View allAll Photos Tagged INTERCONNECTED
Izunuma-Uchinuma, two interconnected freshwater lakes supporting fringing peat swamps, reedbeds, and submerged vegetation. One of the few Japanese localities for wild rice, an important food source for wintering Anatidae (ducks, geese, swans, etc.). The 559 ha National Wildlife Protection & Nature Conservation Area was designated as Ramsar Site in 1985.
For "Hitting the Streets" I wanted to depict the youth of Italy, offering a compare and contrast between what we Americans understand everyday life in public to be back home. I chose to focus on the youth because they are a demographic which we can relate to better.
I think that we all make this comparison to life back home internally with every person we see, every place we go, and every experience we have, as it is foreign, different, and new to us. Like in learning another language, we interpret foreign words in terms of our first language, that base language which structures our entire perception of the world. To be given the chance to exist in a different culture for a time we are given the opportunity to broaden our understanding of the world by comparing this new place to the one which we know so well.
Are we so different from the Italian people? Are our cultures so dissimilar?
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.
In the dunes of the former estate of Prince Karel, a unique historical site of modern fortification has been preserved: sixty constructions dating from both World Wars, interconnected by two kilometers of trenches and galleries. This remarkable site has been extremely well preserved , as prince Karel systematically prevented every demolition attempt.
Two different tours are possible in the Open-air museum, each taking approximately 90 minutes. The first tour, focusing on the First World War, shows the Aachen battery (built in 1915). Most elements of this battery (the only surviving of its kind) have been preserved: two observation posts, four gun emplacements and a bombproof shelter.
Furthermore, tourists also can visit the Stützpunkt Bensberg, consisting of several men’s quarters and the necessary facilities dating from the Second World War. These constructions were used by a unit of military engineers (Pionierstab) who were in charge of the construction of bunkers.
The second tour brings the visitors along the well-preserved emplacements of the Saltzwedel neu battery (1941), which was originally built to protect the Ostend harbor and was later incorporated in the Atlantic Wall.
This site is one of the best preserved remnants of the Atlantic Wall in Europe. Many constructions in the open-air museum are still in their original condition and have been refurbished with authentic objects and furniture. The reconstruction can be seen as an example. Light and heavy artillery and searchlights can be seen in their original locations. The every day life of the soldiers is evoked in true-to-life dioramas. In this open-air museum you still can smell the atmosphere of the “Longest Day” as if it were yesterday
During the Jazz Age:
While Angel and Maisie rehearsed their music together at Maisie's home in the country, Becky and Pammy played. They had no idea of how interconnected their lives were: Pammy, now called Penny, was the missing daughter of Daisy Buchanan; and Becky was Daisy's newly adopted daughter. To each girl, the other was simply a new playmate.
Still, during their day together, they found that they spontaneously liked each other tremendously. Each girl thought, 'I have a new friend!' This was special to Pammy because she spent very little time with children her own age. As much as she loved being in Angel's loving care, being with Becky made her feel carefree in a way that only little children experience. And to Becky, being close to another child brought a feeling of security in establishing her new life.
"You must come to my house to play," Becky asserted.
"That would be fun," answered Pammy. "I'll be sure to ask Angel when we can visit you. We're going back to France for just a little bit and when we come back, I hope we can play all the time!"
"I'm going to tell my Mommy that I have a best friend," declared Becky. "We'll all have such a good time together!"
Little did the girls know that life would never be that simple...
*Dress on left from voonyshop
Concept and Theme in Practice
Concepts and themes are distinct but interconnected elements that influence how we approach a practice.
A concept is a foundational idea or principle that provides a framework for understanding a particular aspect of a practice. It is often derived from theoretical knowledge and can be part of our general understanding of the world, influencing how we categorize and reason about information.
In contrast, a theme is a central topic or message that emerges from the practice itself. Themes are often discovered through thematic analysis, where patterns and recurring topics are identified within the data. Themes can be semantic, focusing on explicit content, or latent, delving into underlying meanings and interpretations.
In the context of practice, concepts guide the theoretical underpinnings and the knowledge management aspects, whereas themes reflect the practical experiences and outcomes that practitioners encounter and discuss. For example, in a community of practice, concepts like "knowledge management" or "social learning" provide a framework, while themes might emerge from discussions about specific challenges or successes in applying this knowledge.
