View allAll Photos Tagged ILFORDDelta3200Professional

The Mentalists at Proud Galleries, Camden, 17/09/08.

 

www.myspace.com/thementalists

www.3songsnoflash.co.uk

 

This is the first Mentalists gig I've been to since they got their new guitarist, Emma. I was keen to get some photos, but my Canon was sick, so I fished out my old Minolta X-500 film camera. Now, I love that old camera, which is why I kept it, and I was really excited about using it again...

 

It's manual focus, which was a worry with my old man eyesight, but I think the pictures are OK, and obviously it doesn't have all of the controls that my more recent (film and digital) SLR's have. Oh, and I kept forgetting I had to wind the film on!

 

While I was shooting, I came to realise how lazy shooting digital had made me. Now, I don't exactly take a scattergun approach when I shoot digital, but I will take more than I really need, and if the framing is a little off, it's easy to crop it in Lightroom. This time though, I was conscious that I only had one roll of 36 shots, and no instant feedback on the back of the camera! I found myself being much more careful about composition and exposure, because I had to make every shot count. I haven't shot film on an SLR for a few years now, but I think it was a really useful exercise, if only to remind myself to take a bit more care to get it all right first time.

 

It's made me keen to shoot more film, too. I think I may dig some of my old darkroom gear out of the garage, if I can find it...

View On Black

 

Mamiya C330 with Ilford Delta Pro 3200. Just minutes before the start of Earth Hour

The Mentalists at Proud Galleries, Camden, 17/09/08.

 

www.myspace.com/thementalists

www.3songsnoflash.co.uk

 

This is the first Mentalists gig I've been to since they got their new guitarist, Emma. I was keen to get some photos, but my Canon was sick, so I fished out my old Minolta X-500 film camera. Now, I love that old camera, which is why I kept it, and I was really excited about using it again...

 

It's manual focus, which was a worry with my old man eyesight, but I think the pictures are OK, and obviously it doesn't have all of the controls that my more recent (film and digital) SLR's have. Oh, and I kept forgetting I had to wind the film on!

 

While I was shooting, I came to realise how lazy shooting digital had made me. Now, I don't exactly take a scattergun approach when I shoot digital, but I will take more than I really need, and if the framing is a little off, it's easy to crop it in Lightroom. This time though, I was conscious that I only had one roll of 36 shots, and no instant feedback on the back of the camera! I found myself being much more careful about composition and exposure, because I had to make every shot count. I haven't shot film on an SLR for a few years now, but I think it was a really useful exercise, if only to remind myself to take a bit more care to get it all right first time.

 

It's made me keen to shoot more film, too. I think I may dig some of my old darkroom gear out of the garage, if I can find it...

The Mentalists at Proud Galleries, Camden, 17/09/08.

 

www.myspace.com/thementalists

www.3songsnoflash.co.uk

 

This is the first Mentalists gig I've been to since they got their new guitarist, Emma. I was keen to get some photos, but my Canon was sick, so I fished out my old Minolta X-500 film camera. Now, I love that old camera, which is why I kept it, and I was really excited about using it again...

 

It's manual focus, which was a worry with my old man eyesight, but I think the pictures are OK, and obviously it doesn't have all of the controls that my more recent (film and digital) SLR's have. Oh, and I kept forgetting I had to wind the film on!

 

While I was shooting, I came to realise how lazy shooting digital had made me. Now, I don't exactly take a scattergun approach when I shoot digital, but I will take more than I really need, and if the framing is a little off, it's easy to crop it in Lightroom. This time though, I was conscious that I only had one roll of 36 shots, and no instant feedback on the back of the camera! I found myself being much more careful about composition and exposure, because I had to make every shot count. I haven't shot film on an SLR for a few years now, but I think it was a really useful exercise, if only to remind myself to take a bit more care to get it all right first time.

 

It's made me keen to shoot more film, too. I think I may dig some of my old darkroom gear out of the garage, if I can find it...

Canon AE-1 + Tamron Adaptall-2 28-70 f3.5-4.5. Ilford Delta 3200 Professional.

Nuit Blanche 2014.

 

Canon AE-1 + Canon New FD 28mm f2.8. Ilford Delta 3200 Professional.

The Mentalists at Proud Galleries, Camden, 17/09/08.

 

www.myspace.com/thementalists

www.3songsnoflash.co.uk

 

This is the first Mentalists gig I've been to since they got their new guitarist, Emma. I was keen to get some photos, but my Canon was sick, so I fished out my old Minolta X-500 film camera. Now, I love that old camera, which is why I kept it, and I was really excited about using it again...

 

It's manual focus, which was a worry with my old man eyesight, but I think the pictures are OK, and obviously it doesn't have all of the controls that my more recent (film and digital) SLR's have. Oh, and I kept forgetting I had to wind the film on!

 

While I was shooting, I came to realise how lazy shooting digital had made me. Now, I don't exactly take a scattergun approach when I shoot digital, but I will take more than I really need, and if the framing is a little off, it's easy to crop it in Lightroom. This time though, I was conscious that I only had one roll of 36 shots, and no instant feedback on the back of the camera! I found myself being much more careful about composition and exposure, because I had to make every shot count. I haven't shot film on an SLR for a few years now, but I think it was a really useful exercise, if only to remind myself to take a bit more care to get it all right first time.

 

It's made me keen to shoot more film, too. I think I may dig some of my old darkroom gear out of the garage, if I can find it...

the graveyard of nidarosdommen.

 

taken with olympus mju on ilford delta 3200 film.

 

Nuit Blanche 2014.

 

Canon AE-1 + Canon New FD 28mm f2.8. Ilford Delta 3200 Professional.

Ilford Delta 3200, 120 in a Pentax 645

(Summer 2020, unpublished)

Camera: Rolleiflex 6008i

Lens: Rollei 120mm F/4 Makro-Planar HFT PQ

Focal length: 120mm

Aperture: f11

Exposure: 1/500

Film: Ilford Delta 3200 @ 6400

 

Stitched together from two 6x6 frames.

 

Developed with rotation technique.

Developer: Ilford DD-X

Stop Bath: Ilford Ilfostop

Fixer: Ilford Rapid Fixer

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