View allAll Photos Tagged ISO_400
Disposable Camera
I want to start shooting film to switch things up a bit.
These are from a few months ago and I never got
them developed until today.
I hate vertical but love my brother. =]
Film is going to take some getting used to....
Street
Nishiikebukuro Toshima-ku Tokyo
Zorki-4
KMZ Jupite-8 50mm f2
Lomography Lady Gray iso 400
Epson GT-X820 3200dpi
Olympus Trip 35 (1967) B&W - 11 (of 16) - Olympus 40mm 1:2.8 Trip 35 (1967-84) with Ilford XP2 ISO 400 B&W Film - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
I Never Promised you a Rose Garden - 12 (of 17) - Nikon F80 (2000-2009) with Nikkor (2005) DX AF-S 55-200mm 1:4-5.6 G ED non-VR Zoom (F mount) & Fuji ISO 400 Film - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
Bayview Serenity - Yashica T4 Super with ISO 400 Kodak Film - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.
Coldest Day: HDR (from single jpg) - Nikon F65 (2001) with Nikkor AF D 28-80mm F/3.5-5.6 Zoom and Kodak ISO 400 Film - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.
Strobist info:
ISO 400
f10
1/60
24 mm
CyberSync triggers for a Nikon SB-80DX at full power into a 24" reflector umbrella
30 or so shots composited in Photoshop
Explored!
I did this for my friend and his father that take their plane out almost every weekend.
Both my friend and his dad have a series of photos by Eric Long (a National Air & Space Museum photographer) of the shuttle Enterprise, an SR-71 and an Air France Concorde. I was only able to find one example of these photos online, and it is here.
I had suggested that it would be fun to shoot their Beechcraft in the same style that Eric Long used for the world-famous aircraft, and my friend thought it was a brilliant idea and wanted to give a print to his dad for Father's Day.
And off we went to the airfield where they keep the plane....
The plane was kept in a hangar, and we shot the entire plane without moving it. We had to wait for the sun to almost set, because my strobe and umbrella setup was not powerful enough to overcome the sunlight.
I set the camera on a tripod, and placed the tripod on top of a table, and then used a ladder to check the composition. I then used a radio shutter release to take each shot, while the camera had a radio strobe trigger that would fire the flash in my hand as I walked around the plane. This is a composite of about 30 photographs.
Holga pinhole camera, Ilford HP5 ISO 400, developed in caffenol C, 2-sec exp
130-year-old cottonwood at teh San Pedro RIver Riparian Area, near Sierra Vista, Az USA
Dec 25, 2009
Chevrolet
Boneyard
Cardinal, Ontario
SPAO
School of the Photographic Arts: Ottawa
Classic B&W Photography I
KODAK TRI-X ISO 400 B&W Film
D-76—1:1 dilution @ 9 mins.
ILFORD Multigrade IV RC DE LUXE Pearl Finish Paper
#3 grade filter | Beseler enlarger
Nikkor 35mm f/2
f/2 | 1/2000sec | 35mm
Nikon F5
----------------------------------------NO Invites or Self promoting----------------------------------------
Deneen Evening Dress Portrait Photo Shoot Arch Street Studio Philadelphia Ilford HP5 Plus ISO 400 35 mm B&W Film Contact Sheet Proof Print June 1995
Exposure: 180 seconds, f/4, ISO 400
Date: 21 September 2008, 12:33am AKDT
Location: along the Trans-Alaska Pipeline, near Fairbanks, Alaska
Notes:
I recently spent some time in Alaska with my brother. This series is from the second night we shot along the pipeline (we had bear spray this time) – it was really clear and pretty cold and I have way too many sweet shots from this night that I’m having trouble editing them down… So prepare for the onslaught.
Late September - Yashica T4 Super with ISO 400 Kodak Film - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.
Nikon AF-S Nikkor 1.8 - 50 mm G
ISO 400
Edit by Aviary
High Definition
sharper
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The Week Before Christmas IV - 3 (of 7) - Pentax P3n 35mm SLR (1988) with Tamron 28-200 mm F:3.8-5.6 Zoom (PK mount) & Fuji ISO 400 Film - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.
The Week Before Christmas - 3 (of 5) - Pentax P3n 35mm SLR (1988) with Tamron 28-200 mm F:3.8-5.6 Zoom (PK mount) & Fuji ISO 400 Film - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.
Billy Lewis Centenary Garden - 9 (of 17) - Manual Pentax K1000 SLR (1976) with Quantaray Aspherical 28-80mm 1:3.5-5.6 Zoom (PK Mount) and Hoya Cross Screen Filter and ISO 400 Fuji Film - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
Shot from first "test roll" using my newly acquired Pentax Auto 110 Camera (w/ 18mm lens). Kodak 110 Film (iso 400) was processed and printed by Clark Color Labs.
The print received was a bit on the muddy side. I also noticed that there is no "real focus" in the entire frame. Print scanned using the Canon LIDE 90. Used Photoshop 7.0 to boost chroma 25%, sharpen and fix black levels.
Overall, a bit disappointed with the image quality (for the overall softness). After carefully examining the negative, I suspect that Clark Labs printed a bit on the soft side.
Image: Woodland Lake, Pequannock, New Jersey
7/18/2009
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blog: 110 Film - Here and Now (2012)
filmphotographyproject.com/content/features/2012/08/110-f...
Used a softer flash setup and slightly darker exposure settings in this shot, allowing for a variation in appearance of skin tone, texture, contrast and look of her beautiful eyes.
Bei Reichenthal mit
Nikon AF-S DX 18-105mm F/3.5-5.6 VR
48mm, 1/250, F/8, ISO 400
Crop.: 4930x2773 (FRH)
Deneen Evening Dress Portrait Photo Shoot Arch Street Studio Philadelphia Ilford HP5 Plus ISO 400 35 mm B&W Film Contact Sheet Proof Print June 1995
Fujifilm Single Use Camera
ISO 400
This series was taken using single use cameras; the scanned photos were edited in Lightroom, though I left many aspects of the original film images intact (e.g., the grain/unsharpness, and lens defects). It is often said that a photographer should be able to create effective images with any camera, but one rarely puts oneself to the test. One function of this exercise was thus to force myself to practice seeing using a very humble instrument: a camera for which the ISO is fixed, the aperture is fixed, the focal length is fixed, and even the point of focus is fixed (and, at that, often of poor calibration). Like the image of an object underwater, the subject through the viewfinder on such a camera is not quite where it appears, and one must guess at the true field of view. A far cry from a modern digital camera, though an echo of the sorts of cameras I had access to as a child! To be effective with such an instrument demands that one's craft transcend the limits of the tool. Different audiences may or may not agree on whether I accomplished that, but it is a task worth attempting every now and again.
In all honesty, another - more petty - reason for this series was fatigue with the endless cycle of hardware critique. I love tools, and the distinctive affordances of different tools, but tools suffice for neither craft nor art. As wonderful as it is to have fancier lenses, better sensors, and other modern conveniences, the great photographers of earlier decades did amazing work with technology that is in some ways eclipsed by a modern cell phone camera. To tell eager new photographers that they need $20,000 worth of the latest gear to make acceptable art is at best a cruel hoax, and at worst a way of keeping them from realizing their potential. Being of perverse bent, such debates motivated me to see what I could do with the worst possible equipment. I hope that the results reinforce the eternal point that the camera does not make the image, and that art can be done with whatever instrument is at hand.