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Dialing in fit of the ISO disk mount and bridge on Brett's 29er. High tech "left-handed index finger jig" too...
ISO 100 1/125 f/4.5 auto wb eval metering hand-held late afternoon; RAW processed in SPP5.3 standard colormode minor adj of sliders
Neck Point Walk V - Pentax MZ-5 SLR with Tamron 28-200 mm F:3.8-5.6 Zoom and Kodak ISO 200 Film - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.
An Ilford HP5+ exposed for 800 ISO film with my Zorki 1 type D (year 1955), Lyon, France, February 5, 2023.
The Zorki camera was loaded with a 36-exposure Ilford HP5+ film, with its leader trimmed for old Leica's. During operations the Industar-22 lens was equipped with a 36mm push-on 1A filter and a generic metal cylindric shade hood.
Expositions were determined for 800 ISO using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas.
Typically the shutter exposure time was 1/200s with diaphragm of F/5.6 to f/11 for a quite cloudy weather.
Quai Romain Rolland, February 5, 2023
69005 Lyon
France
After exposure, the film was processed using Adox Adonal (= Agfa Rodinal) developer at dilution 1+25, 20°C for 8 min according to development data for pushing the HP5+ film to 800 ISO. The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
This camera is a practically mint sample of Zorki 1 arrived to me in Lyon, France, January 10, 2023.
The camera looked exiting from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФЭД", "ФЭД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Oskar Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was still deposited the Austrian custom receipt from 1955 and a film label of Agfa negative-color CN17 likely from the 60's.
© Museo Nazionale del Cinema / Mathieu Gasquet
A series of photographs taken at the National Cinema Museum, in Turin (Italy), to test the high ISO capabilities of the Olympus OM-D E-M5.
Read the full article here.
Beach Grass - Nikon F75 (2003) with Nikkor 35-70mm 1:3.3-4.5 Zoom and Kodak 400 ISO Film - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.
The Isetta is an Italian-designed microcar built in a number of different countries, including Spain, Belgium, France, Brazil, Germany, and the United Kingdom. Produced in the post-World War II years, a time when cheap short-distance transportation was most needed, it became one of the most successful and influential city cars ever created. Because of its egg shape and bubble-like windows, it became known as a bubble car, a name later given to other similar vehicles, including the AMC Pacer.
The BMW Isetta was in 1955 the world's first mass-production 3-Liters/100km car. It was the top-selling single cylinder car in the world, with 161,728 units sold.
From left: Reinhard Weissinger (Manager Research, Education and Strategy ) and
Daniele Gerundino (Strategic Advisor to the Secretary-General).
Photo: ISO
Bowen Park Stream - Nikon F90X (1992) with Nikkor DX AF-S 55-200mm 1:4.0-5.6 G ED non-VR ED & Kodak 200 ISO Film - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.
SOOC jpg, completely untouched. I wanted to see what the D3S was capable of if really pushed. I had to turn off the lights to get these images ... they are all lit with light coming from the TV and my husband's open laptop. Check out the EXIF data. Oh, please note that these were shot at the widest aperture available. My 105mm only opens up to f2.8 or f3.
I am completely blown away.
PS apologies to my husband for the unflattering photo. He's a lot cuter in real life :D
Copyright André Corrêa
Camera: Eximus Wide & Slim
Filme: Rollei Nightbird Redscale ISO 500-800 @ 800
ISO 320, F7.1, 1/15 sec.
STU above camera, 2nd flash on floor CR bounced into right wall. 3rd light on counter hidden behind blender, trying to get a bit of light on far wall under counter but all it did was make a gross reflection.
Any comments and/or suggestions are appreciated. New to PFRE and looking to learn and practice. Thanks!
Millstone River - 2 (of 2) - Olympus (1991) ZLR IS1000 with 4.5-5.6 35-135mm Zoom & Kodak Ultramax ISO 400 - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.
O Simespi realizou, nos dias 20, 21, 26 e 27 de outubro , o curso “Formação de Auditor Interno – NBR ISO 9001:2008”, com o instrutor Francisco Jesuíno Fernandes Jr.
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Kodak 2238 shot at ISO 100 and developed in H&W Control 1:15. Underexposed and overdeveloped this is the first experiment. H&W Control was invented by Harold Holden and Arnold Weichert and “perfected” to work with Agfa Copex Pan Rapid microfilm which was rebranded by H&W as a house film to work with Control developer. The purpose of the creation was to use the high contrast film for aerial reconnaissance who H&W contracted with. Here I’m trying to see how high we could reasonable run 2238 as a standard film for snapshots etc.
H&W Control’s patent states it’s normal initial use should be 1:15 dilution at 68 degrees F for 12 minutes and then expand from there. This roll was shot at ISO 100 then split. I developed the first half of the roll at 68 degrees for 13 Minutes and the second half for 14 minutes. Standard agitation is constant for the first 2 minutes and then 6 seconds every minute thereafter. Stop/washed in tap water at 68 degrees and fixed in Ilford Hypam 1:4 for 3 minutes (H&W suggests 2 minutes).
These were shot on the same 2 days, overcast with little direct sunlight. The shots are obviously underexposed. But some of them are pretty adequate with some post process. There is a tendency for the picture to go dark and appear as evening or even well lit night. However it is easy to brighten the scene.
After some thought I think the goal will be to get clear ISO 80 pictures on 2238. I will next extend the developing time in order to clear up some of the blocked parts. I may try some sodium thiocyanate something around 1 g/Liter of stock so 0.06 gram in the working solution.
H&W Control
Water (60ºC)75 ml
Sodium Sulfite, anhydrous1.9 gpreservative
Hydroquinone0.3 gdeveloper agent
Sodium Carbonate8.7 galkali, accelerator
Phenidone2.07 gdeveloper agent
Water to make125 ml
Sodium Sulfite15.15 gpreservative
Water to make250 ml
Capacity at 1+15 dilution4 L for 13 rolls
ISO 200
1/50th
ƒ/2
35mm
Andrew H Wagner (C)2012. All Rights Reserved.