View allAll Photos Tagged Hugin
Used Hugin front end to the open source pano tools.
This was created with automatic control points only. I need to add some more control points around the middle of the arch.
Update: I added a bunch of control points around the arch, but it did not help. I still had a discontinuity at the top of the inner-most arch.
Here is the hand assembled version.
The roof of Southern Cross station in Melbourne. Panorama generated from 14 source images (one of these days I'll get a real wide-angle lens) and then touched up to remove lens flares.
en.wikipedia.org/wiki/Chinese_fishing_nets_(of_Kochi)
Stitched and fused with hugin from 3*5 images, FOV approximately 150x80°. Since the resulting photo has been fused from three exposures, the starting birds on the right hand side of the photo are shown three times. Thanks to the masking feature of hugin!
Pano view of three small waterfalls near Webster City, Iowa. These are usually described as being on the Boone River but are really on a small (unnamed?) waterway that joins from three branches in the area of the park and flows into the Boone.
Five shots, handheld, stitched in Hugin. Horizontal FOV is probably around 180 degrees after the crop.
The path of the camera followed a sort of plunging axis. I also tried one set straight, using the camera compass as a guide, but it seemed a less effective result.
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Projection: Cylindrical (1)
FOV: 210 x 65
Ev: 10.58
Tarbert is one of the prettiest harbours on the West Coast (although it faces East, across from Kintyre) - up there with Tobermory in my opinion. Also used as a film set for Para Handy.
This taken on my first holiday with Lucy - I took four pictures, intending to manually put the prints together to form a panorama, but never did. I just found them, post house move.
HDR-merge of -2, -1, 0 stop exposures in Photoshop; then five images roughly stitched with Hugin. Colour balance is merely a product of the choice of curves during the HDR-merge process.
Según cuentan el hogar de las lamias.
www.diariodenavarra.es/20060521/especiales/rincones-singu...
En la parte técnica, son 18 fotos tratadas con imagemagick, hugin, lcms y gimp. Una buena mezcla de programas libres.
Panorama of the beach at the end of the Tutukaka marina. 12 shots (6 across, 2 up) and about 180 degrees horizontal field of view. Stitched in Hugin, post-processed in Photoshop.
hugin auto 'align' button issues:
1- straightening fails. This is supposed to be rectilinear, rectilinear was set before clicking the button, but it still default to equirectangular and tries to straighten it.
2- ring of light due to vignetting correction applied to bracketted shots.
Lonar Lake (Marathi: लोणार सरोवर) is a saline soda lake located at Lonar in Buldana district, Maharashtra, India, which was created by a meteor impact during the Pleistocene Epoch.
Pushing past "no entry" signs (which admittedly were already in tatters), the source of the previous evening's smoke and flames was found.
this is not good stitching though. it looks 270 degree panorama is not viewed as well as I imagined.
hugin panorama group (china) at:
www.flickr.com/groups/love_hugin
Let's join us!
A look into the Des Moines River valley, in Ledges State Park.
8 portrait-mode shots handheld, combined in Hugin.
PrÃncipe helenÃstico. Detalle. Museo Nacional Romano.
«La figura está inclinada con su brazo izquierdo sobre una vara larga, una réplica moderna de la lanza original de bronce.
Las letras L.VI.P.L.XXIIX, grabadas posteriormente en el abdomen, son un número de inventario que incluÃan la estatua en el catálogo de obras de arte presente en la Roma del periodo republicano. Los registros del catálogo (Tabulae) se guardaban en los archivos del Tabulario en el Capitolino. Las letras MAR grabadas en el muslo izquierdo son de significado incierto.
La figura está representada en desnudez heroica y deriva de la famosa estatua de Alejandro Magno por Lisipo (activo del 371 al 305 a. C.)
La estatua suele considerarse la representación de un prÃncipe helenÃstico, posiblemente un retrato temprano de Atalo II, rey de Pérgamo.
Interpretaciones más recientes toman en cuenta el realismo de los rasgos faciales y consideran la obra un retrato de un romano que tenÃa lazos evidentes con el mundo griego y quiso ser representado como un prÃncipe helenÃstico.
La estatua está datada en el siglo II a. C. debido a su estilo y es uno de los pocos bronces helenÃsticos que han llegado a la actualidad.»
Panorama über den Kniepsand von der oberen Wandelbahn, 360° Pano, Sigma SD14 mit 14mm, gestiched mit Hugin aus 12 Aufnahmen
This panorama has been made from a 26s movie I shot while we were having a short break. The individual images have been extracted with QuickTime Pro, aligned and stiched with hugin.
See the panorama in full 360° glory here: habi.gna.ch/panoramas/triftgletscher.html
The original movie: www.flickr.com/photos/habi/4967744189/
The aligned images: www.flickr.com/photos/habi/4968340530/
Detalle de la Diana de Itálica.
Mármol de Paros. Época adrianea (117-138 d.C.) Museo Arqueológico de Sevilla.
Figura femenina en pie, apoyando el cuerpo sobre la pierna izquierda, que la sitúa junto a un tronco de árbol, sobre el que cuelga una piel de cabra, cuyas patas y cabeza caen hacia delante. Viste quitón corto con gran kolpos a la altura de la cadera, con cinturón ciñendo el talle, en cuyo broche figura una cabeza de carnero. Sobre la cintura lleva arrollado el himatión, cuyos extremos asoman por delante. Calza botas altas, rematadas en su borde superior con la cabeza y las patas de un felino. No lleva carcaj, pero sà la correa para sostenerlo, que le cruza el pecho. La cabeza se toca con diadema en forma de media luna, dejando ver una cabellera de mechones ondulados, recogida en la nuca mediante un moño bajo. El rostro mira hacia la derecha. El brazo de ese lado está levantado a media altura, con el codo doblado, en actitud de sostener un objeto, posiblemente una lanza, un arco o en actitud de coger las flechas del carcaj. El antebrazo izquierdo cae, pero lo dobla a la altura del codo, para sostener probablemente un arma diferente a la del lado derecho.
Pieza singular dentro de la estatuaria italicense, por su calidad y enorme vigor, e inserta dentro del tipo escultórico Sevilla-Palatino (Squarciapino, 1993). Entre los paralelos más destacables figuran el torso del Museo del Prado, el del Museo PÃo-Clementino, y el torso italicense también conservado en este museo.
Chhatrapati Shivaji Terminus on a not very busy sunday morning.
Stitched and fused with hugin from 3*5 images, FOV approximately 144x76°
