View allAll Photos Tagged ILFORDDelta400Professional
More pictures and stories at my blog: www.photowalking.me
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Olympus XA
Ilford Delta 400 Professional
Reflecta CrystalScan 7200
Lucca, piazza del Suffragio, scultura in bronzo di Daphnè Du Barry dedicata al compositore Luigi Boccherini.
Fujica STX-1 + Fujinon 1,9/50mm.
Ilford Delta 400 Pro, Ilfosol3 1+9, 7min
CanoScan 9000F Mark II
Marunouchi on a winter afternoon
Leica M3
Leica Summicron-M DR 50mm f/2 SOMNI
B+W Yellow MRC 022M Filter
Ilford Delta 400 Professional
Chiyoda-ku in January.
Leica M3
Leica Summicron-M DR 50mm f/2 SOMNI
B+W Yellow MRC 022M Filter
Ilford Delta 400 Professional
Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80mm | Ilford Delta 400 Professional 400 @ 200
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in Rodinal 1:50 | 20 minutes @ 20ºC
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Hard | WB: Auto-Neutral | LUT: Frontier
More pictures and stories at my blog: www.photowalking.me
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Olympus XA
Ilford Delta 400 Professional
Reflecta CrystalScan 7200
Model: Andrea Gustafsson
Makeup: Camilla Glans
Photo: Thomas Ohlsson Photography
Camera: Pentax MX
Lens: SMC Pentax-FA 77mm F1.8 Limited
Film: Ilford Delta 400 Professional
Develop & Scan: Qpix
www.thomasohlsson.com | 500px | Facebook | Flickr | Instagram
Ikon Ikonta 521/a (1952).
Carl Zeiss Opton Tessar 3.5/75mm. Film format 4,5x6cm.
Ilford Delta 400 Pro, developed with Ilfosol3 1+9, 7min.
CanoScan 9000F Mark II
More shots with this camera: www.flickr.com/photos/mattiacam/albums/72157658661822460
Canon AE-1 Program, Canon Lens FD 50mm 1:1.4, Ilford Delta 400 Professional.
Model: Lizi
Viimsi, October 2014.
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Hello EMULSIVE community! My name is Tom Rayfield, by day I am a secondary school teacher from Norfolk, UK. I am a passionate film shooter, who loves to shoot medium format black and white film photography. I develop all of my film, in a darkroom that I built myself last year. Over the coming weeks and months […]
More at:
emulsive.org/articles/finding-film/finding-film-part-12-i...
Filed under:
#film, #filmphotography, #believeinfilm, #FindingFilm, #ILFORD, #ILFORDDelta100Professional, #ILFORDDelta400Professional, #TomRayfield, #Articles, #FilmReviews, #FindingFilm, #ILFORDFilms, #Reviews
Leica M6 TTL | Carl Zeiss Distagon 4/18mm | Ilford Delta 400 Professional 400 @ 800, +1 dev
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in Ilfotec DD-X 1:4 | 11 minutes @ 19ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Highlight Hard | WB: None | LUT: Frontier
Ikon Ikonta 521/a (1952). Carl Zeiss Opton Tessar 3.5/75mm. Film format 4,5x6cm.
Ilford Delta 400 Pro, developed with Ilfosol3 1+9 7min.
CanoScan 9000F Mark II
More shots with this camera: www.flickr.com/photos/mattiacam/albums/72157658661822460
Minolta CLE | Minolta M-ROKKOR 40mm f/2.0 | Ilford Delta 400 Professional 400 @ 1600, +2 dev
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Kamerakraft FSC1 Pro
Home developed in Ilfotec DD-X 1:4 | 13:30 at 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
More pictures and stories at my blog: www.photowalking.me
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Minolta Hi-Matic AF2
Ilford Delta 400 Professional
Reflecta CrystalScan 7200
Leica M6 TTL | Leica Summicron-M 50mm f/2.0 | Ilford Delta 400 Professional 400 @ 800, +1 dev
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in Ilfotec DD-X 1:4 | 11 minutes @ 19ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Shadow Hard | WB: None | LUT: Frontier
arms length self-portrait at 10,600'
blurry. happy.
kiwanis cabin
sandia crest
albuquerque, nm
yashica-mat 124G
ilford delta 400 + hc-110 (solution b)
Caitlin shot in our garden. I used my Minolta XG-M vintage camera and the 50mm f/1.7 lens, Ilford Delta 400 Professional film. Shot with natural light only, no reflector.
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The Mamiya 645 1000S was not my first medium format camera. I dabbled with a Lubitel 166 followed by a Mamiya C3 both of which are 6×6 format, and aside from technical issues with both cameras, the main reason that I then bought the Mamiya 645 was my real struggle with the square format.
I...
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Large version at: emulsive.org/reviews/camera-review-mamiya-645-1000s-by-ti...
