View allAll Photos Tagged ISO_400
Tech: Pentax K-5 IIs | SMC Pentax-FA 100mm f/2.8 Macro
Shot at: ISO 400 | f/5.6 | 1/1000 sec
I visited my old city of Charleston, West Virginia during a few days in the region. Stopped over at the West Virginia State Capitol to take a few exteriors and came across some rather people friendly black squirrels on the grounds of the complex.
Black squirrels are a rare, though growing, subgroup of common squirrels who are melanistic, giving them a black coat. I love when I come across these, usually its been isolated to areas of the Great Lakes in Canada (especially Kingston), Michigan (Port Huron), and western New York. I know I saw one in the last couple of years somewhere closer to the Atlantic but can't remember where.
This 100mm Pentax-FA lens is nice, glad it came in time for the trip. I didn't have time to snap a lot of pictures but was happy I had the lens on me for this particular shot.
SONY FE 16-35mm @ 16mm; f/8; ISO 400; HDR 9 exposures. #SONY #SONYMalaysia #ILCE-7RM2 #A7RII #Alpha #NurIsmailPhotography #Landscape #Frozenlite #VisitMalaysiaYear #KLCC #PetronasTwinTowers
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Parámetros :: Parameters :: Paramètres: Fuji FinePix SL1000; ISO 400; 0 ev; f 18.2; 1/200 s; Fuji lens, 83 mm.
Título :: Title :: Titre ::: Fecha (Date): Contraluz a mediodía :: Cross-light to midday :: Rétroéclairé à midi ::: 2014/12/08 12:05
(Es). Historia: León. España. Hoy es fiesta en España. Hemos salido a dar un paseo por la ciudad a medio día. El sol nos lleva una hora de retraso; por el reloj son las 12 AM y por el sol son las 11 AM. Paso por la calle Alfonso V y veo el contraluz. Las luces que adornan las calles realmente están apagadas, pero la luz del sol parece que las encendiera. El termómetro de la farmacia marca 6 grados centígrados, sin viento; día fresco pero agradable al mismo tiempo.
Toma: Me coloco en la acera contraria y me oriento hacia zona media de la calle. Espero tranquilamente a que tenga un conjunto de personas interesante. Se acerca alguien en bicicleta y le dejo alejarse hacia el fondo de la calle. Otro cruza de acera al fondo. Aprovecho ese momento antes de que pasen coches entre las dos personas.
Tratamiento: Con Aperture. Original en JPG con mejora básica de Aperture. He tenido que hace modificaciones en las luces y el contraste para dar ese aspecto oscuro donde las luces destacan claramente. La saturación de color la reduzco al 68%, elevo el contraste y el punto negro. Las luces altas las saturo de forma importante. Con las modificaciones en el histograma de luminaria consigo forzar los blancos y negros densos.
¡Eso es todo amigos!
(En). The History: León. Spain. Today it is a holiday in Spain. We have gone out to give a walk along the city at midday. The Sun takes us an hour of delay; for the clock it is 12 o'clock AM and for the Sun it is 11 o'clock AM. I happen for the street Alfonso V and see the backlight. The lights that adorn the streets really are extinguished, but the light of the Sun seems that it was igniting them. The thermometer of the drugstore marks 6 centigrade degrees, without wind; fresh but agreeable day at the same time.
Taking up: I place in the opposite sidewalk and orientate myself towards medium zone of the street. I hope calmly that it has an interesting set of persons. Someone approaches in bicycle and I leave him to move away towards the bottom of the street. It crosses other one of sidewalk to the bottom. I take advantage of this moment before cars happen between both persons.
Treatment: With Aperture. Original JPG with Aperture Basic improving. I have had that does modifications in the lights and the contrast to give this dark aspect where the lights stand out clearly. I reduce the saturation of color to 68 %, raise the contrast and the black point. I saturate the high lights of important form. With the modifications in the histogram of light I manage to force the whites and dense blacks.
That's all folks !!
(Fr). Histoire: Léon. L'Espagne. Aujourd'hui est un jour férié en Espagne. Nous sommes sortis pour une promenade autour de la ville à midi. Le soleil nous prend une heure de retard; l'horloge est 00 heures et le soleil est 23 heures. Descendez la rue et de Alfonso V rétroéclairage. Les lumières qui ornent les rues sont vraiment loin, mais la lumière du soleil semble que enflammé. Le thermomètre Pharmacie marque 6 degrés, pas de vent; cool, mais agréable journée en même temps.
Prendre: Je me place dans le trottoir opposé et m'oriente vers une zone moyenne de la rue. J'attends tranquillement qu'il a l'ensemble intéressant de personnes. Quelqu'un s'approche à vélo et je lui permets de m'éloigner vers le fond de la rue. L'autre croise d'un trottoir au fond. Je mets ce moment à profit avant que des voitures ne passent entre les deux personnes.
