has built unique strengths in the development, production ,and marketing of music. “We are better then your favorite band or label, and if you don't agree i'll punch your face” says Dood Computer.
For additional information on Super Phat Productions, please visit www.StirCrazyMusic.com
Stir Crazy
StirCrazySPP@Yahoo.com
STIR CRAZY Music Production!
High quality and affordable music production and recording!!!!!!!!!
Please contact for quotes or any other information regarding beats and production for your next album!
www.Myspace.com/StirCrazyMusic
www.twitter.com/StirCrazyMusic
Email: StirCrazySPP@yahoo.com
Call: (206)-600-5713
Super-producer Stir Crazy has stamped his imprint on the music scene since 2003. His production has helped create career defining hits for artists such as Potluck, D12, Bizzy Bone, Toxsick, Kamal, Tre Pound, SOL, T.O.N.Ez, The Insane Clown Posse and many others. Respected beyond the genres of hip hop and urban music, Stir Crazy, has also been sought by superstars and underground legends whose music needs a new edge.
Born Jesse Elliott in Detroit, Michigan on December 23, 1986, Stir Crazy has had many reincarnations-- from a partnership in the label Super Phat Productions, and involved in a super group which consists of Dood Computer (of Doom Fist) and Himself.
Chop Shops smash hit single ‘Heart”, and Kamal’s debut cd Certified produced by Stir Crazy, introduced a unique style that defined the new wave of music in the years too come. Hip Hop and R&B with crazy effects held together by complex drum patterns. Death B4 Dishoner a group consisting of Lokey, T.O.N.Ez and Stir Crazy proved Stir Crazy could step out his normal boundaries and do heavy metal and rock production.
Recently he has helped form, and in a music group with Dood Computer from Albany, New York and about to release there new upcoming album. The reason this album is getting so much attention is because of the marketing. It is coming out on cassette tape only.
Stir Crazy’s sound is unexplainable, and meant to be listened to, not read….
His partnership with fellow producer Tre Pound, has spanned the untouchable label Super Phat Productions, and there trademark sound has spawned numerous imitators in the Detroit area. Still known as the originators of the new wave of Detroit sound when it comes to hip hop and R&B music.
Along the way he built an impressive arsenal of studio equipment, and worked/works at many studios in Detroit where he does most of his production. He regularly travels between his home studio and other studios around the area and other states working on many projects.
Stir Crazy’s genre breaking has changed music today and he takes pride in his success at staying ahead of the game with his experimentation and originality. Hard working and confident, his goal is to always stay ten steps ahead of the competitors while making fans not only hear but ‘feel’ music.
One thing Stir Crazy has on his side, other than incredible talent, is visibility. He has been featured on numerous websites as well as print.. He has been seen on several DVD’s, and he has a role in a feature film, Zombie Prom.. Then there are his numerous other appearances and accomplishments. He was named producer of the year by Juggalo News by voting of fans. The acknowledgment came as a surprise, he got a message that he was going to be featured, and there he was, without having to submit anything about himself. The word is out!
“You can accomplish any dream or goals in life, with hard work and confidence” says the dedicated Stir Crazy. He is a innovator of sound which continues to set new standards, while always expanding his musical palette.
TAGS:
Twiztid,twiztid, ICP, juggalos, Juggalos, juggalo, Juggalo, Juggalette, juggalette, Juggalettes, juggalettes, Halloween, ghosts, esham, Esham, PDM, pdm, project deadman, Project Deadman, MEC, mec, Mike Clark, Mike E Clark, mike e clark, rotten radio, Rotten Radio, icp, stircrazy, psychopathic, eric davies, seven, akuma,insane clown posse, twiztid, shaggy, super phatproductions, juggalo, wicked, murder, kill, sick, crazy,
weird, gross, producer, music, production, beats, sex, blood, drugs, rotten radio, rotten, radio, rottenradio,dirtball, kmk, Tech N9ne,DJ Clay, DJ Fillin, Chop Shop, Tre Pound
Artist that have purchased or been on Stir Crazy Beats....(non completed list)
A
Autopzy
Abica
Ajax
B
Blaze Ya Dead Homie
Boondox
Bizzare of D12
B-side
Bizzy Bone
Brutal
Ben Stockwell- Area 51 music
Big frame
Bankrupt
Big Sin
Brain Trama
Badluck
Big Jim/2 phat
C
Cartoon Killa
Chop Shop
CDC
Chris Brewer
Chief The Beast
Cellar Mannequin
Chuk Ruck
Creech
D
Dizzo
Doc Hollywood hustle
DJ Rick
Dez
Dr Gigglez
Disfucktional Phamily
Dead N Dirty
Dood Computer
Doom Fist
DarkHalf
Dj Rec
Dramadeus/2 fold horror
Dead Arm
Death B4 Dishoner
Dan tha Saltine
Duece Duece
Durty White Boyz
DCO
Delusional
Dynamic Duo
DJ Clay
E
Eklypze
F
Fury
Frantik
G
GM
G-Wizz
H
Harm
Half Fiction
I
Intrizink
Ikkurruz
Izzy Rotten
Ill E Gal
Ignited
Insane Clown Posse
J
Judge Cryptic
Jak Progresso
J Reno
J- Fill
Jenetiqs
J3
J-Kidd/J Truth/ JR Writer
K
Koopsta Knicca
King Kold
Kreepy-X
kLepTo
King Gordy
Kamel
Kasket Kyle
L
Lokey
LaVey
Lental
Leo Giovonni
M
Musa
McNastee
Mars
Mass Kunfusion
Mad Maxxx
Mad Max
MrPPV
Mr. Madman
Mr freeze
Maniaxe
Movement Records
N
Natural Dizaztaz
Noodle Nugget/Dredge
Non Shalant
O
Okkultlegion
P
Potluck
Pierre Vito
Pony boy
Poe Whosaine
Polo
Q
R
Renegade
Rone Bone
Rashak
Rated R
Raven Hunter
ROC
S
Scum
Sirkis
Spuratic
Squad 19
Skeptyk
Shyste
Sketch
Scum
Sean Strange
Sol
Saint Sinna
Slink Dogg
T
Twiztid
TBMA
Troubled Mindz
Trips
T.O.N.E.Z
Tony Sinister
Toxsick
U
V
Vishiss
W
Wayne Dub
X
Y
Y.U.G.
Z
4Saken
333s
2.DIE.4
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!
Some background:
The Yakovlev Yak-38 (Russian: Яковлева Як-38; NATO reporting name: "Forger") was the Soviet Naval Aviation's first and only operational VTOL strike fighter aircraft, in addition to being its first operational carrier-based fixed-wing aircraft. It was developed specifically for and served almost exclusively on the Kiev-class aircraft carriers.
Some specimen of the initial variant were tested during the Soviet Union's intervention in Afghanistan. These trials revealed several weaknesses of the construction in the form of unacceptable hot and high capabilities as well as a low payload. A further development for the Soviet Navy was therefore decided in August 1981, the abilities of which were fixed in October 1982. Already in November 1982 the first flight experiments of the prototype, leading to the Yak-38M, took place. In mid-1983 the manufacturing tests were completed and the production release was granted.
Anyway, the Soviet Air Force also had interest in a VTOL attack aircraft, which could provide CAS duties in immediate front line theatres, complementing the new Suchoj Su-25 Frogfoot and various attack helicopter types - but the Yak-38 was outright rejected. The Frontal Aviation demanded a much better performance, a dedicated avionics suite for ground attack duties and a higher payload of at least 2.500 kg (5.500 lb) in VTOL mode, plus an internal gun, and 3.000 kg (6.600 lb) when operating in C/STOL mode at sea level and from semi-prepared airstrips. For its primary ground attack role, the machine was also to be armored against projectiles of up to 0.5” around the lower hull and against 20mm rounds in the cockpit section. Finally, the machine had to be, compared with the Yak-38, simplified and be more rugged in order to ease frontline service and endure survivability.
OKB Yakovlev accepted the challenge and dusted off studies that had been undertaken during the Yak-38’s design stage. One of these was the Yak-38L (for 'lift/cruise'), a design built around a single, modified the AL-21F turbojet with vectoring nozzles and no lift engines, which were just dead weight in normal flight. This route seemed to be the most promising option for the Frontal Aviation's demands, even though it would mean a severe re-construction of the airframe.
The new aircraft, internally referred to as 'Izdeliye 138', was based on the Yak-38 airframe, but adapted and literally built around a lift/cruise variant of the large Kuznetsov NK-32 low bypass turbofan engine (originally, with an afterburner, powering the late Tu-144 airliners and the Tu-160 bomber). This engine’s initial derivative, NK-32L-1, adapted for operation with four vectoring nozzles, had a dry thrust of roundabout 110 kN (25,000 lbf) – about 10% more than the Yak-38’s engine trio all together. And the massive engine bore potential for at least 10% more power for the service aircraft.
The overall layout differed considerably from the long and sleek Yak-38: in order to create enough space for the large turbofan stage and its bigger, fixed-configuration air intakes, the fuselage had to be widened behind the cockpit section and the wings' main spar was moved upwards, so that the wings were now shoulder-mounted. The overall arrangement was reminiscent of the successful Hawker Harrier, but differed in some details like the landing gear, which was a classic tricycle design.
Cold air from the NK-32L’s initial turbofan stage was ducted into vectoring nozzles at the forward fuselage flanks, just in front of the aircraft's center of gravity, while the hot exhaust gasses passed through a bifurcated jet pipe through another pair of vectoring nozzles behind the CoG, in an arrangement which was also used in the Yak-38.
Slow speed control was ensured through puffer jet nozzles, fed by bleed air from the engine and placed on both wing tips as well as under the nose and in the aircraft’s tail section.
Teething troubles with the new engine, as well as the new, vectored nozzle arrangement, postponed the Izedeliye 138 prototype’s first flight until March 1986. Work was also slowed down because OKB Yakovlev had been working on the supersonic Yak-41 V/STOL fighter for the Soviet Navy, too. The Soviet Air Force's Frontal Aviation kept interested in the project, though, since they wanted a dedicated attack aircraft, and no complex multi-role fighter.
State acceptance trials lasted until mid 1987, and a total of four prototypes were built (including one for static ground tests). The Yak-138 was found to be easier to handle than the Yak-38, and the single engine made operations and also the handling during flight mode transition much easier and safer.
The prototypes were soon followed by a pre-production batch of 21 aircraft for field trials in frontline units. By then, the NK-32L had been much improved and now offered 137 kN (31,000 lbf) of thrust for short periods, which made it possible to meet all the Frontal Aviations requirements (esp. the call for 2.000 kg ordnance in VTOL mode).
Among its test pilots, the Yak-138 was quite popular and called "Balkon" ("Balcony") because of the good frontal view from the armored cockpit (offering a 17° downwards sight angle).
For frontline service, the aircraft was now equipped with sophisticated avionics, including a Sokol-138 navigation suite with a DISS-7 Doppler radar and a digital computer. A comprehensive ECM suite was installed for self-defence, including SPS-141 and SB-1 active jammers, KDS-23 chaff/flare dispensers built into the ventral pylon and an SPO-10 radar himing and warning system.
In accordance with the Yak-138‘s strike and low-level attack requirements, provisions were made to mount missiles and precision-guided munitions, as well as retaining a nuclear capability in line with other Soviet combat aircraft. An S-17VG-1 optical sight was fitted, as well as a laser rangefinder and marked-target seeker behind a flat, sloped window in the lower nose section.In the upper nose, between the aircraft's two characterisitic pitot booms, a Delta-2NG beam-riding missile guidance system antenna was placed in a small bullet fairing.
By 1989, the initial batch of aircraft had been delivered (receiving the NATO ASCC code 'Flitchbeam') and successfully tested. An order for 42 more aircraft had been placed and a dual training facility with the Soviet Navy at Kaspiysk AB in the Dagestan region (where Soviet Navy Yak-38U trainers were used for transitional training) established , when the disruption of the Soviet Union suddenly stopped the program in 1991 before the Yak-138 could enter production and service on a large scale.
Most of the machines in Frontal Aviation service fell to the Ukraine, where most of the machines had been based. This situation sealed the fate of the promising Yak-138 more or less over night: the now independent Ukraine did not want to keep the exotic type in its arsenal (together with some Yak-38s of the former Soviet Navy, too), and Russia did not want (and could simply not afford) to pay anything for the machines, which had been offered for an unknown sum.
Officially, all Ukrainian Yak-138 were scrapped until 1994, even though rumor has it that one or two airframes had been sold behind the scenes to China. In Russia only five specimen had survived, and since the spares situation was doubtful none could be kept in flying condition. One Yak-138 was eventually handed over to the Ulyanovsk Aircraft Museum, while the rest was either mothballed or scrapped, too. Unfortunately, the sole museum exhibit was lost in 1995 in a fire accident.
General characteristics:
Crew: One
Length (incl. pitot): 15.84 m (51 ft 10 1/2 in)
Wingspan: 8,17 m (26 ft 9 in)
Height: 4.19 m (14 ft 3 in)
Wing area: 24.18 m² (260.27 ft²)
Empty weight: 7,385 kg (16,281 lb)
Max. takeoff weight: 11,300 kg (28,700 lb)
Powerplant:
1x Kuznetsov NK-32L-2 turbofan engine, rated at 137 kN (31,000 lbf)
Performance:
Maximum speed: 1,176 km/h (730 mph; 635 knots) at sea level
Combat radius: 230 mi (200 nmi, 370 km) lo-lo-lo with 4,400 lb (2,000 kg) payload
Ferry range: 2,129 mi (1,850 nmi, 3,425 km)
Endurance: 1 hr 30 min (combat air patrol – 115 mi (185 km) from base)
Service ceiling: 51,200 ft (15,600 m)
Time to climb to 40,000 ft (12,200 m): 2 min 23 s
Armament:
1x GSh-23L 23mm machine cannon with 250 RPG under the fuselage
5 hardpoints with a total external capacity of
- 3.000 kg (6,600 lb) for C/STOL operations and
- 2.000 kg (4.400 lb) in VTOL mode
Provisions to carry combinations of various types of unguided rockets (up to 240 mm), anti-ship
or air-to-surface Kh-23 (AS-7 Kerry) missiles (together with a Delta N guidance pod), R-60,
R-60M (AA-8 Aphid) or R-73 (AA-11 Archer) air-to-air missiles; tactical nuclear bombs, general
purpose bombs of up to 500 kg (1.100 lb) caliber, or incendiary ZB-500 napalm tanks or up to
three PTB-800 drop tanks under the fuselage and the inner pair of wing pylons
The kit and its assembly:
Sixth contribution to the “Soviet” Group Build at whatifmodelers.com in early 2017, on pretty short notice since the GB had been coming to its end. This totally fictional aircraft was inspired CG illustrations that had been roaming the WWW for some time: a hybrid between a Yak-38 (mostly the tail section), mated with an AV-8B Harrier II (cockpit, wings, landing gear). This did not look bad at all, yet a bit weird, with lift engines added in front of the fin. Certainly not conformal with a good CG balance – but I liked the idea of a single-engine Forger. And actually, OKB Yakovlev had been considering this.
So, the basic idea was a Harrier/Yak-38 kitbash. But the more I thought about the concept, the more additional donor parts came into play. One major addition was the nose section from a MiG-27 – with its slanted nose it would offer the pilot an excellent field of view, and the aircraft would, as a front line attack plane like the Harrier, not carry a radar, so the Flogger’s nose shape was perfect.
Therefore, initial ingredients for the Yak-138 were:
- Rear fuselage, wings and tail from a Tsukuda Hobby/Kangnam/Revell Yak-38
- Mid-fuselage with air intakes and front vectoring nozzles from a Matchbox Sea Harrier
- Cockpit from an Academy MiG-27
Work started with the MiG-27 cockpit, which was more or less taken OOB (except for side consoles in the cockpit and different seat), and the Yak-38 the tail section, built in parallel. To my surprise the Forger fuselage was easier to combine with the Harrier than expected, even though the position of the right cuts took multiple measurements until I came up with a proper solution. Since the Harrier is overall shorter than the Yak-38, the latter’s fuselage had to be shortened. I retained the tail cone, the Forger’s vectoring nozzles and the landing gear wells – and a 2cm plug was taken out between them. Instead of the Harrier’s tandem landing gear arrangement with outriggers under the outer wings, this one was to receive a conventional landing gear for optional C/STOL operations with a higher ordnance load, so that the Yak-38 parts were a welcome basis. Once the fuselage’s underside was more or less complete, the upper rest of the Yak-38 fuselage could be cut to size and integrated into the lower half and the Harrier parts.
After the rear end was settled, the MiG-27 cockpit could be mounted to the front end, which was slightly shortened by 2-3mm (since the Flogger’s is markedly longer than the short Harrier nose). In order to change the overall look of the aircraft, I eventually dropped the Harrier intakes and decided to use the Flogger’s boxy air intakes instead. These are considerably smaller than the gaping Harrier holes, and blending the conflicting shapes into each other for a more or less consistent look took several PSR turns. But it worked, better than expected, and it changes the aircraft’s look effectively, so that almost anything Harrier-esque was gone.
Once the fuselage was completed, I realized that I could not use the Yak-38 wings anymore. They are already pretty small, but with the more voluminous Harrier and Flogger parts added to the aircraft, they’d just be too small!
What to do...? I checked the donor bank and – in order to add even more individual flavor – used a pair of double delta wings from a PM Model Su-15! But only the core of them was left after considerable modifications: The inner delta wing sections were cut off, as well as the tip sections and parts of the trailing edge (for a planform similar to the Yak-38’s wings). On the underside, the landing gear openings were filled up and wing tips from the Yak-38, with puffer jet nozzles, transplanted. The inner leading edges had to be re-sculpted, too. The Su-15 wing fences were kept - a welcome, very Soviet design detail.
A lot of work, but I think it paid out because of the individual shape and look of these “new” wings?
As a consequence of the new, bigger wings, the little Yak-38 stabilizers could not be used anymore, either. In order to keep the square wing shape, I used modified stabilizers from an Intech F-16C/D – their trailing edges were clipped, but the bigger span retained. Together with the characteristic OOB Yak-38 fin they work well, and all of the aerodynamic surfaces IMHO blend well into the overall design of the aircraft.
After the hull was complete, work on smaller things could start. Under the fuselage, a GSh-23-2 pod from a MiG-21 was added, as well as pylons from the Tsukuda Yak-38 under the wings and a donor part from the scrap box in ventral position.
The landing gear is a mix, too: the main struts come from the Yak-38, the balloon wheels from the Matchbox Harrier. The front landing gear comes from the Academy MiG-27, including the wheels with mudguards. It was just mounted in a fashion that it now retracts forward.
The Harrier vectoring nozzles were modified, too, the exhaust “grills” replaced by square, simple ducts, scratched from styrene profile and putty. Care was taken that the nozzles would remain moveable in the fuselage flanks – for later hover pictures. The Yak-38’s nozzles were retained, but since they can OOB only be mounted in a single, fixed position, I added a simple pin to each nozzle, together with two holes in the hull, so that positions can now be switched between hover and level flight.
All around the hull, finally some small details like pitots, blade antennae and air scoops were finally added, and the ordnance consists of a pair of unguided 57mm rocket pods and a pair of Kh-23 (AS-7 Kerry) guided missiles – the latter come from the Yak-38 kit, but they are very crude and their tail sections were modified in order to come (slightly) closer to reality.
Painting and markings:
As an aircraft of the Soviet Frontal Aviation in the late Eighties, I settled upon a typical, disruptive four-tone camouflage with blue undersides. Very conventional, but with an exotic VTOL model I thought that a subtle look would be appropriate – and also separate it from the Naval Yak-38 cousin.
