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Infinities Menswear stock Hugo Boss Green designer mens clothing & footwear. Jackets, polos, T shirts, knitwear, track tops, sweatshirts, & shoes in stock now, Free delivery available.
Tongue in cheek tribute to actor Hugo Weaving which appeared on the website Flick Filosopher in March 2006, soon after the release of Weaving's film V for Vendetta. Best viewed at Original Resolution.
Fangoria's cover story (Fangoria #290, Jan. 2010) on the turbulent history and still-hopeful prospects for the 2010 remake of The Wolfman, starring Benicio del Toro, Anthony Hopkins, Emily Blunt and Hugo Weaving. Features comments from Del Toro, directpr Joe Johnston and make-up/FX designer Rick Baker. Cover
Review of STC's production of Uncle Vanya published in the Sunday Telegraph, 21 November 2010. The production stars Richard Roxburgh, Hugo Weaving, Cate Blanchett, John Bell and Jackie Weaver
Samedi 29 octobre 2022 - 7ème journée de Betclic ELITE . JL Bourg VS Metropolitans 92 ©Stéphane Laurencin
Vintage German postcard. Photochemie, Berlin, K. 3107. 1910s. Photo by Alex Binder.
Hugo Flink, born Fleischhacker (* 26 August 1879 in Vienna, Austria-Hungary; †2 May 1947 in Berlin), was an Austrian actor.
Hugo Fleischhacker was born in Mödling and first appeared on stage at the age of six. He completed his military service in the K.u.k. Infantry Regiment Hoch- und Deutschmeister No. 4. From 1897 to 1899 he attended the Arnau Theatre School of the Vienna Burgtheater. In 1899 he came to Berlin and received an engagement at the Neues Theater. From 1900 to 1911 he belonged to the ensemble of the Residenztheater, from 1904/05 he worked at the Lustspielhaus. He impersonated gentlemen and bon vivants, later also fathers and gentlemen of rank and name.
From 1910 he appeared regularly in front of film cameras. At first he took leading roles and was partner of Henny Porten (Das Modell, 1910; Das Geheimnis der Toten, 1910; Perlen bedeuten Tränen, 1911; mostly directed by Franz Porten) and also of Asta Nielsen (Im großen Augenblick, 1911, Zigeunerblut, 1911; Die Kinder des Generals, 1912; Komödianten, 1913; all directed by Urban Gad). In 1911-15 Flink also played at Deutsche Bioscop in many dramas by Emil Albes and some by Max Obal and Stellan Rye, often with Paul Bildt, Ilse Oeser and Albes himself, later also with Ludwig Colani, Hans Mierendorff and Hedda Vernon (e.g. Madeleine, 1912; Frou-Frou, 1913). Often these films were scripted by Luise Heilborn-Körbitz. During the First World War, Flink starred in several comedies by Albes. Occasionally, he worked again with Nielsen, as in Die Tochter der Landstraße (Gad, 1915), but mostly he worked for Deutsche Bioscop, e.g. in films starring Maria Carmi such as Fluch der Schönheit (Erich Zeiske, 1915).
In 1916 the steady work for Deutsche Bioscop was traded for single performances at various companies, often as co-actor opposite female stars of the day such as Ressel Orla, Hanne Brinkmann, Hedda Vernon, Steffi Walidt, etc. or such male stars as Harry Liedtke (as detective Joe Deebs) and Erick Kaiser-Titz (as Phantomas). The collaboration with director Richard Oswald in Es werde Licht! (1917), starring Bernd Aldor, led to more collaborations with Oswald and Aldor. After his experience with Harry Liedtke detective Joe Deebs, and another one with Max Landa as Deebs, Flink played the most famous of detectives: Sherlock Holmes, and even three times (Die Kassette, 1917; Der Erdstrommotor, 1917; Der Schlangenring, 1918).
In 1918 Flink he starred opposite Mady Christians in Die Verteidigerin and Nachtschatten, both by Fredric Zelnik, opposite Ellen Richter in Die schöne Jolan by Rudolf Meinert, opposite Lya Mara in Die Rothenburger by Lupu Pick, and many more. Also in the years 1919-1921 he remained a very prolific actor (even 20 titles in 1920!), in films starring Gilda Langer, Edith Meller, Lucie Höflich, Ernst Pitttschau, Fritz Kortner, and in particular Ellen Richter (e.g. De Profundis, 1919; Brigantenliebe, 1920; Die Fürstin Woronzoff, 1920; Die Frau mit den Millionen, Part 1, 1923). From 1922 Flink's parts were less numerous and he had to satisfy with supporting parts as prosecutor, vaudeville and business manager, commissioner, etc.
Yet, one sound film had been established, Flink continued his career as supporting actor - often in comedies - all through the 1930s and the early 1940s, even if much less intense (about five films per year in the mid-1930s and no films at all in 1938). Often these were star vehicles for female stars such as Hertha Thiele, Paula Wessely, and Jessie Vihrog, or male stars like Willi Fritsch, Hermann Thimig and Hermann Speelmans. Flink's last part was as the coachman in the historical comedy Das Bad auf der Tenne (Volker von Collande, 1943), starring Heli Finkenzeller. From 1943 Flink only played theatre until the end of the war. Flink was on the Gottbegnadeten list of the Reich Ministry for Popular Enlightenment and Propaganda in 1944. Two years after the war ended, Flink died in Berlin in 1947, age 67.
Sources: German Wikipedia, IMDb.
Review of the film V for Vendetta posted online at Deseret News in March 2006. The 2006 film was directed by James McTeigue and starred Natalie Portman, Hugo Weaving, Stephen Rea, John Hurt and Stephen Fry. Not all reviewers' opinions are necessarily Crowjane's. (I'm trying to include a wide variety of the responses that greeted the film when it was initially released.) Best viewed at Original Resolution.
His granddad sent him a video of Ray Charles, and he has been very infatuated since. Thank god for granddads and the internet.
Infinities Menswear stock Hugo Boss Green designer mens clothing & footwear. Jackets, polos, T shirts, knitwear, track tops, sweatshirts, & shoes in stock now, Free delivery available.
Detail image of Hugo Weaving and Abbie Cornish , MSFF 2005 program page for the film "Everything Goes", directed by Andrew Kotatko
the showrooms were fitted with new merchandise display fixtures including hanging shelves, lockers, risers, hang bars and accessory displays.
The new clubroom and showrooms of Hugo Boss at their NY headquarters in Chelsea. For the clubroom project, Geoff Howell worked with the design team of Hugo Boss to design, fabricate and install a space with a chic hotel lobby style, using an eclectic mix of vintage and modern furniture. At the studio we created the walls (including faux brick), windows, bookcases, carpets, risers, custom light fixture over the table, draperies, faux painted cement floor and distressed columns, tin ceiling panels.
January 2010, NYC