The approach to a practice can thus be influenced by both concepts and themes. Concepts inform the structure and theoretical basis of the practice, while themes highlight the practical implications and real-world applications.
Thalassiosira rotula.
The members of the colony are interconnected with a bundle of threads. Numerous delicate spines protruding from the valve's margin are visible. Scale bar indicates 50 µm. The image was built up using several photomicrographic frames with manual stacking technique.
Sample from North Sea near Heligoland (spring diatom bloom). Images were taken using Zeiss Universal with Olympus C7070 CCD camera.
For more look at www.protisten.de/english/gallery_main/gallery_main.html
For high-resolution images please ask postmaster@protisten.de.
The Workman-Temple family relates to the pioneer interconnected Workman and Temple families that were prominent in: the history of colonial Pueblo de Los Angeles and American Los Angeles; the Los Angeles Basin and San Gabriel Valley regions; and Southern California — from 1830 to 1930 in Mexican Alta California and the subsequent state of California, United States.
The Workman-Rowland Party was long considered the "first wagon train of Americans to travel overland to Los Angeles," but the party could not use wagons because of the difficult Old Spanish Trail route, nor were they solely Americans.
-Wikipedia
Fujica ST705w with the MC/ARAX 35mm tilt-shift lens on cross-processed Kodak Elite Chrome 100 slide film.
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.
Boxer vs. Lenin's Hammer
TRDL Universe Snapshot
:::
The Third Rail Universe is a series of interconnected original characters with a shared history, available on the TRDL site complete with RPG stats and origins, as well as via perfect-bound trade paperback purchase.
See them all at Third Rail Design Lab:
The Third Rail Thrills series are modern characters, for the most part, but done with classic pin-up art in mind.
See them all at Third Rail Design Lab:
TRDL Tribute Works are various and sundry commission illustrations, commercial projects, drawings done for the TRDL Illustration Jams, and so on. Plus, you know, fan art.
Like forums? Visit www.thirdraildesignlab.com for new content, and visit the TRDL R3 Forum for RPG stats, origins, and more, at TRDL Tribute Art !
Like blogs? www.thirdraildesignlab.com/blog/category/trdl-tribute-art/
will take care of you!
You can also find Third Rail Design Lab on the following:
TRDL on DeviantART: thirdraildesignlab.deviantart.com/
TRDL Page on Facebook:
www.facebook.com/pages/Third-Rail-Design-Lab/214152980778
TRDL on LiveJournal: trdl.livejournal.com/
TRDL on Tumblr: trdl.tumblr.com/
TRDL on PinupLifestyle: www.pinuplifestyle.com/profile/thirdraildesignlab
TRDL on the Comicbook Resources forum: forums.comicbookresources.com/showthread.php?p=11967797
TRDL on CAF: www.comicartfans.com/GalleryDetail.asp?GCat=9152
TRDL Auctions on CAC:
www.comicartcommunity.com/auctions/active_auctions.php?us...
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.
Inflatable interconnected chambers flooded with intensely coloured light allow you to experience colours that you might not even be able to name. Colourscape is a delightful sensory experience that has been described as like flying in, or breathing in colour, or like being wrapped in a rainbow.
In the dunes of the former estate of Prince Karel, a unique historical site of modern fortification has been preserved: sixty constructions dating from both World Wars, interconnected by two kilometers of trenches and galleries. This remarkable site has been extremely well preserved , as prince Karel systematically prevented every demolition attempt.
Two different tours are possible in the Open-air museum, each taking approximately 90 minutes. The first tour, focusing on the First World War, shows the Aachen battery (built in 1915). Most elements of this battery (the only surviving of its kind) have been preserved: two observation posts, four gun emplacements and a bombproof shelter.
Furthermore, tourists also can visit the Stützpunkt Bensberg, consisting of several men’s quarters and the necessary facilities dating from the Second World War. These constructions were used by a unit of military engineers (Pionierstab) who were in charge of the construction of bunkers.
The second tour brings the visitors along the well-preserved emplacements of the Saltzwedel neu battery (1941), which was originally built to protect the Ostend harbor and was later incorporated in the Atlantic Wall.
