View allAll Photos Tagged Hugo
Good to know that being vegan won't stop me from staying soft and smelling good. Hugo Naturals cruelty free products. No animal products and no animal testing.
Infinities Menswear stock Hugo Boss Green designer mens clothing & footwear. Jackets, polos, T shirts, knitwear, track tops, sweatshirts, & shoes in stock now, Free delivery available.
Filosofie op de Zuidas over kernenergie
In Filosofie op de Zuidas gaat VU-filosoof Ad Verbrugge in gesprek met klimaatgezant Hugo von Meijenfeldt, over milieubewustzijn en kernenergie.
Kernenergie geschikt/ongeschikt?
Na de kernramp in Tsjernobyl in 1986, demonstreerden Nederlanders nog massaal tegen nieuwe kerncentrales. De laatste jaren was kernenergie geen hot issue. Maar dat is sinds 11 maart dit jaar aan het veranderen. Door de grote problemen met de kerncentrale in Japan maken we ons weer druk over nucleair afval en stralingsgevaar. Wordt kerncentrale 1 van Fukushima hét keerpunt in de publieke opinie over kernenergie en milieu in het algemeen? Of zakt het thema weer snel naar de achtergrond?
Hugo von Meijenfeldt is plaatsvervangend directeur-generaal bij het ministerie voor Infrastructuur en Milieu en klimaatgezant namens het Ministerie van Buitenlandse Zaken o.a. tijdens de milieutop in Cancún.
Signing ceremony of framework of cooperation between The Office of Small and Medium Enterprises Promotion and UK Trade and Investment
Detail image of Hugo Weaving and Abbie Cornish , MSFF 2005 program page for the film "Everything Goes", directed by Andrew Kotatko
the showrooms were fitted with new merchandise display fixtures including hanging shelves, lockers, risers, hang bars and accessory displays.
The new clubroom and showrooms of Hugo Boss at their NY headquarters in Chelsea. For the clubroom project, Geoff Howell worked with the design team of Hugo Boss to design, fabricate and install a space with a chic hotel lobby style, using an eclectic mix of vintage and modern furniture. At the studio we created the walls (including faux brick), windows, bookcases, carpets, risers, custom light fixture over the table, draperies, faux painted cement floor and distressed columns, tin ceiling panels.
January 2010, NYC
A dupla se apresenta no 2º dia do Sertanejo Pop Festival, em São Paulo, no domingo (24/10/2010).
Foto: Viridiana Brandão
A dupla se apresenta no 2º dia do Sertanejo Pop Festival, em São Paulo, no domingo (24/10/2010).
Foto: Viridiana Brandão
FilmInk's June 2011 preview of the Australian release of the film Oranges and Sunshine, starring Emily Watson, Hugo Weaving and David Wenham. Features interviews with Weaving, director Jim Loach and screenwriter Rona Monroe. Page 3
Hugo Urlacher was born in Buenos Aires, Argentina. He is considered a very accomplished portrait painter.
During his career as a plastic artist, instead of focusing on art shows and exhibitions and depending on a middle person, he concentrated on commissioned works, while developing his own personal art.
Vintage German postcard. Photochemie, Berlin, K. 2599. 1910s. Photo by Atelier Mac Walten, Berlin.
Hugo Flink, born Fleischhacker (* 26 August 1879 in Vienna, Austria-Hungary; †2 May 1947 in Berlin), was an Austrian actor.
Hugo Fleischhacker was born in Mödling and first appeared on stage at the age of six. He completed his military service in the K.u.k. Infantry Regiment Hoch- und Deutschmeister No. 4. From 1897 to 1899 he attended the Arnau Theatre School of the Vienna Burgtheater. In 1899 he came to Berlin and received an engagement at the Neues Theater. From 1900 to 1911 he belonged to the ensemble of the Residenztheater, from 1904/05 he worked at the Lustspielhaus. He impersonated gentlemen and bon vivants, later also fathers and gentlemen of rank and name.
