View allAll Photos Tagged ILFORDDelta400Professional
Minolta SR 505 | Minolta Minolta 50mm f/1.4 MC Rokkor-PG | Ilford Delta 400 Professional 400 @ 200 Digitized with Canon EOS RP, EF 100mm 2.8L | Viltrox L116T | EFH Home developed in Cinestill Df96 Monobath | 6:30, ~80f to start, single inversion every minute. Negative Lab Pro v2.4.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Minolta SR 505 | Minolta Minolta 50mm f/1.4 MC Rokkor-PG | Ilford Delta 400 Professional 400 @ 200
Digitized with Canon EOS RP, EF 100mm 2.8L | Viltrox L116T | EFH
Home developed in Cinestill Df96 Monobath | 6:30, ~80f to start, single inversion every minute.
Minolta SR 505 | Minolta Minolta 50mm f/1.4 MC Rokkor-PG | Ilford Delta 400 Professional 400 @ 200 Digitized with Canon EOS RP, EF 100mm 2.8L | Viltrox L116T | EFH Home developed in Cinestill Df96 Monobath | 6:30, ~80f to start, single inversion every minute. Negative Lab Pro v2.4.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: Frontier
Minolta SR 505 | Minolta Minolta 50mm f/1.4 MC Rokkor-PG | Ilford Delta 400 Professional 400 @ 200
Digitized with Canon EOS RP, EF 100mm 2.8L | Viltrox L116T | EFH
Home developed in Cinestill Df96 Monobath | 6:30, ~80f to start, single inversion every minute.
Minolta SR 505 | Minolta Minolta 50mm f/1.4 MC Rokkor-PG | Ilford Delta 400 Professional 400 @ 200 Digitized with Canon EOS RP, EF 100mm 2.8L | Viltrox L116T | EFH Home developed in Cinestill Df96 Monobath | 6:30, ~80f to start, single inversion every minute. Negative Lab Pro v2.4.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: Frontier
Minolta SR 505 | Minolta Minolta 50mm f/1.4 MC Rokkor-PG | Ilford Delta 400 Professional 400 @ 200
Digitized with Canon EOS RP, EF 100mm 2.8L | Viltrox L116T | EFH
Home developed in Cinestill Df96 Monobath | 6:30, ~80f to start, single inversion every minute.
Minolta SR 505 | Minolta Minolta 50mm f/1.4 MC Rokkor-PG | Ilford Delta 400 Professional 400 @ 200 Digitized with Canon EOS RP, EF 100mm 2.8L | Viltrox L116T | EFH Home developed in Cinestill Df96 Monobath | 6:30, ~80f to start, single inversion every minute. Negative Lab Pro v2.4.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: Auto-Neutral | LUT: Frontier
Minolta SR 505 | Minolta Minolta 50mm f/1.4 MC Rokkor-PG | Ilford Delta 400 Professional 400 @ 200
Digitized with Canon EOS RP, EF 100mm 2.8L | Viltrox L116T | EFH
Home developed in Cinestill Df96 Monobath | 6:30, ~80f to start, single inversion every minute.
ASAHI PENTAX SP
Carl Zeiss Jena electric MC PANCOLAR 50mm F1.8
ILFORD DELTA 400 PROFESSIONAL
EPSON Colorio GT-X770
Sunset behind the Hernando De Soto Bridge as seen from the Mud Island walkway, Memphis, TN, July 4, 2014.
Camera: Nikon N80
Lens: Nikon AF Nikkor 28-100mm 1:3.5-5.6 G
Film: Ilford Delta Professional 400 @ 800 ISO
Developer: Caffenol (Delta STD), 15 min @ 21°C
Scanner: Epson Perfection V370.
ASAHI PENTAX SP
Carl Zeiss Jena electric MC PANCOLAR 50mm F1.8
ILFORD DELTA 400 PROFESSIONAL
EPSON Colorio GT-X770
Wannes Van de Velde
April 29 1937 – November 10 2008
Taken at the memorial, Sunday 23 November 2008, de Roma, his final time on a stage
Minolta SR 505 | Minolta Minolta 50mm f/1.4 MC Rokkor-PG | Ilford Delta 400 Professional 400 @ 200 Digitized with Canon EOS RP, EF 100mm 2.8L | Viltrox L116T | EFH Home developed in Cinestill Df96 Monobath | 6:30, ~80f to start, single inversion every minute. Negative Lab Pro v2.4.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear | WB: Auto-Neutral | LUT: Frontier
Minolta SR 505 | Minolta Minolta 50mm f/1.4 MC Rokkor-PG | Ilford Delta 400 Professional 400 @ 200
Digitized with Canon EOS RP, EF 100mm 2.8L | Viltrox L116T | EFH
Home developed in Cinestill Df96 Monobath | 6:30, ~80f to start, single inversion every minute.
Dad: "Want a cigar guys?"
Little brothers: "YEAH"
45 minutes later, the one on the left was chumming the water. This is no lie.