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Filed under: #Articles, #Camera_Reviews, #Mamiya_Camera_Reviews, #Reviews, #Camera_Review, #Fuji, #Fuji_Provia_100F_RDP_III, #Fuji_Reala, #Fuji_Velvia_100F_RVP100F, #ILFORD, #ILFORD_Delta_400_Professional, #ILFORD_FP4, #ILFORD_HP5, #Kodak, #Kodak_Ektar_100, #Mamiya, #Mamiya_645_1000S, #Tim_Dobbs
More pictures and stories at my blog: www.photowalking.me
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Olympus XA
Ilford Delta 400 Professional
Reflecta CrystalScan 7200
One must keep on one’s toes when talking with the Welsh. Don’t mention Tom Jones, never make the assumption that all Welsh men have amazing singing voices and absolutely don’t ask why there’s not a simpler spelling for ...
Read on at: emulsive.org/interviews/interview-16-i-am-tim-dobbs-and-t...
Filed under: #FilmPhotographerInterviews, #Interviews, #EMULSIVEInterview, #FilmPhotographerInterviews, #Fuji, #FujiPro400H, #FujiProvia100FRDPIII, #ILFORD, #ILFORDDelta400Professional, #ILFORDFP4PLUS, #ILFORDHP5PLUS, #Interview, #Kiev, #Kodak, #KodakEktar100, #Mamiya, #Mamiya645, #MamiyaC330, #Nikon, #NikonF100, #Olympus, #Pentax, #TimDobbs
#shootfilmbenice #filmphotography # believeinfilm
More pictures and stories at my blog: dimgdv.blogspot.com
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Minolta Hi-Matic AF2
Ilford Delta 400 Professional
Reflecta CrystalScan 7200
(CC BY-NC-ND Opera tutelata dal plagio su www.patamu.com con numero deposito 53991)
Ilford Delta 400 professional, luce naturale, Praktica bms, Jupiter 85mm
Sviluppo Ilfotec hc
Sito ufficiale: www.claudiotedesco.it
Youtube: www.youtube.com/c/ClaudioTedescoplay
Flickr: www.flickr.com/photos/claudiotedesco/
Si ringrazia la modella Giulia Marzulli
One must keep on one’s toes when talking with the Welsh. Don’t mention Tom Jones, never make the assumption that all Welsh men have amazing singing voices and absolutely don’t ask why there’s not a simpler spelling for ...
emulsive.org/interviews/i-am-tim-dobbs-and-this-is-why-i-...
#Fuji #FujiPro400H #FujiProvia100FRDPIII #Ilford #IlfordDelta400Professional #IlfordFP4 #IlfordHP5 #Interview #Kiev #Kodak #KodakEktar100 #Mamiya #Mamiya645 #MamiyaC330 #Nikon #NikonF100 #Olympus #Pentax #TimDobbs
Today I’m very please to be able to bring you the thoughts and photography of one of the youngest members of the film photography community on Twitter. He’s talented, enthusiastic and above all else, passionate about film. It’s the one and only Pajamas Paolo De Jesus!
Over to ...
Large version at: emulsive.org/interviews/i-am-paolo-de-jesus-and-this-is-w...
Filed under: #Interviews #CanonAE1Program #CanonEOS450D #CanonEOSKissX2 #CanonEOSREBELXSi #CanonFD2828 #CanonFD5018 #CanonFTQL #DanDao #Fuji #ILFORD #ILFORDDelta400Professional #ILFORDHP5Plus #Kentmere #Kentmere400 #Kodak #KodakFunSaver #KodakTriX400 #Mamiya #MamiyaRB67 #Pro400H #TedForbes
Photographed just North of Newton, IL on a hill along a dirt road - Fall 1998. Shot on Ilford Delta 400 Professional B&W Film with a Pentax K1000 and recently scanned negative on Epson V600 scanner. Slight adjustments to contrast and cropping made in Photoshop.
After a devastating experience with the last pack of Impossible Project PX 70 Color Shade film pack for my Polaroid SX 70, I decided to get back on the bike, shake of the fear of falling and give it another try.
You see, either the film was old (although I had bought it only a few months ago and had stored it in the fridge ever since), or the formula of the Impossible Project's film is different from the original (in that it has a much higher viscosity of the devoloper and thus nearly no spread at all), or my trusty old SX 70 (that I hadn't been using for months) now has a problem with the rollers that spread the emulsion. Thinking about it, I'd blame a combination of all possibilities.
First of all, the film had the date "04/2012" written on it, which could be the production date, but is more likely to be the estimated shelf life. I had used an expired film from Impossible Project before with my other Polaroid with nearly the same disappointing result. Looking through my old Polaroids, I admittedly found some patches of undeveloped film in the top corner of my SX 70 pictures, too, already two years ago. I attributed it to having stored the film in the fridge back then after consulting Google. But now, Impossible Project recommends that for its films, so I don't know if that could be a reason or if the camera is actually having issues.
Anyway, this picture is about the film I loaded into my other old cameras to give it another try. I hadn't used the Exakta for some years and was glad I still knew how to load it, but I have picked up the Canon every now and then. What came as a surprise to me: It was the Canon that I didn't know enough about to rely on it and thus missed a couple of (what I imagine to be) great pictures I was taking later on.
See my next picture to find out what this means.