Design benchmark is the scheme on a contemporary MiG-21bis from a Soviert Frontal Aviation unit, chosen because of the disruptive pattern. The tones are guesstimates, though, based on various similar aircraft in more or less weathered condition. I settled for:
- Humbrol 195 (Dark Satin Green)
- Humbrol 78 (RAF Interior Green)
- Modelmaster 2005 (Burnt Umber)
- Humbrol 119 (Light Earth)
- Humbrol 115 (Russian Blue) for the undersides
The cockpit was painted in Russian Cockpit Green, opf course. The landing gear and their respective wells in a mix of Aluminum and Khaki Drab (Humbrol 56 & 26), and the wheel discs became bright green (Humbrol 131). Several di-electric panels and antennae were painted in Humbrol 106 (RAF Ocean Grey).
The kit received a thin black ink wash, in order to emphasize the panel lines, and panel post-shading with subtly lighter tones of the basic colors. National markings, codes and emblems come from several aftermarket sheets, mostly from High Decal Line and Begemot.
After some soot stains (grinded graphite) had been added, the kit was sealed with matt acrlyic varnish (Italeri) and the ordnace added.
Messy work, but I am surprised how consistent and normal the resulting aircraft appears? From certain angles, my Yak-138 creation reminds a good deal of the stillborn Hawker P.1154 (no similarity intended, though), the SEPECAT Jaguar or rather exotic Soko J-22 Orao/IAR-93 Vultur fighter bomber. IMHO, there’s also some A-4 Skyhawk style to it, esp. in planview? Anyway, there’s still some good Yak-38 heritage recognizable, and the tactical Frontal Aviation paint scheme suits the aircraft well - looks like a serious mud mover.
FOR IMMEDIATE RELEASE
PR- 281-06
August 7, 2006
MAYOR BLOOMBERG AND FIRE COMMISSIONER SCOPPETTA KICK OFF NEW FIRE DEPARTMENT RECRUITMENT CAMPAIGN
“The Best Job in the World Has the Best Benefits in the World” Campaign Features FDNY Firefighters from Diverse Backgrounds
Television, Radio and Print Advertising Campaign Launches in August – Full Recruitment Outreach Campaign Already in Full Swing
Filing for the Fire Department Firefighter Exam Opens Today
One year after investing an unprecedented $3.2 million in the New York City Fire Department’s Recruitment and Diversity Unit and on the first day of open filing for the firefighter exam, Mayor Michael R. Bloomberg and Fire Commissioner Nicholas Scoppetta today launched the new FDNY recruitment campaign – “The Best Job in the World Has the Best Benefits in the World.” Aimed at increasing diversity within the Department, the advertising campaign features FDNY firefighters touting the benefits of joining the Department, including flexible work schedules, generous benefits and the ability to retire after 20 years of service. Coupled with an intensive citywide outreach campaign at career fairs, athletic clubs, colleges, cultural events and churches, the innovative advertising campaign will begin to appear on televisions, in newspapers and on radios later this month. The Mayor and Fire Commissioner were joined by Chief of Department Salvatore Cassano, Chairman and Chief Creative Officer of the Arnell Group Peter Arnell, members of FDNY fraternal organizations and other FDNY officials at the Engine 231/Ladder 120 firehouse in Brownsville.
“The strength of the Fire Department lies in its members and increasing the diversity of the FDNY will strengthen the greatest fire department in the world,” said Mayor Bloomberg. “This new campaign tells the public what firefighters have long known – being a firefighter is a great job with great benefits. With flexible work schedules and generous benefits after retirement, firefighters have an unusually good opportunity to balance work and family life. We want to get that message out to young people across our City who may have never considered public service. Take a second look, answer the call and become one of New York’s Bravest.”
“Everyone knows that firefighters save lives for a living,” said Commissioner Scoppetta. “This campaign highlights the lesser known side of the job – that firefighters have lifelong medical coverage, flexible schedules, a pension after 20 years and significant growth opportunities. This chance only comes once every four years – so make sure to apply.”
The new campaign includes eight different print ads in four languages (English, Spanish, Korean and Chinese), one television spot and three radio spots produced in both English and Spanish. The print ads will be placed in newspapers, on billboards, in the subways and on buses throughout the City. Television and radio spots will run on local stations throughout the open exam filing period which runs from August 7 to October 13.
In addition to targeted advertising, the Department will maintain contact with interested candidates to assist them in navigating the application process. The Recruitment Unit has set up a phone bank in Long Island City to answer questions and provide additional information to candidates. The Department will also offer free tutorials in all five boroughs for the written exam. Physical training programs will be offered through a continued partnership with New York Sports Club. Free access to physical training facilities at the Fire Academy on Randall’s Island also will be available.
The Department of Citywide Administrative Services offers the firefighter exam once every four years. This year, the pool of candidates is expected to broaden with changes in the educational requirements allowing individuals with 15 college credits, full-time U.S. military service with an honorable discharge, or at least six months of full-time, satisfactory work experience the opportunity to take the exam. The open filing period will be from August 7 to October 13. A written exam will be held in January 2007 with a physical exam to follow. Often times, it may take up to one to three years before a candidate is called to join the Department. In an effort to better prepare incoming recruits, the Fire Department will lengthen the 13-week training period at the Academy.
Last year, the City and the FDNY combined to provide an unprecedented $3.2 million in annual funding to expand the Recruitment and Diversity Unit. The FDNY Recruitment and Diversity Unit employs 13 full-time staff and 37 uniform personnel detailed to the unit. The Department also utilizes an additional 276 firefighters and Emergency Medical Service personnel who work overtime to staff recruitment events across the City. In years past, recruitment efforts were only focused during the open filing period every four years. This additional funding provides for year-round recruitment efforts to attract and retain potential firefighter candidates in between filing periods.
Compared to the previous decade, the Fire Department has tripled its rate of minority hires from 5% to 15%. In 2005 and 2006 alone, that figure increased to nearly 20% of all Probationary Firefighter classes. Most recently, the last class to graduate from the Fire Academy in July was more than 21% minority, with 14% Hispanic, 5% African-American, 2% Asian and one Probationary Firefighter from a Native American background.
The expansion of the Recruitment Unit has also allowed the Department to send out teams of firefighters to more than 1,500 community events since January 2006. The Fire Commissioner and Chief of Department also engage in recruitment activities, speaking at churches and community groups throughout the year. FDNY recruitment teams participate in career fairs, speak at neighborhood groups and clubs, local colleges and other cultural events throughout the five boroughs. The unit has averaged roughly 50 events per week and to date have compiled more than 33,000 names of interested individuals. Of this group, 80% of the applicants are minorities and almost 25% are women.
The Arnell Group, working alongside members of the Department, created the new recruitment campaign based in large part on recommendations from the Columbia University School of International and Public Affairs FDNY Diversity Study. The study, conducted from 2003 to 2004 at the request of the Department, found that the public became more receptive to applying to become a firefighter after learning basic information about salaries, benefits and flexible schedules. The Arnell Group captured this information with the theme of the campaign, “The Best Job in the World Has the Best Benefits in the World.” All services through the Arnell Group for the creation, production and placement of the advertising campaign were provided pro bono. The first FDNY recruitment campaign in 2002, “Heroes Wanted,” was also created free-of-charge by the Arnell Group.
2-16-08
My name is Lori Zarlenga- Blaquiere. I was born on September 14, 1961 in the state of Rhode Island. I am writing to you for your immediate help. My life is in immediate danger from orders issued by President George W. Bush and Rhode Island Governor Donald Carcieri to
assassinate/murder me. You can contact me at my email LoriZarlenga@gmail.com and
my space.com/lorizz Also, you can find me on “google” by entering my name as keyword. My case is legitimate. Please do not disregard my case.
I have evidence and tapes on top officials and law enforcement among others to support my
claims. The current Rhode Island Senators Sheldon Whitehouse , Senator Jack Reed and former Senator Lincoln Chafee, among others are covering up and will not help me.
I posted a diary on the Daily Kos website on August 12, 2007 with regard to my life being in immediate danger from orders issued by President George W. Bush and Rhode Island Governor Donald Carcieri to assassinate/murder me.
I continued to stay on the Daily Kos website until sometime after 5:00 am and received
comments from the Daily Kos members community. The Daily Kos has over 1 million
members on their website.
On August 12, 2007, I was uploading exhibits, photos, and evidence to the Daily Kos members that support my claims against the United States Government et al.
On August 12, 2007 at approximately between 5:00 am & 6:00 am a West Warwick
Police officer came out to my house at 101 Border Street West Warwick, R.I. and violently banged at the doors at my house and continued to violently bang at the doors of my house for a long period of time in a terrorizing manner. The West Warwick Police Officer was given orders to stop me from getting the truth out to the American public .
I Lori Ann Zarlenga state that on August 21, 2007, a West Warwick Police vehicle came
up behind the vehicle where I was located in the back seat with my 5 year
old granddaughter and my mother Victoria Zarlenga who was seated on the passenger
side and my son Michael Zarlenga who was driving the vehicle on Cowesett Avenue
West Warwick, R.I.
I Lori Ann Zarlenga state that the police officers proceeded to get out of their police
vehicles with their guns drawn and aimed at the vehicle where I was located in the back
seat of the vehicle along with my 5 year old granddaughter, my mother and son .
The Coventry police, East Greenwich Police, the Rhode Island State Police, and the West
Warwick Police were on the scene.
I Lori Ann Zarlenga state that a West Warwick Police Officer pulled me out of the
vehicle where I was located in the back seat near my 5 year old granddaughter, with my
mother and son in the front seat of the vehicle.
I Lori Ann Zarlenga state that the Police proceeded to slam me to the ground and force
handcuffs on me and force me in the back seat of the West Warwick Police Vehicle.
I repeatedly asked the West Warwick Police Officer why the police forced handcuffs on
me and forced me in the back seat of the police vehicle, but the West Warwick Police
Officer repeatedly ignored me.
I continued to ask the West Warwick Police Officer why the police forced handcuffs on
me and forced me in the back seat of the police vehicle, he then stated to me that he was
trying to protect me .
While I was in the West Warwick Police vehicle, I observed police officers saluting to
each other with regard to capturing me.
While I was in the back seat of the West Warwick Police vehicle, a West Warwick Police
Officer asked me if I was injured and if I needed to go to the hospital inorder to lure me
into consenting to go to the hospital.
I stated to the West Warwick Police officer that I did not need to go to the hospital.
The West Warwick Police Officer told me that the fire rescue was going to take me to the
hospital for a psych evaluation.
I stated to the West Warwick Police officer that I did not want to go to the hospital and
that I did not need a pych evaluation. However, the West Warwick Police Officer told me
that I had to get into the Fire Rescue and go to the hospital. As a result, I had no other
choice but be taken by fire rescue to Kent County Memorial Hospital for a psych
evaluation without my consent.
My mother told me that the police officers apologized to her and stated to my mother
that they made a mistake .
I was subsequently taken by ambulance and transferred
to Land mark Medical Center without my consent and held hostage in lock down mental
health unit against my will. All of the evidence that was in my favor was ignored
by the doctors, social workers, and psychiatrist at Kent County Memorial Hospital and
Landmark Medical Center. The doctors, social workers, and psychiatrist at Kent County
Memorial Hospital and Land mark Medical Center manipulated and skewed the true facts
to cause me harm in connection with helping law enforcement and United States
Government from preventing me from exposing the truth to the American people and
my case continuing on Appeal with regard to the criminal acts committed by law
enforcement and the United States Government.
My Mother stated to the psychiatrist and nurses at Landmark Medical Center that I was
not delusional or paranoid and that I have never been a danger to myself or others and
that I have no history of mental health, and that I have never had a history of being
prescribed psychiatric medication and that I did not need psychiatric medication
my complaints against law enforcement are legitimate.
However, Dr. Elahi disregarded my mother statements and proceeded to contact his lawyer to
discuss whether or not he should discharge me, despite all evidence in my favor.
My family member stated to me that nurses at Landmark Medial Center made
statements about being disgusted with Dr. Shahid Elahi for consulting with his lawyer
with regard to whether or not to discharge me and delaying my discharge.
The nurses at Landmark Medical Center stated to me that I did not belong at Landmark
Medical Center Mental Health Unit
I have never had a history of mental illness.
On September 4, 2007, I was discharged from Landmark Medical Center.
I have never had a history of being targeted by the United States Government, Federal
and State law enforcement, among others prior to my L-tryptophan lawsuit.
In August of 2007, I had an Appeal pending in the First Circuit United States Court of
Appeals with regard to my December 7, 2006 Complaint against the United States
Government et al. As a result, of being held hostage in the hospital from August 21, 2007
to September of 2007, along with intimidation from law enforcement, among others in
connection with the United States Government I was unable to respond important
deadlines set by the First Circuit United States Court of Appeals . As a result, my Appeal with the First Circuit United States Court of Appeals is in default/dismissed for lack of
diligent prosecution.
As a result of my ingestion of contaminated L-tryptophan manufactured by Showa
Denko K.K., I developed a disease Eosinphilia Myalgia Syndrome. There are
approximately 5,000 people who ingested contaminated L-tryptophan
manufactured by Showa Denko K.K., and developed a disease Eosinphilia Myalgia
Syndrome. There maybe more unreported cases of Eosinphilia Myalgia
Syndrome caused by ingestion of contaminated L-tryptophan .
The L-tryptophan problem is the fault of the FDA due to lack of enforcement of 172.320,
among other violations of the FDA rules. Therefore, the FDA permitted the continued
illegal use of L-tryptophan.
If the FDA had enforced action against Showa Denko K.K., for violation of the FDA
rules mentioned herein, then L-tryptophan would not have been on the market and sold
to the American Public and caused death and illnesses associated with the sales of L-
tryptophan .
On October 25, 1995, I filed a products liability lawsuit against the Defendants
Showa Denko, K.K., Showa Denko America, Inc. General Nutrition Centers (GNC), et al. in
the State of Rhode Island Superior Court.
My case was transferred to Rhode Island District Court, (Blaquiere v. Showa Denko, K.K.,
Showa Denko America, Inc. General Nutrition Centers (GNC), et al., C.A.No.1:95-629 ).
My case was subsequently transferred for discovery to (MDL) United States District Court
Columbia, South Carolina, C. A. No. 3:96-361-0.
My case (Blaquiere v. Showa Denko, K.K., Showa Denko America, Inc. General
Nutrition Centers (GNC), et al., (C.A.No.1:95-629 ) was remanded to Rhode Island
District Court in 2003.
I hired a lawyer Dennis S. Mackin in 2000/2001 who used my case to file discovery
motions in the(MDL) United States District Court Columbia, South Carolina, (C. A. No. 3:96-
361-0), damaging to the defendant ShowaDenkoK.K.,their lawyers,Cleary,Gottlieb,Steen,and
Hamilton, and the United States Government.
My former lawyer Dennis Mackin was paid off to withdraw from my case and to
not go forward with the discovery motions and depositions damaging to Showa
Denko K.K., their lawyers, and the United States Government.
The discovery sought in my case that my former attorney Dennis Mackin filed in 2001 in the(MDL) United States District Court Columbia, South Carolina, (C. A. No. 3:96-361-0) was to demonstrate that Showa Denko K.K. and its attorneys have been involved in a continuing conspiracy to not only circumvent the discovery process, but to manipulate any scientific examination of Showa Denko K.K.’s reckless and wanton conduct”.
The United States Government wiretapped my phones, hacked my computers, surviellanced me during my L-tryptophan litigation and to the present. The United States Government obstructed justice, unlawfully sabotage my case inside and outside of the court system at every level.
My former attorney Dennis Mackin stated in his October 12, 2001 Reply of Plaintiff to Defendant's Motion to Qaush Deposition of Kenneth Rabin , that "additional questions must be answered about political pressure brought to bear upon members of the South Carolina Congressional delegation."" What information was given to Senator Thurmond, Senator Hollings and Congressman Ravenell?"
Documents made by Showa Denko K.K. included a budget attached to their public
relation scheme which was an amount determined for congressional
contracts, including the South Carolina delegation which was for 16, 000.00.
My former attorney Dennis Mackin stated in his motions that, “ The research of
this Eosinophilia Myalgia Syndrome has been twisted by the endless
manipulations by Showa Denko K.K and their lawyers,Cleary,Gottlieb,Steen,and
Hamilton and their confederates”. “ Worst of all, the scientific literature now
contains representations by shills for Showa Denko K.K. that will cause erroneous
medical science in the future”.
The United States Government is involved in the cover up .
My former attorney Dennis Mackin informed me that a promoter of an EMS
support group was being surveillanced and that anyone that who was viewed as a
threat was being surveillanced and intelligence was gathered .
The defendant Showa Denko K.K. a corrupt corporate giant, their corrupt lawyers,
and the United States Government conspired with all the courts at every level to
sabotage my case and the L-tryptophan litigation.
Showa Denko K.K., their lawyers, and the United States Government view me as
a threat, since my lawsuit still remains open that is damaging against Showa
Denko K.K. and General Nutrition Centers (GNC), among others. Also, Showa Denko K.K., their lawyers, and the United States Government, President George W. Bush and Rhode Island Governor Donald Carcieri fear the threat of civil and criminal action against them for their unlawful criminal activities.
I pose a threat to Showa Denko K.K. and the United States Government since,
my L-tryptophan lawsuit could re-open previous settlements entered into by
2,000- 5,000 L-tryptophan litigants on the basis of fraudulent inducement and the
United States Government's involvement in the cover up.
They were entered into by L-tryptophan Plaintiffs who were unaware of the defendants fraudulent concealment and the United States Government's cover up.
Showa Denko K.K., the United States Government, President George W. Bush and
Rhode Island Governor Donald Carcieri fear a movie being made and publicizing
their criminal activities which has continued to date.
President George W. Bush's father former President George H. W. Bush Sr. was
President of the United States from 1989 to 1993 during the Eosiophilia Myalgia Syndrome epidemic.
I filed a Complaint on December 7, 2006 against the United States Government et al. in
the United States District Court of Rhode Island, CA. No. 06-534 ML. My complaint is
pending in the First Circuit Court of Appeals. The United States Government have hired
my family, among others as informants to surveillance and gather intelligence on me.
At the time that I filed my December 7, 2006 complaint against a number of defendants
who are employed by the United States Government, I was unaware of orders issued by
President George W. Bush and Rhode Island Governor Donald Carcieri to assasinate/
murder me.
I spoke to a state senator with regard to my circumstances of law enforcement on the state and federal level that have harassed, targeted, survillenced me and have come out to my house and follow me on a daily basis. Also, the West Warwick police have even parked at my grandchild’s school shortly after I exposed President George W. Bush orders to assassinate/murder me.
The state senator stated to me that federal law enforcement, the Attorney General of the United States, and the Department of Justice are employed by President George W. Bush.
Moreover, my case is not isolated by a small number of police and law enforcement targeting and surveillanceing me. There are to many law enforcement and police and government officials organized at the highest level on the federal and local level that have targeted and surviellanced me. The state senator stated that the orders to murder me are coming from the President George W. Bush .
Further, the Rhode Island State Police who have been targeting and surviellancing me are given orders from Rhode Island Governor Donald Carcieri
In June or July of 2007, President George W. Bush came to Rhode Island and went on a
private helicopter ride with Rhode Island Governor Donald Carcieri and had discussions.
Shortly after I filed my December 7, 2006 complaint against the United States
Government et al, two key defendants named in my complaint retired Captain Gregory
Johnson of the West Warwick Police Department and Supervisory Special Agent
Nicholas Murphy of the Federal Bureau of investigation of R.I., and there may be others
who have also retired.