Traitment: Avec Aperture. Origine amélioration JPG d'Aperture base. J'ai eu qui fait des modifications dans les lumières et le contraste pour donner cet aspect obscur où les lumières se font remarquer clairement. Je réduis la saturation de couleur à 68 %, élève le contraste et le point noir. Je sature les hautes lumières d'une forme importante. Avec les changements de l'histogramme de le luminance le forçant dense noir et blanc.
Voilà, c'est tout!
Nikon Nails It (Again) - 2 (of 30) - Nikon F75 (2003-2007) with Nikon AF Nikkor 35-70mm 1:3.3-4.5 Zoom (MKII 1989-1994) & ISO 400 Fuji Film - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
Fav it If she makes you feel happy ;-)
Exposure 1/200 sec at f/1.4
Focal length 50mm
ISO 400
Canon EOS 60D
Lens EF50mm f/1.4 USM
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Jack Point Biggs Park: Mount Benson - Nikon F90X with Nikkor DX AF-S 55-200mm 1:4-5.6 G ED non-VR Zoom & ISO 400 Fuji Film - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
Skywatcher 72ed
Celestron SE mount on homemade wedge.
Canon 600d (un-modified)
140x 60 second exposures- ISO 400
30x Darks 40x Flats 30x Bias frames
Processed in DSS, GIMP and Lightroom.
Trail to Ammonite Falls - 1 (of 2) - Nikon F75 with Nikkor 1:3.3-5.6 28-80mm zoom & Fuji ISO 400 film - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, British Columbia, where he works as a writer.
ZN36 - Nikon F75 with Nikkor 1:3.3-5.6 28-80mm zoom & Fuji ISO 400 film - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, British Columbia, where he works as a writer.
Taken whilst at university probably in 2008 or 2009. Taken on a Canon AE-1 on either Agfa Vista or Fuji Colorplus. ISO 400. 35mm.
Canon EOS 450D + Tokina AT-X 124 AF Pro DX 12-24mm f/4 + TC-80/C1 Yongnuo Time Remote Controller
Ultima prueba en Torrelodones con contaminacion luminica, La proxima espero que sea una foto que diga un poco más, pero como prueba estoy satisfecho.
180 tomas de 30 Segundos (1 hora y 30 minutos) + 20 "Blacks" (10 minutos) unidos mediante startrails.
Exposición: 30 seg x 180 (5400 seg)
Aperture: f/5.6
Lente: 12 mm
Velocidad ISO: 400
Sometimes, I find images comprised of only reflections more interesting than images containing only the subjects being reflected. To capture such an image requires a reflective surface and something to be reflected in it.
Most locations share a similar nearby reflection source: water. When water is the reflective surface and there is at least a small amount of motion on the water surface, no two photos will be the same. You can capture 20 images from a tripod-mounted camera and still have no duplicates. Such images can sometimes work together for a low-effort collection.
Water in motion is ... in motion. To stop motion requires an adequately short shutter speed and to achieve stopped motion in this frame, I opted for ISO 400 (vs. the least-noisy ISO 100 option). The final image has very little noticeable noise and the small waves are not showing blur.
For this image, I found a brightly colored boat as the reflective subject and adjusted my position until I had what I felt was ideal framing. I especially like how the top and bottom borders of the frame are relatively uninterrupted by lines in this composition.
Keep in mind that reflection images often benefit from increased contrast and saturation in post processing.
Gear Used:
Canon EOS 5D Mark III
Canon EF 24-105mm f/3.5-5.6 IS STM Lens
Camera and Lens Settings:
105mm f/10.0 1/40s
ISO 400
5760 x 3840px
Click on the image to view large. Get more camera gear and photo information at www.the-digital-picture.com/
#Canon #Canon5DMarkIII #Telephoto #Reflection #Reflections #Outdoor #Water #Ripples #Blue #White #Gold #Artistic #Random
Sunflowers - Manual Pentax K1000 SLR (1976) with Quantaray Aspherical 28-80mm 1:3.5-5.6 Zoom (PK Mount) and Hoya Cross Screen Filter and ISO 400 Fuji Film - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
Sea Lion Day at Cow Bay - 3 (of 21) - Minolta Maxxum 7000 (1985) SLR with Minolta 28-80mm 1:3.5-5.6 Zoom (A mount) & Fuji ISO 400 Film - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
Nikon FM3A, Nikkor 50mm F1.8, Kodak Porta 400. Warwickshire.
More from this batch of film, and analog learning points here: www.barnabyrobson.org/2014/08/16/adventures-in-analog-3rd...