View allAll Photos Tagged INTERCONNECTED
Odd connections are alway possible? That is an odd question but I have two objects that are connected in a beautiful setting of weeds and grass!
-rc
Studio 12 Architecture transformed a small footprint of undeveloped property near Precita Park into two tall, gracefully interconnected single family homes.
This forlorn and overgrown structure in Cleveland’s Gordon Park is the former Cleveland Aquarium, which once occupied this complex of two interconnected buildings. Opened in 1953, the aquarium was an outgrowth of the Cleveland Natural History Museum, and included 50 exhibits of freshwater and marine species. However, the building’s story goes back to 1937, when it was built by the City of Cleveland with support from the New Deal-era Works Progress Administration as a bath house for the park, which at the time included a beach. However, the inconvenient location far from the beach led to the facility becoming disused, leading to its use as a trail side museum before becoming the Cleveland Aquarium. In 1967, an addition twice the size of the original building was added to the facility, which included the iconic Octagonal rotunda with its wavy roof, and an entrance with aqua-colored panels that mimicked waves on the surface of the lake. The aquarium, however, ran into financial trouble during the 1970s, and though it was popular, the attendance and higher cost of admission were not enough to save it from bankruptcy, and the aquarium closed in 1985, with all animals being transferred to the Cleveland Metroparks Zoo after the aquarium ceased operating in 1986. The aquarium was used for a brief time as a dog training facility and K9 kennel for the Cleveland Police Department for a few years, until deteriorating conditions in the 1930s wing led to the facility becoming abandoned. Today, the aquarium is in very rough shape, and stands forlorn as a bleak reminder of the city’s decline overlooking the Cleveland Memorial Shoreway in the midst of a park and neighborhood that has seen better days.
iPad
Drawn in Procreate App, filter effects from various including Imaengine, Waterlogue, and Glaze
Freehand from a photo
I think this is Purisima Creek near Half Moon Bay
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.
The buildings around the upper part of Wenceslas Square are interconnected via a system of passages, the most famous of them being the Lucerna (Lantern) Passage. The large passage connects Vodičkova and Štěpánská streets and houses numerous stores and restaurants, a movie theatre, music bar, and a prestigious concert hall - the Lucerna Grand Hall.
Lucerna was Prague’s first multipurpose complex from the beginning of the 20th century – it is one of the best-known of Prague's cultural 'palaces'.
It was built between 1907 and 1921 after a project by Vácslav Havel (the grandfather of the former President Václav Havel) and Stanislav Bechyně. The first part of the arcade was officially opened in 1907.
Izunuma-Uchinuma, two interconnected freshwater lakes supporting fringing peat swamps, reedbeds, and submerged vegetation. One of the few Japanese localities for wild rice, an important food source for wintering Anatidae (ducks, geese, swans, etc.). The 559 ha National Wildlife Protection & Nature Conservation Area was designated as Ramsar Site in 1985.
For "Hitting the Streets" I wanted to depict the youth of Italy, offering a compare and contrast between what we Americans understand everyday life in public to be back home. I chose to focus on the youth because they are a demographic which we can relate to better.
I think that we all make this comparison to life back home internally with every person we see, every place we go, and every experience we have, as it is foreign, different, and new to us. Like in learning another language, we interpret foreign words in terms of our first language, that base language which structures our entire perception of the world. To be given the chance to exist in a different culture for a time we are given the opportunity to broaden our understanding of the world by comparing this new place to the one which we know so well.
Are we so different from the Italian people? Are our cultures so dissimilar?
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.
In the dunes of the former estate of Prince Karel, a unique historical site of modern fortification has been preserved: sixty constructions dating from both World Wars, interconnected by two kilometers of trenches and galleries. This remarkable site has been extremely well preserved , as prince Karel systematically prevented every demolition attempt.
Two different tours are possible in the Open-air museum, each taking approximately 90 minutes. The first tour, focusing on the First World War, shows the Aachen battery (built in 1915). Most elements of this battery (the only surviving of its kind) have been preserved: two observation posts, four gun emplacements and a bombproof shelter.
