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Albania
Education and training - Innovation and skills
A veterinary student from Tirana gains new knowledge, skills and ambitions – and a cat – by participating in the ERASMUS+ programme.
Read the full story here: webalkans.eu/en/stories/the-lives-of-creatures-on-our-pla...
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© Armela Lato
Izunuma-Uchinuma, two interconnected freshwater lakes supporting fringing peat swamps, reedbeds, and submerged vegetation. One of the few Japanese localities for wild rice, an important food source for wintering Anatidae (ducks, geese, swans, etc.). The 559 ha National Wildlife Protection & Nature Conservation Area was designated as Ramsar Site in 1985.
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.
4 May 2024 – The discussion reaches its peak at the civil society event “Navigating Interconnected Challenges: Climate, Conflict, and Social Development in Asia and the Pacific” held on the sidelines of the 57th Annual Meeting of the ADB Board of Governors in Tbilisi, Georgia.
The meeting is an opportunity for ADB shareholding governments to provide guidance to management and staff on administrative, financial, and operational issues. Over the years, ADB Annual Meetings have become a premier forum for the discussion of economic and social development issues in Asia and the Pacific.
Fireworks in a local park on July 4th, 2009. To the left is the July Thunder Moon.
Full post on red Ravine.
Minneapolis, Minnesota
Field Number: IMG_16304
full post on red Ravine:
The Yale University Art Gallery (YUAG) is the oldest university art museum in the Western Hemisphere. It houses a major encyclopedic collection of art in several interconnected buildings on the campus of Yale University in New Haven, Connecticut. Although it embraces all cultures and periods, the gallery emphasizes early Italian painting, African sculpture, and modern art.
The gallery was founded in 1832, when patriot-artist John Trumbull donated more than 100 paintings of the American Revolution to Yale College and designed the original Picture Gallery. This building, on the university's Old Campus, was razed in 1901.
Street Hall, designed by Peter Bonnett Wight, was opened as the Yale School of the Fine Arts in 1866, and included exhibition galleries on the second floor. The exterior was in a neo-Gothic style, with an appearance influenced by 13th-century Venetian palaces. These spaces are the oldest ones still in use as part of the Yale University Art Gallery.
A Tuscan romanesque building, designed by Yale architect Egerton Swartwout, was completed in 1928. This building had cornices, a pitched slate roof, and large windows set within stone arches, and was connected to Street Hall by an enclosed bridge over High Street. It would come to be called the "Old Yale Art Gallery", in comparison with a modernist expansion added a couple of decades later.
The gallery's modernist main building, built from 1947 to 1953, was among the first designed by Louis Kahn, who taught architecture at Yale. ("Kahn played a major role in Yale's own artistic development. And Yale in turn would give Kahn the commission that transformed his career as an architect.") Although the Art Gallery with steel structure and reinforced concrete may seem simple to the eye, it was designed in a rigorous process. Kahn and Anne Tyng, the first woman licensed as an architect in the state of Pennsylvania and an employee of Kahn's independent practice, "devised a slab that was to be poured into metal forms in the shape of three-sided pyramids. When the forms were removed, they left a thick mass of concrete imprinted with tetrahedral openings." The triangular ceiling of the gallery was designed by Tyng, who was fascinated by geometry and octet-truss construction.
(From Wikipedia)
The Yale University Art Gallery (YUAG) is the oldest university art museum in the Western Hemisphere. It houses a major encyclopedic collection of art in several interconnected buildings on the campus of Yale University in New Haven, Connecticut. Although it embraces all cultures and periods, the gallery emphasizes early Italian painting, African sculpture, and modern art.
The gallery was founded in 1832, when patriot-artist John Trumbull donated more than 100 paintings of the American Revolution to Yale College and designed the original Picture Gallery. This building, on the university's Old Campus, was razed in 1901.
Street Hall, designed by Peter Bonnett Wight, was opened as the Yale School of the Fine Arts in 1866, and included exhibition galleries on the second floor. The exterior was in a neo-Gothic style, with an appearance influenced by 13th-century Venetian palaces. These spaces are the oldest ones still in use as part of the Yale University Art Gallery.
A Tuscan romanesque building, designed by Yale architect Egerton Swartwout, was completed in 1928. This building had cornices, a pitched slate roof, and large windows set within stone arches, and was connected to Street Hall by an enclosed bridge over High Street. It would come to be called the "Old Yale Art Gallery", in comparison with a modernist expansion added a couple of decades later.
The gallery's modernist main building, built from 1947 to 1953, was among the first designed by Louis Kahn, who taught architecture at Yale. ("Kahn played a major role in Yale's own artistic development. And Yale in turn would give Kahn the commission that transformed his career as an architect.") Although the Art Gallery with steel structure and reinforced concrete may seem simple to the eye, it was designed in a rigorous process. Kahn and Anne Tyng, the first woman licensed as an architect in the state of Pennsylvania and an employee of Kahn's independent practice, "devised a slab that was to be poured into metal forms in the shape of three-sided pyramids. When the forms were removed, they left a thick mass of concrete imprinted with tetrahedral openings." The triangular ceiling of the gallery was designed by Tyng, who was fascinated by geometry and octet-truss construction.
