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Museo Guggenheim, Bilbao, Vizcaya, País Vasco, España.
El Museo Guggenheim Bilbao (en euskera, Guggenheim Bilbao Museoa; en inglés, Guggenheim Museum Bilbao) es un museo de arte contemporáneo diseñado por el arquitecto canadiense Frank O. Gehry y localizado en la villa de Bilbao (País Vasco), España. Es uno de los museos vinculados en régimen de franquicia o colaboración con la Fundación Solomon R. Guggenheim. Fue inaugurado el 18 de octubre de 1997 por el rey Juan Carlos I de España.
Las negociaciones para la construcción del museo entre las autoridades públicas de la comunidad autónoma del País Vasco y los directivos de la Fundación Guggenheim comenzaron en febrero de 1991. El acuerdo se firmó a finales de ese año, seleccionándose el arquitecto y el emplazamiento del edificio a mediados de 1992. Desde su inauguración en 1997, el museo ha recibido una media superior al millón de visitantes anuales, causando un impacto extraordinario en la economía y la sociedad vasca, impulsando el turismo en la región y promoviendo la revitalización de múltiples espacios públicos y privados en la villa, además de mejorar la imagen de la ciudad. Todo este fenómeno, bautizado por los medios de comunicación como «efecto Guggenheim» o «efecto Bilbao», ha puesto de relieve la importancia del turismo cultural, y ha generado un efecto de emulación en otros países, con desiguales resultados.
La característica más llamativa del museo es el innovador edificio en el que se emplaza, constituido por formas curvilíneas y retorcidas, recubiertas de piedra caliza, cortinas de cristal y planchas de titanio. Cuenta con una superficie total de 24.000 m², de los cuales 10.540 m² están reservados para las exposiciones, distribuidos en 19 galerías, siendo el museo con más metros expositivos del Estado. Se ubica a orillas de la ría de Bilbao, en una zona denominada Abandoibarra, junto al puente de La Salve, que está rodeado por una torre hueca.
Tanto el edificio como su colección permanente pertenecen a las autoridades vascas. El 3 de diciembre de 2014 el patronato del Museo Guggenheim Bilbao aprobó renovar por otros 20 años la colaboración con la Fundación Solomon R. Guggenheim de Nueva York, suscrita en 1994 y cuya vigencia vencía el 31 de diciembre.
Diseñado por el gabinete de arquitectos de Frank Gehry, fue abierto al público en 1997 y alberga exposiciones de arte de obras pertenecientes a la fundación Guggenheim y exposiciones itinerantes. Muy pronto el edificio se reveló como uno de los más espectaculares edificios deconstructivistas. El diseño del museo y su construcción siguen el estilo y métodos de Frank Gehry. Como muchos de sus trabajos anteriores la estructura principal está radicalmente esculpida siguiendo contornos casi orgánicos. El museo afirma no contener una sola superficie plana en toda su estructura. Parte del edificio es cruzado por un puente elevado y el exterior está recubierto por placas de titanio y por una piedra caliza que fue muy difícil de encontrar (al final se logró encontrar en Huéscar, Granada) de un color similar a la que se utilizó para construir la Universidad de Deusto.
El edificio visto desde el río aparenta tener la forma de un barco rindiendo homenaje a la ciudad portuaria en la que se inscribe. Sus paneles brillantes se asemejan a las escamas de un pez recordándonos las influencias de formas orgánicas presentes en muchos de los trabajos de Gehry. Visto desde arriba, sin embargo, el edificio posee la forma de una flor. Para su diseño el equipo de Gehry utilizó intensamente simulaciones por ordenador de las estructuras necesarias para mantener el edificio, consiguiendo unas formas que hubieran sido imposibles de realizar unas pocas décadas antes.
Mientras que el museo domina las vistas de la zona desde el nivel del río, su aspecto desde el nivel superior de la calle es mucho más modesto por lo que no desentona con su entorno de edificios más tradicionales.
The Guggenheim Museum Bilbao (in Basque, Guggenheim Bilbao Museoa; in English, Guggenheim Museum Bilbao) is a contemporary art museum designed by Canadian architect Frank O. Gehry and located in the town of Bilbao (Basque Country), Spain. It is one of the museums linked by franchise or collaboration with the Solomon R. Guggenheim Foundation. It was inaugurated on October 18, 1997 by King Juan Carlos I of Spain.
The negotiations for the construction of the museum between the public authorities of the autonomous community of the Basque Country and the directors of the Guggenheim Foundation began in February 1991. The agreement was signed at the end of that year, selecting the architect and the location of the building mid-1992. Since its inauguration in 1997, the museum has received an average of more than a million visitors per year, causing an extraordinary impact on the Basque economy and society, boosting tourism in the region and promoting the revitalization of multiple public spaces and in the town, in addition to improving the image of the city. All this phenomenon, baptized by the media as the "Guggenheim effect" or "Bilbao effect", has highlighted the importance of cultural tourism, and has generated an effect of emulation in other countries, with uneven results.
The most striking feature of the museum is the innovative building in which it is located, made up of curvilinear and twisted shapes, covered in limestone, glass curtains and titanium plates. It has a total area of 24,000 m², of which 10,540 m² are reserved for exhibitions, distributed in 19 galleries, making it the museum with the most exhibition meters in the State. It is located on the banks of the Bilbao estuary, in an area called Abandoibarra, next to the La Salve bridge, which is surrounded by a hollow tower.
Both the building and its permanent collection belong to the Basque authorities. On December 3, 2014, the Board of Trustees of the Guggenheim Museum Bilbao approved renewing for another 20 years the collaboration with the Solomon R. Guggenheim Foundation of New York, signed in 1994 and whose validity expired on December 31.
