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3 12"x12" Panels
Acrylic, watercolor, collage, velvet, screenprint
Constructions of identity and are not neat and clean. The screenprinted houses represent the the exterior self, while the surrounding panels are a mess of layers upon layers of collaged magazine images and over the top , image transfered photocopies of collaged "i"s and "me"s, then coated with more layers of paint.
Paul Andrew Wandless Image Transfer Workshop at the Ceramic Store in 2012. Participants got to learn all kinds of awesome techniques for transferring 2D designs onto clay.
Paul Andrew Wandless Image Transfer Workshop at the Ceramic Store in 2012. Participants got to learn all kinds of awesome techniques for transferring 2D designs onto clay.
Digital image transfer on polymer clay covered in multiple layers of resin. Pendant is ready to add a chain.
Paul Andrew Wandless Image Transfer Workshop at the Ceramic Store in 2012. Participants got to learn all kinds of awesome techniques for transferring 2D designs onto clay.
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Paul Andrew Wandless Image Transfer Workshop at the Ceramic Store in 2012. Participants got to learn all kinds of awesome techniques for transferring 2D designs onto clay.
Paul Andrew Wandless Image Transfer Workshop at the Ceramic Store in 2012. Participants got to learn all kinds of awesome techniques for transferring 2D designs onto clay.
From Orly Avineri's journaling class on Tuesday October 13th at Harmony Works! We were working with layers. The quote says "I think I have a lot of crazy layers." by Blythe Danner. This also includes packing tape image transfer "airships".
Series of solid polymer clay pendants made with image transfers of strange creatures I've created in GIMP. Pendants are reversible, and will be strung permanently on buna cord with polymer clay bead closures glued on. At least one of these will be made into a men's necklace.
These pendants are made in many stages. For those interested these are:
1) Create image in GIMP and print on transfer paper.
2) Bake transfer with paper until barely set, not a full bake.
3) Cool fully. Make an image for the back side, join with the front image and bake lightly again.
4) Sand through several grits of paper, buff with jeweler's lathe.
5) Frame and build the bail out of black clay. bake again for a full cycle. Quench in ice water when they come out of the oven after this baking.
6) After cooling, I coat them with several coats of acrylic before stringing.
These are labor-intensive, and I can see that the images aren't going to be everyone's cup of tea, but I like them a lot and am having fun making these. Ultimately, that is all that counts.
A page from my Image Transfer Art Journal - an image printed on a dryer sheet using an inkjet printer. www.linda-matthews.com/tag/image-transfer-art-journal/
Panic strikes as it appears the sun has fallen through a galactic egg slicer. What ever happened to egg slicers ... you could do cucumber too ....
Polaroid Super Colour Swinger | Polaroid 89 | Image transfer
This is a large polymer clay reversible pendant with silver metal spacer beads and a polymer clay closure, strung on buna cord. The front image is an original of mine, that was created in GIMP. The reverse image is a ghost image in gold.
Pendant and beads have been sanded, polished and sealed with acrylic.
The pendant tile measures 2.5 by 1.75 inches and is .25 inches thick. With the bail the pendant is 3 inches tall. The cord is 28 inches. The round bead on the closure has been secured with Gorilla Glue.