From 1910 he appeared regularly in front of film cameras. At first he took leading roles and was partner of Henny Porten (Das Modell, 1910; Das Geheimnis der Toten, 1910; Perlen bedeuten Tränen, 1911; mostly directed by Franz Porten) and also of Asta Nielsen (Im großen Augenblick, 1911, Zigeunerblut, 1911; Die Kinder des Generals, 1912; Komödianten, 1913; all directed by Urban Gad). In 1911-15 Flink also played at Deutsche Bioscop in many dramas by Emil Albes and some by Max Obal and Stellan Rye, often with Paul Bildt, Ilse Oeser and Albes himself, later also with Ludwig Colani, Hans Mierendorff and Hedda Vernon (e.g. Madeleine, 1912; Frou-Frou, 1913). Often these films were scripted by Luise Heilborn-Körbitz. Durng the First World War Flink starred in several comedies by Albes. Occasionally, he worked again with Nielsen, as in Die Tochter der Landstraße (Gad, 1915), but mostly he worked for Deutsche Bioscop, e.g. in films starring Maria Carmi such as Fluch der Schönheit (Erich Zeiske, 1915).
In 1916 the steady work for Deutsche Bioscop was traded for single performances at various companies, often as co-actor opposite female stars of the day such as Ressel Orla, Hanne Brinkmann, Hedda Vernon, Steffi Walidt, etc. or such male stars as Harry Liedtke (as detective Joe Deebs) and Erick Kaiser-Titz (as Phantomas). The collaboration with director Richard Oswald in Es werde Licht! (1917), starring Bernd Aldor, led to more collaborations with Oswald and Aldor. After his experience with Harry Liedtke detective Joe Deebs, and another one with Max Landa as Deebs, Flink played the most famous of detectives: Sherlock Holmes, and even three times (Die Kassette, 1917; Der Erdstrommotor, 1917; Der Schlangenring, 1918).
In 1918 Flink he starred opposite Mady Christians in Die Verteidigerin and Nachtschatten, both by Fredric Zelnik, opposite Ellen Richter in Die schöne Jolan by Rudolf Meinert, opposite Lya Mara in Die Rothenburger by Lupu Pick, and many more. Also in the years 1919-1921 he remained a very prolific actor (even 20 titles in 1920!), in films starring Gilda Langer, Edith Meller, Lucie Höflich, Ernst Pitttschau, Fritz Kortner, and in particular Ellen Richter (e.g. De Profundis, 1919; Brigantenliebe, 1920; Die Fürstin Woronzoff, 1920; Die Frau mit den Millionen, Part 1, 1923). From 1922 Flink's parts were less numerous and he had to satisfy with supporting parts as prosecutor, vaudeville and business manager, commissioner, etc.
Yet, one sound film had been established, Flink continued his career as supporting actor - often in comedies - all through the 1930s and the early 1940s, even if much less intense (about five films per year in the mid-1930s and no films at all in 1938). Often these were star vehicles for female stars such as Hertha Thiele, Paula Wessely, and Jessie Vihrog, or male stars like Willi Fritsch, Hermann Thimig and Hermann Speelmans. Flink's last part was as the coachman in the historical comedy Das Bad auf der Tenne (Volker von Collande, 1943), starring Heli Finkenzeller. From 1943 Flink only played theatre until the end of the war. Flink was on the Gottbegnadeten list of the Reich Ministry for Popular Enlightenment and Propaganda in 1944. Two years after the war ended, Flink died in Berlin in 1947, age 67.
Sources: German Wikipedia, IMDb.
Promotional photo of (l to r) Guy Pearce, Terence Stamp and Hugo Weaving in character for Priscilla, Queen of the Desert
We first read the The Invention of Hugo Cabret by Brian Selznick back in January, but when we found it at the library a couple of weeks ago, there was no hesitation about bringing it home.
This photo and the rest we have tagged with Hugo Cabret illustrate some of the many reasons why we recommend the book. Here's a list of some of those reasons:
1. It is a beautifully illustrated cross between a comic book and a novel.
2. At the beginning of the book there is a visual reference to Charles and Ray Eames Powers of Ten.
3. A large portion of the book takes place in a train station. We love trains.
4. There is an automaton (mechanical man) in the book.
5. In addition to the illustrations, the book contains many historical photographs and film stills including some from Le Voyage Dans La Lune (A Trip to the Moon) by Georges Méliès.
6. The author included a list of sources at the end for further investigation.