(From Wikipedia)
An ever-changing, complex, and interconnected world demands excellence from those in public service. What does a career dedicated to serving others look like in the 21st century? What new skills are needed? How do you get your foot in the door, and then build such a career?
Please join a panel of Henry M. Jackson Leadership Fellows and public service leaders at the Wilson Center on June 6 as we explore these questions and highlight insights for the next generation of public servants.
See more at: www.wilsoncenter.org/event/building-resilient-future-thro...
An ever-changing, complex, and interconnected world demands excellence from those in public service. What does a career dedicated to serving others look like in the 21st century? What new skills are needed? How do you get your foot in the door, and then build such a career?
Please join a panel of Henry M. Jackson Leadership Fellows and public service leaders at the Wilson Center on June 6 as we explore these questions and highlight insights for the next generation of public servants.
See more at: www.wilsoncenter.org/event/building-resilient-future-thro...
An ever-changing, complex, and interconnected world demands excellence from those in public service. What does a career dedicated to serving others look like in the 21st century? What new skills are needed? How do you get your foot in the door, and then build such a career?
Please join a panel of Henry M. Jackson Leadership Fellows and public service leaders at the Wilson Center on June 6 as we explore these questions and highlight insights for the next generation of public servants.
See more at: www.wilsoncenter.org/event/building-resilient-future-thro...
The Workman-Temple family relates to the pioneer interconnected Workman and Temple families that were prominent in: the history of colonial Pueblo de Los Angeles and American Los Angeles; the Los Angeles Basin and San Gabriel Valley regions; and Southern California — from 1830 to 1930 in Mexican Alta California and the subsequent state of California, United States.
The Workman-Rowland Party was long considered the "first wagon train of Americans to travel overland to Los Angeles," but the party could not use wagons because of the difficult Old Spanish Trail route, nor were they solely Americans.
-Wikipedia
Contax 137 MD with the Vivitar 20mm f/3.8 wide-angle lens on Arista EDU 100 film (repackaged Fomapan from the Czech Republic).
Seamlessly Looping Background Animation Of Interconnected Particle Streams. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
An ever-changing, complex, and interconnected world demands excellence from those in public service. What does a career dedicated to serving others look like in the 21st century? What new skills are needed? How do you get your foot in the door, and then build such a career?
Please join a panel of Henry M. Jackson Leadership Fellows and public service leaders at the Wilson Center on June 6 as we explore these questions and highlight insights for the next generation of public servants.
See more at: www.wilsoncenter.org/event/building-resilient-future-thro...
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.
moving wheels of hate
interconnected
to mans karmic fate
wanting superiority
playing god
at any rate
mortality mans heritage
man has no time to wait
man destructor of humanity
a weakling in armor plate
man a machinery out of date
man sold to another man at rebate
foolish man knocking at wisdom's gate
man a lonely creature searching for a soul mate
an after thought
man a devil incarnate
The Yale University Art Gallery (YUAG) is the oldest university art museum in the Western Hemisphere. It houses a major encyclopedic collection of art in several interconnected buildings on the campus of Yale University in New Haven, Connecticut. Although it embraces all cultures and periods, the gallery emphasizes early Italian painting, African sculpture, and modern art.
The gallery was founded in 1832, when patriot-artist John Trumbull donated more than 100 paintings of the American Revolution to Yale College and designed the original Picture Gallery. This building, on the university's Old Campus, was razed in 1901.
Street Hall, designed by Peter Bonnett Wight, was opened as the Yale School of the Fine Arts in 1866, and included exhibition galleries on the second floor. The exterior was in a neo-Gothic style, with an appearance influenced by 13th-century Venetian palaces. These spaces are the oldest ones still in use as part of the Yale University Art Gallery.
A Tuscan romanesque building, designed by Yale architect Egerton Swartwout, was completed in 1928. This building had cornices, a pitched slate roof, and large windows set within stone arches, and was connected to Street Hall by an enclosed bridge over High Street. It would come to be called the "Old Yale Art Gallery", in comparison with a modernist expansion added a couple of decades later.
The gallery's modernist main building, built from 1947 to 1953, was among the first designed by Louis Kahn, who taught architecture at Yale. ("Kahn played a major role in Yale's own artistic development. And Yale in turn would give Kahn the commission that transformed his career as an architect.") Although the Art Gallery with steel structure and reinforced concrete may seem simple to the eye, it was designed in a rigorous process. Kahn and Anne Tyng, the first woman licensed as an architect in the state of Pennsylvania and an employee of Kahn's independent practice, "devised a slab that was to be poured into metal forms in the shape of three-sided pyramids. When the forms were removed, they left a thick mass of concrete imprinted with tetrahedral openings." The triangular ceiling of the gallery was designed by Tyng, who was fascinated by geometry and octet-truss construction.
(From Wikipedia)