This site is one of the best preserved remnants of the Atlantic Wall in Europe. Many constructions in the open-air museum are still in their original condition and have been refurbished with authentic objects and furniture. The reconstruction can be seen as an example. Light and heavy artillery and searchlights can be seen in their original locations. The every day life of the soldiers is evoked in true-to-life dioramas. In this open-air museum you still can smell the atmosphere of the “Longest Day” as if it were yesterday
Do you know what the ocean does? it "waves". Do you know what a plant does? it "flowers". Do you know what the Earth does? it "peoples" (Alan Watts). We are fundamentally and inextricably grown from, and interconnected with, the Earth.
“Man did not weave the web of life, he is merely a strand in it. Whatever he does to the web, he does to himself. ” (Chief Seattle).
“Things derive their being and nature by mutual dependence and are nothing in themselves” (Nagarjuna).
You "are" because WE "are". UBUNTU or 'Umuntu Ngumuntu Ngabantu.' (Translated from Zulu) it means: 'I am because you are, and you are because we are.'
Is this a bunch of religious or new age "fluff"? Not really since the leading physicists of our time also concede that at the quantum level, everything is connected. So let's say you consider these statements to be true? Now what? Exactly what does it mean for you, the "interconnected human being"?
It means if others suffer, YOU suffer. It means if you damage the planet, YOU are damaged. It means if you speak or act with selfishness, vindictiveness, cruelty or violence...then you will experience selfishness, vindictiveness, cruelty and violence.
“If you want others to be happy, practice compassion. If you want to be happy, practice compassion.” (Dalai Lama)
In the dunes of the former estate of Prince Karel, a unique historical site of modern fortification has been preserved: sixty constructions dating from both World Wars, interconnected by two kilometers of trenches and galleries. This remarkable site has been extremely well preserved , as prince Karel systematically prevented every demolition attempt.
Two different tours are possible in the Open-air museum, each taking approximately 90 minutes. The first tour, focusing on the First World War, shows the Aachen battery (built in 1915). Most elements of this battery (the only surviving of its kind) have been preserved: two observation posts, four gun emplacements and a bombproof shelter.
Furthermore, tourists also can visit the Stützpunkt Bensberg, consisting of several men’s quarters and the necessary facilities dating from the Second World War. These constructions were used by a unit of military engineers (Pionierstab) who were in charge of the construction of bunkers.
The second tour brings the visitors along the well-preserved emplacements of the Saltzwedel neu battery (1941), which was originally built to protect the Ostend harbor and was later incorporated in the Atlantic Wall.
This site is one of the best preserved remnants of the Atlantic Wall in Europe. Many constructions in the open-air museum are still in their original condition and have been refurbished with authentic objects and furniture. The reconstruction can be seen as an example. Light and heavy artillery and searchlights can be seen in their original locations. The every day life of the soldiers is evoked in true-to-life dioramas. In this open-air museum you still can smell the atmosphere of the “Longest Day” as if it were yesterday
Circle of Life is a series of stand alone but interconnected short films that can be played individually or as a continuous narrative. In their entirety they provide a snapshot of our marine world at the end of the first decade of the 21st century. They are not meant to be definitive, but rather provide a personal account of what I’ve seen and filmed in HD over the last couple of years.
Watch this video on Vimeo. Video created by Simon Spear.
Seamlessly Looping Background Animation Of Interconnected Particle Streams. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
blogged here
view from the haveli hotel where we stayed in jodhpur.... for miles togerher you can see these quaint lil inter connected terraces in the blue city !
Looking up at interconnected sloping stairways on Longevity Hill at the Summer Palace in Beijing, China. March 2000.
Wikipedia:
Masuleh architecture is unique. The buildings have been built into the mountain and are interconnected. Courtyards and roofs both serve as pedestrian areas similar to streets. Masuleh does not allow any motor vehicles to enter, due to its unique layout. It is the only city in Iran with such a prohibition. However, the small streets and many stairs simply wouldn't make it possible for vehicles to enter.
The spectacular architecture of Masuleh is popularly known as "The yard of the building above is the roof of the building below".
Yellow clay coats the exterior of most buildings in Masuleh. This allows for better visibility in the fog.
Source: Masule on Wikipedia. Text above is licensed under CC BY-SA 3.0
INDIA
Interconnected
Mother earth, in the form of a woman's body enclosed within a human heart. The ocean flowing through the veins, highlighting we are both one.
Mother earth within us, us within her.
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.
