View allAll Photos Tagged Humility
my fave is a toss up between kindergarden and 6th grade- aka whoa, worst year of my life
this is also known as Bangs: The Evolution.
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
From March 2, 2020: Every cup tells a #story.
I fell asleep before I could combine these images and post them before midnight last night. So here it is now.
#CoffeeShop #CoffeeCup #lid #art #imagery by B. #ThankYou
Part of my personal photo project of 2020, to get a different selfie shot of me everyday, photo 62/366.
This image initially appeared posted on Instagram.
#selfies #SubvertedSelfies #Selfies #365SelfieChallenge #365daychallenge #365Selfies2020 #2020Selfies #DailySelfie #DailySelfies #livingmybestlife #reverence #happy #instagood #humility #friends #inspire #art #portrait #awakening #consciousness #motivational #positivevibration #health #selflovejourney
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
LUKE IN THE BOWYER BIBLE. Robert Bowyer (1758-1834) expanded his own copy of the Macklin Bible to 45 volumes after acquiring and inserting over 6200 different prints of Biblical events. The Bowyer Bible is now housed in Bolton Museums and Archives. For a presentation of many of these prints see archive.org/details/bowyer-bible
where Philip De Vere has created flip-books from Phillip Medhurst's collection of photos.
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
In September 2013, I was given the opportunity to shoot for a non-profit organisation called e.motion21. This is an organisation that provide an Australia-first, innovative dance and fitness program designed specifically for children and young adults with Down Syndrome.
This is a series of their rehearsal leading up to a dance event called Musicool. It was an eye opening experience having to shoot this event as I had never shot a subject matter relating to Down Syndrome prior to this. The most essential thing that I realised was that these kids and young adults are no different from what society deems as 'normal'. Everyone experiences struggles and it is the passion that keeps us going. For them, the unity through dance is the core of their passion and joy.
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
April 13, 2015: Featuring David Ansel, Austin's own Soup Peddler.
Sponsored by Real HQ, Razorfish Studios and Cuvee Coffee .
Hosted at The Lady Bird Johnson Wildflower Center.
Photos by Manny Pandya.
Video Production by Scott Clark.
With all due humility . . . I think I look really good in this shot.
It was probably not long after this shot was taken that some jerk-off slammed into us from behind, in spite of the large signs on the back of every Go Kart and on the walls at every turn NOT to do any bumping. These things don't go in reverse, so employees had to come and pull us back out onto the track where we could go forward again.
Barbara missed the crash with the camera though.
May its waters accept with humility and grace the honor of our notice: BRIGHTS CREEK in Hampton, Virginia, online.
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In Hampton, Virginia, on October 13th, 2023, Brights Creek as viewed from the east side of North King Street, south of Spring Street.
Brights Creek flows to the Hampton River, which flows to the James River, which flows to Chesapeake Bay.
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Getty Thesaurus of Geographic Names terms:
• Atlantic Coastal Plain (2139846)
• Brights Creek (2195018)
• Hampton (2002213)
Art & Architecture Thesaurus terms:
• autumn (300133093)
• cultural landscapes (300008932)
• riverine landscapes (300435110)
• streams (300008699)
• turbidity (300375724)
• woods (plant communities) (300132451)
Wikidata items:
• 13 October 2023 (Q69306951)
• Atlantic coastal plain (Q756832)
• Brights Creek (Q49867746)
• Chesapeake Bay drainage basin (Q65738754)
• Chesapeake-Pamlico Lowlands and Tidal Marshes (Q123865624)
• Hampton Roads (Q1011895)
• James River drainage basin (Q46999340)
• Middle Atlantic Coastal Plain (Q123865588)
• October 13 (Q2925)
• October 2023 (Q61313015)
• Tidewater (Q7800894)
• Tsenacommacah (Q7849523)
• Virginia Peninsula (Q2553780)
Library of Congress Subject Headings:
• Chesapeake Bay Region (Md. and Va) (sh85023112)
• Rivers—Virginia (sh85114419)
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
In Memoriam -- for Peg June Adams, aka Ven. Choenyi. Who let go of the tree September 12, 2009, in Dharamsala, India. May your transition bring you to land in a place full of possibilities for growth.
We will miss you here. Thank you for all.
With Big Love.
See photos of Peg here: www.flickr.com/groups/choenyi/pool/
This was one of the last series of photos shot of the gent on the right. ~RIP~ Animal, you'll not be forgotten...
