View allAll Photos Tagged ILFORDDelta400Professional
ASAHI PENTAX SP
AUTO mamiya/sekor 50mm F2
ILFORD DELTA 400 PROFESSIONAL
EPSON Colorio GT-X770
Photoshop Elements 6.0にてレベル補正
It’s the beginning of May, spring is in full bloom (mostly), I for one can feel summer’s imminent arrival – it’s not soon enough.
So, it seems like the perfect time to bring you the work of another young, up and coming film photographer; today, in the form of Kevin Luyo,...
Large version at: emulsive.org/interviews/i-am-kevin-luyo-and-this-is-why-i...
Filed under: #Interviews #Cinestill #ILFORD #ILFORDDelta100Professional #ILFORDDelta3200Professional #ILFORDDelta400Professional #Kodak #KodakPortra160 #KodakPortra400 #KodakTri-X400 #KodakULTRAMAX400 #NewJersey #NewYork #Pentax #PentaxK1000
More pictures and stories at my blog: www.photowalking.me
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Olympus XA
Ilford Delta 400 Professional
Reflecta CrystalScan 7200
More pictures and stories at my blog: www.photowalking.me
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Olympus XA
Ilford Delta 400 Professional
Reflecta CrystalScan 7200
ASAHI PENTAX SP
Carl Zeiss Jena electric MC PANCOLAR 50mm F1.8
ILFORD DELTA 400 PROFESSIONAL
EPSON Colorio GT-X770
Zeiss Ikon Ikonta B 523/16 + yellow filter.
Ilford Delta Pro 400, Ilfosol 3 1+9 7min.
More shots with this camera: www.flickr.com/photos/mattiacam/albums/72157646591002432
crap. the test roll indicates that something is wrong with the olympus xa. nothing is in focus...
somewhere south of willard, new mexico
olympus xa
ilford delta 400 (pulled to 200) + hc-110
Focus either very slightly off, or shutter speed just a little too slow.
Pentax 6x7 + Super-Multi-Coated Takumar/6x7 200/4. Ilford Delta 400 Professional.
本年も拙い写真を見に来てくださり、本当にありがとうございました。
どうぞ良いお年をお迎えください。
I wish you a year filled with peace,good health and happiness!!
Je vous souhaite à tous une très bonne année 2014 !!
Leica M3
LEITZ WETZLAR ELMAR 50mm F2.8
ILFORD DELTA 400 PROFESSIONAL
EPSON Colorio GT-X770
ASAHI PENTAX SP
Carl Zeiss Jena electric MC PANCOLAR 50mm F1.8
ILFORD DELTA 400 PROFESSIONAL
EPSON Colorio GT-X770
More pictures and stories at my blog: www.photowalking.me
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Minolta Hi-Matic AF2
Ilford Delta 400 Professional
Reflecta CrystalScan 7200
That giant white square on the right is why I'm currently looking for a different shop to do my 120 processing. (At least from the 6x7, which appears to put the final frame very close to the end of the roll.)
Pentax 6x7 + Super-Multi-Coated Takumar/6x7 200/4. Ilford Delta 400 Professional.
Taken with a Nikon F75
My first roll with this camera.
Ilford Delta 400 Professional.
Rodinal - R09 One Shot developer 9 minutes.
IlFostop (1+19)
Ilford Rapid Fixer (1+4)
Kodak PhotoFlo.
Scanned using Nikon D80 camera, Tamron Sp Di 90mm Macro and SB 600 speedlite.
Negative to positive and exposure tweaked in Lightroom 3.
Taken with a Rollei 35 S
My first roll with this camera.
Ilford Delta 400 Professional.
Rodinal - R09 One Shot developer 9 minutes.
IlFostop (1+19)
Ilford Rapid Fixer (1+4)
Kodak PhotoFlo.
Scanned using Nikon D80 camera, Tamron Sp Di 90mm Macro and SB 600 speedlite.
Negative to positive and exposure tweaked in Lightroom 3.
Taken with a Rollei 35 S
My first roll with this camera.
Colour photo using Rolleiflex T
Ilford Delta 400 Professional.
Rodinal - R09 One Shot developer 9 minutes.
IlFostop (1+19)
Ilford Rapid Fixer (1+4)
Kodak PhotoFlo.
Scanned using Nikon D80 camera, Tamron Sp Di 90mm Macro and SB 600 speedlite.
