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……..........………….... ..…………........………….... BuildSPACE◎建筑: Tamina 温泉浴场 Tamina温泉浴场项目经历了2003年起的两个竞赛阶段。第一阶段是规划，包括选址，交通。第二阶段是项目的两个主要建筑---酒店和温泉浴场。Smolenicky & Partner公司赢得了温泉浴场项目。Hilmer & Sattler and Albrecht公司则赢得了酒店项目。 位置位于如同大公园中的度假村的建筑需要别于风味，这里临近阿尔卑斯山，需要建立起属于当地的不朽建筑。温泉建筑与酒店的公共设施如赌场，会议中心等等，通过小路相连，因此氛围显得隐秘而平静。 体量自成一体的建筑充分考虑内外关系，在露天温泉区，建筑体量逐一后退，同时在树木茂密的山坡面，打开日光浴空间。在建筑中视线可以看到群山峻岭，体验独有的景色。虽然建筑紧凑，却依然弥漫着公园中特别氛围。从主路可以直达的温泉，位于傍边小路里的SPA，都让这一体验变得更丰富。 标准温泉浴场属于大酒店的一部分，因此文化和审美具有传统上的同一性：放松，亲和。建筑非常具象，就是一个地道的建筑物，内部用涂成白色的木材替代“城市”中的石柱子。同时建筑显眼的椭圆形窗口让景观更优纵深感，并充满了维多利亚时代感，这算是对环境景观应对的一个中立性态度。 室内空间室内空间就像是由整片被砍伐的树干所支撑，外部也塑造了这一意向。可以把这个建筑的结构更多的看成是森林，而非木材。 表达材料项目内外统一，白色的木板堆叠在一起，从这一点来讲，没有严格意义的室内空间，这是一个整体的建构。木结构的建筑不仅仅是为了工程学一级功能， 来自http://wangyts.diandian.com/post/2013-11-26/40060229052
Covinil is a flexible packaging film manufacturer, specialised in the candy twist-wrap market. Covinil’s films, commercialised under the trademark CECRONIL, include polyolefin based materials, CPP and CPP twist (special film for candy wrap), as well as other plastic materials such as PVC. These twist-wrap films are all approved for food contact, have excellent twist properties and twist retention, and achieve excellent results in all kinds of twist wrapping machines used in the confectionery industry. Covinil’s PVC films are also widely used for the manufacture of different products in the Christmas decoration market. COVINIL, S.A. has a laboratory equipped with measuring and testing machines and instruments, to determine both physical and chemical characteristics, allowing analysing manufacturing processes and finished products. These tests complement the process control systems of the production lines. Laboratory tests include: gas chromatography, mechanical, optical, electrical, thermal and of barrier properties
Booker & Norton rocking Plan B in Ybor City, Tampa, FL - October 5, 2013.
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www.stvincent.edu | From his earliest days, Arnold Palmer enjoyed a close friendship with his neighbors at Saint Vincent College that lasted throughout his life.
Palmer, who died on Sunday, Sept. 25, at the age of 87, frequently talked about his memories of visiting the college as a young boy with his father, Milfred (Deacon) Palmer, to walk among the trees and fields or play around Saint Vincent Lake. Later, he began to visit on his own, and some Saint Vincent monks remember him hitting golf balls on the practice field.
Palmer had a personal relationship with Archabbot Douglas R. Nowicki, O.S.B., the leader of Saint Vincent Archabbey, College and Seminary, that spanned more than 50 years. The Archabbot hosted a memorial service in Saint Vincent Basilica at 11 a.m. Tuesday, Oct. 4, 2016.
1. 32/365 - Double visioned, 2. 33/365 - I hear the drums, 3. 34/365 - Sentry, 4. 35/365 - Mug Shot, 5. 36/365 - Miniature Sphinx, 6. 37/365 - A hint of spring, 7. 38/365 - Commiserations, 8. 39/365 - Yellow burst, 9. 40/365 - Number 2 + 2, 10. 41/365 - Wrapped, 11. 42/365 - Hot Air, 12. 43/365 - Bang, 13. 44/365 - Bottomless, 14. 45/365 - Lift, 15. 46/365 - Lighten up, 16. 47/365 - Lookout, 17. 48/365 - Blue, 18. 49/365 - Cracking, 19. 50/365 - Droning on (Face 41), 20. 51/365 - Three trees, 21. 52/365 - Early start, 22. 53/365 - Big Bro, 23. 54/365 - Bug House, 24. 55/365 - Block, 25. 56/365 - Golden Humps, 26. 57/365 - Beast, 27. 58/365 - What's that?, 28. 59/365 - Cold/Warm
www.girlsgamesfab.com - Play from a large collection of girls games where we pick each game keeping in mind the fact that games must not only be fun but also interactive and enhancing the learning curve of the players as well. At www.girlsgamesfab.com we not only provide free girls games that include Barbie games and dress up games , but we also have a large collection of skill and puzzle games where players can interact and learn laws of physics in a fun way. The games are updated daily so keep visiting our site regularly and have lots of fun.