Continue to practice humility with every success. It can all be easily taken away as it is given. . Continue to be strong at heart through the failures as they are stepping stones to achieving whatever your heart desires. . #success #successquotes #oola #oolalife #balance #innerpeace #quotes #quoteoftheday #quotesgram #photooftheday #picoftheday #happy #amazing #humility - ohso_feisty
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
The global theme for April 2015 was “Humility” and our speaker at Portland/CreativeMornings was Charlie Brown, CEO and Founder of Context Partners. We were hosted by PNCA and sponsored by Create Legal and 52 Limited, and Razorfish. With thanks to Pro Photo Supply for the photo & video gear.
Photo by Scott Larsen. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Anna walking through the Door of Humility, the entrance to the Church of the Nativity in Bethlehem, Palestine
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
This was a lesson in humility for me. I was comissioned to make this cake and all went well. However, before it was picked up, the bottom layer started sliding out and the whole thing toppled. The cake was about 3 feet high and I guess the bottom layer couldn't handle all that weight....even though I re-inforced it with wooden dowel rods throughout.
St. Martin in this new dignity continued the same manner of life, retaining the same humility of mind, austerity of life, and meanness of dress. He lived at first in a little cell near the church, but, not being able to endure the interruption which he met with from the many visits he there received, he retired to a monastery which he built two miles from the city, which is the famous abbey of Marmoutier, the most ancient that now subsists in France, and belongs to the congregation of St. Maur. The place was then a desert, inclosed by a high steep rock on one side, and by the river Loire on the other, and the entrance into it was only by one very narrow passage. The holy bishop had a cell built of wood: several of his monks had cells made in the same manner, but the greater part took up their dwellings in narrow holes which they dug in the side of the rock: one is still shown in which St. Martin is said to have lodged for some time. He had here in a short time about fourscore monks; amongst them no one had any distinct property; no one was allowed to buy or sell, as was the practice of the greater part of the monks with regard to their work and sustenance. No art or business was permitted amongst them, except that of writing, to which only the younger were deputed; the more ancient attended to nothing else but to prayer and spiritual functions. Very rarely any went out of his cell, except to the oratory where they assembled at the hours of public prayer; and they ate all together in the evening after the hour of the fast. Wine was never afforded to any one, unless sickness required it. Most of them had garments of camel’s hair, that is, of coarse camlet, and it was esteemed a crime to wear any soft clothing. There were, nevertheless, many persons of quality amongst them, who had been educated in a tender and delicate manner. Many bishops were chosen out of this monastery; for there was not a city which did not desire to have a pastor who had been bred under the discipline of St. Martin. The bishop himself was frequently employed in visiting all the parts of his diocess. Not far from his monastery stood a chapel and an altar, erected by the concession of his predecessors, over the tomb of a pretended martyr. The place was much reverenced by the people; but St. Martin, who was not over credulous, would not go thither to pray, not hearing any assured account of the relics. He asked the eldest of the clergy what they knew of them, and not receiving satisfaction, he went one day to the place with some of his brethren, and, standing over the tomb, besought God to show him who was buried there. Then turning to the left he saw near him a pale ghost of a fierce aspect, whom he commanded to speak. The ghost told his name, and it appeared that he had been a robber who was executed for his crimes, whom the people had honoured as a martyr. None but St. Martin saw him; the rest only heard his voice. He thereupon caused the altar to be removed; and freed the people from this superstition. 2 Formerly bishops canonized saints, or declared them such; but to prevent the danger of abuses, this has been long since reserved to the most mature discussion and solemn approbation of the apostolic see of Rome. To honour relics without a prudent or moral assurance of their authenticity, or without the due authority of pastors as the canons require, is to fall into superstition. Where these rules of prudence are observed, even though a mistake should happen, it is of the same nature as if a person by inculpable inadvertence, kissed some other book instead of the bible; and the primary object of such religious actions, which is to glorify God in his saints, is always certain, whatever mistakes may happen in facts, or such like human means which excite our devotion. But the example of St. Martin, St. Gregory the Great, St. Charles Borromeo, and all other holy prelates ought to excite all pastors to be diligent and severe in examining and removing relics which are not sufficiently warranted.
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall
This CreativeMornings/DC event featured Amy Saidman of SpeakeasyDC on the theme of 'Humility.'
This event was generously supported by Huge, Capital One Digital / Capital One Labs and TrackMaven and was hosted by Smithsonian American Art Museum, Luce Foundation Center on April 23, 2015.
Photos by Lexey Swall