View allAll Photos Tagged ILFORDPanFPLUS,
Inside the only other mine structure standing at Isabella, a brick building with a roof that has mysteriously disappeared. There's no evidence of roof trusses to be found.
This wraps up the medium format images from this trip. I have some 35mm film that I shot here as well so those will be next.
Hasselblad 500C/M
Ilford PanF Plus 50
This is part of the remains of an old stone structure along Nancy Rhodes Creek, off the Pump Station Trail in Eno River State Park. This is a little way up the creek from where it joins the Eno River at the point where the ruins of the old pump station are located. There are walls like this along both sides of the creek. View Large On Black
Yashica-Mat LM with Yashinon lens and orange filter, f/22, manual exposure (about 6 seconds.) Ilford Pan F Plus, Rodinal 1+100 dilution, 45 minute stand development at 68ºF.
Holtenauer Straße/Schauenburger Straße
Zenza Bronica ETRS, Zenzanon 50 mm 1:2.8
Ilford Pan F plus in Perceptol 1+3
Negativscan with Heidelberg Linoscan 1450, Newcolor 5000 2.0
20151123_Häuser Bronica 06
Caught unawares at the transit museum in Szentendre, north of Budapest, Hungary.
Dang. I just realized this is also my last upload from my trip to Budapest :-(
La Vallette Bathing Pools.
Again with three cameras.
Fujica G690 BL, Ilford Pan F+, ISO50, home-developed in Ilford ID-11.
Downtown Lampasas, TX, Saturday afternoon 28 May 2016.
Camera: Minolta X-700
Lens: Rokkor 28mm f/2.8
Film: Ilford Pan F Plus
Filter: Minolta Y48 yellow
Scanner: Pacific Image Electronics PrimeFilmXA
Scanner Software: Silverfast AI Studio 8
Should of composed the tree slightly to the left more.....o well.
Camera: super ricohflex
Lens: Ricoh Anastigmat 80mm f3.5
Film: Ilford Pan F Plus
Developer: Sprint Standard
Fortuna, California.
Shot in 2008 on Ilford Pan F Plus b&w film with my Yashica Mat 124G.
Apparently, this roll was contaminated by either 1. bad emulsion, or 2. a dirty filter, or 3. a dirty lens, or 4. a royal goofup at the developer. Rather than get mad at the situation, though, I decided to make the best of things and see if I could achieve some interesting effects with the goof.
My attempt here is a moody cyanotype-ish shot one may have produced in the late 1800's.
Voigtlander Bessa f/6.3
4 sec @ f/6.3
Ilford Pan F Plus 50
Caffenol 20 min @ 66 degrees
I wanted to see what a 6cm x 9cm negative looked like. So I put a roll of film in the Bessa. It has major fungus in the lens and the last of the roll turned out funky. Light leak??? Anyway, I'm not a huge fan of this film but I had some so I used it. I read after the fact that it is particularly prone to reciprocity failure. The caffenol didn't like it either and I got really thin negatives. Still, I got this self-portrait out of it, which I kind of like.
US Court House. Near the Plaza in downtown Santa Fe, NM. 20 May 2016.
Camera: Minolta X-700
Lens: Rokkor 28mm f/2.8
Film: Ilford Pan F Plus
Filter: Minolta Y48 yellow
Scanner: Pacific Image Electronics PrimeFilmXA
Scanner Software: Silverfast AI Studio 8
I have this stuff loaded up and about 1/3 exposed in my Canon A-1 now. My Vivitar 75-205 is sitting there on the left.
Canon EOS 60D + Lightroom 4 + DxO Filmpack (Pan F Plus 50 filter) + Adobe Photoshop CS5.1
My first ever home developed film. And it's also my first non-polaroid zoneplate. The result came out pretty good i think.
Chicago, Illinois.
Shot in 2013 on 35mm Ilford Pan F film.
It's not sharp, but I liked the result anyway. To me, it has that "old lens" look to it.
St Patrick's Catholic Cathedral in Melbourne, with the Archdiocese of Melbourne buildings and ponds in the foreground.
The Archdiocese complex was designed by Roy Simpson of Yunken Freeman in 1969, and is a sensitive response to the grand cathedral next door.
Shot on Ilford PANF Plus 50 black-and-white film..
See larger or purchase at Photologium
Please see the image largest size.
Rolleiflex 2.8C Xenotar, Ilford Pan F+ ISO 50 developed in Microdol X 1+3.
Camara: Asahi Pentax Spotmatic SP
Lente: Super-Multi-Coated TAKUMAR 50mm f/1.4
Película: Ilford Pan F Plus
Revelador: Gago Tonal Plus
Escaner: Epson V500
Kneeling Figure by Robert Holmes
46501 Gualala Road
Gualala, Mendocino County, California 95445
camera: Pentax 6X7 medium format MLU SLR
lens: SMC Pentax 67 75mm F/4.5
film: Ilford Pan F+
filter: Hoya HMC K2 Yellow
support: monopod
scan: NCPS
Ilford Pan F Plus 35mm film in a Holga Wide Panorama Pinhole 120 format camera. Take on Worldwide Pinhole Photography Day 2015.
For those that have been following the subjects that I have been shooting, you will know that I have been focusing on the Ontario Greenbelt and changes in this area as a main theme.
Most of my shots taken to date have focused on the urban encroachment into this rural setting.
I am continuing on with this project but for next little while, I am going to focus on the beauty that can be found in this area, specifically, the beautiful pines that grow on the Niagara Escarpment. As I live in the shadow of this beautiful area, I have always admired the intricate roots of these majestic trees and how they grow on the face on the Escarpment's cliff.
I took a series of test shots with my Mamiya RB67 and loaded it with Ilford Pan F Plus. As you can see, the conditions were not ideal as it was an extremely busy day but I was simply exploring to get some ideas for this new project.
f16.0 @ 1/2 second, metered off tree trunk and muted light streaks to get a sense of medium gray readings.
The detail that the Mamiya and it's 90mm lens has to offer just blows me away, this is why I love analog photography as Digital can't even touch this depth of detail in my opinion.
This was developed in Blazinal 1:25 (Rodinal) for 6 minutes. As you can see, metering for this shot was extreme to say the least!!! But I wanted to post an example of how these trees grow on the cliff. Some of the trees actually grow on the cliff face.