View allAll Photos Tagged ImageTransfer
This is the power house for Erie Canal Lock 13 in Randall, New York. This building sits right on Rt 90 (on the westbound side) and is one of the things that drew me back to the area for a shooting trip in 2002.
You can see the inside of an Erie Canal power house (this one at Lock 15) here.
This is a 35mm color print rendered as a slide, exposed onto Polaroid 669 film and transfered to watercolor paper.
Image transfer of a vintage orchid book illustration on a base of Pearl Premo clay. I stretched the clay a bit to get an even more vintage, crackled look and added a thin layer of Kato liquid clay to seal the image before baking, then sanded and buffed it.
SOLD 04/11/09
Last week I took "Polaroid Transfers" by Kathleen Thormod Car out of the library. I found two polaroid photos I I took during the summer but never really liked very much and decided to experiment a little with image transfer.
The process is very simple. Heat water to 160F and heat print for about 3 minutes until the emulsion starts to bubble. Put the print in cool water and gently remove the emulsion from the paper. When removed place the emulsion on another piece of paper. I used watercolor paper. I tore the first one and did my best to arrange it on the paper. The second came out better. It's really interesting how you can remove the photograph from the paper but it's very fragile.
Photo encaustic, 8 x 8 inches
© 2011 Susan Stayer
Last summer I was in a thrift store in Ohio when I found a Brownie Hawkeye Flash camera. I had to have it - it still had film in it!
I developed and scanned the film and found these two photos.
Each of the images was printed on a laser printer and transferred onto a cradled board coated with clear encaustic medium. I enhanced the transfers with oil pastel, watercolor, and encaustic paint.
Image transfer of models of the original Ralph McQuarrie designs of R2-D2 and C-3PO.
Shot with a Mamiya Universal Press,100mm lens with extension tubes 1,2,3, and 5 in place and the lens recessed.
Exposure, 15 seconds at f22 (about 2 or three stops under! Forgot about the extension tubes. Doh!)
Type 669 Polaroid film, transferred onto Moleskine sketchbook paper.
Left the print develop for 10 seconds before peeling, and pressed to paper for 30 or 40 seconds before removing.
Some of the darker areas didn't take, but the paper surface didn't break as is often the case with this stuff.
On the left-hand page is a Polaroid Pogo version of the image made from two Pogo prints.
"Polaroid's most economical passport camera. For basic passport photography, the Miniportrait 207 is an ideal solution. It offers a double portrait on an individual piece of film, an economical but effective framing aid, and it's lightweight. Fits standard photographic remote cable release. Clear view finder with template for accurate subject positioning."
www.photographyreview.com/mfr/polaroid/point-and-shoot/PR...
9/30/2010
Fujifilm FP-100c Instant Film
Image © 2010 Michael Raso
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double printed image transfer of a scroll border layered on a vintage bird illustration and transferred to a base of Premo Pearl clay embedded with Ranger Mustard embossing powder. The reverse is embossed with a texture sheet for added interest.
ATC has image transfer of vintage picture of school children overlaid over green floral paper. Text reads Find the courage to be bold.
An image transfer from a slide of a flowering tree on the Hofstra campus. To do an image transfer, you use slide film, project in onto polaroid film, then peel the polaroid apart, and press the image onto wet paper. All of these were taken and printed in Spring '06.
See the original version here: www.flickr.com/photos/left-uninspired/4537975685/
New photo of a brooch with colored Image Transfer from 2006
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Neues Foto einer Brosche mit koloriertem Image Transfer von 2006
Experimenting with transfer, the heat of the iron lifted the acrylic undercoat, but I kinda like what happened, anyway.
Image transfers on a base of Premo Pearl clay to which I added Ranger Copper Embossing Powder. I glazed the finishes with Studio by Sculpey Glossy Glaze.
These BOH will be donated to cancer patients, and are part of a charitable project sponsored by my polymer guild, PCAGOE.
The bottle is 1 1/4" tall and 1/4" in diameter.
model: Angelika Jakubowska / Miss Polonia 2008
transfer with Polaroid 690
If you like my transfer please visit my www.facebook.com/tomasz.mosionek.photography fanpage and like it ;)
More transfers: www.mosionek.com/portfolio/polaglam-transfer/
In this ATC, the woman's face is transferred onto fabric (cotton) using an inkjet image and Aileen's Tacky Glue. The word "trust" is rubber stamped onto fabric.
Image Transfer.
Many, many thanks to Lynda of SC Diva - check out her blog here: www.scdiva.blogspot.com/ for her invaluable help in making a successful image transfer.
This is a technique that has had me tearing my hair out - but hopefully no longer!
Polymer Clay, no glaze, no varnish, just handsanded and polished.
This was the first part of creating this painting. I transffered the image using graphite paper onto watercolor paper. Tedious, but well worth it. I have and am recording all the steps along the way, so we can all teach and learn together.
I love this zebra background. It's the best pattern I've seen yet. I paired it with a brilliant red poppy, a vintage book illustration, and it really pops! It is a double image transfer onto Pearl Premo clay.
After digitally recoloring and manipulating the images and printing them, I applied them directly to polymer, and cut them into strips and rectangles for the box, and heart shapes for the necklace and earrings. The strips were applied to a box from the Goodwill that was painted black. The hearts became the focal and matching beads for the jewelry set, combined with antiqued brass chain, wire, and Czech glass beads.
Created for the PCAGOE Image Transfer challenge, September 2010 with the "Gothic" digital image sheet from Piddix at Etsy.