I am targeted, followed, and surveillanced by police officers, among others in the towns and places I travel in the state of Rhode Island and out of the state of Rhode Island on a daily basis.
The level of intensity and the number of police targeting, surviellancing, and following me has increased after I filed my December 7, 2006 complaint. And now since I have exposed President George W. Bush who issued orders to assassinate/murder me, the level of intensity and the number of police surviellacing and following me has further increased.
My telephones are wiretapped. The United States Government is hacking my computers.
The Federal Bureau of investigation, among others covered up the investigation of the hacking of my computers.
The Federal Bureau of investigation, United States Attorneys Office , Attorney Generals office, Department of Justice, among others are covering up and aware of the fact that I was kidnapped and assaulted by a Warwick Police Officer Joseph Mee on January 22, 2006 that was organized at the highest level of United States Government to assassinate/ murder me.
Further, law enforcement, among others are covering up the fact that on December 15, 2005 and December 16, 2005, Captain Gregg Johnson and Officer Patrick Kelly and the Kent County Memorial Hospital Emergency Room Staff violated my constitutional rights and deprived me of liberty against my will and without my consent to cause me harm in connection with the United States Government and Showa Denko K.K.
On April 14, 2006, I spoke to Laura Lineberry who is Condalezza Rice's personal assistant. Laura Lineberry informed me that she could not help me with regard to my circumstances mentioned herein, and that I should leave a message with the Representative of Secretary of State. I left a message with the Representative of Secretary of State, but no one returned my call.
On April 14, 2006, I contacted the White House comments department in Washington, DC for help with regard to my circumstances mentioned herein, and spoke to a young lady number(77) who stated she would pass on my comments to her supervisor and that her supervisor would summarize my comments and give it to President Bush. On April 14, 2006, I was unaware that President George W. Bush issued orders to assassinate/ murder me.
President George W. Bush, Condalezza Rice's office , nor anyone associated with the White House, responded in any way shape or form to my plea for help with regard to my circumstances mentioned herein.
I have evidence of my telephone calls to the White House, among others.
The IP Addresses with regard to the hacking of my computers have been traced to Washington, D.C.
You can view my complaint at pacer.psc.uscourts.gov.
My login is: lz0129 My password is 3y6!pomz ( party name is under my married name of Blaquiere) December 8, 2006 thru December 8, 2007 is the date you would use to view my complaint, since December 8, 2006 is the date my complaint was entered by the United States District Court of Rhode Island.
The United States District Court of Rhode Island omitted my supporting exhibits on
Pacer website and have intentionally obstructed my case and deprived me of a fair judicial process, inorder to protect and insulate the United States Government et al.
UNITED STATES GOVERNMENT DOES NOT INITIATE ACTION AGAINST SHOWA DENKO K.K. FOR THE FOLLOWING VIOLATIONS:
The L-tryptophan problem is the fault of the FDA due to lack of enforcement of 172.320, among other
violations of the FDA rules. Therefore, the FDA permitted the continued illegal use of L-tryptophan.
If the FDA had enforced action against Showa Denko K.K.,for violation of the FDA rules mentioned
herein, then L-tryptophan would not have been on the market and sold to the American Public and
caused death and illnesses associated with the sales of L-tryptophan in violation of the FDA rule.
In 1970 FDA considered L-tryptophan (amino acids) , when used as nutrients or dietary supplements, to
be generally recognized as safe (GRAS) for those uses, and published that fact in the code of Federal
Regulations.
In 1972 FDA engaged in rule making to withdraw and remove approximately twenty amino acids
including L-tryptophan from the GRAS list ( generally recognized as safe) and to regulate them as
approved food additives that could not be sold without FDA's prior approval in the form of a food
additive petition, (37 Fed. Reg. 6938; April 6, 1972).
In 1973 FDA promulgated a binding substantive rule that is presently on the books, the Food additive
regulation that makes all amino acids, when used as components of dietary supplements,
unsafe food additives that violate the adulteration provisions of Act. 21 C.F.R. 172. 320.
In 1977, FDA seized L-tryptophan tablets on the grounds that the L-tryptophan that they contained
was an unapproved food additive. The court, however, found for the manufacturer of the tablets
because L-tryptophan was still on the FDA's GRAS list, (FDA had failed to remove it after the 1973
rulemaking), and the manufacturer was acting in accordance with the FDA's regulation.
In 1977, FDA deleted the listing of twenty amino acids that were the subject of the 1973 rulemaking
form the GRAS list, ( 42 Fed. Reg. 56720; October 28, 1977).
The FDA never renewed its regulatory action against dietary supplements containing L-tryptophan .
The food additive regulation that the FDA adopted in 1973 does not list (approve) L-tryptophan for
this use, and foods that contain unapproved food additive are deemed to be adulterated (21 U.S.C. 342
(a) (2) (c)).
FDA has not brought an action since 1977 against an L-tryptophan dietary supplement.
The FDA sought to enforce the rule prohibiting the use of amino acids in dietary supplements in two
seizure actions against products containing L-tryptophan. Those seizure actions were not successful.
The U.S. Government voluntarily dismissed the second lawsuit because the lawsuit was controlled by
a very hostile judge and the government feared that it would obtain an adverse ruling that would
insulate all dietary supplements from regulation under the food additive provisions of the act.
The FDA has not made any efforts to regulate amino acids since 1982. FDA ignored the food additive
regulations since 1982. In 1990, there was evidence showing that 30 amino acids other than L-
tryptophan were being sold by at least 22 companies.
The FDA has failed to date to bring charges against Showa Denko K.K. Showa Denko K.K. was in
violation of the FDA Food additive regulation that makes all amino acids, when used as components of
dietary supplements, unsafe food additives that violate the adulteration provisions of Act. 21
C.F.R. 172. 320. FDA should have gone after Showa Denko K.K. on an adulteration charge that the
L-tryptophan in the supplements is an unapproved food additive under 21 U.S.C. 342 (a) (2) (c).
Also, FDA failed to bring charges against Showa Denko K.K. with regard to L-
tryptophan being unfit for food, ( 21 U.S.C. 342 (a) (3). L-trytophan associated with illness
Eosinophilia Myalgia Syndrome, is unfit for food.
The FDA could have gone after L-tryptophan supplements as drugs. The FDA could have
developed evidence that L-tryptophan used for therapeutic purposes to combat sleeplessness and PMS
which is what L-tryptophan was advertized for is considered a drug and the FDA finding L-tryptophan
had not met the FDA's rational food supplement test would permit the FDA to bring drug charges
against the product under either 21 U.S.C. 321(g) (1) (B) or (c), National Nutritional Foods
Association v. Mathews, 557 F.2nd 325, 334 ( 2d Cir. 1977).
If the FDA had enforced action against Showa Denko K.K.,for violation of the FDA rules mentioned
herein, then L-tryptophan would not have been on the market and sold to the American Public and
caused death and illnesses associated with the sales of L-tryptophan in violation of the FDA rule.
On the Rhode Island ACLU website, there is a lawsuit against the United States
Government for Illegally surviellacing individuals attending a peace group in Rhode
Island and in other states.
The United States Government has files on these peace groups and have labeled these
peace group individuals as a threat because their simply anti-war.
The illegal acts of our United States Government is not an example of democracy, it is a
Dictatorship ruled by a dictator President George W. Bush who has committed crimes
against humanity and has violated our human rights.
Representative John Conyers Jr, was the Chairman re: the July 18, 1991 hearing on the FDA oversight of L-tryptophan. Representative John Conyers Jr, is currently the Chairman of the U.S.
House of Representatives Committee on the Judiciary who can call for an investigation and immediate congressional hearings into this matter.
Please help me by writing to congress and. to investigate and call for immediate congressional hearings into this matter. Also, contact Rhode Island Senator Sheldon Whitehouse and Senator Jack Reed to investigate and call for congressional hearings into this matter. If the American people place enough political pressure to investigate and call for congressional hearings into this matter, then an investigation into this matter will go forward and the truth will be exposed to the American people.
Also, please contact Senate Majority Leader, Senator Harry Reid, Senate Judiciary Chairman Patrick Leahy of Vermont, Senator Arlen Specter, Senator Charles E. Schumer, Senator Joseph R. Biden Jr., Senator John McCain, Senator Hillary Clinton, Senator Barack Obama, and all members of the Senate to call for investigation and congressional hearings with regard to law enforcement engaged in an ongoing organized crime to assassinate/murder me by orders issued by President George W. Bush.
President George W. Bush has scammed the American people into believing that the Iraq
war is a "just war" and that the United States military are fighting for democracy,
freedom and for our safety here at home, and yet at the same time President George W.
Bush is committing the worst crimes in american history against innocent american
citizens.
Please expedite the above and contact me at my email: LoriZarlenga@hotmail.com
You can view documents and obtain information about L-tryptophan and Eosinophilia Myalgia Syndrome on the National EMS Support Group website at www.nemsn.org
You can find me at myspace.com/lorizz
Also, you can find me at my website www.tiptopwebsite.com/lorizz.
I posted a letter explaining in more detail on my website and on my space.com/lorizz
If you have any questions or want to view my exhibits that support my December 7, 2006 complaint filed in the United States District Court of Rhode Island, then you can e-mail me and I will send you attachments you can view .
Thank You, Lori Zarlenga
The Burgtheater at Dr.-Karl -Lueger-Ring (from now on, that means 2013, Universitätsring) in Vienna is an Austrian Federal Theatre. It is one of the most important stages in Europe and after the Comédie-Française, the second oldest European one, as well as the greatest German speaking theater. The original 'old' Burgtheater at Saint Michael's square was utilized from 1748 until the opening of the new building at the ring in October, 1888. The new house in 1945 burnt down completely as a result of bomb attacks, until the re-opening on 14 October 1955 was the Ronacher serving as temporary quarters. The Burgtheater is considered as Austrian National Theatre.
Throughout its history, the theater was bearing different names, first Imperial-Royal Theater next to the Castle, then to 1918 Imperial-Royal Court-Burgtheater and since then Burgtheater (Castle Theater). Especially in Vienna it is often referred to as "The Castle (Die Burg)", the ensemble members are known as Castle actors (Burgschauspieler).
History
St. Michael's Square with the old K.K. Theatre beside the castle (right) and the Winter Riding School of the Hofburg (left)
The interior of the Old Burgtheater, painted by Gustav Klimt. The people are represented in such detail that the identification is possible.
The 'old' Burgtheater at St. Michael's Square
The original castle theater was set up in a ball house that was built in the lower pleasure gardens of the Imperial Palace of the Roman-German King and later Emperor Ferdinand I in 1540, after the old house 1525 fell victim to a fire. Until the beginning of the 18th Century was played there the Jeu de Paume, a precursor of tennis. On 14 March 1741 finally gave the Empress Maria Theresa, ruling after the death of her father, which had ordered a general suspension of the theater, the "Entrepreneur of the Royal Court Opera" and lessees of 1708 built theater at Kärntnertor (Carinthian gate), Joseph Karl Selliers, permission to change the ballroom into a theater. Simultaneously, a new ball house was built in the immediate vicinity, which todays Ballhausplatz is bearing its name.
In 1748, the newly designed "theater next to the castle" was opened. 1756 major renovations were made, inter alia, a new rear wall was built. The Auditorium of the Old Burgtheater was still a solid timber construction and took about 1200 guests. The imperial family could reach her royal box directly from the imperial quarters, the Burgtheater structurally being connected with them. At the old venue at Saint Michael's place were, inter alia, several works of Christoph Willibald Gluck, Ludwig van Beethoven, Wolfgang Amadeus Mozart as well as Franz Grillparzer premiered .
On 17 February 1776, Emperor Joseph II declared the theater to the German National Theatre (Teutsches Nationaltheater). It was he who ordered by decree that the stage plays should not deal with sad events for not bring the Imperial audience in a bad mood. Many theater plays for this reason had to be changed and provided with a Vienna Final (Happy End), such as Romeo and Juliet or Hamlet. From 1794 on, the theater was bearing the name K.K. Court Theatre next to the castle.
1798 the poet August von Kotzebue was appointed as head of the Burgtheater, but after discussions with the actors he left Vienna in 1799. Under German director Joseph Schreyvogel was introduced German instead of French and Italian as a new stage language.
On 12 October 1888 took place the last performance in the old house. The Burgtheater ensemble moved to the new venue at the Ring. The Old Burgtheater had to give way to the completion of Saint Michael's tract of Hofburg. The plans to this end had been drawn almost 200 years before the demolition of the old Burgtheater by Joseph Emanuel Fischer von Erlach.
The "new" K.K. Court Theatre (as the inscription reads today) at the Ring opposite the Town Hall, opened on 14 October 1888 with Grillparzer's Esther and Schiller's Wallenstein's Camp, was designed in neo-Baroque style by Gottfried Semper (plan) and Karl Freiherr von Hasenauer (facade), who had already designed the Imperial Forum in Vienna together. Construction began on 16 December 1874 and followed through 14 years, in which the architects quarreled. Already in 1876 Semper withdrew due to health problems to Rome and had Hasenauer realized his ideas alone, who in the dispute of the architects stood up for a mainly splendid designed grand lodges theater.
However, created the famous Viennese painter Gustav Klimt and his brother Ernst Klimt and Franz Matsch 1886-1888 the ceiling paintings in the two stairwells of the new theater. The three took over this task after similar commissioned work in the city theaters of Fiume and Karlovy Vary and in the Bucharest National Theatre. In the grand staircase on the side facing the café Landtmann of the Burgtheater (Archduke stairs) reproduced Gustav Klimt the artists of the ancient theater in Taormina on Sicily, in the stairwell on the "People's Garden"-side (Kaiserstiege, because it was reserved for the emperor) the London Globe Theatre and the final scene from William Shakespeare's "Romeo and Juliet". Above the entrance to the auditorium is Molière's The Imaginary Invalid to discover. In the background the painter immortalized himself in the company of his two colleagues. Emperor Franz Joseph I liked the ceiling paintings so much that he gave the members of the company of artists of Klimt the Golden Cross of Merit.
The new building resembles externally the Dresden Semper Opera, but even more, due to the for the two theaters absolutely atypical cross wing with the ceremonial stairs, Semper's Munich project from the years 1865/1866 for a Richard Wagner Festspielhaus above the Isar. Above the middle section there is a loggia, which is framed by two side wings, and is divided from a stage house with a gable roof and auditorium with a tent roof. Above the center house there decorates a statue of Apollo the facade, throning between the Muses of drama and tragedy. Above the main entrances are located friezes with Bacchus and Ariadne. At the exterior facade round about, portrait busts of the poets Calderon, Shakespeare, Moliere, Schiller, Goethe, Lessing, Halm, Grillparzer, and Hebbel can be seen. The masks which also can be seen here are indicating the ancient theater, furthermore adorn allegorical representations the side wings: love, hate, humility, lust, selfishness, and heroism. Although the theater since 1919 is bearing the name of Burgtheater, the old inscription KK Hofburgtheater over the main entrance still exists. Some pictures of the old gallery of portraits have been hung up in the new building and can be seen still today - but these images were originally smaller, they had to be "extended" to make them work better in high space. The points of these "supplements" are visible as fine lines on the canvas.
The Burgtheater was initially well received by Viennese people due to its magnificent appearance and technical innovations such as electric lighting, but soon criticism because of the poor acoustics was increasing. Finally, in 1897 the auditorium was rebuilt to reduce the acoustic problems. The new theater was an important meeting place of social life and soon it was situated among the "sanctuaries" of Viennese people. In November 1918, the supervision over the theater was transferred from the High Steward of the emperor to the new state of German Austria.
1922/1923 the Academy Theatre was opened as a chamber play stage of the Burgtheater. On 8th May 1925, the Burgtheater went into Austria's criminal history, as here Mentscha Karnitschewa perpetrated a revolver assassination on Todor Panitza.
The Burgtheater in time of National Socialism
The National Socialist ideas also left traces in the history of the Burgtheater. In 1939 appeared in Adolf Luser Verlag the strongly anti-Semitic characterized book of theater scientist Heinz Kindermann "The Burgtheater. Heritage and mission of a national theater", in which he, among other things, analyzed the "Jewish influence "on the Burgtheater. On 14 October 1938 was on the occasion of the 50th anniversary of the opening of the Burgtheater a Don Carlos production of Karl-Heinz Stroux shown that served Hitler's ideology. The role of the Marquis of Posa played the same Ewald Balser, who in a different Don Carlos production a year earlier (by Heinz Hilpert) at the Deutsches Theater in the same role with the sentence in direction of Joseph Goebbels box vociferated: "just give freedom of thought". The actor and director Lothar Müthel, who was director of the Burgtheater between 1939 and 1945, staged 1943 the Merchant of Venice, in which Werner Kraus the Jew Shylock clearly anti-Semitic represented. The same director staged after the war Lessing's parable Nathan the Wise. Adolf Hitler himself visited during the Nazi regime the Burgtheater only once (1938), and later he refused in pure fear of an assassination.
For actors and theater staff who were classified according to the Reich Citizenship Law of 1935 as "Jews ", were quickly imposed stage bans, within a few days, they were on leave, fired or arrested. The Burgtheater ensemble between 1938 and 1945 did not put up significant resistance against the Nazi ideology, the repertoire was heavily censored, only a few joined the Resistance, as Judith Holzmeister (then also at the People's Theatre engaged) or the actor Fritz Lehmann. Although Jewish members of the ensemble indeed have been helped to emigrate, was still an actor, Fritz Strassny, taken to a concentration camp and murdered there.
The Burgtheater at the end of the war and after the Second World War
In summer 1944, the Burgtheater had to be closed because of the decreed general theater suspension. From 1 April 1945, as the Red Army approached Vienna, camped a military unit in the house, a portion was used as an arsenal. In a bomb attack the house at the Ring was damaged and burned down on 12th April 1945 completely. Auditorium and stage were useless, only the steel structure remained. The ceiling paintings and part of the lobby were almost undamaged.
The Soviet occupying power expected from Viennese City Councillor Viktor Matejka to launch Vienna's cultural life as soon as possible again. The council summoned on 23 April (a state government did not yet exist) a meeting of all Viennese cultural workers into the Town Hall. Result of the discussions was that in late April 1945 eight cinemas and four theaters took up the operation again, including the Burgtheater. The house took over the Ronacher Theater, which was understood by many castle actors as "exile" as a temporary home (and remained there to 1955). This venue chose the newly appointed director Raoul Aslan, who championed particularly active.
The first performance after the Second World War was on 30 April 1945 Sappho by Franz Grillparzer directed by Adolf Rott from 1943 with Maria Eis in the title role. Also other productions from the Nazi era were resumed. With Paul Hoerbiger, a few days ago as Nazi prisoner still in mortal danger, was shown the play of Nestroy Mädl (Girlie) from the suburbs. The Academy Theatre could be played (the first performance was on 19 April 1945 Hedda Gabler, a production of Rott from the year 1941) and also in the ball room (Redoutensaal) at the Imperial Palace took place performances. Aslan the Ronacher in the summer had rebuilt because the stage was too small for classical performances. On 25 September 1945, Schiller's Maid of Orleans could be played on the enlarged stage.
The first new productions are associated with the name of Lothar Müthel: Everyone and Nathan the Wise, in both Raoul Aslan played the main role. The staging of The Merchant of Venice by Müthel in Nazi times seemed to have been fallen into oblivion.