Furthermore, tourists also can visit the Stützpunkt Bensberg, consisting of several men’s quarters and the necessary facilities dating from the Second World War. These constructions were used by a unit of military engineers (Pionierstab) who were in charge of the construction of bunkers.
The second tour brings the visitors along the well-preserved emplacements of the Saltzwedel neu battery (1941), which was originally built to protect the Ostend harbor and was later incorporated in the Atlantic Wall.
This site is one of the best preserved remnants of the Atlantic Wall in Europe. Many constructions in the open-air museum are still in their original condition and have been refurbished with authentic objects and furniture. The reconstruction can be seen as an example. Light and heavy artillery and searchlights can be seen in their original locations. The every day life of the soldiers is evoked in true-to-life dioramas. In this open-air museum you still can smell the atmosphere of the “Longest Day” as if it were yesterday
During the Jazz Age:
While Angel and Maisie rehearsed their music together at Maisie's home in the country, Becky and Pammy played. They had no idea of how interconnected their lives were: Pammy, now called Penny, was the missing daughter of Daisy Buchanan; and Becky was Daisy's newly adopted daughter. To each girl, the other was simply a new playmate.
Still, during their day together, they found that they spontaneously liked each other tremendously. Each girl thought, 'I have a new friend!' This was special to Pammy because she spent very little time with children her own age. As much as she loved being in Angel's loving care, being with Becky made her feel carefree in a way that only little children experience. And to Becky, being close to another child brought a feeling of security in establishing her new life.
"You must come to my house to play," Becky asserted.
"That would be fun," answered Pammy. "I'll be sure to ask Angel when we can visit you. We're going back to France for just a little bit and when we come back, I hope we can play all the time!"
"I'm going to tell my Mommy that I have a best friend," declared Becky. "We'll all have such a good time together!"
Little did the girls know that life would never be that simple...
*Dress on left from voonyshop
Thalassiosira rotula.
The members of the colony are interconnected with a bundle of threads. Numerous delicate spines protruding from the valve's margin are visible. Scale bar indicates 50 µm. The image was built up using several photomicrographic frames with manual stacking technique.
Sample from North Sea near Heligoland (spring diatom bloom). Images were taken using Zeiss Universal with Olympus C7070 CCD camera.
For more look at www.protisten.de/english/gallery_main/gallery_main.html
For high-resolution images please ask postmaster@protisten.de.
The Workman-Temple family relates to the pioneer interconnected Workman and Temple families that were prominent in: the history of colonial Pueblo de Los Angeles and American Los Angeles; the Los Angeles Basin and San Gabriel Valley regions; and Southern California — from 1830 to 1930 in Mexican Alta California and the subsequent state of California, United States.
The Workman-Rowland Party was long considered the "first wagon train of Americans to travel overland to Los Angeles," but the party could not use wagons because of the difficult Old Spanish Trail route, nor were they solely Americans.
-Wikipedia
Fujica ST705w with the MC/ARAX 35mm tilt-shift lens on cross-processed Kodak Elite Chrome 100 slide film.
Steel rod running along the edge on the upper surface of the magic box elements that are welded together
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.
Boxer vs. Lenin's Hammer
TRDL Universe Snapshot
:::
The Third Rail Universe is a series of interconnected original characters with a shared history, available on the TRDL site complete with RPG stats and origins, as well as via perfect-bound trade paperback purchase.
See them all at Third Rail Design Lab:
The Third Rail Thrills series are modern characters, for the most part, but done with classic pin-up art in mind.
See them all at Third Rail Design Lab:
TRDL Tribute Works are various and sundry commission illustrations, commercial projects, drawings done for the TRDL Illustration Jams, and so on. Plus, you know, fan art.
Like forums? Visit www.thirdraildesignlab.com for new content, and visit the TRDL R3 Forum for RPG stats, origins, and more, at TRDL Tribute Art !
Like blogs? www.thirdraildesignlab.com/blog/category/trdl-tribute-art/
will take care of you!