Envision Theatre company put on a sublime set of songs from their favourite musicals. Proceeds from the event went to the fantastic charity Music and the Deaf and the whole performance was signed and actaully performed in the deep end of the 1st class male swimming pool. Victoria Baths played host to a great night where guests were encouraged to bring blankets and hot water bottles as the baths are not heated, all that glass and those tiles keeps the place pretty cold in November, I'm pretty sure I felt that it was warmer outside!
Victoria Baths, Manchester
November 2010
Photo by Chris Gallevo
CreativeMornings Chicago with guest speaker Matteo Bologna of Mucca Design.
The morning was hosted by The Gene Siskel Film Center and sponsored by the AIGA, Neighborly and Ork Posters.
The Chicago chapter of CreativeMornings is organized by Kim Knoll & Kyle Eertmoed of Knoed Creative. Follow along with us at @Chicago_CM!
Friday, June 14, 2013
8:30 AM
The Antique Automobile Club of America Museum, a proud affiliate of the Smithsonian Institution, is a world-class automotive experience. Children and adults of all ages can explore numerous vintage vehicle displays and interactive exhibits featuring cars, buses, motorcycles, and other automobiles from the 1890s through the 1980s. The AACA Museum is conveniently located in Hershey, PA and attracts visitors from throughout Harrisburg, Lebanon, Lancaster, and all of Pennsylvania.
A visit to the AACA Museum is a one-of-a-kind journey of discovery and entertainment for the entire family. Open daily from 9 a.m. to 5 p.m., the Antique Automobile Club of America Museum is open to the public and offers both self-guided and guided tours for larger groups. As you make your way through the museum, you’ll discover a number of vintage automobiles in unique scenes and settings. We frequently change and update displays, and we host a number of new events each month.
The AACA Museum is dedicated to the preservation and presentation of vintage automobiles and their vast history. We offer educational tours for pre-K through twelfth grade, and our hands-on activities and informative tours make learning active and fun.
Nervous Turkey at their cd release show for Fatboy Likes to Roll at New World Brewery in Tampa, FL.
Note: Please download and use these photos but be sure to abide by the creative commons license by crediting the photos to Nicole Kibert and if using online, add a link back to this page or to www.elawgrrl.com. Thanks.
Click here if you wish to download a hi-res version of this photo. If you put a photo somewhere public, please add the credit Photo by Barry Cornelius. Click here for more photos of the 2020 Tempo Winter Series - Race 5.
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Cinque date al Mediolanum Forum per la band che ha trionfato a Sanremo 2011
Dopo il grande successo dello scorso 16 settembre all’Arena di Verona, dove i Modà si sono esibiti con l' accompagnamento dell'Orchestra diretta dal maestro Charles Burgi, la band annuncia un nuovo grande Tour che interesserà tutta Italia, per presentare dal vivo i loro più grandi successi e le canzoni del nuovo album “Gioia”.
Dopo una lunga esperienza nei live e con la stessa passione per il pop-rock, nel 2004 arriva il primo singolo dal titolo Ti amo veramente e nell'autunno dello stesso anno esce il secondo singolo Dimmi che non hai paura seguito finalmente dal primo album di inediti "Ti amo veramente" che entra di diritto in classifica radiofonica e di vendita.
Francesco Silvestre - voce
Diego Arrigoni - chitarra elettrica
Enrico Zapparoli - chitarra acustica
Stefano Forcella - basso
Claudio Dirani - batteria
Discover Blair Castle and go on a journey into the fascinating past of the Dukes and Earls of Atholl. Unique amongst Scottish castles, the story told here will take you from a visit by Mary Queen of Scots to the Civil War, and from the Jacobite cause to the disaster of Culloden following Bonnie Prince Charlie's own stay in the castle. You'll hear how the lucky inheritance of a smuggler-infested island helped turn the castle into a comfortable home, and learn how Queen Victoria's famous stay led to the creation of Europe's only private army, the Atholl Highlanders.
Dating back to 1269, the castle has been transformed through the ages, from its cold medieval beginnings in a strategic position during political struggles to become a fine Georgian mansion and finally a Victorian castle in the barionial style. These influences can still be seen today across the 30 rooms on full display.
29-20 30th Ave
Astoria, NY 11102
Phone: (718) 726-2447
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Enllaç del vídeo: youtu.be/I4JSuRJLbW4
Monument format per un obelisc i que ha patit tota mena de modificacions en funció de la situació històrica del moment. Situat a la Plaça del Cinc d'Oros (abans Plaça Joan Carles I), a la cruïlla de l'Avinguda Diagonal amb el Passeig de Gràcia, és obra d'Adolf Florensa i Josep Vilaseca, originalment estava rematat amb una figura nua que sostenia un ram de llorer que representava la República, la I República. Inicialment estava dedicat Pi i Margall que va ser president de la I República. Va ser inaugurat l'any 1936 durant la II República. En produir-se la victòria del feixisme i i instaurar-se la dictadura franquista el monument va patir serioses modificacions ordenades per les noves autoritats municipals afins al dictador. La figura que rematava l'obelisc va ser eliminada i a la base del monument va instal·lar-se una nova escultura obra de Frederic Marès. El lloc que ocupava la al·legoria nua de la República va ser substituït per una àliga imperial, retirada uns anys més tard, mentre que l'escultura de Marès va romandre fins el 2011. El monument actualment ha estat desposseït de tota la simbologia, tot i que han instal·lat a la base un escut. Actualment algunes persones nomenen el monument "el llapis" perquè ha quedat l'obelisc sense cap ornamentació. El nom del "cinc d'oros" neix perquè el monument original tenia quatre fanals al voltant de l'obelisc, que feia recordar la carta de la baralla del "cinc d'oros" i això va fer que la ciutadania "bategés" el monument com el monument del cinc d'oros.