Great pleasure gave the public the return of the in 1938 from the ensemble expelled Else Wohlgemuth on stage. She performaed after seven years in exile in December 1945 in Clare Biharys The other mother in the Academy Theater. 1951 opened the Burgtheater its doors for the first time, but only the left wing, where the celebrations on the 175th anniversary of the theater took place.
1948, a competition for the reconstruction was tendered: Josef Gielen, who was then director, first tended to support the design of ex aequo-ranked Otto Niedermoser, according to which the house was to be rebuilt into a modern gallery theater. Finally, he agreed but then for the project by Michael Engelhardt, whose plan was conservative but also cost effective. The character of the lodges theater was largely taken into account and maintained, the central royal box but has been replaced by two balconies, and with a new slanted ceiling construction in the audience was the acoustics, the shortcoming of the house, improved significantly.
On 14 October 1955 was happening under Adolf Rott the reopening of the restored house at the Ring. For this occasion Mozart's A Little Night Music was played. On 15 and on 16 October it was followed by the first performance (for reasons of space as a double premiere) in the restored theater: King Ottokar's Fortune and End of Franz Grillparzer, staged by Adolf Rott. A few months after the signing of the Austrian State Treaty was the choice of this play, which the beginning of Habsburg rule in Austria makes a subject of discussion and Ottokar of Horneck's eulogy on Austria (... it's a good country / Well worth that a prince bow to it! / where have you yet seen the same?... ) contains highly symbolic. Rott and under his successors Ernst Haeusserman and Gerhard Klingenberg the classic Burgtheater style and the Burgtheater German for German theaters were finally pointing the way .
In the 1950s and 1960s, the Burgtheater participated (with other well-known theaters in Vienna) on the so-called Brecht boycott.
Gerhard Klingenberg internationalized the Burgtheater, he invited renowned stage directors such as Dieter Dorn, Peter Hall, Luca Ronconi, Giorgio Strehler, Roberto Guicciardini and Otomar Krejča. Klingenberg also enabled the castle debuts of Claus Peymann and Thomas Bernhard (1974 world premiere of The Hunting Party). Bernhard was as a successor of Klingenberg mentioned, but eventually was appointed Achim Benning, whereupon the writer with the text "The theatrical shack on the ring (how I should become the director of the Burgtheater)" answered.
Benning, the first ensemble representative of the Burgtheater which was appointed director, continued Klingenberg's way of Europeanization by other means, brought directors such as Adolf Dresen, Manfred Wekwerth or Thomas Langhoff to Vienna, looked with performances of plays of Vaclav Havel to the then politically separated East and took the the public taste more into consideration.
Directorate Claus Peymann 1986-1999
Under the by short-term Minister of Education Helmut Zilk brought to Vienna Claus Peymann, director from 1986 to 1999, there was further modernization of the programme and staging styles. Moreover Peymann was never at a loss for critical contributions in the public, a hitherto unusual attitude for Burgtheater directors. Therefore, he and his program within sections of the audience met with rejection. The greatest theater scandal in Vienna since 1945 occurred in 1988 concerning the premiere of Thomas Bernhard's Heldenplatz (Place of the Heroes) drama which was fiercly fought by conservative politicians and zealots. The play deals with the Vergangenheitsbewältigung (process of coming to terms with the past) and illuminates the present management in Austria - with attacks on the then ruling Social Democratic Party - critically. Together with Claus Peymann Bernhard after the premiere dared to face on the stage applause and boos.
Bernard, to his home country bound in love-hate relationship, prohibited the performance of his plays in Austria before his death in 1989 by will. Peymann, to Bernhard bound in a difficult friendship (see Bernhard's play Claus Peymann buys a pair of pants and goes eating with me) feared harm for the author's work, should his plays precisely in his homeland not being shown. First, it was through permission of the executor Peter Fabjan - Bernhard's half-brother - after all, possible the already in the schedule of the Burgtheater included productions to continue. Finally, shortly before the tenth anniversary of the death of Bernard it came to the revival of the Bernhard play Before retirement by the first performance director Peymann. The plays by Bernhard are since then continued on the programme of the Burgtheater and they are regularly newly produced.
In 1993, the rehearsal stage of the Castle theater was opened in the arsenal (architect Gustav Peichl). Since 1999, the Burgtheater has the operation form of a limited corporation.
Directorate Klaus Bachler 1999-2009
Peymann was followed in 1999 by Klaus Bachler as director. He is a trained actor, but was mostly as a cultural manager (director of the Vienna Festival) active. Bachler moved the theater as a cultural event in the foreground and he engaged for this purpose directors such as Luc Bondy, Andrea Breth, Peter Zadek and Martin Kušej.
Were among the unusual "events" of the directorate Bachler
* The Theatre of Orgies and Mysteries by Hermann Nitsch with the performance of 122 Action (2005 )
* The recording of the MTV Unplugged concert with Die Toten Hosen for the music channel MTV (2005, under the title available)
* John Irving's reading from his book at the Burgtheater Until I find you (2006)
* The 431 animatographische (animatographical) Expedition by Christoph Schlingensief and a big event of him under the title of Area 7 - Matthew Sadochrist - An expedition by Christoph Schlingensief (2006).
* Daniel Hoevels cut in Schiller's Mary Stuart accidentally his throat (December 2008). Outpatient care is enough.
Jubilee Year 2005
In October 2005, the Burgtheater celebrated the 50th Anniversary of its reopening with a gala evening and the performance of Grillparzer's King Ottokar's Fortune and End, directed by Martin Kušej that had been performed in August 2005 at the Salzburg Festival as a great success. Michael Maertens (in the role of Rudolf of Habsburg) received the Nestroy Theatre Award for Best Actor for his role in this play. Actor Tobias Moretti was awarded in 2006 for this role with the Gertrude Eysoldt Ring.
Furthermore, there were on 16th October 2005 the open day on which the 82-minute film "burg/private. 82 miniatures" of Sepp Dreissinger was shown for the first time. The film contains one-minute film "Stand portraits" of Castle actors and guest actors who, without saying a word, try to present themselves with a as natural as possible facial expression. Klaus Dermutz wrote a work on the history of the Burgtheater. As a motto of this season served a quotation from Lessing's Minna von Barnhelm: "It's so sad to be happy alone."
The Burgtheater on the Mozart Year 2006
Also the Mozart Year 2006 was at the Burgtheater was remembered. As Mozart's Singspiel Die Entführung aus dem Serail in 1782 in the courtyard of Castle Theatre was premiered came in cooperation with the Vienna State Opera on the occasion of the Vienna Festival in May 2006 a new production (directed by Karin Beier) of this opera on stage.
Directorate Matthias Hartmann since 2009
From September 2009 to 2014, Matthias Hartmann was Artistic Director of the Burgtheater. A native of Osnabrück, he directed the stage houses of Bochum and Zurich. With his directors like Alvis Hermanis, Roland Schimmelpfennig, David Bösch, Stefan Bachmann, Stefan Pucher, Michael Thalheimer, came actresses like Dorte Lyssweski, Katharina Lorenz, Sarah Viktoria Frick, Mavie Hoerbiger, Lucas Gregorowicz and Martin Wuttke came permanently to the Burg. Matthias Hartmann himself staged around three premieres per season, about once a year, he staged at the major opera houses. For more internationality and "cross-over", he won the Belgian artist Jan Lauwers and his Need Company as "Artists in Residence" for the Castle, the New York group Nature Theater of Oklahoma show their great episode drama Live and Times of an annual continuation. For the new look - the Burgtheater presents itself without a solid logo with word games around the BURG - the Burgtheater in 2011 was awarded the Cultural Brand of the Year .
Since 2014, Karin Bergmann is the commander in chief.
LeBron James became an immediate star after skipping college to join the NBA's Cleveland Cavaliers. He led the Miami Heat to NBA titles in 2012 and 2013, and won a third championship with Cleveland in 2016.
Who Is LeBron James?
LeBron Raymone James (born December 30, 1984) is an American basketball player with the Cleveland Cavaliers. James first garnered national attention as the top high school basketball player in the country. With his unique combination of size, athleticism and court vision, he became one of the premier players in the NBA. After leading the Miami Heat to titles in 2012 and 2013, he returned to Cleveland and helped the franchise claim its first championship in 2016.
LeBron James Photo
LeBron James
LeBron James’ Net Worth and Salary
As of June 2017 LeBron James’ net worth is $86 million, according to Forbes magazine. In 2003, LeBron James signed several endorsement deals, including a deal with Nike for $90 million that could net him over $1 billion over his lifetime. Other endorsements include Intel, Verizon, Coca-Cola, Beats by Dre and Kia Motors. In the 2016-17 season, James earned a $31 million salary, making him the third player to do so after Michael Jordan and Kobe Bryant. He’s also a co-owner of the production company SpringHill Entertainment and has invested in Blaze Pizza.
LeBron James' Career Stats and Points
In January 2018, at age 33, LeBron James surpassed Kobe Bryant as the youngest player to accumulate 30,000 career points and became the seventh player in NBA history to achieve that milestone. The feat put him just more than 8,000 points shy of Kareem Abdul-Jabbar's all-time record of 38,387 points.
As of January 2018, LeBron James' stats include a career regular season average of:
27.1 points
38.8 minutes
0.741 free-throw percentage
0.344 3-point field goal percentage
0.503 field-goal percentage
1.2 offensive rebounds
6.1 defensive rebounds
7.1 assists
0.8 blocks
1.6 steals
3.4 turnovers
Height and Weight
LeBron James is 6 feet, 8 inches tall and weighs 250 pounds.
Wife and Kids
On January 1, 2012, Lebron James proposed to his high school sweetheart, Savannah Brinson. The couple married in a private ceremony with about 200 guests in San Diego on September 14, 2013.
James and Brinson have two sons and one daughter together. In October 2004, James welcomed his first son LeBron Jr. On June 14, 2007, Brinson gave birth to their second son, Bryce Maximus James. Their third child, daughter Zhuri James, was born on October 22, 2014.
When and Where Was LeBron James Born?
LeBron James was born on December 30, 1984, in Akron, Ohio.
All-Star Games & MVPs
LeBron James was selected for the NBA All-Star Game for the first time in 2005, a feat he would repeat 12 years in a row. In January 2018, the NBA announced that James and Milwaukee Bucks forward Giannis Antetokounmpo top the list to make the 2018 All-Star Game.
In 2006, James was named the Most Valuable Player in the NBA All-Star Game, a feat he would repeat in 2008. James has also been named NBA MVP four times, in seasons 2008-09, 2009-10, 2011-12 and 2012-13.
LeBron James’ High School Basketball Career
At an early age, James showed a natural talent for basketball and was recruited by St. Vincent-St. Mary High School to join their basketball team in 1999. Overall, James scored 2,657 points, 892 rebounds and 523 assists during his four years there.
As a freshman, James averaged 18 points per game. He helped the team to a Division III state title by scoring 25 points in the championship game. Word of his advanced basketball skills spread, and James received several honors for his performance.
As a high school sophomore, James was chosen for the USA Today All-USA First Team. He was the first sophomore ever selected for this award. His team also won the Division III state title for the second year in a row.
The following school year, James was named PARADE magazine's High School Boys Basketball Player of the Year and Gatorade Player of the Year. Following the end of his junior year, James was such a strong player that he contemplated going pro.
Deciding to finish his education, James had a tremendous senior year on the court. He averaged 31.6 points per game, helping his team clinch their third state title. The St. Vincent-St. Mary High School team also earned the top national ranking that year. James would soon emerge as one of the National Basketball Association's leading players.
Career With Cleveland Cavaliers
With his impressive record, it was no surprise that James was the first player picked in the 2003 NBA Draft. The Cleveland Cavaliers signed the powerful young forward, and he proved to be a valuable addition to the then-struggling franchise. The team had ended the previous season in eighth place in the Eastern Conference.
During the 2003-04 season, James made history when he became the first member of the Cavalier franchise to win the NBA Rookie of the Year Award. He also became the youngest player — at only 20 years old — to receive this honor. Additionally, James, averaging 20 points per game at this time, became one of only three rookies to accomplish this feat, putting him in the same company as Michael Jordan and Oscar Robertson.
James continued to excel professionally in the NBA the following season, upping his average points per game to 27.2. He made NBA history again in 2005, when he became the youngest player to score more than 50 points in one game.
In 2006, James helped his team defeat the Washington Wizards in the first round of playoff action. From there, the Cavaliers took on the Detroit Pistons in the Eastern Conference semifinals. James scored an average of 26.6 per game in this postseason matchup, but it wasn't enough to secure victory for his team. While his team wasn't at the top of the rankings, James himself continued to receive special recognition for his abilities.
In 2006, James reached a new contract agreement with the Cavaliers. The team proved to be stronger competitors the following season, defeating Detroit to win the Eastern Conference. In the NBA Finals against the San Antonio Spurs, however, the Cavaliers lost their championship bid in four consecutive games.
During the 2007-08 season, James continued to help the Cavaliers improve their standing in the Eastern Conference. The team made it to the semifinals, where they were defeated by the Boston Celtics in seven games. In terms of individual performance, James had a stellar year, outperforming such rival players as Kobe Bryant and Allen Iverson by scoring an average of 30 points per game, the highest average in the NBA regular season.
Early in the 2008-09 season, sports journalists and fans began talking about James' future in the sport. He had the option to become a free agent in 2010, and there was much discussion as to where James would end up. Some journalists identified the New York Knicks as a potential suitor for the rising player.
James made several references to his impending free agent status, but he was sure to downplay the matter. "I am focused on the team that I am on right now and winning a championship ... I don't think about making a change at this point," James told reporters.
Career With Miami Heat
Shortly after becoming a free agent, James announced that he would be joining the Miami Heat for the 2010-11 season. His fans in Cleveland were less than pleased, and many considered his departure a betrayal to his hometown. Soon after James' announcement, Cleveland Cavaliers majority owner Dan Gilbert wrote an open letter declaring James' decision as "selfish," "heartless" and a "cowardly betrayal." Unfazed, James finished second in the league during his first season with the Heat, scoring 26.7 points per game.
The 2011-12 season saw major success for James and the Miami Heat. With his team's victory over the Oklahoma City Thunder in the NBA Finals, the superstar forward finally earned his first title. In the clinching Game 5, James scored 26 points, and had 11 rebounds and 13 assists. "I made a difficult decision to leave Cleveland, but I understood what my future was about," James told FOX Sports following the game. "I knew we had a bright future [in Miami]."
During the 2012-13 season, James made NBA history yet again: On January 16, 2013, at age 28, he became the youngest player to score 20,000 points, succeeding Kobe Bryant of the Lakers — who accomplished this feat when he was 29 — and becoming only the 38th player in NBA history to achieve this distinction. James made a jump shot the final seconds of the game, bringing his scoring total 20,001 and leading the Heat to a 92-75 victory over the Warriors.
Success followed the Heat to the end of the 2012-13 season: Following a hard-fought, six-game series against the Indiana Pacers to win the Eastern Conference, Miami outlasted the San Antonio Spurs in seven games to win its second consecutive NBA championship.
At the culmination of the 2013-14 season, Miami returned to the NBA Finals to face off against the Spurs again, this time losing to San Antonio after five games.
Return to Cleveland Cavaliers
In July of 2014, after opting out of his contract with the Heat and considering other teams, James announced that he would be returning to the Cavaliers.
Hampered by back and knee problems, James missed 13 of 82 regular-season games in 2014-15. However he was as dominant as ever when healthy, averaging 25.3 points and 7.4 assists per game. James led the Cavaliers to the NBA Finals, becoming the first player in nearly 50 years to reach the championship round in five consecutive seasons. However, injuries to star teammates Kevin Love and Kyrie Irving damaged his hopes of claiming a third title, and the Cavaliers lost to the Golden State Warriors in six games.
Over the course of 2015-16, the Cavs overcame the distraction of a mid-season coaching change and breezed through the playoffs to earn a rematch with the Warriors, marking the sixth straight NBA Finals appearance for King James. In perhaps the crowning achievement of his career, he led his team back from a 3-1 deficit, scoring 41 points in both Games 5 and 6, before recording a triple double in Game 7 to give the Cavs their first championship in franchise history.
Voted Finals MVP, James said, "I came back to bring a championship to our city. I knew what I was capable of doing. I knew what I learned in the last couple years that I was gone, and I knew if I had to — when I came back — I knew I had the right ingredients and the right blueprint to help this franchise get back to a place that we've never been. That's what it was all about."
The following year, James again paced himself and took charge when necessary, driving the Cavs through the Eastern Conference to make an incredible seventh consecutive appearance in the NBA Finals. This time, with former MVP Kevin Durant added to the mix, the Warriors proved too formidable for James and his teammates, claiming the championship in five games.
For all his accomplishments, King James achieved another first early in the 2017-18 NBA season: After yelling at a referee during a late November win over the Heat, he was ejected for the first time in 1,082 career games.
Olympic Games
LeBron James competed on the U.S. Olympic basketball team during three Summer Olympic Games, in 2004, 2008 and 2012. James made his Olympic debut at the 2004 Summer Games in Athens, Greece. He and his teammates won bronze medals after defeating Lithuania. Argentina took home the gold after beating Italy in the finals.
In the summer of 2008, James traveled to Beijing, China, to play with the likes of Bryant, Jason Kidd and Dwyane Wade on the U.S. Olympic basketball team. This time around the U.S. team brought home the gold after defeating Spain in the final round.
James competed at his third Olympic Games in 2012, at the Summer Olympics in London, along with teammates Kevin Durant, Carmelo Anthony and Kobe Bryant, as well as several other top players. The U.S. basketball team took the gold medal — James' second consecutive Olympic gold.
Charity Work
Outside of the NBA, James has worked to help others. He established the LeBron James Family Foundation in 2004, along his mother Gloria, to help out children and single-parent families in need. Among its many programs, the organization builds playgrounds in economically disadvantaged areas and hosts an annual bike-a-thon.
Outspoken Posts on Social Media
One of the world's most recognizable athletes, James hasn't been shy about expressing his views on social media. Among other issues, he displayed his support for Trayvon Martin after the teen's death in 2012, and has clashed with U.S. President Donald Trump. James has also shown a playful side on social media, such as when he posted a picture of cartoon character Arthur clenching his first during the Cavaliers' slow start to the 2017-18 season.
FOR IMMEDIATE RELEASE
PR- 281-06
August 7, 2006
MAYOR BLOOMBERG AND FIRE COMMISSIONER SCOPPETTA KICK OFF NEW FIRE DEPARTMENT RECRUITMENT CAMPAIGN
“The Best Job in the World Has the Best Benefits in the World” Campaign Features FDNY Firefighters from Diverse Backgrounds
Television, Radio and Print Advertising Campaign Launches in August – Full Recruitment Outreach Campaign Already in Full Swing
Filing for the Fire Department Firefighter Exam Opens Today
One year after investing an unprecedented $3.2 million in the New York City Fire Department’s Recruitment and Diversity Unit and on the first day of open filing for the firefighter exam, Mayor Michael R. Bloomberg and Fire Commissioner Nicholas Scoppetta today launched the new FDNY recruitment campaign – “The Best Job in the World Has the Best Benefits in the World.” Aimed at increasing diversity within the Department, the advertising campaign features FDNY firefighters touting the benefits of joining the Department, including flexible work schedules, generous benefits and the ability to retire after 20 years of service. Coupled with an intensive citywide outreach campaign at career fairs, athletic clubs, colleges, cultural events and churches, the innovative advertising campaign will begin to appear on televisions, in newspapers and on radios later this month. The Mayor and Fire Commissioner were joined by Chief of Department Salvatore Cassano, Chairman and Chief Creative Officer of the Arnell Group Peter Arnell, members of FDNY fraternal organizations and other FDNY officials at the Engine 231/Ladder 120 firehouse in Brownsville.