"I deal in ideas💡. I try to make concepts into mass reality, whether they're political or societal or entertainment🇹🇻 concepts. And as we become more interconnected, I view the world🌍 more and more like a social organism." - Oliver Luckett ~ entrepreneur and author of "The Social Organism"📘
We are in the midst of the greatest revolution✊ of all time. For the first time⏰ in history we as the masses have the ability to connect, share📲, and control the way that information is consumed.
There are many examples in nature🌳 that embody what it means to work together toward a common cause. Whether it be a school of fish🐠, a colony of ants🐜, or a herd of
wildebeests, instinctively each of these creatures survive by working together🙌 as the collective organism.
Our ability as human beings🙋 to connect and work together is only limited by the way in which we share👐 what we know and believe to be true.
It is when we define someone's actions as good or bad🎭, when we see things in only shades of black and white🌁, that we separate ourselves from those who can do us the most good👍.
The focus🔎 instead needs to be on the collective conversation📢 that allows us to better understand the person standing next to us.
We can be the engine that drives🚘 social change only when we come together as one☝ social organism.
There is no greater power💪 than the ability to share what we know, and with the advent of the internet💻 and social media, we finally have the power at our fingertips✋.
In order to allow the good❤ to overcome bad we must allow all to voice their opinions💬. It is when we attempt to control the opinions of others that we fuel⛽ the fire of hatred. The only thing we must censor is censorship🔇.
Media was always meant to be social📱. We must all be a part of the digital revolution🗽 that is altering the societal landscape whereby we now have the power of positive💝 change.
( "The Social Organism" by Oliver Luckett and Michael J. Casey)
@revilopark📖
#OliverLuckett✒
@mikejcasey📚
#MichaelCasey✏
#TheSocialOrgansim🌀
#DigitalRevolution📷
#PositiveChange💓
This large constellation of 16 interconnected modules was composed specifically for The Metropolitan Museum of Art’s Iris and B. Gerald Cantor Roof Garden. Measuring 54 feet long by 29 feet wide by 28 feet high, this site-specific work, inspired by multiple phenomena and structures (including clouds, bubbles, bacteria, foam, universes, and social and neural communication networks), showcases the artist’s bold and ambitious vision. Set against Central Park, Manhattan’s skyline, and the expanse of space above and beyond, the installation—part of the artist’s "Cloud Cities/Air Port City" series—suggests a model for living, interaction, and social exchange.
Visitors may enter and walk through these habitat-like, modular structures grouped in a nonlinear configuration. Over the past decade, Saraceno has established a practice of constructing habitable networks based upon complex geometries and interconnectivity that merge art, architecture, and science. The multidisciplinary project “Cloud Cities/Air Port City” is rooted in the artist’s investigation of expanding the ways in which we inhabit and experience our environment.
According to Saraceno, “upside down, Central Park is a flying garden embedded in a cumulus cloud, mirrored buildings and skies appear under your feet, gravity seems to reorient itself, and people are multiplied in patchworks of cloudscape, forming unexpected interconnected networks… Cloud City is an invitation to perceive simultaneously a multiplicity of realities, making overlapping and multireflective connections between things, affecting and challenging our perceptions. Cloud City is a vehicle for our imagination, ready to transport us beyond social, political, and geographical states of mind.”
Studio 12 Architecture transformed a small footprint of undeveloped property near Precita Park into two tall, gracefully interconnected single family homes.
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.
Seamlessly Looping Background Animation Of Interconnected Particle Streams. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
Inflatable interconnected chambers flooded with intensely coloured light allow you to experience colours that you might not even be able to name. Colourscape is a delightful sensory experience that has been described as like flying in, or breathing in colour, or like being wrapped in a rainbow.
"Escape the bustle of the City exploring interconnected Moore Park, Park Drive and Vale of Avoca ravines. These natural areas and their streams provide a haven for wildlife, including raccoons, chipmunks, rabbits, skunks, snakes, frogs, many bird species, and even deer. Today, municipal by-laws protect these ravines and the City is restoring much of the vegetation."
On another social distance solo walk through Toronto this time following the City of Toronto's Discovery Walks.
Scenes taken along the "Central Ravines, Belt Line & Gardens" Discovery Walk
www.toronto.ca/services-payments/streets-parking-transpor...
Image taken with my OnePlus
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.