View allAll Photos Tagged INTERCONNECTED
With 76 seaports along its 11,000 kilometers of seashore on the Pacific and
Atlantic Oceans, 85 airports, 26,700 kilometers of railroad and 366,000 kilometers of road,
Mexico is one of the most “interconnected” countries in the entire hemisphere.
Source: NDN/NDI Report "Realizing the Full Value of Crossborder Trade with Mexico"
15 interconnected stories tell a tongue in cheek noir tales of small town sleuthing. Mike Greer is sweet and tough and barely making it. With the help of his friends he manages to stay in business. Fun and games in Altoona, Pa.
Guess who just spent an hour and a half on this photo?
Check out the large on black to appreciate it.
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.
Fireworks in a local park on July 4th, 2009. To the left is the July Thunder Moon.
Full post on red Ravine.
Minneapolis, Minnesota
Field Number: IMG_16304
full post on red Ravine:
Albania
Education and training - Innovation and skills
A veterinary student from Tirana gains new knowledge, skills and ambitions – and a cat – by participating in the ERASMUS+ programme.
Read the full story here: webalkans.eu/en/stories/the-lives-of-creatures-on-our-pla...
Share your story here: webalkans.eu/en/submit-a-story/
© Armela Lato
Izunuma-Uchinuma, two interconnected freshwater lakes supporting fringing peat swamps, reedbeds, and submerged vegetation. One of the few Japanese localities for wild rice, an important food source for wintering Anatidae (ducks, geese, swans, etc.). The 559 ha National Wildlife Protection & Nature Conservation Area was designated as Ramsar Site in 1985.
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.
4 May 2024 – The discussion reaches its peak at the civil society event “Navigating Interconnected Challenges: Climate, Conflict, and Social Development in Asia and the Pacific” held on the sidelines of the 57th Annual Meeting of the ADB Board of Governors in Tbilisi, Georgia.
The meeting is an opportunity for ADB shareholding governments to provide guidance to management and staff on administrative, financial, and operational issues. Over the years, ADB Annual Meetings have become a premier forum for the discussion of economic and social development issues in Asia and the Pacific.
The Yale University Art Gallery (YUAG) is the oldest university art museum in the Western Hemisphere. It houses a major encyclopedic collection of art in several interconnected buildings on the campus of Yale University in New Haven, Connecticut. Although it embraces all cultures and periods, the gallery emphasizes early Italian painting, African sculpture, and modern art.
The gallery was founded in 1832, when patriot-artist John Trumbull donated more than 100 paintings of the American Revolution to Yale College and designed the original Picture Gallery. This building, on the university's Old Campus, was razed in 1901.
Street Hall, designed by Peter Bonnett Wight, was opened as the Yale School of the Fine Arts in 1866, and included exhibition galleries on the second floor. The exterior was in a neo-Gothic style, with an appearance influenced by 13th-century Venetian palaces. These spaces are the oldest ones still in use as part of the Yale University Art Gallery.
A Tuscan romanesque building, designed by Yale architect Egerton Swartwout, was completed in 1928. This building had cornices, a pitched slate roof, and large windows set within stone arches, and was connected to Street Hall by an enclosed bridge over High Street. It would come to be called the "Old Yale Art Gallery", in comparison with a modernist expansion added a couple of decades later.
The gallery's modernist main building, built from 1947 to 1953, was among the first designed by Louis Kahn, who taught architecture at Yale. ("Kahn played a major role in Yale's own artistic development. And Yale in turn would give Kahn the commission that transformed his career as an architect.") Although the Art Gallery with steel structure and reinforced concrete may seem simple to the eye, it was designed in a rigorous process. Kahn and Anne Tyng, the first woman licensed as an architect in the state of Pennsylvania and an employee of Kahn's independent practice, "devised a slab that was to be poured into metal forms in the shape of three-sided pyramids. When the forms were removed, they left a thick mass of concrete imprinted with tetrahedral openings." The triangular ceiling of the gallery was designed by Tyng, who was fascinated by geometry and octet-truss construction.