Negative to positive and exposure tweaked in Lightroom 3.
I would have loved to be a musician, but unfortunately I'm not. As a substitute, I love--need to listen to music a lot. Out of respect for the music I like to listen through an adequate set of speakers. In 1985 my father gave me a set of Rauna Leira II speakers of which one fell over and broke about 18y later. I recently bought a second hand set of these hard to find speakers again.
These are transmission line speakers made out of concrete, and were designed by the Swedish record company Opus 3. To me they are a fantastic example of classic timeless design: where form and function meet.
I though it was appropriate to shoot these using my Minolta XG-M film camera and 50mm Rokkor f/1.7 lens, using available light only.
ASAHI PENTAX SP
Carl Zeiss Jena electric MC PANCOLAR 50mm F1.8
ILFORD DELTA 400 PROFESSIONAL
EPSON Colorio GT-X770
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Ilford Delta 400 Professional shot at EI 400.
Black and white negative film in 120 format shot as 6x6.
2x Teleconverter.
Large version at: emulsive.org/photography/medium-format/bench-ilford-delta...
Filed under: #Mediumformat #Photography #2016November #EI400 #EMULSIVEDailyPhoto #Hasselblad #Hasselblad2000FCW #Ilford #IlfordDelta400Professional #ISO400 #PlanarF8028 #Teleconverter
These telephone poles are planted all over Bowman field every year in order for the frat-tastic population of Clemson University to prepare for Homecoming. From what I understand, the term "pomping" refers to the act of stuffing/tying paper to one's float/display. Frat boys are good at several things: drinking beer, fingerpainting, womanizing, and "pomping". Well done, guys.
This is Victoria Santos. Pictured with her is her personal aid Naïma. On my way to Mt. Pleasant from Adams Morgan I walked directly by these two, who were calmly observing passersby in Rabaut Park. As I reached the intersection of Harvard Street and Mt. Pleasant Street, I looked down at the frame indicator on my camera, and it looked right back at me with the number 36. I was on my last frame of the roll. I turned around, and walked back towards Victoria and Naïma. I just had to take a portrait.
As I reached Victoria, who is confined to a wheelchair, I leaned forward and introduced myself. I told her that I was a photographer and that I would be absolutely delighted to take a portrait of her, with her permission. I received a blank stare from Victoria in return. Naïma, with a smirk on her face, says to me in Amharic, "you're gonna have to speak up. She doesn't have the best hearing."
I cleared my throat, leaned in even closer to Victoria, reintroduced myself, and repeated everything else I had said to her only a moment before, but this time at twice the vocal amplitude. Responding to my request for a portrait, Victoria gave me a big smile and said, "well sure! But you're gonna have to get low because I can't get out of this chair." I told her, with a chuckle in my voice, that it wasn't even remotely an issue. So I got low, and I took her portrait, with Naïma in the background.
Victoria is 100 years old. She moved to Adams Morgan from a small town in Massachusetts in 1945. She was a newlywed at the time and it was her husband's personal and business affairs that brought her here. She has not left DC since.
"So I guess it's safe to say that DC is your home now," I kid with her.
"Ha! Well, of course. I haven't left this neighborhood."
I then enjoyed the many ways she was describing the change that the neighborhood has undergone in her 65 years as a resident. Most of the buildings that surrounded us weren't even built. There were way more trees. It wasn't nearly as crowded with people.
I asked Victoria how she felt as a 100-year-old. She said to me, "I never would have thought in a million years that I would live to be this old. I have outlived most of the members of my close family. My husband is dead, all of my siblings are dead, my cousins are dead, and I never had any children." I asked Victoria if she had any living relatives nearby and she told me that she has a niece that lives in Silver Spring.
We conversed a little longer before I said goodbye. What completely amazed me in my short time with Victoria was how incredibly lucid she was. Not a single sign of dementia or memory loss. She was able to carry on our conversation without repeating a single thing.
Her eyesight, however, has suffered quite a bit recently. In her thick New England accent she explained to me, "Ya know, those people at the hospital switched up my eye drops and the new stuff burned my eyeballs! I swear I can't see past 10 feet now. It's all their fault, but what're ya gonna do?"
It was amazing to have crossed Victoria's path.
Spotmatic + Industar-50-2. Illford Delta 400 Professional. Cropped slightly to remove what looked to be a bit of the shutter at the top of the frame.