View allAll Photos Tagged Humiliated
2016/03/05(sat)
MALAYSIAS MILITARY DEATH METAL
HUMILIATION JAPAN INVASION 2016 OSAKA
at SOCORE FACTORY
HUMILIATION
DISTURD
SEX MESSIAH
SECOND TO NONE
it's that time of year again
my first choice was a safety orange vest, but it was too small
this one has a detachable hood
Getting caught in a web would suck if you were a bug. Getting rained on while stuck in the web is just.....................
Read more about me and my life on my website with lots of pictures, videos and texts (en/en). You can find the link on the info/start page on the right side under the showcase pictures.
I love to wear women's underwear and girdles, I don't own men's underwear since a long time. But I don't want to simulate femininity and I don't have transsexual ambitions. I'm just a fat, effeminate loser, who always failed in relationships with women as a real man. I was brought up to be a sissified, feminized boy who wore girly panties, camisoles and tights, so I grew up to be a feminized sissy. For many, many years I expose my shame in public for my humiliation. I do this on the Internet and I wear blouses and skirts, bras and silicone breasts, girdle suspenders and stockings on the street and in parks, as can be seen in some photos. I am very well known in the neighborhood as a ridiculous, effeminate sissy.
When the Clans were beaten at Tukayyid, all had to abide by the terms, which meant all had to settle and re-arm when the truce would end. Many regarded this as humiliating, but Clan Ghost Bear thought opposite. In league with former members of the Free Rasalhague Republic, the two started to engage in dialogue, merge friendships, and in the end became one – the powerful Ghost Bear Dominion. It had its problems but unlike many nations, this worked. The belief is down to the Bears’ ideology of family. Here was a nation that chose something different from conquest, warfare, dominance, control – here was a nation about something better.
Of course the nation was tested, first by a brief war with the Draconis Combine, which saw the dragons defeated.
Then the terrifying all engulfing Word of Blake Jihad. Unlike their fellows, and the rest of the Inner Sphere, the Bears and the Republic did not get involved; in fact the horrors actually made them come together more. Seeing all the hell and chaos, the two cultures were drawn together out of respect and commitment, the power of family and reason, of compassion and duty, and the similarity in culture in the end saw them merge as one – to the now Rasalhague Dominion.
When the Jihad ended and the new Republic of the Sphere emerged, the Rasalhague Dominion saw a new world, a strong society and wished to contribute. As part of this, the Dominion started to build a range of new mechs, but to lead them the designers decided to create something unique.
The designers came up with a totem Mech, a symbol of the Clan and the nation’s identity, a way to say to all in the Sphere who they were and what they stood for. The Clan had totem Mechs before, like the Grizzly and the Kodiak but this was going to be special. It had the ubiquitous endo-steel frame and XL engine, but the designers, creators, engineers, and officials wanted more and in a way this machine’s birth summed up the spirit of the Dominion.
The machine was to incorporate a Heavy Gauss Cannon, but vibrations and mass meant a complete rethink – the end result was to make the machine a quad in a hope to withstand the recoil. In the end, some designers stumbled on the Hell Horses' idea of using smaller sabots in a smaller gauss system but fired at greater velocity. The net result was the installation of the Hyper Acceleration Gauss Cannon. The designers pushed the yield of this machine and finally installed a HAG 40 – the most powerful variant of the Hyper Acceleration Gauss Cannon. Carrying a whopping three tons of ammo, it is a terrifying weapon to face. Backing it up the designers went nuts – they installed ER-PPCs for covering support fire, an ATM-12 with a terrifying three tons of munitions for multiple range and effect stores delivery with Artemis IV FCS as standard making all the weapons this machine carried more potent in accuracy. All this was incorporated into an experimental mech turret on its back.
Four medium ER lasers gave close range covering fire and are located on the shoulders of this immense machine. Due to the weapons it mounted and that the HAG generated more heat, the machine was given a stunning 24 double heat sinks. What was left was incorporated in armour – a staggering 16 plus tons of Ferro-Fibrous matter. What is more stunning is that this machine weighs five tons less than the Kodiak Assault Mech and packed a more effective punch. The basic machine looked stunning but the creators then went into a mania over making the Mech look fierce, amazing, terrifying, and a symbol of their society.
It took ages to get this machine perfected, but when it was complete it looked magnificent. Only a name was needed, but its look and power, its dedication in development, and its end result evoked a simple title – the Clan itself – the Ghost Bear.
It has yet to prove itself in battle, but its time is coming soon with the sudden HPG black out, the rumors of nations and loyalists trying to retake former territories, and a new terrifying era coming. The Ghost Bear is now being built with haste and has been re-deployed to defend the Dominion from those who wish it to return to Draconis space or to rip asunder their society.
The Dark Age cometh and all hope the Ghost Bear will deliver them light from this shadowy time.
Credit and thanks to Colourbrand for the description.
Made with Inkscape.
2016/03/05(sat)
MALAYSIAS MILITARY DEATH METAL
HUMILIATION JAPAN INVASION 2016 OSAKA
at SOCORE FACTORY
HUMILIATION
DISTURD
SEX MESSIAH
SECOND TO NONE
"You may humiliate me with these long-sleeved monstrosities, but please, madam. Let me keep my sweater!"
I need to knit another sweater specifically for him. He deserves one that fits better at the shoulders.