“The strength of the Fire Department lies in its members and increasing the diversity of the FDNY will strengthen the greatest fire department in the world,” said Mayor Bloomberg. “This new campaign tells the public what firefighters have long known – being a firefighter is a great job with great benefits. With flexible work schedules and generous benefits after retirement, firefighters have an unusually good opportunity to balance work and family life. We want to get that message out to young people across our City who may have never considered public service. Take a second look, answer the call and become one of New York’s Bravest.”
“Everyone knows that firefighters save lives for a living,” said Commissioner Scoppetta. “This campaign highlights the lesser known side of the job – that firefighters have lifelong medical coverage, flexible schedules, a pension after 20 years and significant growth opportunities. This chance only comes once every four years – so make sure to apply.”
The new campaign includes eight different print ads in four languages (English, Spanish, Korean and Chinese), one television spot and three radio spots produced in both English and Spanish. The print ads will be placed in newspapers, on billboards, in the subways and on buses throughout the City. Television and radio spots will run on local stations throughout the open exam filing period which runs from August 7 to October 13.
In addition to targeted advertising, the Department will maintain contact with interested candidates to assist them in navigating the application process. The Recruitment Unit has set up a phone bank in Long Island City to answer questions and provide additional information to candidates. The Department will also offer free tutorials in all five boroughs for the written exam. Physical training programs will be offered through a continued partnership with New York Sports Club. Free access to physical training facilities at the Fire Academy on Randall’s Island also will be available.
The Department of Citywide Administrative Services offers the firefighter exam once every four years. This year, the pool of candidates is expected to broaden with changes in the educational requirements allowing individuals with 15 college credits, full-time U.S. military service with an honorable discharge, or at least six months of full-time, satisfactory work experience the opportunity to take the exam. The open filing period will be from August 7 to October 13. A written exam will be held in January 2007 with a physical exam to follow. Often times, it may take up to one to three years before a candidate is called to join the Department. In an effort to better prepare incoming recruits, the Fire Department will lengthen the 13-week training period at the Academy.
Last year, the City and the FDNY combined to provide an unprecedented $3.2 million in annual funding to expand the Recruitment and Diversity Unit. The FDNY Recruitment and Diversity Unit employs 13 full-time staff and 37 uniform personnel detailed to the unit. The Department also utilizes an additional 276 firefighters and Emergency Medical Service personnel who work overtime to staff recruitment events across the City. In years past, recruitment efforts were only focused during the open filing period every four years. This additional funding provides for year-round recruitment efforts to attract and retain potential firefighter candidates in between filing periods.
Compared to the previous decade, the Fire Department has tripled its rate of minority hires from 5% to 15%. In 2005 and 2006 alone, that figure increased to nearly 20% of all Probationary Firefighter classes. Most recently, the last class to graduate from the Fire Academy in July was more than 21% minority, with 14% Hispanic, 5% African-American, 2% Asian and one Probationary Firefighter from a Native American background.
The expansion of the Recruitment Unit has also allowed the Department to send out teams of firefighters to more than 1,500 community events since January 2006. The Fire Commissioner and Chief of Department also engage in recruitment activities, speaking at churches and community groups throughout the year. FDNY recruitment teams participate in career fairs, speak at neighborhood groups and clubs, local colleges and other cultural events throughout the five boroughs. The unit has averaged roughly 50 events per week and to date have compiled more than 33,000 names of interested individuals. Of this group, 80% of the applicants are minorities and almost 25% are women.
The Arnell Group, working alongside members of the Department, created the new recruitment campaign based in large part on recommendations from the Columbia University School of International and Public Affairs FDNY Diversity Study. The study, conducted from 2003 to 2004 at the request of the Department, found that the public became more receptive to applying to become a firefighter after learning basic information about salaries, benefits and flexible schedules. The Arnell Group captured this information with the theme of the campaign, “The Best Job in the World Has the Best Benefits in the World.” All services through the Arnell Group for the creation, production and placement of the advertising campaign were provided pro bono. The first FDNY recruitment campaign in 2002, “Heroes Wanted,” was also created free-of-charge by the Arnell Group.
FOR IMMEDIATE RELEASE
PR- 281-06
August 7, 2006
MAYOR BLOOMBERG AND FIRE COMMISSIONER SCOPPETTA KICK OFF NEW FIRE DEPARTMENT RECRUITMENT CAMPAIGN
“The Best Job in the World Has the Best Benefits in the World” Campaign Features FDNY Firefighters from Diverse Backgrounds
Television, Radio and Print Advertising Campaign Launches in August – Full Recruitment Outreach Campaign Already in Full Swing
Filing for the Fire Department Firefighter Exam Opens Today
One year after investing an unprecedented $3.2 million in the New York City Fire Department’s Recruitment and Diversity Unit and on the first day of open filing for the firefighter exam, Mayor Michael R. Bloomberg and Fire Commissioner Nicholas Scoppetta today launched the new FDNY recruitment campaign – “The Best Job in the World Has the Best Benefits in the World.” Aimed at increasing diversity within the Department, the advertising campaign features FDNY firefighters touting the benefits of joining the Department, including flexible work schedules, generous benefits and the ability to retire after 20 years of service. Coupled with an intensive citywide outreach campaign at career fairs, athletic clubs, colleges, cultural events and churches, the innovative advertising campaign will begin to appear on televisions, in newspapers and on radios later this month. The Mayor and Fire Commissioner were joined by Chief of Department Salvatore Cassano, Chairman and Chief Creative Officer of the Arnell Group Peter Arnell, members of FDNY fraternal organizations and other FDNY officials at the Engine 231/Ladder 120 firehouse in Brownsville.
“The strength of the Fire Department lies in its members and increasing the diversity of the FDNY will strengthen the greatest fire department in the world,” said Mayor Bloomberg. “This new campaign tells the public what firefighters have long known – being a firefighter is a great job with great benefits. With flexible work schedules and generous benefits after retirement, firefighters have an unusually good opportunity to balance work and family life. We want to get that message out to young people across our City who may have never considered public service. Take a second look, answer the call and become one of New York’s Bravest.”
“Everyone knows that firefighters save lives for a living,” said Commissioner Scoppetta. “This campaign highlights the lesser known side of the job – that firefighters have lifelong medical coverage, flexible schedules, a pension after 20 years and significant growth opportunities. This chance only comes once every four years – so make sure to apply.”
The new campaign includes eight different print ads in four languages (English, Spanish, Korean and Chinese), one television spot and three radio spots produced in both English and Spanish. The print ads will be placed in newspapers, on billboards, in the subways and on buses throughout the City. Television and radio spots will run on local stations throughout the open exam filing period which runs from August 7 to October 13.
In addition to targeted advertising, the Department will maintain contact with interested candidates to assist them in navigating the application process. The Recruitment Unit has set up a phone bank in Long Island City to answer questions and provide additional information to candidates. The Department will also offer free tutorials in all five boroughs for the written exam. Physical training programs will be offered through a continued partnership with New York Sports Club. Free access to physical training facilities at the Fire Academy on Randall’s Island also will be available.
The Department of Citywide Administrative Services offers the firefighter exam once every four years. This year, the pool of candidates is expected to broaden with changes in the educational requirements allowing individuals with 15 college credits, full-time U.S. military service with an honorable discharge, or at least six months of full-time, satisfactory work experience the opportunity to take the exam. The open filing period will be from August 7 to October 13. A written exam will be held in January 2007 with a physical exam to follow. Often times, it may take up to one to three years before a candidate is called to join the Department. In an effort to better prepare incoming recruits, the Fire Department will lengthen the 13-week training period at the Academy.
Last year, the City and the FDNY combined to provide an unprecedented $3.2 million in annual funding to expand the Recruitment and Diversity Unit. The FDNY Recruitment and Diversity Unit employs 13 full-time staff and 37 uniform personnel detailed to the unit. The Department also utilizes an additional 276 firefighters and Emergency Medical Service personnel who work overtime to staff recruitment events across the City. In years past, recruitment efforts were only focused during the open filing period every four years. This additional funding provides for year-round recruitment efforts to attract and retain potential firefighter candidates in between filing periods.
Compared to the previous decade, the Fire Department has tripled its rate of minority hires from 5% to 15%. In 2005 and 2006 alone, that figure increased to nearly 20% of all Probationary Firefighter classes. Most recently, the last class to graduate from the Fire Academy in July was more than 21% minority, with 14% Hispanic, 5% African-American, 2% Asian and one Probationary Firefighter from a Native American background.
The expansion of the Recruitment Unit has also allowed the Department to send out teams of firefighters to more than 1,500 community events since January 2006. The Fire Commissioner and Chief of Department also engage in recruitment activities, speaking at churches and community groups throughout the year. FDNY recruitment teams participate in career fairs, speak at neighborhood groups and clubs, local colleges and other cultural events throughout the five boroughs. The unit has averaged roughly 50 events per week and to date have compiled more than 33,000 names of interested individuals. Of this group, 80% of the applicants are minorities and almost 25% are women.
The Arnell Group, working alongside members of the Department, created the new recruitment campaign based in large part on recommendations from the Columbia University School of International and Public Affairs FDNY Diversity Study. The study, conducted from 2003 to 2004 at the request of the Department, found that the public became more receptive to applying to become a firefighter after learning basic information about salaries, benefits and flexible schedules. The Arnell Group captured this information with the theme of the campaign, “The Best Job in the World Has the Best Benefits in the World.” All services through the Arnell Group for the creation, production and placement of the advertising campaign were provided pro bono. The first FDNY recruitment campaign in 2002, “Heroes Wanted,” was also created free-of-charge by the Arnell Group.
FOR IMMEDIATE RELEASE
PR- 281-06
August 7, 2006
MAYOR BLOOMBERG AND FIRE COMMISSIONER SCOPPETTA KICK OFF NEW FIRE DEPARTMENT RECRUITMENT CAMPAIGN
“The Best Job in the World Has the Best Benefits in the World” Campaign Features FDNY Firefighters from Diverse Backgrounds
Television, Radio and Print Advertising Campaign Launches in August – Full Recruitment Outreach Campaign Already in Full Swing
Filing for the Fire Department Firefighter Exam Opens Today
One year after investing an unprecedented $3.2 million in the New York City Fire Department’s Recruitment and Diversity Unit and on the first day of open filing for the firefighter exam, Mayor Michael R. Bloomberg and Fire Commissioner Nicholas Scoppetta today launched the new FDNY recruitment campaign – “The Best Job in the World Has the Best Benefits in the World.” Aimed at increasing diversity within the Department, the advertising campaign features FDNY firefighters touting the benefits of joining the Department, including flexible work schedules, generous benefits and the ability to retire after 20 years of service. Coupled with an intensive citywide outreach campaign at career fairs, athletic clubs, colleges, cultural events and churches, the innovative advertising campaign will begin to appear on televisions, in newspapers and on radios later this month. The Mayor and Fire Commissioner were joined by Chief of Department Salvatore Cassano, Chairman and Chief Creative Officer of the Arnell Group Peter Arnell, members of FDNY fraternal organizations and other FDNY officials at the Engine 231/Ladder 120 firehouse in Brownsville.
“The strength of the Fire Department lies in its members and increasing the diversity of the FDNY will strengthen the greatest fire department in the world,” said Mayor Bloomberg. “This new campaign tells the public what firefighters have long known – being a firefighter is a great job with great benefits. With flexible work schedules and generous benefits after retirement, firefighters have an unusually good opportunity to balance work and family life. We want to get that message out to young people across our City who may have never considered public service. Take a second look, answer the call and become one of New York’s Bravest.”
“Everyone knows that firefighters save lives for a living,” said Commissioner Scoppetta. “This campaign highlights the lesser known side of the job – that firefighters have lifelong medical coverage, flexible schedules, a pension after 20 years and significant growth opportunities. This chance only comes once every four years – so make sure to apply.”
The new campaign includes eight different print ads in four languages (English, Spanish, Korean and Chinese), one television spot and three radio spots produced in both English and Spanish. The print ads will be placed in newspapers, on billboards, in the subways and on buses throughout the City. Television and radio spots will run on local stations throughout the open exam filing period which runs from August 7 to October 13.
In addition to targeted advertising, the Department will maintain contact with interested candidates to assist them in navigating the application process. The Recruitment Unit has set up a phone bank in Long Island City to answer questions and provide additional information to candidates. The Department will also offer free tutorials in all five boroughs for the written exam. Physical training programs will be offered through a continued partnership with New York Sports Club. Free access to physical training facilities at the Fire Academy on Randall’s Island also will be available.
The Department of Citywide Administrative Services offers the firefighter exam once every four years. This year, the pool of candidates is expected to broaden with changes in the educational requirements allowing individuals with 15 college credits, full-time U.S. military service with an honorable discharge, or at least six months of full-time, satisfactory work experience the opportunity to take the exam. The open filing period will be from August 7 to October 13. A written exam will be held in January 2007 with a physical exam to follow. Often times, it may take up to one to three years before a candidate is called to join the Department. In an effort to better prepare incoming recruits, the Fire Department will lengthen the 13-week training period at the Academy.
Last year, the City and the FDNY combined to provide an unprecedented $3.2 million in annual funding to expand the Recruitment and Diversity Unit. The FDNY Recruitment and Diversity Unit employs 13 full-time staff and 37 uniform personnel detailed to the unit. The Department also utilizes an additional 276 firefighters and Emergency Medical Service personnel who work overtime to staff recruitment events across the City. In years past, recruitment efforts were only focused during the open filing period every four years. This additional funding provides for year-round recruitment efforts to attract and retain potential firefighter candidates in between filing periods.
Compared to the previous decade, the Fire Department has tripled its rate of minority hires from 5% to 15%. In 2005 and 2006 alone, that figure increased to nearly 20% of all Probationary Firefighter classes. Most recently, the last class to graduate from the Fire Academy in July was more than 21% minority, with 14% Hispanic, 5% African-American, 2% Asian and one Probationary Firefighter from a Native American background.
The expansion of the Recruitment Unit has also allowed the Department to send out teams of firefighters to more than 1,500 community events since January 2006. The Fire Commissioner and Chief of Department also engage in recruitment activities, speaking at churches and community groups throughout the year. FDNY recruitment teams participate in career fairs, speak at neighborhood groups and clubs, local colleges and other cultural events throughout the five boroughs. The unit has averaged roughly 50 events per week and to date have compiled more than 33,000 names of interested individuals. Of this group, 80% of the applicants are minorities and almost 25% are women.
The Arnell Group, working alongside members of the Department, created the new recruitment campaign based in large part on recommendations from the Columbia University School of International and Public Affairs FDNY Diversity Study. The study, conducted from 2003 to 2004 at the request of the Department, found that the public became more receptive to applying to become a firefighter after learning basic information about salaries, benefits and flexible schedules. The Arnell Group captured this information with the theme of the campaign, “The Best Job in the World Has the Best Benefits in the World.” All services through the Arnell Group for the creation, production and placement of the advertising campaign were provided pro bono. The first FDNY recruitment campaign in 2002, “Heroes Wanted,” was also created free-of-charge by the Arnell Group.
FOR IMMEDIATE RELEASE
PR- 281-06
August 7, 2006
MAYOR BLOOMBERG AND FIRE COMMISSIONER SCOPPETTA KICK OFF NEW FIRE DEPARTMENT RECRUITMENT CAMPAIGN
“The Best Job in the World Has the Best Benefits in the World” Campaign Features FDNY Firefighters from Diverse Backgrounds
Television, Radio and Print Advertising Campaign Launches in August – Full Recruitment Outreach Campaign Already in Full Swing
Filing for the Fire Department Firefighter Exam Opens Today
One year after investing an unprecedented $3.2 million in the New York City Fire Department’s Recruitment and Diversity Unit and on the first day of open filing for the firefighter exam, Mayor Michael R. Bloomberg and Fire Commissioner Nicholas Scoppetta today launched the new FDNY recruitment campaign – “The Best Job in the World Has the Best Benefits in the World.” Aimed at increasing diversity within the Department, the advertising campaign features FDNY firefighters touting the benefits of joining the Department, including flexible work schedules, generous benefits and the ability to retire after 20 years of service. Coupled with an intensive citywide outreach campaign at career fairs, athletic clubs, colleges, cultural events and churches, the innovative advertising campaign will begin to appear on televisions, in newspapers and on radios later this month. The Mayor and Fire Commissioner were joined by Chief of Department Salvatore Cassano, Chairman and Chief Creative Officer of the Arnell Group Peter Arnell, members of FDNY fraternal organizations and other FDNY officials at the Engine 231/Ladder 120 firehouse in Brownsville.
“The strength of the Fire Department lies in its members and increasing the diversity of the FDNY will strengthen the greatest fire department in the world,” said Mayor Bloomberg. “This new campaign tells the public what firefighters have long known – being a firefighter is a great job with great benefits. With flexible work schedules and generous benefits after retirement, firefighters have an unusually good opportunity to balance work and family life. We want to get that message out to young people across our City who may have never considered public service. Take a second look, answer the call and become one of New York’s Bravest.”
“Everyone knows that firefighters save lives for a living,” said Commissioner Scoppetta. “This campaign highlights the lesser known side of the job – that firefighters have lifelong medical coverage, flexible schedules, a pension after 20 years and significant growth opportunities. This chance only comes once every four years – so make sure to apply.”
The new campaign includes eight different print ads in four languages (English, Spanish, Korean and Chinese), one television spot and three radio spots produced in both English and Spanish. The print ads will be placed in newspapers, on billboards, in the subways and on buses throughout the City. Television and radio spots will run on local stations throughout the open exam filing period which runs from August 7 to October 13.
In addition to targeted advertising, the Department will maintain contact with interested candidates to assist them in navigating the application process. The Recruitment Unit has set up a phone bank in Long Island City to answer questions and provide additional information to candidates. The Department will also offer free tutorials in all five boroughs for the written exam. Physical training programs will be offered through a continued partnership with New York Sports Club. Free access to physical training facilities at the Fire Academy on Randall’s Island also will be available.
The Department of Citywide Administrative Services offers the firefighter exam once every four years. This year, the pool of candidates is expected to broaden with changes in the educational requirements allowing individuals with 15 college credits, full-time U.S. military service with an honorable discharge, or at least six months of full-time, satisfactory work experience the opportunity to take the exam. The open filing period will be from August 7 to October 13. A written exam will be held in January 2007 with a physical exam to follow. Often times, it may take up to one to three years before a candidate is called to join the Department. In an effort to better prepare incoming recruits, the Fire Department will lengthen the 13-week training period at the Academy.
Last year, the City and the FDNY combined to provide an unprecedented $3.2 million in annual funding to expand the Recruitment and Diversity Unit. The FDNY Recruitment and Diversity Unit employs 13 full-time staff and 37 uniform personnel detailed to the unit. The Department also utilizes an additional 276 firefighters and Emergency Medical Service personnel who work overtime to staff recruitment events across the City. In years past, recruitment efforts were only focused during the open filing period every four years. This additional funding provides for year-round recruitment efforts to attract and retain potential firefighter candidates in between filing periods.
Compared to the previous decade, the Fire Department has tripled its rate of minority hires from 5% to 15%. In 2005 and 2006 alone, that figure increased to nearly 20% of all Probationary Firefighter classes. Most recently, the last class to graduate from the Fire Academy in July was more than 21% minority, with 14% Hispanic, 5% African-American, 2% Asian and one Probationary Firefighter from a Native American background.