Designed by the firm of architects of Frank Gehry, it was opened to the public in 1997 and houses art exhibitions of works belonging to the Guggenheim Foundation and traveling exhibitions. Very soon the building was revealed as one of the most spectacular deconstructivist buildings. The design of the museum and its construction follow the style and methods of Frank Gehry. Like many of his earlier works the main structure is radically sculpted following almost organic contours. The museum claims not to contain a single flat surface in its entire structure. Part of the building is crossed by an elevated bridge and the exterior is covered by titanium plates and by a limestone that was very difficult to find (in the end it was found in Huéscar, Granada) of a similar color to the one used for build the University of Deusto.
Seen from the river, the building appears to have the shape of a ship, paying homage to the port city in which it is part. Its glossy panels resemble the scales of a fish, reminding us of the organic shape influences present in much of Gehry's work. Seen from above, however, the building has the shape of a flower. Gehry's team extensively used computer simulations of the structures needed to support the building for its design, achieving shapes that would have been impossible a few decades earlier.
While the museum commands views of the area from river level, its appearance from the upper street level is much more modest, fitting in with its setting of more traditional buildings.
This Lana Elyse doing what I call "impossible boudoir" in that I'm only going to let the light fall exactly where I think it should be falling, nowhere else, leaving her clothed in darkness.
Lightpainting details: 41 second exposure, with all of the light coming from two homemade gen3piano light painting boards.
Cara Marialuisa,
questa foto scattata all'alba dal porto di Messina è per te.
In fondo a sinistra si vedono due tralicci: è lì che dovrà nascere il ponte.
Vorrei che fosse un ponte sicuro, funzionale, architettonicamente maestoso ed al tempo stesso armoniosamente integrato nell'ambiente, che facesse da volano all'economia del paese e che non fosse un pretesto per ingrassare la 'ndrangheta.
...chiedo molto?...:)
Un caro saluto
'Demand The Impossible' - a new piece by Adrian+Shane being showcased in New York as part of a group exhibition opening tomorrow night.
'FOR THE LOVE OF NY'
Opening Friday April 25 2014 @ 6PM
Bottleneck Gallery,
60 Broadway,
Williamsburg,
Brooklyn, NY
Exhibition runs until Sunday April 27.
I love the yellow trim. It's a little garish against the white siding but it's a nice antidote to all the blah house colors in Seattle. There was a white picket fence I tried to incorporate into a frame somehow but the 35 mm I was using tied me into knots for all the pictures I wanted to make on this walk.
Los Angeles Fire Department Ambulance, Santa Monica Blvd, Hollywood, California
The Impossible Project PX 70 - V4B Opacification Test Film
L/D wheel set 1/3 to dark.
Shot in late afternoon sun - mid 80F.
Not shielded, but turned over almost immediately.
Left face down in shade to develop.
IMPOSSIBLE TO RESIST - Composition Thursday (iPhone photography)
© Erik Mc Gregor - erikrivas@hotmail.com - 917-225-8963
My first instinct was to use an actual string or even dental floss to make this shot. However, due to the nature of string, the minifig kept spinning around! This is what I ended up with finally!
Impossible PQ 8x10 instant film, expired 04/2015
30 sec exposure at f16
12" Kodak Ektar lens
Eastman Commercial View
peeled with heat at 10 minutes
Even on a cloudy and all-around gray day, a walk in the woods soothes the soul. I headed out along the edge of a river for a while. It was quiet and the water was rushing by as if it had somewhere to go. As I have said so many times before, color is hard to find on these monochromatic days. But not impossible!
I cant believe what I’m seeing here its all complete absolutely incredible! You really cant get any more lucky than this the most brittle Ford ever made all complete and perfect as a hidden find!
View lined with grade II and II* listed historic buildings.
"Durham (/ˈdʌrəm/, locally /ˈdɜrəm/) is a cathedral city and the county town of County Durham in North East England. The city lies on the River Wear, to the south-west of Sunderland, south of Newcastle upon Tyne and to the north of Darlington. Founded over the final resting place of St Cuthbert, its Norman cathedral became a centre of pilgrimage in medieval England. The cathedral and adjacent 11th-century castle were designated a World Heritage Site by UNESCO in 1986. The castle has been the home of Durham University since 1832. HM Prison Durham is also located close to the city centre. City of Durham is the name of the civil parish.
The name "Durham" comes from the Celtic element "dun", signifying a hill fort, and the Old Norse "holme", which translates to island. The Lord Bishop of Durham takes a Latin variation of the city's name in his official signature, which is signed "N. Dunelm". Some attribute the city's name to the legend of the Dun Cow and the milkmaid who in legend guided the monks of Lindisfarne carrying the body of Saint Cuthbert to the site of the present city in 995 AD. Dun Cow Lane is said to be one of the first streets in Durham, being directly to the east of Durham Cathedral and taking its name from a depiction of the city's founding etched in masonry on the south side of the cathedral. The city has been known by a number of names throughout history. The original Nordic Dun Holm was changed to Duresme by the Normans and was known in Latin as Dunelm. The modern form Durham came into use later in the city's history. The north-eastern historian Robert Surtees chronicled the name changes in his History and Antiquities of the County Palatine of Durham but states that it is an "impossibility" to tell when the city's modern name came into being.
Durham is likely to be Gaer Weir in Armes Prydein, derived from Brittonic cajr meaning "an enclosed, defensible site" (c.f. Carlisle; Welsh caer) and the river-name Wear." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
Become a patron to my photography on Patreon.
Great quote.
You are free to use this photo under its Creative Commons license. For the attribution, please link back to either my online learning website DIY Genius or my tour website Spirit Quest Adventures.
And yes, my sx-70 is still working after 2 decades of non using. Just i think i should hide the photo from the sun to develop