Ivan - Hot Toys Loki (on True Type slim body)
suit and shirt - Moxie Teenz Gavin
sweater - knit by me
Urge incontinence, the deficiency of bladder control, is a typical and frequently humiliating issue. The seriousness goes from incidentally spilling pee when you hack or sniffle to having a urge to pee that is so unexpected and solid you don't get to a latrine on schedule.
However it happens all the more frequently as individuals get more seasoned, urge incontinence is certainly not an unavoidable result of maturing. If urge incontinence influences your every day exercises, don't stop for a second to see your medical care supplier. For the vast majority, straightforward way of life changes or clinical treatment can ease distress or stop urge incontinence.
Symptoms
Many individuals experience incidental, minor breaks of pee. Others might lose little to direct measures of pee all the more regularly.
Stress incontinence. Urine spills when you apply tension on your bladder by hacking, sniffling, chuckling, practicing or lifting something weighty.
Urge incontinence. You have an unexpected, serious urge to pee followed by a compulsory loss of pee. You might have to pee frequently, including for the duration of the evening. Urge incontinence might be brought about by a minor condition, like contamination, or a more-serious condition like a neurologic issue or diabetes.
Overflow incontinence. You experience incessant or steady spilling of pee because of a bladder that doesn't void totally.
Functional incontinence.
plasticsurgerystore.com/treating-stress-and-urge-incontin...
Lysistrata – Aristophanes (adapt. Ranjid Bolt)
Photo: Chris Harris
Willamette University Theatre – November 1999
Director: Julie Akers
Scene Designer: Chris Harris
Costume Designer: Kristine Kearney
Lighting Designer: Clay Everett
Ryan Stier plays the glockenspiel during Seedlings' live performance at the torture survivors' benefit concert. Photograph by Justin Norman.
July 13, 2015 -- The escape by Mexico’s most powerful drug lord from a top security jail, for a second time, is a humiliating blow to President Enrique Peña Nieto and raises new concerns about corruption in Mexican law enforcement. Graphic shows details of Guzman’s elaborate escape
Poor humiliated pooch, no I don't really keep her in a bag but I do use her for a cute photo opportunity.
Photo: Roberto Ruiz. Courtesy of the artist.
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Contents inside the vitrine dedicated to the project "MISA NEGRA" [BLACK MASS], 2010.
Artist’s book or pièce de résistance that brings a close to the project "OBEY: Humiliated & Insulted". It compiles documentary material from the performance along with texts, scripts and images from earlier work. Limited edition of 666 copies.
MISA NEGRA is a liturgical book of sorts, closely linked to OBEY yet encompassing a canonical collection of textual and visual sources relating to Morey’s work up to 2010. The publication was printed as an edition of 666 copies, a number often associated with the devil and the apocalypse in Christian symbolism. Its height and width correspond to the so-called divine geometry
of the golden ratio represented by the Greek letter phi (φ). Taking the form of an enchiridion (a compendium or treatise on religious dogma), or a Joan Morey vade mecum (a handbook kept at hand for reference), it ostensibly, yet obtusely,
documents through words and images what took place during the 24 hours of "OBEY". As only a small group of people actually took part in or witnessed the events, it is essentially a book of faith.
A number of the newly published texts in the book were constructed from fragments of existing literary and philosophical works and formed the basis of performance scripts already used in "POSTMORTEM" (2006-2007). The sources for this complex tapestry of explication and interpretation are often works that are themselves commentaries or reactions to other authors. These include "Nietzsche and the Vicious Circle", a 1969 essay by Pierre Klossowski on the notion of eternal return (a cyclical notion of time and history) in the work of philosopher Friedrich Nietzsche and its relation to the latter’s mental illness. Fragments of "Anti-Oedipus" (1972) are also used, a book in which French thinkers Gilles Deleuze and Félix Guattari (a philosopher and a psychotherapist respectively) attack the traditional psychoanalysis of Sigmund Freud.
© Text by Latitudes.
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Since the late 1990s, Joan Morey (Mallorca, 1972) has produced an expansive body of live events, videos, installations, sound and graphic works, that has explored the intersection of theatre, cinema, philosophy, sexuality, and subjectivity. Morey’s work both critiques and embodies one of the most thorny and far-reaching aspects of human consciousness and behaviour – how we relate ourselves to others, as the oppressed or the oppressor. This central preoccupation with the exercise of power and authority seemingly accounts for the black and ominous tenor of his art.
COLLAPSE encompasses three parts. The first is presented over two floors of the Contemporary Art Centre of Barcelona - Fabra i Coats. ‘Desiring machine, Working machine’ is a survey of ten projects from the last fifteen years of the artist’s work. An exhibition display based around vitrines and video screens deployed as if sarcophagi or reliquaries, is presented alongside a continuous programme of audio works and a schedule of live performance extracts.
The second part of COLLAPSE takes place at the Centre d’Art Tecla Sala, L’Hospitalet de Llobregat (23 November 2018–13 January 2019) and is the definitive version of the touring exhibition ‘Social Body’.
Titled ‘Schizophrenic Machine’, the third and final part of the project comprises a major new performance event which will take place on January 10, 2019 at an especially resonant – yet, for the moment, deliberately undisclosed – location in Barcelona, where live action will be integrated within the longer narrative of the site’s physical and discursive past.
COLLAPSE is curated by Latitudes.
—> info: www.lttds.org/projects/morey/