(From Wikipedia)
An ever-changing, complex, and interconnected world demands excellence from those in public service. What does a career dedicated to serving others look like in the 21st century? What new skills are needed? How do you get your foot in the door, and then build such a career?
Please join a panel of Henry M. Jackson Leadership Fellows and public service leaders at the Wilson Center on June 6 as we explore these questions and highlight insights for the next generation of public servants.
See more at: www.wilsoncenter.org/event/building-resilient-future-thro...
The Transformative Power of Travel: A Journey into the Heart and Mind
Introduction
Traveling is a fundamental aspect of the human experience. Since the dawn of civilization, humans have ventured far and wide, seeking new horizons, experiences, and connections. Traveling is not merely the act of moving from one place to another; it is a profound journey that can transform individuals and societies alike. This essay explores the extensive impact of travel on individuals, their perspectives, and the broader world.
I. Cultural Enrichment
Travel opens doors to cultural enrichment and exposure to a diverse world. When we embark on journeys to distant lands, we encounter traditions, customs, and lifestyles that differ from our own. This cultural immersion leads to a deeper understanding of humanity's rich tapestry. As we interact with people from different backgrounds, our prejudices and preconceived notions are challenged, ultimately giving way to a more inclusive worldview.
For example, a traveler who explores the markets of Marrakech or the temples of Kyoto is likely to appreciate the beauty of diversity and realize that there are countless ways to live, love, and find meaning in life. This cultural enrichment leads to personal growth and a heightened sense of empathy, promoting harmony in an increasingly interconnected world.
II. Personal Growth and Self-Discovery
Travel is a powerful catalyst for personal growth and self-discovery. Leaving the familiar confines of home and stepping into the unknown forces individuals to adapt, problem-solve, and develop new skills. Whether navigating a foreign city's public transport system, communicating in a different language, or making new friends on the road, travelers are constantly challenged to step outside their comfort zones.
Through these challenges, individuals learn to be more independent, self-reliant, and resilient. They discover strengths and abilities they never knew they had. Moreover, travel provides an opportunity for introspection, enabling travelers to reflect on their life choices, values, and aspirations. It can be a transformative experience that leads to personal growth and a greater sense of purpose.
III. Expanding Horizons
Traveling expands our horizons in multiple ways. Geographically, it allows us to explore new landscapes, from pristine beaches to towering mountains, and to witness the beauty and diversity of the natural world. Historically, it provides insight into the past, allowing us to visit ancient ruins, museums, and landmarks that tell the story of human civilization.
Intellectually, travel encourages learning. From learning about different cuisines to understanding the history and politics of other nations, travelers often return home with a broader perspective and a more informed worldview. Additionally, travel broadens our social horizons, as it fosters the development of connections and friendships with people from all walks of life. These expanded horizons are not only enriching but can also inspire a lifelong passion for exploration and learning.
IV. Fostering Creativity
Travel has long been associated with sparking creativity. The novel experiences, sights, and sounds encountered on the road can be a wellspring of inspiration for artists, writers, and creatives. Novel environments, new faces, and the challenge of adapting to unfamiliar situations all contribute to stimulating the mind.
Famous artists like Vincent van Gogh drew inspiration from the landscapes of Provence, while authors like Jack Kerouac found the material for their greatest works during road trips. Travel opens doors to new perspectives and experiences, often giving rise to innovative ideas and creative breakthroughs.
V. Building Empathy and Tolerance
Travel fosters empathy and tolerance by exposing individuals to different cultures, beliefs, and ways of life. When we immerse ourselves in unfamiliar surroundings, we are compelled to engage with the local population and experience their daily lives. This first-hand experience of diversity can break down stereotypes and promote a more accepting and understanding society.
Additionally, travel often leads to witnessing the challenges faced by others, whether it be poverty in a developing country or social injustice in a foreign land. These experiences can ignite a passion for social change and inspire individuals to become more active global citizens.
VI. Environmental Awareness
Travel can also nurture a deep sense of environmental awareness and responsibility. Witnessing the natural beauty of the world, from lush rainforests to delicate coral reefs, can make travelers more cognizant of the need for conservation. Many travelers return from their journeys with a heightened commitment to protecting the environment and supporting sustainable tourism practices.