The expansion of the Recruitment Unit has also allowed the Department to send out teams of firefighters to more than 1,500 community events since January 2006. The Fire Commissioner and Chief of Department also engage in recruitment activities, speaking at churches and community groups throughout the year. FDNY recruitment teams participate in career fairs, speak at neighborhood groups and clubs, local colleges and other cultural events throughout the five boroughs. The unit has averaged roughly 50 events per week and to date have compiled more than 33,000 names of interested individuals. Of this group, 80% of the applicants are minorities and almost 25% are women.
The Arnell Group, working alongside members of the Department, created the new recruitment campaign based in large part on recommendations from the Columbia University School of International and Public Affairs FDNY Diversity Study. The study, conducted from 2003 to 2004 at the request of the Department, found that the public became more receptive to applying to become a firefighter after learning basic information about salaries, benefits and flexible schedules. The Arnell Group captured this information with the theme of the campaign, “The Best Job in the World Has the Best Benefits in the World.” All services through the Arnell Group for the creation, production and placement of the advertising campaign were provided pro bono. The first FDNY recruitment campaign in 2002, “Heroes Wanted,” was also created free-of-charge by the Arnell Group.
Vinovia or Vinovium was a Roman fort and settlement situated just over 1 mile (1.6 km) to the north of the town of Bishop Auckland on the banks of the River Wear in County Durham, England. The fort was the site of a hamlet until the late Middle Ages, but the modern-day village of Binchester is about 2 miles (3 km) to the east, near Spennymoor. The ruins are now known as the Binchester Roman Fort.
Not much is yet known about pre-Roman settlement in the immediate area. The fort was probably established around AD 79 to guard the crossing of the River Wear by Dere Street, the main Roman road between York, Hadrian's Wall and Scotland, and also the fort's via principalis. Sitting atop a hill 15 metres (49 ft) above the Wear, Binchester was the largest Roman fort in County Durham. The land was cleared of trees and brush and a huge levelling fill laid down on the plateau before construction of the fort began. Archaeologists found four coins of Vespasian that seem to corroborate that initial building was related to Agricola's march northward into the territory of the Brigantes. Two phases of timber structures, most likely barrack blocks, were constructed atop the levelling deposit. Much later, perhaps centuries later, buildings inside the fort were levelled and reconstructed in stone. These included a commandant's house at the heart of the fort and a well-appointed baths building, both of which went through several phases of development.
It is not entirely clear which garrison units would have called Binchester home. The cuneus Frisorum Vinoviensium and the equites catafractariorum have been mentioned in inscriptions from the site. The cavalry units of the ala Vettonum, a cohort of Frisian soldiers, and part of the Sixth Legion might also have stayed here at some point in its history. In fact, it may have been men from the Legio VI Victrix who built the original fort.
An extensive civilian settlement (vicus) existed to the north and west of the fort, the remains of which are buried under the pastures of Binchester Hall Farm. The southern part of the fort is now beneath Binchester Hall, while some of the defences were destroyed in a landslip in the 19th century. Part of the stone bridge used by Dere Street to cross the River Wear can still be seen when the river is low. In 2007, several mausolea were found to the north of the vicus.
Although the Roman occupation of Britain ended officially around 410, the area around Binchester seems to have remained occupied by the local population. By the early 6th century, a small Anglo-Saxon cemetery had been founded, and the demolition of the fort's buildings for reclamation of the materials had started, some of which were eventually used in the construction of the nearby 7th-century Escomb Church. A hamlet and manor house survived at Binchester until the late Middle Ages. The site of the manor house is now occupied by the 17th-century Binchester Hall.
The remains of the fort have been known to antiquarians and historians since the 16th century. In 1552, John Leland wrote that Roman coins had been uncovered in nearby ploughed fields, while William Camden, in 1586, mentioned the remains of some walls could still then be seen. A bath-house was found in 1815 when a farm cart accidentally fell into part of a hypocaust. The ruins did not fare well under the early 19th-century occupants of Binchester Hall. In 1828, "altars, urns, and other relics" were robbed out and taken away to be used as props inside coal pits in the area. The fort and surrounding land passed from private ownership to that of the Anglican Church in 1836.
The first archaeological excavations took place between 1878 and 1880, under the auspices of John Proud of Bishop Auckland and the Reverend Robert Eli Hooppell of Byers Green, investigating the bath-house, some of the fort's defences, and parts of the surrounding settlement. However, Hooppell claimed that "(virtually) everything of note found at Binchester before 1879 has perished, or been scattered beyond hope of recovery." Hooppell had workmen excavate the eastern rampart of the fort where they uncovered a portion of Dere Street which functioned as the fort's Via Principalis. They also explored the vicus, uncovering several plain buildings. In 1891, the installation of modern water pipes in the area caused destruction to the northeast corner of the fort, particularly the rampart, Dere Street, and a few vicus houses, but did uncover a large Roman altar dedicated by Pomponius Donatus "beneficiarius of the governor" to Jupiter and the Matres Ollototae (three Celtic mother goddesses originally from the continent).
In 1937, Kenneth Steer undertook some excavations around the fort's defences as part of his archaeology degree at Durham University. There he found evidence for post-Roman buildings overlying these ditches, suggesting that the vicus continued as a small settlement after the fort was actively occupied. He was also able to identify an early Agricolan fort under a later one dating to about the 3rd century. Further work continued in 1955 and between 1964 and 1972 when the bath suite was re-excavated and mostly cleared. The 1960s were also the period that the archaeological site came under the guardianship of Durham County Council. In 1971, rescue excavation at the northwestern end of Binchester Hall found around six successive layers of timber barracks.
A long-term program of excavation begun by the Bowes Museum for Durham County Council ran from 1976–1980, and then again from 1986–1988. It focused primarily upon the baths suite and the attached commandant's house, uncovering several phases of activity. The first was the construction of the original courtyard house presumably used by the commandant of the fort, built sometime after the middle of the 4th century atop two previous smaller stone buildings, also presumably praetoria. It had attractive decor and was meant for a single occupant. Later, but also perhaps in the 4th century, a detached bath suite was built adjoining the house, necessitating the demolition of part of the earlier building. It had three rooms: a warm room, a hot room, and a hot room with two plunge baths. The excavators understood this bath building to be for the use of the commandant only. Still later, the house seems to have lost its singular occupant. Rooms were subdivided and several self-contained units were created in what was originally a large house. The baths received a flagstone court, a triple-arched gateway, and a small anteroom, and it is suggested that the reorganisation of both structures meant the baths were opened to the entire regiment at the fort. A coin of the usurper Magnentius, minted between 350 and 360, may provide a terminus post quem for these renovations. The baths and house then fell on rough times. Lack of maintenance of the baths can be seen archaeologically in the next period, and in the house, the rooms come to be used for industry, including blacksmithing, lime slaking, and animal butchery. A midden dug in a channel around most of the building held a great deal of animal bones and debris. Finally, the collapse of a few walls and part of the roof of the baths seems to have heralded the end for the complex some time in the post-Roman period. However, the entire fort seems to have been used as a cemetery from the mid-6th to the 11th centuries. A Saxon woman was found buried in the rubble caused by the roof collapse.
Around 4.7 hectares (12 acres) of the vicus were mapped with a geophysical survey in 2004. Along with previous surveys, a picture began to emerge of a quite extensive civilian settlement lying under the fields to the east of the fort, where Hooppell had done his early test trenches. This led to David Mason, the County Archaeologist, suggesting to the Channel 4 archaeological television programme Time Team that Binchester could provide a fertile ground for investigation. In April 2007, the production company came and spent three days excavating and extending the area surveyed by geophysical means. Apart from discovering more remains of the larger, earlier fort, the programme also found a row of three military mausolea, "the first to have been found in Britain for 150 years." Time Team also identified that the vicus also extended to the north of the fort. The Binchester programme was broadcast on Channel 4 on 13 January 2008, ending Time Team's involvement with the site.
In 2009, a test season was conducted in July where the team opened a trench at the north-east corner of the fort. The first full season of these new excavations was in 2010, with the team opening trenches both inside the fort and outside in the vicus. At Durham University, the principal investigators of the project were Richard Hingley and David Petts. At Stanford University, the principal investigators were Michael Shanks, Gary Devore, Melissa Chatfield, and David Platt.
In 2018, a six-week dig involving 60 archaeologists and volunteers unearthed a road, carved images and several industrial buildings from the Roman era
Dating aspects of the fort and vicus of Binchester is quite difficult given the limited modern archaeological exploration that has occurred on the site. Most of the floors investigated inside the fort have been of opus signinum, and kept relatively clean during their life. A few coins have been found under floor deposits, but these often only give a terminus post quem, and coins stop becoming reliable diagnostic items in the 5th century, although settlement in and around Binchester surely lasted into the early Medieval period. Modern investigation of the vicus has been non-existent or fruitless in the search for datable finds. It is hoped that the current excavations might inform more about the chronology of the site.
Roman Britain was the territory that became the Roman province of Britannia after the Roman conquest of Britain, consisting of a large part of the island of Great Britain. The occupation lasted from AD 43 to AD 410.
Julius Caesar invaded Britain in 55 and 54 BC as part of his Gallic Wars. According to Caesar, the Britons had been overrun or culturally assimilated by the Belgae during the British Iron Age and had been aiding Caesar's enemies. The Belgae were the only Celtic tribe to cross the sea into Britain, for to all other Celtic tribes this land was unknown. He received tribute, installed the friendly king Mandubracius over the Trinovantes, and returned to Gaul. Planned invasions under Augustus were called off in 34, 27, and 25 BC. In 40 AD, Caligula assembled 200,000 men at the Channel on the continent, only to have them gather seashells (musculi) according to Suetonius, perhaps as a symbolic gesture to proclaim Caligula's victory over the sea. Three years later, Claudius directed four legions to invade Britain and restore the exiled king Verica over the Atrebates. The Romans defeated the Catuvellauni, and then organized their conquests as the province of Britain. By 47 AD, the Romans held the lands southeast of the Fosse Way. Control over Wales was delayed by reverses and the effects of Boudica's uprising, but the Romans expanded steadily northward.
The conquest of Britain continued under command of Gnaeus Julius Agricola (77–84), who expanded the Roman Empire as far as Caledonia. In mid-84 AD, Agricola faced the armies of the Caledonians, led by Calgacus, at the Battle of Mons Graupius. Battle casualties were estimated by Tacitus to be upwards of 10,000 on the Caledonian side and about 360 on the Roman side. The bloodbath at Mons Graupius concluded the forty-year conquest of Britain, a period that possibly saw between 100,000 and 250,000 Britons killed. In the context of pre-industrial warfare and of a total population of Britain of c. 2 million, these are very high figures.
Under the 2nd-century emperors Hadrian and Antoninus Pius, two walls were built to defend the Roman province from the Caledonians, whose realms in the Scottish Highlands were never controlled. Around 197 AD, the Severan Reforms divided Britain into two provinces: Britannia Superior and Britannia Inferior. During the Diocletian Reforms, at the end of the 3rd century, Britannia was divided into four provinces under the direction of a vicarius, who administered the Diocese of the Britains. A fifth province, Valentia, is attested in the later 4th century. For much of the later period of the Roman occupation, Britannia was subject to barbarian invasions and often came under the control of imperial usurpers and imperial pretenders. The final Roman withdrawal from Britain occurred around 410; the native kingdoms are considered to have formed Sub-Roman Britain after that.
Following the conquest of the Britons, a distinctive Romano-British culture emerged as the Romans introduced improved agriculture, urban planning, industrial production, and architecture. The Roman goddess Britannia became the female personification of Britain. After the initial invasions, Roman historians generally only mention Britain in passing. Thus, most present knowledge derives from archaeological investigations and occasional epigraphic evidence lauding the Britannic achievements of an emperor. Roman citizens settled in Britain from many parts of the Empire.
History
Britain was known to the Classical world. The Greeks, the Phoenicians and the Carthaginians traded for Cornish tin in the 4th century BC. The Greeks referred to the Cassiterides, or "tin islands", and placed them near the west coast of Europe. The Carthaginian sailor Himilco is said to have visited the island in the 6th or 5th century BC and the Greek explorer Pytheas in the 4th. It was regarded as a place of mystery, with some writers refusing to believe it existed.
The first direct Roman contact was when Julius Caesar undertook two expeditions in 55 and 54 BC, as part of his conquest of Gaul, believing the Britons were helping the Gallic resistance. The first expedition was more a reconnaissance than a full invasion and gained a foothold on the coast of Kent but was unable to advance further because of storm damage to the ships and a lack of cavalry. Despite the military failure, it was a political success, with the Roman Senate declaring a 20-day public holiday in Rome to honour the unprecedented achievement of obtaining hostages from Britain and defeating Belgic tribes on returning to the continent.
The second invasion involved a substantially larger force and Caesar coerced or invited many of the native Celtic tribes to pay tribute and give hostages in return for peace. A friendly local king, Mandubracius, was installed, and his rival, Cassivellaunus, was brought to terms. Hostages were taken, but historians disagree over whether any tribute was paid after Caesar returned to Gaul.
Caesar conquered no territory and left no troops behind, but he established clients and brought Britain into Rome's sphere of influence. Augustus planned invasions in 34, 27 and 25 BC, but circumstances were never favourable, and the relationship between Britain and Rome settled into one of diplomacy and trade. Strabo, writing late in Augustus's reign, claimed that taxes on trade brought in more annual revenue than any conquest could. Archaeology shows that there was an increase in imported luxury goods in southeastern Britain. Strabo also mentions British kings who sent embassies to Augustus, and Augustus's own Res Gestae refers to two British kings he received as refugees. When some of Tiberius's ships were carried to Britain in a storm during his campaigns in Germany in 16 AD, they came back with tales of monsters.
Rome appears to have encouraged a balance of power in southern Britain, supporting two powerful kingdoms: the Catuvellauni, ruled by the descendants of Tasciovanus, and the Atrebates, ruled by the descendants of Commius. This policy was followed until 39 or 40 AD, when Caligula received an exiled member of the Catuvellaunian dynasty and planned an invasion of Britain that collapsed in farcical circumstances before it left Gaul. When Claudius successfully invaded in 43 AD, it was in aid of another fugitive British ruler, Verica of the Atrebates.
Roman invasion
The invasion force in 43 AD was led by Aulus Plautius,[26] but it is unclear how many legions were sent. The Legio II Augusta, commanded by future emperor Vespasian, was the only one directly attested to have taken part. The Legio IX Hispana, the XIV Gemina (later styled Martia Victrix) and the XX (later styled Valeria Victrix) are known to have served during the Boudican Revolt of 60/61, and were probably there since the initial invasion. This is not certain because the Roman army was flexible, with units being moved around whenever necessary. The IX Hispana may have been permanently stationed, with records showing it at Eboracum (York) in 71 and on a building inscription there dated 108, before being destroyed in the east of the Empire, possibly during the Bar Kokhba revolt.
The invasion was delayed by a troop mutiny until an imperial freedman persuaded them to overcome their fear of crossing the Ocean and campaigning beyond the limits of the known world. They sailed in three divisions, and probably landed at Richborough in Kent; at least part of the force may have landed near Fishbourne, West Sussex.
The Catuvellauni and their allies were defeated in two battles: the first, assuming a Richborough landing, on the river Medway, the second on the river Thames. One of their leaders, Togodumnus, was killed, but his brother Caratacus survived to continue resistance elsewhere. Plautius halted at the Thames and sent for Claudius, who arrived with reinforcements, including artillery and elephants, for the final march to the Catuvellaunian capital, Camulodunum (Colchester). Vespasian subdued the southwest, Cogidubnus was set up as a friendly king of several territories, and treaties were made with tribes outside direct Roman control.
Establishment of Roman rule
After capturing the south of the island, the Romans turned their attention to what is now Wales. The Silures, Ordovices and Deceangli remained implacably opposed to the invaders and for the first few decades were the focus of Roman military attention, despite occasional minor revolts among Roman allies like the Brigantes and the Iceni. The Silures were led by Caratacus, and he carried out an effective guerrilla campaign against Governor Publius Ostorius Scapula. Finally, in 51, Ostorius lured Caratacus into a set-piece battle and defeated him. The British leader sought refuge among the Brigantes, but their queen, Cartimandua, proved her loyalty by surrendering him to the Romans. He was brought as a captive to Rome, where a dignified speech he made during Claudius's triumph persuaded the emperor to spare his life. The Silures were still not pacified, and Cartimandua's ex-husband Venutius replaced Caratacus as the most prominent leader of British resistance.
On Nero's accession, Roman Britain extended as far north as Lindum. Gaius Suetonius Paulinus, the conqueror of Mauretania (modern day Algeria and Morocco), then became governor of Britain, and in 60 and 61 he moved against Mona (Anglesey) to settle accounts with Druidism once and for all. Paulinus led his army across the Menai Strait and massacred the Druids and burnt their sacred groves.
While Paulinus was campaigning in Mona, the southeast of Britain rose in revolt under the leadership of Boudica. She was the widow of the recently deceased king of the Iceni, Prasutagus. The Roman historian Tacitus reports that Prasutagus had left a will leaving half his kingdom to Nero in the hope that the remainder would be left untouched. He was wrong. When his will was enforced, Rome[clarification needed] responded by violently seizing the tribe's lands in full. Boudica protested. In consequence, Rome[clarification needed] punished her and her daughters by flogging and rape. In response, the Iceni, joined by the Trinovantes, destroyed the Roman colony at Camulodunum (Colchester) and routed the part of the IXth Legion that was sent to relieve it. Paulinus rode to London (then called Londinium), the rebels' next target, but concluded it could not be defended. Abandoned, it was destroyed, as was Verulamium (St. Albans). Between seventy and eighty thousand people are said to have been killed in the three cities. But Paulinus regrouped with two of the three legions still available to him, chose a battlefield, and, despite being outnumbered by more than twenty to one, defeated the rebels in the Battle of Watling Street. Boudica died not long afterwards, by self-administered poison or by illness. During this time, the Emperor Nero considered withdrawing Roman forces from Britain altogether.
There was further turmoil in 69, the "Year of the Four Emperors". As civil war raged in Rome, weak governors were unable to control the legions in Britain, and Venutius of the Brigantes seized his chance. The Romans had previously defended Cartimandua against him, but this time were unable to do so. Cartimandua was evacuated, and Venutius was left in control of the north of the country. After Vespasian secured the empire, his first two appointments as governor, Quintus Petillius Cerialis and Sextus Julius Frontinus, took on the task of subduing the Brigantes and Silures respectively.[38] Frontinus extended Roman rule to all of South Wales, and initiated exploitation of the mineral resources, such as the gold mines at Dolaucothi.
In the following years, the Romans conquered more of the island, increasing the size of Roman Britain. Governor Gnaeus Julius Agricola, father-in-law to the historian Tacitus, conquered the Ordovices in 78. With the XX Valeria Victrix legion, Agricola defeated the Caledonians in 84 at the Battle of Mons Graupius, in north-east Scotland. This was the high-water mark of Roman territory in Britain: shortly after his victory, Agricola was recalled from Britain back to Rome, and the Romans initially retired to a more defensible line along the Forth–Clyde isthmus, freeing soldiers badly needed along other frontiers.
For much of the history of Roman Britain, a large number of soldiers were garrisoned on the island. This required that the emperor station a trusted senior man as governor of the province. As a result, many future emperors served as governors or legates in this province, including Vespasian, Pertinax, and Gordian I.