I told them to look like derelicts in this picture, by the way. They're not really idiots. Well.....
Minolta SR 505 | Minolta Minolta 50mm f/1.4 MC Rokkor-PG | Ilford Delta 400 Professional 400 @ 200 Digitized with Canon EOS RP, EF 100mm 2.8L | Viltrox L116T | EFH Home developed in Cinestill Df96 Monobath | 6:30, ~80f to start, single inversion every minute. Negative Lab Pro v2.4.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Soft | WB: Auto-Neutral | LUT: Frontier
Minolta SR 505 | Minolta Minolta 50mm f/1.4 MC Rokkor-PG | Ilford Delta 400 Professional 400 @ 200
Digitized with Canon EOS RP, EF 100mm 2.8L | Viltrox L116T | EFH
Home developed in Cinestill Df96 Monobath | 6:30, ~80f to start, single inversion every minute.
Buildings along the riverfront at sunset as seen from the Mud Island walkway, Memphis, TN, July 4, 2014.
Camera: Nikon N80
Lens: Nikon AF Nikkor 28-100mm 1:3.5-5.6 G
Film: Ilford Delta Professional 400 @ 800 ISO
Developer: Caffenol (Delta STD), 15 min @ 21°C
Scanner: Epson Perfection V370.
ASAHI PENTAX SP
Carl Zeiss Jena electric MC PANCOLAR 50mm F1.8
ILFORD DELTA 400 PROFESSIONAL
EPSON Colorio GT-X770
ASAHI PENTAX SP
Carl Zeiss Jena electric MC PANCOLAR 50mm F1.8
ILFORD DELTA 400 PROFESSIONAL
EPSON Colorio GT-X770
Taken with a Praktica MTL3, 35mm f2.4 Flektogon auto Carl Zeiss Jena Lens on Ilford Delta 400 Professional b&w Film, machine processed, scanned with Canon 8400F
Riverside Drive as seen from the Mud Island walkway, Memphis, TN, July 4, 2014.
Camera: Nikon N80
Lens: Nikon AF Nikkor 28-100mm 1:3.5-5.6 G
Film: Ilford Delta Professional 400 @ 800 ISO
Developer: Caffenol (Delta STD), 15 min @ 21°C
Scanner: Epson Perfection V370.
The Pyramid at sunset as seen from the Mud Island walkway, Memphis, TN, July 4, 2014.
Camera: Nikon N80
Lens: Nikon AF Nikkor 28-100mm 1:3.5-5.6 G
Film: Ilford Delta Professional 400 @ 800 ISO
Developer: Caffenol (Delta STD), 15 min @ 21°C
Scanner: Epson Perfection V370.
Taken with a Praktica MTL3, 50mm f1.8 Pancolar Carl Zeiss Jena Lens on Ilford Delta 400 Professional b&w Film at 1600, machine (push-)processed, scanned with Canon 8400F
Seen in a restaurant along Russell Street in Melbourne.
By the way, I really enjoyed the Anthony Bourdain book with same title. Eye opening and it does make you think twice about what to order.
Minolta SR 505 | Minolta Minolta 50mm f/1.4 MC Rokkor-PG | Ilford Delta 400 Professional 400 @ 200 Digitized with Canon EOS RP, EF 100mm 2.8L | Viltrox L116T | EFH Home developed in Cinestill Df96 Monobath | 6:30, ~80f to start, single inversion every minute. Negative Lab Pro v2.4.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear | WB: Auto-Neutral | LUT: Frontier
Minolta SR 505 | Minolta Minolta 50mm f/1.4 MC Rokkor-PG | Ilford Delta 400 Professional 400 @ 200
Digitized with Canon EOS RP, EF 100mm 2.8L | Viltrox L116T | EFH
Home developed in Cinestill Df96 Monobath | 6:30, ~80f to start, single inversion every minute.
Taken with a Praktica MTL3, 50mm f1.8 Pancolar Carl Zeiss Jena Lens on Ilford Delta 400 Professional b&w Film at 1600, machine (push-)processed, scanned with Canon 8400F
ASAHI PENTAX SP
Carl Zeiss Jena electric MC PANCOLAR 50mm F1.8
ILFORD DELTA 400 PROFESSIONAL
EPSON Colorio GT-X770
Air France 309 Heavy rotates off 34R headed back to CDG. AE-1 Program, 400mm, Ilford Delta 400 Professional. This lens is old and needs a cleaning but its still fun to play with.
ASAHI PENTAX SP
Carl Zeiss Jena electric MC PANCOLAR 50mm F1.8
ILFORD DELTA 400 PROFESSIONAL
EPSON Colorio GT-X770
This image was taken a few months ago when Melbourne was still cold. This is in Mr. Tulk, that café on the side of the State Library (facing La Trobe Street).
I had a few rolls of Tri-X and Ilford that had been sitting at the bottom of my bag. It's always a nice surprise when you find out what's been waiting in those canisters all this time.