Conclusion
Traveling is a transformative experience that can enrich our lives in countless ways. It opens doors to cultural enrichment, personal growth, self-discovery, expanded horizons, creativity, empathy, tolerance, and environmental awareness. As we venture out into the world, we not only discover the wonders of our planet but also the boundless potential within ourselves. The transformative power of travel is a force that can shape individuals and, collectively, shape the world. It serves as a reminder that, in our shared journey through life, there is much to learn, explore, and embrace beyond our own comfort zones.
An ever-changing, complex, and interconnected world demands excellence from those in public service. What does a career dedicated to serving others look like in the 21st century? What new skills are needed? How do you get your foot in the door, and then build such a career?
Please join a panel of Henry M. Jackson Leadership Fellows and public service leaders at the Wilson Center on June 6 as we explore these questions and highlight insights for the next generation of public servants.
See more at: www.wilsoncenter.org/event/building-resilient-future-thro...
An ever-changing, complex, and interconnected world demands excellence from those in public service. What does a career dedicated to serving others look like in the 21st century? What new skills are needed? How do you get your foot in the door, and then build such a career?
Please join a panel of Henry M. Jackson Leadership Fellows and public service leaders at the Wilson Center on June 6 as we explore these questions and highlight insights for the next generation of public servants.
See more at: www.wilsoncenter.org/event/building-resilient-future-thro...
The Workman-Temple family relates to the pioneer interconnected Workman and Temple families that were prominent in: the history of colonial Pueblo de Los Angeles and American Los Angeles; the Los Angeles Basin and San Gabriel Valley regions; and Southern California — from 1830 to 1930 in Mexican Alta California and the subsequent state of California, United States.
The Workman-Rowland Party was long considered the "first wagon train of Americans to travel overland to Los Angeles," but the party could not use wagons because of the difficult Old Spanish Trail route, nor were they solely Americans.
-Wikipedia
Contax 137 MD with the Vivitar 20mm f/3.8 wide-angle lens on Arista EDU 100 film (repackaged Fomapan from the Czech Republic).
Seamlessly Looping Background Animation Of Interconnected Particle Streams. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
The Yale University Art Gallery (YUAG) is the oldest university art museum in the Western Hemisphere. It houses a major encyclopedic collection of art in several interconnected buildings on the campus of Yale University in New Haven, Connecticut. Although it embraces all cultures and periods, the gallery emphasizes early Italian painting, African sculpture, and modern art.
The gallery was founded in 1832, when patriot-artist John Trumbull donated more than 100 paintings of the American Revolution to Yale College and designed the original Picture Gallery. This building, on the university's Old Campus, was razed in 1901.
Street Hall, designed by Peter Bonnett Wight, was opened as the Yale School of the Fine Arts in 1866, and included exhibition galleries on the second floor. The exterior was in a neo-Gothic style, with an appearance influenced by 13th-century Venetian palaces. These spaces are the oldest ones still in use as part of the Yale University Art Gallery.
A Tuscan romanesque building, designed by Yale architect Egerton Swartwout, was completed in 1928. This building had cornices, a pitched slate roof, and large windows set within stone arches, and was connected to Street Hall by an enclosed bridge over High Street. It would come to be called the "Old Yale Art Gallery", in comparison with a modernist expansion added a couple of decades later.
The gallery's modernist main building, built from 1947 to 1953, was among the first designed by Louis Kahn, who taught architecture at Yale. ("Kahn played a major role in Yale's own artistic development. And Yale in turn would give Kahn the commission that transformed his career as an architect.") Although the Art Gallery with steel structure and reinforced concrete may seem simple to the eye, it was designed in a rigorous process. Kahn and Anne Tyng, the first woman licensed as an architect in the state of Pennsylvania and an employee of Kahn's independent practice, "devised a slab that was to be poured into metal forms in the shape of three-sided pyramids. When the forms were removed, they left a thick mass of concrete imprinted with tetrahedral openings." The triangular ceiling of the gallery was designed by Tyng, who was fascinated by geometry and octet-truss construction.
(From Wikipedia)