Roman military organisation in the north
In 84 AD
In 84 AD
In 155 AD
In 155 AD
Hadrian's Wall, and Antonine Wall
There is no historical source describing the decades that followed Agricola's recall. Even the name of his replacement is unknown. Archaeology has shown that some Roman forts south of the Forth–Clyde isthmus were rebuilt and enlarged; others appear to have been abandoned. By 87 the frontier had been consolidated on the Stanegate. Roman coins and pottery have been found circulating at native settlement sites in the Scottish Lowlands in the years before 100, indicating growing Romanisation. Some of the most important sources for this era are the writing tablets from the fort at Vindolanda in Northumberland, mostly dating to 90–110. These tablets provide evidence for the operation of a Roman fort at the edge of the Roman Empire, where officers' wives maintained polite society while merchants, hauliers and military personnel kept the fort operational and supplied.
Around 105 there appears to have been a serious setback at the hands of the tribes of the Picts: several Roman forts were destroyed by fire, with human remains and damaged armour at Trimontium (at modern Newstead, in SE Scotland) indicating hostilities at least at that site.[citation needed] There is also circumstantial evidence that auxiliary reinforcements were sent from Germany, and an unnamed British war of the period is mentioned on the gravestone of a tribune of Cyrene. Trajan's Dacian Wars may have led to troop reductions in the area or even total withdrawal followed by slighting of the forts by the Picts rather than an unrecorded military defeat. The Romans were also in the habit of destroying their own forts during an orderly withdrawal, in order to deny resources to an enemy. In either case, the frontier probably moved south to the line of the Stanegate at the Solway–Tyne isthmus around this time.
A new crisis occurred at the beginning of Hadrian's reign): a rising in the north which was suppressed by Quintus Pompeius Falco. When Hadrian reached Britannia on his famous tour of the Roman provinces around 120, he directed an extensive defensive wall, known to posterity as Hadrian's Wall, to be built close to the line of the Stanegate frontier. Hadrian appointed Aulus Platorius Nepos as governor to undertake this work who brought the Legio VI Victrix legion with him from Germania Inferior. This replaced the famous Legio IX Hispana, whose disappearance has been much discussed. Archaeology indicates considerable political instability in Scotland during the first half of the 2nd century, and the shifting frontier at this time should be seen in this context.
In the reign of Antoninus Pius (138–161) the Hadrianic border was briefly extended north to the Forth–Clyde isthmus, where the Antonine Wall was built around 142 following the military reoccupation of the Scottish lowlands by a new governor, Quintus Lollius Urbicus.
The first Antonine occupation of Scotland ended as a result of a further crisis in 155–157, when the Brigantes revolted. With limited options to despatch reinforcements, the Romans moved their troops south, and this rising was suppressed by Governor Gnaeus Julius Verus. Within a year the Antonine Wall was recaptured, but by 163 or 164 it was abandoned. The second occupation was probably connected with Antoninus's undertakings to protect the Votadini or his pride in enlarging the empire, since the retreat to the Hadrianic frontier occurred not long after his death when a more objective strategic assessment of the benefits of the Antonine Wall could be made. The Romans did not entirely withdraw from Scotland at this time: the large fort at Newstead was maintained along with seven smaller outposts until at least 180.
During the twenty-year period following the reversion of the frontier to Hadrian's Wall in 163/4, Rome was concerned with continental issues, primarily problems in the Danubian provinces. Increasing numbers of hoards of buried coins in Britain at this time indicate that peace was not entirely achieved. Sufficient Roman silver has been found in Scotland to suggest more than ordinary trade, and it is likely that the Romans were reinforcing treaty agreements by paying tribute to their implacable enemies, the Picts.
In 175, a large force of Sarmatian cavalry, consisting of 5,500 men, arrived in Britannia, probably to reinforce troops fighting unrecorded uprisings. In 180, Hadrian's Wall was breached by the Picts and the commanding officer or governor was killed there in what Cassius Dio described as the most serious war of the reign of Commodus. Ulpius Marcellus was sent as replacement governor and by 184 he had won a new peace, only to be faced with a mutiny from his own troops. Unhappy with Marcellus's strictness, they tried to elect a legate named Priscus as usurper governor; he refused, but Marcellus was lucky to leave the province alive. The Roman army in Britannia continued its insubordination: they sent a delegation of 1,500 to Rome to demand the execution of Tigidius Perennis, a Praetorian prefect who they felt had earlier wronged them by posting lowly equites to legate ranks in Britannia. Commodus met the party outside Rome and agreed to have Perennis killed, but this only made them feel more secure in their mutiny.
The future emperor Pertinax (lived 126–193) was sent to Britannia to quell the mutiny and was initially successful in regaining control, but a riot broke out among the troops. Pertinax was attacked and left for dead, and asked to be recalled to Rome, where he briefly succeeded Commodus as emperor in 192.
3rd century
The death of Commodus put into motion a series of events which eventually led to civil war. Following the short reign of Pertinax, several rivals for the emperorship emerged, including Septimius Severus and Clodius Albinus. The latter was the new governor of Britannia, and had seemingly won the natives over after their earlier rebellions; he also controlled three legions, making him a potentially significant claimant. His sometime rival Severus promised him the title of Caesar in return for Albinus's support against Pescennius Niger in the east. Once Niger was neutralised, Severus turned on his ally in Britannia; it is likely that Albinus saw he would be the next target and was already preparing for war.
Albinus crossed to Gaul in 195, where the provinces were also sympathetic to him, and set up at Lugdunum. Severus arrived in February 196, and the ensuing battle was decisive. Albinus came close to victory, but Severus's reinforcements won the day, and the British governor committed suicide. Severus soon purged Albinus's sympathisers and perhaps confiscated large tracts of land in Britain as punishment. Albinus had demonstrated the major problem posed by Roman Britain. In order to maintain security, the province required the presence of three legions, but command of these forces provided an ideal power base for ambitious rivals. Deploying those legions elsewhere would strip the island of its garrison, leaving the province defenceless against uprisings by the native Celtic tribes and against invasion by the Picts and Scots.
The traditional view is that northern Britain descended into anarchy during Albinus's absence. Cassius Dio records that the new Governor, Virius Lupus, was obliged to buy peace from a fractious northern tribe known as the Maeatae. The succession of militarily distinguished governors who were subsequently appointed suggests that enemies of Rome were posing a difficult challenge, and Lucius Alfenus Senecio's report to Rome in 207 describes barbarians "rebelling, over-running the land, taking loot and creating destruction". In order to rebel, of course, one must be a subject – the Maeatae clearly did not consider themselves such. Senecio requested either reinforcements or an Imperial expedition, and Severus chose the latter, despite being 62 years old. Archaeological evidence shows that Senecio had been rebuilding the defences of Hadrian's Wall and the forts beyond it, and Severus's arrival in Britain prompted the enemy tribes to sue for peace immediately. The emperor had not come all that way to leave without a victory, and it is likely that he wished to provide his teenage sons Caracalla and Geta with first-hand experience of controlling a hostile barbarian land.
Northern campaigns, 208–211
An invasion of Caledonia led by Severus and probably numbering around 20,000 troops moved north in 208 or 209, crossing the Wall and passing through eastern Scotland on a route similar to that used by Agricola. Harried by punishing guerrilla raids by the northern tribes and slowed by an unforgiving terrain, Severus was unable to meet the Caledonians on a battlefield. The emperor's forces pushed north as far as the River Tay, but little appears to have been achieved by the invasion, as peace treaties were signed with the Caledonians. By 210 Severus had returned to York, and the frontier had once again become Hadrian's Wall. He assumed the title Britannicus but the title meant little with regard to the unconquered north, which clearly remained outside the authority of the Empire. Almost immediately, another northern tribe, the Maeatae, went to war. Caracalla left with a punitive expedition, but by the following year his ailing father had died and he and his brother left the province to press their claim to the throne.
As one of his last acts, Severus tried to solve the problem of powerful and rebellious governors in Britain by dividing the province into Britannia Superior and Britannia Inferior. This kept the potential for rebellion in check for almost a century. Historical sources provide little information on the following decades, a period known as the Long Peace. Even so, the number of buried hoards found from this period rises, suggesting continuing unrest. A string of forts were built along the coast of southern Britain to control piracy; and over the following hundred years they increased in number, becoming the Saxon Shore Forts.
During the middle of the 3rd century, the Roman Empire was convulsed by barbarian invasions, rebellions and new imperial pretenders. Britannia apparently avoided these troubles, but increasing inflation had its economic effect. In 259 a so-called Gallic Empire was established when Postumus rebelled against Gallienus. Britannia was part of this until 274 when Aurelian reunited the empire.
Around the year 280, a half-British officer named Bonosus was in command of the Roman's Rhenish fleet when the Germans managed to burn it at anchor. To avoid punishment, he proclaimed himself emperor at Colonia Agrippina (Cologne) but was crushed by Marcus Aurelius Probus. Soon afterwards, an unnamed governor of one of the British provinces also attempted an uprising. Probus put it down by sending irregular troops of Vandals and Burgundians across the Channel.
The Carausian Revolt led to a short-lived Britannic Empire from 286 to 296. Carausius was a Menapian naval commander of the Britannic fleet; he revolted upon learning of a death sentence ordered by the emperor Maximian on charges of having abetted Frankish and Saxon pirates and having embezzled recovered treasure. He consolidated control over all the provinces of Britain and some of northern Gaul while Maximian dealt with other uprisings. An invasion in 288 failed to unseat him and an uneasy peace ensued, with Carausius issuing coins and inviting official recognition. In 293, the junior emperor Constantius Chlorus launched a second offensive, besieging the rebel port of Gesoriacum (Boulogne-sur-Mer) by land and sea. After it fell, Constantius attacked Carausius's other Gallic holdings and Frankish allies and Carausius was usurped by his treasurer, Allectus. Julius Asclepiodotus landed an invasion fleet near Southampton and defeated Allectus in a land battle.
Diocletian's reforms
As part of Diocletian's reforms, the provinces of Roman Britain were organized as a diocese governed by a vicarius under a praetorian prefect who, from 318 to 331, was Junius Bassus who was based at Augusta Treverorum (Trier).
The vicarius was based at Londinium as the principal city of the diocese. Londinium and Eboracum continued as provincial capitals and the territory was divided up into smaller provinces for administrative efficiency.
Civilian and military authority of a province was no longer exercised by one official and the governor was stripped of military command which was handed over to the Dux Britanniarum by 314. The governor of a province assumed more financial duties (the procurators of the Treasury ministry were slowly phased out in the first three decades of the 4th century). The Dux was commander of the troops of the Northern Region, primarily along Hadrian's Wall and his responsibilities included protection of the frontier. He had significant autonomy due in part to the distance from his superiors.
The tasks of the vicarius were to control and coordinate the activities of governors; monitor but not interfere with the daily functioning of the Treasury and Crown Estates, which had their own administrative infrastructure; and act as the regional quartermaster-general of the armed forces. In short, as the sole civilian official with superior authority, he had general oversight of the administration, as well as direct control, while not absolute, over governors who were part of the prefecture; the other two fiscal departments were not.
The early-4th-century Verona List, the late-4th-century work of Sextus Rufus, and the early-5th-century List of Offices and work of Polemius Silvius all list four provinces by some variation of the names Britannia I, Britannia II, Maxima Caesariensis, and Flavia Caesariensis; all of these seem to have initially been directed by a governor (praeses) of equestrian rank. The 5th-century sources list a fifth province named Valentia and give its governor and Maxima's a consular rank. Ammianus mentions Valentia as well, describing its creation by Count Theodosius in 369 after the quelling of the Great Conspiracy. Ammianus considered it a re-creation of a formerly lost province, leading some to think there had been an earlier fifth province under another name (may be the enigmatic "Vespasiana"), and leading others to place Valentia beyond Hadrian's Wall, in the territory abandoned south of the Antonine Wall.
Reconstructions of the provinces and provincial capitals during this period partially rely on ecclesiastical records. On the assumption that the early bishoprics mimicked the imperial hierarchy, scholars use the list of bishops for the 314 Council of Arles. The list is patently corrupt: the British delegation is given as including a Bishop "Eborius" of Eboracum and two bishops "from Londinium" (one de civitate Londinensi and the other de civitate colonia Londinensium). The error is variously emended: Bishop Ussher proposed Colonia, Selden Col. or Colon. Camalodun., and Spelman Colonia Cameloduni (all various names of Colchester); Gale and Bingham offered colonia Lindi and Henry Colonia Lindum (both Lincoln); and Bishop Stillingfleet and Francis Thackeray read it as a scribal error of Civ. Col. Londin. for an original Civ. Col. Leg. II (Caerleon). On the basis of the Verona List, the priest and deacon who accompanied the bishops in some manuscripts are ascribed to the fourth province.
In the 12th century, Gerald of Wales described the supposedly metropolitan sees of the early British church established by the legendary SS Fagan and "Duvian". He placed Britannia Prima in Wales and western England with its capital at "Urbs Legionum" (Caerleon); Britannia Secunda in Kent and southern England with its capital at "Dorobernia" (Canterbury); Flavia in Mercia and central England with its capital at "Lundonia" (London); "Maximia" in northern England with its capital at Eboracum (York); and Valentia in "Albania which is now Scotland" with its capital at St Andrews. Modern scholars generally dispute the last: some place Valentia at or beyond Hadrian's Wall but St Andrews is beyond even the Antonine Wall and Gerald seems to have simply been supporting the antiquity of its church for political reasons.
A common modern reconstruction places the consular province of Maxima at Londinium, on the basis of its status as the seat of the diocesan vicarius; places Prima in the west according to Gerald's traditional account but moves its capital to Corinium of the Dobunni (Cirencester) on the basis of an artifact recovered there referring to Lucius Septimius, a provincial rector; places Flavia north of Maxima, with its capital placed at Lindum Colonia (Lincoln) to match one emendation of the bishops list from Arles;[d] and places Secunda in the north with its capital at Eboracum (York). Valentia is placed variously in northern Wales around Deva (Chester); beside Hadrian's Wall around Luguvalium (Carlisle); and between the walls along Dere Street.
4th century
Emperor Constantius returned to Britain in 306, despite his poor health, with an army aiming to invade northern Britain, the provincial defences having been rebuilt in the preceding years. Little is known of his campaigns with scant archaeological evidence, but fragmentary historical sources suggest he reached the far north of Britain and won a major battle in early summer before returning south. His son Constantine (later Constantine the Great) spent a year in northern Britain at his father's side, campaigning against the Picts beyond Hadrian's Wall in the summer and autumn. Constantius died in York in July 306 with his son at his side. Constantine then successfully used Britain as the starting point of his march to the imperial throne, unlike the earlier usurper, Albinus.
In the middle of the century, the province was loyal for a few years to the usurper Magnentius, who succeeded Constans following the latter's death. After the defeat and death of Magnentius in the Battle of Mons Seleucus in 353, Constantius II dispatched his chief imperial notary Paulus Catena to Britain to hunt down Magnentius's supporters. The investigation deteriorated into a witch-hunt, which forced the vicarius Flavius Martinus to intervene. When Paulus retaliated by accusing Martinus of treason, the vicarius attacked Paulus with a sword, with the aim of assassinating him, but in the end he committed suicide.
As the 4th century progressed, there were increasing attacks from the Saxons in the east and the Scoti (Irish) in the west. A series of forts had been built, starting around 280, to defend the coasts, but these preparations were not enough when, in 367, a general assault of Saxons, Picts, Scoti and Attacotti, combined with apparent dissension in the garrison on Hadrian's Wall, left Roman Britain prostrate. The invaders overwhelmed the entire western and northern regions of Britannia and the cities were sacked. This crisis, sometimes called the Barbarian Conspiracy or the Great Conspiracy, was settled by Count Theodosius from 368 with a string of military and civil reforms. Theodosius crossed from Bononia (Boulogne-sur-Mer) and marched on Londinium where he began to deal with the invaders and made his base.[ An amnesty was promised to deserters which enabled Theodosius to regarrison abandoned forts. By the end of the year Hadrian's Wall was retaken and order returned. Considerable reorganization was undertaken in Britain, including the creation of a new province named Valentia, probably to better address the state of the far north. A new Dux Britanniarum was appointed, Dulcitius, with Civilis to head a new civilian administration.
Another imperial usurper, Magnus Maximus, raised the standard of revolt at Segontium (Caernarfon) in north Wales in 383, and crossed the English Channel. Maximus held much of the western empire, and fought a successful campaign against the Picts and Scots around 384. His continental exploits required troops from Britain, and it appears that forts at Chester and elsewhere were abandoned in this period, triggering raids and settlement in north Wales by the Irish. His rule was ended in 388, but not all the British troops may have returned: the Empire's military resources were stretched to the limit along the Rhine and Danube. Around 396 there were more barbarian incursions into Britain. Stilicho led a punitive expedition. It seems peace was restored by 399, and it is likely that no further garrisoning was ordered; by 401 more troops were withdrawn, to assist in the war against Alaric I.
End of Roman rule
The traditional view of historians, informed by the work of Michael Rostovtzeff, was of a widespread economic decline at the beginning of the 5th century. Consistent archaeological evidence has told another story, and the accepted view is undergoing re-evaluation. Some features are agreed: more opulent but fewer urban houses, an end to new public building and some abandonment of existing ones, with the exception of defensive structures, and the widespread formation of "dark earth" deposits indicating increased horticulture within urban precincts. Turning over the basilica at Silchester to industrial uses in the late 3rd century, doubtless officially condoned, marks an early stage in the de-urbanisation of Roman Britain.
The abandonment of some sites is now believed to be later than had been thought. Many buildings changed use but were not destroyed. There was a growing number of barbarian attacks, but these targeted vulnerable rural settlements rather than towns. Some villas such as Chedworth, Great Casterton in Rutland and Hucclecote in Gloucestershire had new mosaic floors laid around this time, suggesting that economic problems may have been limited and patchy. Many suffered some decay before being abandoned in the 5th century; the story of Saint Patrick indicates that villas were still occupied until at least 430. Exceptionally, new buildings were still going up in this period in Verulamium and Cirencester. Some urban centres, for example Canterbury, Cirencester, Wroxeter, Winchester and Gloucester, remained active during the 5th and 6th centuries, surrounded by large farming estates.
Urban life had generally grown less intense by the fourth quarter of the 4th century, and coins minted between 378 and 388 are very rare, indicating a likely combination of economic decline, diminishing numbers of troops, problems with the payment of soldiers and officials or with unstable conditions during the usurpation of Magnus Maximus 383–87. Coinage circulation increased during the 390s, but never attained the levels of earlier decades. Copper coins are very rare after 402, though minted silver and gold coins from hoards indicate they were still present in the province even if they were not being spent. By 407 there were very few new Roman coins going into circulation, and by 430 it is likely that coinage as a medium of exchange had been abandoned. Mass-produced wheel thrown pottery ended at approximately the same time; the rich continued to use metal and glass vessels, while the poor made do with humble "grey ware" or resorted to leather or wooden containers.
Sub-Roman Britain
Towards the end of the 4th century Roman rule in Britain came under increasing pressure from barbarian attacks. Apparently, there were not enough troops to mount an effective defence. After elevating two disappointing usurpers, the army chose a soldier, Constantine III, to become emperor in 407. He crossed to Gaul but was defeated by Honorius; it is unclear how many troops remained or ever returned, or whether a commander-in-chief in Britain was ever reappointed. A Saxon incursion in 408 was apparently repelled by the Britons, and in 409 Zosimus records that the natives expelled the Roman civilian administration. Zosimus may be referring to the Bacaudic rebellion of the Breton inhabitants of Armorica since he describes how, in the aftermath of the revolt, all of Armorica and the rest of Gaul followed the example of the Brettaniai. A letter from Emperor Honorius in 410 has traditionally been seen as rejecting a British appeal for help, but it may have been addressed to Bruttium or Bologna. With the imperial layers of the military and civil government gone, administration and justice fell to municipal authorities, and local warlords gradually emerged all over Britain, still utilizing Romano-British ideals and conventions. Historian Stuart Laycock has investigated this process and emphasised elements of continuity from the British tribes in the pre-Roman and Roman periods, through to the native post-Roman kingdoms.