You can also find Third Rail Design Lab on the following:
TRDL on DeviantART: thirdraildesignlab.deviantart.com/
TRDL Page on Facebook:
www.facebook.com/pages/Third-Rail-Design-Lab/214152980778
TRDL on LiveJournal: trdl.livejournal.com/
TRDL on Tumblr: trdl.tumblr.com/
TRDL on PinupLifestyle: www.pinuplifestyle.com/profile/thirdraildesignlab
TRDL on the Comicbook Resources forum: forums.comicbookresources.com/showthread.php?p=11967797
TRDL on CAF: www.comicartfans.com/GalleryDetail.asp?GCat=9152
TRDL Auctions on CAC:
www.comicartcommunity.com/auctions/active_auctions.php?us...
Within the fort walls at Jaisalmer is a complex of seven Jain Temples dating from 1459, interconnected by corridors. The interior walls and ceilings are covered with exquisite carvings.
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.
In the dunes of the former estate of Prince Karel, a unique historical site of modern fortification has been preserved: sixty constructions dating from both World Wars, interconnected by two kilometers of trenches and galleries. This remarkable site has been extremely well preserved , as prince Karel systematically prevented every demolition attempt.
Two different tours are possible in the Open-air museum, each taking approximately 90 minutes. The first tour, focusing on the First World War, shows the Aachen battery (built in 1915). Most elements of this battery (the only surviving of its kind) have been preserved: two observation posts, four gun emplacements and a bombproof shelter.
Furthermore, tourists also can visit the Stützpunkt Bensberg, consisting of several men’s quarters and the necessary facilities dating from the Second World War. These constructions were used by a unit of military engineers (Pionierstab) who were in charge of the construction of bunkers.
The second tour brings the visitors along the well-preserved emplacements of the Saltzwedel neu battery (1941), which was originally built to protect the Ostend harbor and was later incorporated in the Atlantic Wall.
This site is one of the best preserved remnants of the Atlantic Wall in Europe. Many constructions in the open-air museum are still in their original condition and have been refurbished with authentic objects and furniture. The reconstruction can be seen as an example. Light and heavy artillery and searchlights can be seen in their original locations. The every day life of the soldiers is evoked in true-to-life dioramas. In this open-air museum you still can smell the atmosphere of the “Longest Day” as if it were yesterday
Do you know what the ocean does? it "waves". Do you know what a plant does? it "flowers". Do you know what the Earth does? it "peoples" (Alan Watts). We are fundamentally and inextricably grown from, and interconnected with, the Earth.
“Man did not weave the web of life, he is merely a strand in it. Whatever he does to the web, he does to himself. ” (Chief Seattle).
“Things derive their being and nature by mutual dependence and are nothing in themselves” (Nagarjuna).
You "are" because WE "are". UBUNTU or 'Umuntu Ngumuntu Ngabantu.' (Translated from Zulu) it means: 'I am because you are, and you are because we are.'
Is this a bunch of religious or new age "fluff"? Not really since the leading physicists of our time also concede that at the quantum level, everything is connected. So let's say you consider these statements to be true? Now what? Exactly what does it mean for you, the "interconnected human being"?
It means if others suffer, YOU suffer. It means if you damage the planet, YOU are damaged. It means if you speak or act with selfishness, vindictiveness, cruelty or violence...then you will experience selfishness, vindictiveness, cruelty and violence.
“If you want others to be happy, practice compassion. If you want to be happy, practice compassion.” (Dalai Lama)
In the dunes of the former estate of Prince Karel, a unique historical site of modern fortification has been preserved: sixty constructions dating from both World Wars, interconnected by two kilometers of trenches and galleries. This remarkable site has been extremely well preserved , as prince Karel systematically prevented every demolition attempt.
Two different tours are possible in the Open-air museum, each taking approximately 90 minutes. The first tour, focusing on the First World War, shows the Aachen battery (built in 1915). Most elements of this battery (the only surviving of its kind) have been preserved: two observation posts, four gun emplacements and a bombproof shelter.
