View allAll Photos Tagged ILFORDPanFPLUS,
Derelict BMC Dao Kanong Cinema House, Bangkok.
Beton Brut facade.
Kochmann Korelle 127 camera 1936, Xenar F2.8 75mm, Ilford Pan F Plus.
Derelict BMC Dao Kanong Cinema House, Bangkok.
Beton Brut facade.
Kochmann Korelle 127 camera 1936, Xenar F2.8 75mm, Ilford Pan F Plus.
That white vertical streak on the far right of the picture is Eas an t-Srutha Ghil, a waterfall in Assynt, Scotland. It's not the highest waterfall in the UK- that's Eas a'Chual Aluinn which is where we were heading on the day this photo was taken, and is almost directly opposite Eas an t-Srutha Ghil, across the valley of Abhainn an Loch Bhig (River of the Little Loch, I think.) In this photo, you can also see the Stack of Glencoul.
Near North Charlestown, New Hampshire.
Shot in 2013 on Ilford Pan F 35mm film.
Has made Explore. Thanks, everybody!
Leica IIIa (AGNOO), made in 1938
Camera received a CLA in 2017 at Leica Gallery Frankfurt
Leitz Summaron 35mm f/3.5 (SOONC), made in 1948
Ilford Pan-F Plus B&W film
Developed and scanned by www.meinfilmlab.de
I am conducting a project where I take both my M3 and my IIIa and shoot the same scenes at the same times, so that I can compare the outcome.
This is a shot of the Russian chapel on Mathildenhöhe, Darmstadt, taken with the IIIa. The corresponding picture with the M3 is here.
Tbilisi, Georgia
Spring
Analog. Nikon FM2 and AgaPhoto APX 100
Links to all of my work. Instagram. Website. Behance. linktr.ee/ewitsoe
Linhof Technica 70, Zeis Planar 2,8/100, Pan f plus revelada con Infosol, escaneada con Plustek 120.
Seascape
Mendocino County, California
Camera: Fujica GW690
Film: Ilford Pan F
Filter: B+W Dark Red
Support: tripod
Leica IIIa (AGNOO), made in 1938
Camera received a CLA in 2017 at Leica Gallery Frankfurt
Leitz Summaron 35mm f/3.5 (SOONC), made in 1948
Ilford Pan-F Plus B&W film
Developed and scanned by www.meinfilmlab.de
I am conducting a project where I take both my M3 and my IIIa and shoot the same scenes at the same times, so that I can compare the outcome.
This is a shot of the Platanenhain on Mathildenhöhe, Darmstadt, taken with the IIIa. The corresponding picture with the M3 is here.
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Shot on ILFORD PAN F PLUS at EI 32.
Black and white negative film in 120 format shot as 6x6.
Over-developed 2/3 stop.
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4.
Read on at: emulsive.org/photography/medium-format/stand-alone-shot-o...
Filed under: #Mediumformat, #Photography, #120FormatFilm, #2018September, #6X6, #BlackAndWhiteNegativeFilm, #EI32, #EI50, #EMULSIVEDailyPhoto, #Hasselblad, #Hasselblad2000FCW, #HasselbladDistagonCFi50MmF4, #ILFORD, #ILFORDPanFPLUS, #ISO32, #ISO50, #PushProcessing, #PushingFilm
#shootfilmbenice #filmphotography #believeinfilm
Tbilisi, Georgia
Spring
Analog. Nikon FM2 and AgaPhoto APX 100
Links to all of my work. Instagram. Website. Behance. linktr.ee/ewitsoe
Today we’re sitting down with Mike Fraser, Toronto-based photographer, cancer researcher and all round globe-trotting nice guy.
Mike works in film of all formats, as well as the occasional foray into digital. He has (we think) an incredibly keen eye for detail in shadows. To be clear,...
Read on at: emulsive.org/interviews/film-photographer-interviews/inte...
Filed under: #FilmPhotographerInterviews, #Interviews, #EMULSIVEInterview, #FilmPhotographerInterviews, #Fuji, #FujiProvia100FRDPIII, #Hasselblad, #Hasselblad500CM, #ILFORD, #ILFORDPanFPLUS, #Interview, #Kodak, #KodakGold400, #KodakPortra400, #KodakTriX400, #KodakVISION3500T5219, #Konica, #KonicaHexarAF, #Leica, #LeicaM3, #LeicaMP, #LeicaSummitar, #Leitz, #Mamiya7, #MichaelFraser, #Voigtlander, #Voigtlander3514
#shootfilmbenice #filmphotography # believeinfilm
With the help of my good friend Jeremy Moore, I'm finally getting good ideas for where I want to go in choosing a process for making fine prints of some of my B&W images. In abbreviated terms, this is a Palladium print on drafting vellum that is dry-mounted to watercolor paper and then waxed. This is just a test print, so the tones aren't exactly where I want them, and the scan doesn't quite do justice to the print itself (which looks great), but I am really excited about this process and will hopefully begin making fine prints again using this method. It's less like a traditional Palladium print in look and more like what I wanted but was never quite able to get out of a lot of silver prints. This is the closest I've come so far to getting the look I really want for a large portion of my personal work, so it's encouraging.
A Piece of Today No. 175
The previously-posted image direct from a scan of the negative is here.
209/366
Minolta Autocord MXS, Rokkor 75mm f/3.5
Ilford Pan F Plus
EI 25
D-76 1:1, 7 min. at 72°F
f/8, 1/100
Ilford Pan F Plus - EI 50/18 - Ilfosol 3 - 1+14 - 4'30'' - HP G4050 come Dia, poi invertita
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Foto scattata a f8 e 1/200 (tempo max dell'otturatore centrale Vario della SignalNettar - del 1959) [è la prima partendo dall'alto a sx della vetrinetta delle folding medio formato e delle fotocamere ad ottica intercambiabile] - equivalente al sole a f16 con la Ilford Pan F Plus 50 iso; esposimetro Gossen Variosix F; pellicola sviluppata personalmente; scansione effettuata con l' HP G4050 (massima profondità in bit) - come diapositiva e poi invertita, seguendo le istruzioni del grande Christopher Crawford, per ottenere il massimo del dettaglio nelle ombre - aperta ed elaborata con Photoshop CS a 16 bit (nella scansione come pellicola in scala di grigi la parte in ombra sotto il tetto spariva completamente e della grondaia e degli archi all'ultimo piano e della facciata del palazzo prospiciente via S Giovanni non rimaneva traccia! hai voglia ad applicare curve con PS per recuperare un po' di leggibilità nelle ombre...); la ripresa è effettuata nei pressi della salita Malacarne, lungo Salita al Castello, di fronte a via San Giovanni.
Questa foto è dedicata al venditore su e-bay (francomar3@tin.it) che quattro anni fa mi ha venduto la Zeiss Ikon Signalnettar 518/16 e mi ha gentilmente fornito le istruzioni per imparare ad usarla (come vede ho conservato la passione genuina per la fotografia... come mi raccomandava lei)