In British tradition, pagan Saxons were invited by Vortigern to assist in fighting the Picts, Scoti, and Déisi. (Germanic migration into Roman Britannia may have begun much earlier. There is recorded evidence, for example, of Germanic auxiliaries supporting the legions in Britain in the 1st and 2nd centuries.) The new arrivals rebelled, plunging the country into a series of wars that eventually led to the Saxon occupation of Lowland Britain by 600. Around this time, many Britons fled to Brittany (hence its name), Galicia and probably Ireland. A significant date in sub-Roman Britain is the Groans of the Britons, an unanswered appeal to Aetius, leading general of the western Empire, for assistance against Saxon invasion in 446. Another is the Battle of Deorham in 577, after which the significant cities of Bath, Cirencester and Gloucester fell and the Saxons reached the western sea.
Historians generally reject the historicity of King Arthur, who is supposed to have resisted the Anglo-Saxon conquest according to later medieval legends.
Trade
During the Roman period Britain's continental trade was principally directed across the Southern North Sea and Eastern Channel, focusing on the narrow Strait of Dover, with more limited links via the Atlantic seaways. The most important British ports were London and Richborough, whilst the continental ports most heavily engaged in trade with Britain were Boulogne and the sites of Domburg and Colijnsplaat at the mouth of the river Scheldt. During the Late Roman period it is likely that the shore forts played some role in continental trade alongside their defensive functions.
Exports to Britain included: coin; pottery, particularly red-gloss terra sigillata (samian ware) from southern, central and eastern Gaul, as well as various other wares from Gaul and the Rhine provinces; olive oil from southern Spain in amphorae; wine from Gaul in amphorae and barrels; salted fish products from the western Mediterranean and Brittany in barrels and amphorae; preserved olives from southern Spain in amphorae; lava quern-stones from Mayen on the middle Rhine; glass; and some agricultural products. Britain's exports are harder to detect archaeologically, but will have included metals, such as silver and gold and some lead, iron and copper. Other exports probably included agricultural products, oysters and salt, whilst large quantities of coin would have been re-exported back to the continent as well.
These products moved as a result of private trade and also through payments and contracts established by the Roman state to support its military forces and officials on the island, as well as through state taxation and extraction of resources. Up until the mid-3rd century, the Roman state's payments appear to have been unbalanced, with far more products sent to Britain, to support its large military force (which had reached c. 53,000 by the mid-2nd century), than were extracted from the island.
It has been argued that Roman Britain's continental trade peaked in the late 1st century AD and thereafter declined as a result of an increasing reliance on local products by the population of Britain, caused by economic development on the island and by the Roman state's desire to save money by shifting away from expensive long-distance imports. Evidence has been outlined that suggests that the principal decline in Roman Britain's continental trade may have occurred in the late 2nd century AD, from c. 165 AD onwards. This has been linked to the economic impact of contemporary Empire-wide crises: the Antonine Plague and the Marcomannic Wars.
From the mid-3rd century onwards, Britain no longer received such a wide range and extensive quantity of foreign imports as it did during the earlier part of the Roman period; vast quantities of coin from continental mints reached the island, whilst there is historical evidence for the export of large amounts of British grain to the continent during the mid-4th century. During the latter part of the Roman period British agricultural products, paid for by both the Roman state and by private consumers, clearly played an important role in supporting the military garrisons and urban centres of the northwestern continental Empire. This came about as a result of the rapid decline in the size of the British garrison from the mid-3rd century onwards (thus freeing up more goods for export), and because of 'Germanic' incursions across the Rhine, which appear to have reduced rural settlement and agricultural output in northern Gaul.
Economy
Mineral extraction sites such as the Dolaucothi gold mine were probably first worked by the Roman army from c. 75, and at some later stage passed to civilian operators. The mine developed as a series of opencast workings, mainly by the use of hydraulic mining methods. They are described by Pliny the Elder in his Natural History in great detail. Essentially, water supplied by aqueducts was used to prospect for ore veins by stripping away soil to reveal the bedrock. If veins were present, they were attacked using fire-setting and the ore removed for comminution. The dust was washed in a small stream of water and the heavy gold dust and gold nuggets collected in riffles. The diagram at right shows how Dolaucothi developed from c. 75 through to the 1st century. When opencast work was no longer feasible, tunnels were driven to follow the veins. The evidence from the site shows advanced technology probably under the control of army engineers.
The Wealden ironworking zone, the lead and silver mines of the Mendip Hills and the tin mines of Cornwall seem to have been private enterprises leased from the government for a fee. Mining had long been practised in Britain (see Grimes Graves), but the Romans introduced new technical knowledge and large-scale industrial production to revolutionise the industry. It included hydraulic mining to prospect for ore by removing overburden as well as work alluvial deposits. The water needed for such large-scale operations was supplied by one or more aqueducts, those surviving at Dolaucothi being especially impressive. Many prospecting areas were in dangerous, upland country, and, although mineral exploitation was presumably one of the main reasons for the Roman invasion, it had to wait until these areas were subdued.
By the 3rd and 4th centuries, small towns could often be found near villas. In these towns, villa owners and small-scale farmers could obtain specialist tools. Lowland Britain in the 4th century was agriculturally prosperous enough to export grain to the continent. This prosperity lay behind the blossoming of villa building and decoration that occurred between AD 300 and 350.
Britain's cities also consumed Roman-style pottery and other goods, and were centres through which goods could be distributed elsewhere. At Wroxeter in Shropshire, stock smashed into a gutter during a 2nd-century fire reveals that Gaulish samian ware was being sold alongside mixing bowls from the Mancetter-Hartshill industry of the West Midlands. Roman designs were most popular, but rural craftsmen still produced items derived from the Iron Age La Tène artistic traditions. Britain was home to much gold, which attracted Roman invaders. By the 3rd century, Britain's economy was diverse and well established, with commerce extending into the non-Romanised north.
Government
Further information: Governors of Roman Britain, Roman client kingdoms in Britain, and Roman auxiliaries in Britain
Under the Roman Empire, administration of peaceful provinces was ultimately the remit of the Senate, but those, like Britain, that required permanent garrisons, were placed under the Emperor's control. In practice imperial provinces were run by resident governors who were members of the Senate and had held the consulship. These men were carefully selected, often having strong records of military success and administrative ability. In Britain, a governor's role was primarily military, but numerous other tasks were also his responsibility, such as maintaining diplomatic relations with local client kings, building roads, ensuring the public courier system functioned, supervising the civitates and acting as a judge in important legal cases. When not campaigning, he would travel the province hearing complaints and recruiting new troops.
To assist him in legal matters he had an adviser, the legatus juridicus, and those in Britain appear to have been distinguished lawyers perhaps because of the challenge of incorporating tribes into the imperial system and devising a workable method of taxing them. Financial administration was dealt with by a procurator with junior posts for each tax-raising power. Each legion in Britain had a commander who answered to the governor and, in time of war, probably directly ruled troublesome districts. Each of these commands carried a tour of duty of two to three years in different provinces. Below these posts was a network of administrative managers covering intelligence gathering, sending reports to Rome, organising military supplies and dealing with prisoners. A staff of seconded soldiers provided clerical services.
Colchester was probably the earliest capital of Roman Britain, but it was soon eclipsed by London with its strong mercantile connections. The different forms of municipal organisation in Britannia were known as civitas (which were subdivided, amongst other forms, into colonies such as York, Colchester, Gloucester and Lincoln and municipalities such as Verulamium), and were each governed by a senate of local landowners, whether Brythonic or Roman, who elected magistrates concerning judicial and civic affairs. The various civitates sent representatives to a yearly provincial council in order to profess loyalty to the Roman state, to send direct petitions to the Emperor in times of extraordinary need, and to worship the imperial cult.
Demographics
Roman Britain had an estimated population between 2.8 million and 3 million people at the end of the second century. At the end of the fourth century, it had an estimated population of 3.6 million people, of whom 125,000 consisted of the Roman army and their families and dependents.[80] The urban population of Roman Britain was about 240,000 people at the end of the fourth century. The capital city of Londinium is estimated to have had a population of about 60,000 people. Londinium was an ethnically diverse city with inhabitants from the Roman Empire, including natives of Britannia, continental Europe, the Middle East, and North Africa. There was also cultural diversity in other Roman-British towns, which were sustained by considerable migration, from Britannia and other Roman territories, including continental Europe, Roman Syria, the Eastern Mediterranean and North Africa. In a study conducted in 2012, around 45 percent of sites investigated dating from the Roman period had at least one individual of North African origin.
Town and country
During their occupation of Britain the Romans founded a number of important settlements, many of which survive. The towns suffered attrition in the later 4th century, when public building ceased and some were abandoned to private uses. Place names survived the deurbanised Sub-Roman and early Anglo-Saxon periods, and historiography has been at pains to signal the expected survivals, but archaeology shows that a bare handful of Roman towns were continuously occupied. According to S.T. Loseby, the very idea of a town as a centre of power and administration was reintroduced to England by the Roman Christianising mission to Canterbury, and its urban revival was delayed to the 10th century.
Roman towns can be broadly grouped in two categories. Civitates, "public towns" were formally laid out on a grid plan, and their role in imperial administration occasioned the construction of public buildings. The much more numerous category of vici, "small towns" grew on informal plans, often round a camp or at a ford or crossroads; some were not small, others were scarcely urban, some not even defended by a wall, the characteristic feature of a place of any importance.
Cities and towns which have Roman origins, or were extensively developed by them are listed with their Latin names in brackets; civitates are marked C
Alcester (Alauna)
Alchester
Aldborough, North Yorkshire (Isurium Brigantum) C
Bath (Aquae Sulis) C
Brough (Petuaria) C
Buxton (Aquae Arnemetiae)
Caerleon (Isca Augusta) C
Caernarfon (Segontium) C
Caerwent (Venta Silurum) C
Caister-on-Sea C
Canterbury (Durovernum Cantiacorum) C
Carlisle (Luguvalium) C
Carmarthen (Moridunum) C
Chelmsford (Caesaromagus)
Chester (Deva Victrix) C
Chester-le-Street (Concangis)
Chichester (Noviomagus Reginorum) C
Cirencester (Corinium) C
Colchester (Camulodunum) C
Corbridge (Coria) C
Dorchester (Durnovaria) C
Dover (Portus Dubris)
Exeter (Isca Dumnoniorum) C
Gloucester (Glevum) C
Great Chesterford (the name of this vicus is unknown)
Ilchester (Lindinis) C
Leicester (Ratae Corieltauvorum) C
Lincoln (Lindum Colonia) C
London (Londinium) C
Manchester (Mamucium) C
Newcastle upon Tyne (Pons Aelius)
Northwich (Condate)
St Albans (Verulamium) C
Silchester (Calleva Atrebatum) C
Towcester (Lactodurum)
Whitchurch (Mediolanum) C
Winchester (Venta Belgarum) C
Wroxeter (Viroconium Cornoviorum) C
York (Eboracum) C
Religion
The druids, the Celtic priestly caste who were believed to originate in Britain, were outlawed by Claudius, and in 61 they vainly defended their sacred groves from destruction by the Romans on the island of Mona (Anglesey). Under Roman rule the Britons continued to worship native Celtic deities, such as Ancasta, but often conflated with their Roman equivalents, like Mars Rigonemetos at Nettleham.
The degree to which earlier native beliefs survived is difficult to gauge precisely. Certain European ritual traits such as the significance of the number 3, the importance of the head and of water sources such as springs remain in the archaeological record, but the differences in the votive offerings made at the baths at Bath, Somerset, before and after the Roman conquest suggest that continuity was only partial. Worship of the Roman emperor is widely recorded, especially at military sites. The founding of a Roman temple to Claudius at Camulodunum was one of the impositions that led to the revolt of Boudica. By the 3rd century, Pagans Hill Roman Temple in Somerset was able to exist peaceably and it did so into the 5th century.
Pagan religious practices were supported by priests, represented in Britain by votive deposits of priestly regalia such as chain crowns from West Stow and Willingham Fen.
Eastern cults such as Mithraism also grew in popularity towards the end of the occupation. The London Mithraeum is one example of the popularity of mystery religions among the soldiery. Temples to Mithras also exist in military contexts at Vindobala on Hadrian's Wall (the Rudchester Mithraeum) and at Segontium in Roman Wales (the Caernarfon Mithraeum).
Christianity
It is not clear when or how Christianity came to Britain. A 2nd-century "word square" has been discovered in Mamucium, the Roman settlement of Manchester. It consists of an anagram of PATER NOSTER carved on a piece of amphora. There has been discussion by academics whether the "word square" is a Christian artefact, but if it is, it is one of the earliest examples of early Christianity in Britain. The earliest confirmed written evidence for Christianity in Britain is a statement by Tertullian, c. 200 AD, in which he described "all the limits of the Spains, and the diverse nations of the Gauls, and the haunts of the Britons, inaccessible to the Romans, but subjugated to Christ". Archaeological evidence for Christian communities begins to appear in the 3rd and 4th centuries. Small timber churches are suggested at Lincoln and Silchester and baptismal fonts have been found at Icklingham and the Saxon Shore Fort at Richborough. The Icklingham font is made of lead, and visible in the British Museum. A Roman Christian graveyard exists at the same site in Icklingham. A possible Roman 4th-century church and associated burial ground was also discovered at Butt Road on the south-west outskirts of Colchester during the construction of the new police station there, overlying an earlier pagan cemetery. The Water Newton Treasure is a hoard of Christian silver church plate from the early 4th century and the Roman villas at Lullingstone and Hinton St Mary contained Christian wall paintings and mosaics respectively. A large 4th-century cemetery at Poundbury with its east–west oriented burials and lack of grave goods has been interpreted as an early Christian burial ground, although such burial rites were also becoming increasingly common in pagan contexts during the period.
The Church in Britain seems to have developed the customary diocesan system, as evidenced from the records of the Council of Arles in Gaul in 314: represented at the council were bishops from thirty-five sees from Europe and North Africa, including three bishops from Britain, Eborius of York, Restitutus of London, and Adelphius, possibly a bishop of Lincoln. No other early sees are documented, and the material remains of early church structures are far to seek. The existence of a church in the forum courtyard of Lincoln and the martyrium of Saint Alban on the outskirts of Roman Verulamium are exceptional. Alban, the first British Christian martyr and by far the most prominent, is believed to have died in the early 4th century (some date him in the middle 3rd century), followed by Saints Julius and Aaron of Isca Augusta. Christianity was legalised in the Roman Empire by Constantine I in 313. Theodosius I made Christianity the state religion of the empire in 391, and by the 5th century it was well established. One belief labelled a heresy by the church authorities — Pelagianism — was originated by a British monk teaching in Rome: Pelagius lived c. 354 to c. 420/440.
A letter found on a lead tablet in Bath, Somerset, datable to c. 363, had been widely publicised as documentary evidence regarding the state of Christianity in Britai
Dortmund
Hörder Castle, also called Hörde, in what is now Dortmund's Hörde district, was built as a moated castle in the 12th century in the immediate vicinity of the Emscher. It is the ancestral home of the noble Hörde family. Not far from the castle there was an economically important grain mill at the confluence of the Emscher and Hörder Bach.
Hörde Castle and with it Ministeriale Albert I von Hörde are first mentioned in a document from Emperor Otto IV (HRR) in favor of the Corvey Monastery. The historically significant castle tower, which has been preserved to this day, dates from this period.
At the end of the 13th century the castle became the property of the Counts of the Mark. They continued to expand the castle and it later became their base in the Great Dortmund Feud. During the course of the feud, Konrad von der Mark granted the village of Hörde town rights in 1340. In 1614, at the end of the Jülich-Klevian succession dispute, the castle fell to Brandenburg-Prussia in the Treaty of Xanten. In 1505, on the day before All Saints' Day, the castle burned to the ground; only the castle lords' home and another building remained standing.
During the Thirty Years' War, Hörder Castle was occupied first by Spanish and then by Brandenburg and later by the troops of Wolfgang Wilhelm (Palatinate-Neuburg). However, they were all expelled. But when the castle was occupied by French troops in 1673, a fire broke out in the castle, which partially destroyed the castle, the castle chapel and 38 houses in Hörde. The castle was later rebuilt on the old foundation walls.
In 1840, the Iserlohn manufacturer Hermann Diedrich Piepenstock acquired Hörder Castle. He set up a pudding and rolling mill on the site. The Hermannshütte named after him became the first stock corporation in the metallurgical industry in the Ruhr area in 1852 under the name Hörder Bergwerks- und Hütten-Verein. The Hörder mining and smelting association later merged with Hoesch AG.
A bailey was built between 1920 and 1922 in the historicist style and served as the steelworks' administration building. After the decline of the steel industry on Phoenix East and the dismantling of the steelworks, a comprehensive renovation of the castle began in June 2008. In this context, archaeological excavations took place in front of the castle. A new wooden spire was built on the castle tower.
The former Hoesch administration with the extension buildings is listed as an architectural monument, and the traces of the medieval castle are registered as an archaeological monument in the city of Dortmund's list of monuments.
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Dortmund is the largest city in the Ruhr area. It has a population of 593,000 inhabitants, making it the eighth largest city in Germany. Dortmund was founded around 882. Throughout the 13th to 14th centuries, it was the "chief city" of the Rhine, Westphalia, and the Netherlands Circle of the Hanseatic League. During the Thirty Years' War, the city was destroyed and decreased in significance until the onset of industrialization. The city then became one of Germany's most important coal, steel and beer centres. The town expanded into a city, with the population rising from 57,742 in 1875 to 379,950 in 1905. Sprawling residential areas like the North, East, Union and Kreuz district sprang up in less than 10 years. Dortmund consequently was one of the most heavily bombed cities in Germany during World War II. The devastating bombing raids of 12 March 1945 destroyed 98% of buildings in the inner city center. These bombing raids, with more than 1,110 aircraft, hold the record to a single target in World War II. Post-war, most of the ancient buildings were not restored, and large parts of the city area were completely rebuilt in the style of the 1950s. A few historic buildings as the main churches Reinoldikirche and Marienkirche were restored or rebuilt, and extensive parks and gardens were laid out. The simple but successful postwar rebuilding has resulted in a very mixed and unique cityscape.
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After visiting the Ruhr area three years ago, I did a revisit, since there was still so much to see. In less than six days I visited six cities, two museums, and I did some extensive car spotting by bicycle. I have hundreds of car spots to share and took photos of the historic or interesting buildings.
The Ruhr area ('Ruhrgebiet') is named after the river that borders it to the south and is the largest urban area in Germany with over five million people. It is mostly known as a densely-populated industrial area. By 1850 there were almost 300 coal mines in operation in the Ruhr area. The coal was exported or processed in coking ovens into coke, used in blast furnaces, producing iron and steel. Because of the industrial significance, it had been a target from the start of the war, yet "the organized defences and the large amount of industrial pollutants produced a semi-permanent smog or industrial haze that hampered accurate bombing". During World War II, the industry and cities in the Ruhr area were heavily bombed. The combination of the lack of historic city centres, which were burned to ashes, (air) pollution, and urban decay has given the area and the cities a bad reputation.
Source: Wikipedia