Furthermore, tourists also can visit the Stützpunkt Bensberg, consisting of several men’s quarters and the necessary facilities dating from the Second World War. These constructions were used by a unit of military engineers (Pionierstab) who were in charge of the construction of bunkers.
The second tour brings the visitors along the well-preserved emplacements of the Saltzwedel neu battery (1941), which was originally built to protect the Ostend harbor and was later incorporated in the Atlantic Wall.
This site is one of the best preserved remnants of the Atlantic Wall in Europe. Many constructions in the open-air museum are still in their original condition and have been refurbished with authentic objects and furniture. The reconstruction can be seen as an example. Light and heavy artillery and searchlights can be seen in their original locations. The every day life of the soldiers is evoked in true-to-life dioramas. In this open-air museum you still can smell the atmosphere of the “Longest Day” as if it were yesterday
Circle of Life is a series of stand alone but interconnected short films that can be played individually or as a continuous narrative. In their entirety they provide a snapshot of our marine world at the end of the first decade of the 21st century. They are not meant to be definitive, but rather provide a personal account of what I’ve seen and filmed in HD over the last couple of years.
Watch this video on Vimeo. Video created by Simon Spear.
Seamlessly Looping Background Animation Of Interconnected Particle Streams. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
blogged here
view from the haveli hotel where we stayed in jodhpur.... for miles togerher you can see these quaint lil inter connected terraces in the blue city !
Looking up at interconnected sloping stairways on Longevity Hill at the Summer Palace in Beijing, China. March 2000.
Wikipedia:
Masuleh architecture is unique. The buildings have been built into the mountain and are interconnected. Courtyards and roofs both serve as pedestrian areas similar to streets. Masuleh does not allow any motor vehicles to enter, due to its unique layout. It is the only city in Iran with such a prohibition. However, the small streets and many stairs simply wouldn't make it possible for vehicles to enter.
The spectacular architecture of Masuleh is popularly known as "The yard of the building above is the roof of the building below".
Yellow clay coats the exterior of most buildings in Masuleh. This allows for better visibility in the fog.
Source: Masule on Wikipedia. Text above is licensed under CC BY-SA 3.0
INDIA
Interconnected
Mother earth, in the form of a woman's body enclosed within a human heart. The ocean flowing through the veins, highlighting we are both one.
Mother earth within us, us within her.
"Risograph Reverie" is an enchanting series of risograph graphics by Duncan Rawlinson. This collection engages the viewer with its distinctive blend of form and color, representing a compelling dialogue between the abstract and the photorealistic, the expected and the surprising.
Rawlinson's approach is a testament to the transformative capacity of art, where photography meets artificial intelligence to create something entirely unique. Each piece begins its journey as a photograph, a frozen moment in time, which is then fed into an AI tool that reshapes it into a vibrant dance of neon-colored geometric forms. The light magenta and azure hues act as commanding players on this visual stage, setting the tone for the playful motifs and mismatched patterns to unfold within a uniquely compelling 6:17 aspect ratio.
What's even more mesmerizing about this series is its perfect symmetry, creating a harmonious continuity when placed side by side. Each graphic functions as a tile, seamlessly connecting with its neighbors to form a larger, interconnected canvas that amplifies the visual impact. The result is a dynamic, infinite spectacle where each piece, while powerful as a standalone, is part of a greater, mesmerizing whole.
In "Risograph Reverie," Rawlinson bridges the tactile world of risograph printmaking with the endless possibilities of the digital realm. The collection, tactile and tangible, vibrates with the unique energy of risograph art, while the individual graphics, designed under the algorithmic direction of an AI, add a modern and innovative twist.
Navigating through this series is an invitation to lose oneself in a world where neon-colored geometric forms come to life, where patterns blend flawlessly, and where every piece is an integral part of a captivating, cohesive narrative. This is Rawlinson's celebration of contemporary art - a space where color and form, reality and imagination, and technology and traditional printmaking coexist in a fun and harmonious dance of creativity.