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Monumento formado por un obelisco y que ha sufrido todo tipo de modificaciones en función de la situación histórica del momento. Situado en la Plaça del Cinc d'Oros (Plaza del Cinco de Oros) (antes Plaza Juan Carlos I), en el cruce de la Avenida Diagonal con el Paseo de Gracia, es obra de Adolf Florensa y Josep Vilaseca, originalmente estaba rematado con una figura desnuda que sostenía un ramo de laurel que representaba la República, la I República. Inicialmente estaba dedicado a Pi y Margall que fue presidente de la I República. Fue inaugurado en 1936 durante la II República. Al producirse la victoria del fascismo y e instaurarse la dictadura franquista el monumento sufrió serias modificaciones ordenadas por las nuevas autoridades municipales afines al dictador. La figura que remataba el obelisco fue eliminada y en la base del monumento se instaló una nueva escultura obra de Frederic Marès. El lugar que ocupaba la alegoría desnuda de la República fue sustituido por un águila imperial, retirada unos años más tarde, mientras que la escultura de Marès permaneció hasta el 2011. El monumento actualmente ha sido despojado de toda la simbología, aunque han instalado en la base un escudo. Actualmente algunas personas llaman al monumento "el lápiz" porque ha quedado el obelisco sin ornamentación. El nombre del "cinco de oros" nace porque el monumento original tenía cuatro farolas alrededor del obelisco, que hacía recordar la carta de la baraja del "cinco de oros" y esto hizo que la ciudadanía "bautizara" el monumento como el monumento del cinco de oros.
Check out Renewin' Strathewen
Went to the Wattle Festival in Hurstbridge yesterday. Parked up the Mid-Hurst end of Hurstbridge thinking the traffic would be easier. Got there late so it wasn't.
Fire station
First stop the new Fire station. Must admit I hadn't seen this before so popped inside to check out the kit. Got sized up by a large overall clad Koala. The overalls are clean meaning they have been re-certified and re-issued. Later on went past the old fire station down the road about 300m.
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Photos from CreativeMornings Toronto #31 with Tiffany Pratt.
Photos:
Yvonne Bambrick (www.flickr.com/photos/yvonnebambrick; yvonnebambrick.com/)
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Floral arrangement designed by Garden Party Flowers Vancouver www.gardenpartyflowers.ca
www.gkpulverizer.com/products/ultrafine-mill.html
GKH1032D Ultrafine Ring Roller Mill is a developed kind of grinding mill with optimized design & structure. It is mainly used in deep processing non-metallic mineral stones, hardness below seven Moh's hardness and humidity below 6%, such as calcium carbonate, kaolin, talc, barite, grammite, feldspar etc. The GK1032D mill mainly consists of the feeder, main unit, classifier, pulse collector, high-pressure blower, electrical control cabinet etc.
GKH 1032D Ultrafine Mill Technical & Structural Benefits:
Compared with the same type of ultrafine mill, GK1032D is highly featured with the lower vibration, easier maintenance, more wearable spare parts and lower operating cost.
The ultrafine mill is mainly used for crushing equipment for metallurgy, building materials, chemical industry, mining and other mineral materials.
the Eiffel Tower is a project for the Great Exhibition of 1889 by Gustave Eiffel & Cie. at the beginning, a lot of people was against it but now it's the symbol of Paris and the most visited monument in the world... think about it...
total height: 324m
total weight: 10,1 tons
number of pieces: 18038
number of rivets: 2 500 000
number of stairs to the top: 1665
number of visitors (from 1889 to 2009): 249 976 000
www.facebook.com/catedraleseiglesias
© Álbum 0474
By Catedrales e Iglesias
By Cathedrals and Churches
Diócesis de ATLACOMULCO
Oficinas de la Diócesis de Atlacomulco
Dirección: Hidalgo Sur # 1
Col. Centro
C.P. 50450 -
Atlacomulco, Méx.
Tel. (712)122-0553
Fax. (712)122-0254
E mail: diocesisatlacomulco@prodigy.net.mx
Parroquia de Nuestra Señora de Guadalupe
Domicilio Conocido
Colonia CENTRO
C.P. 50450
TEL :712-122-0191
Atlacomulco,Estado de México
El estilo de esta parroquia del siglo XVII es típicamente "plateresco", nombre que se origina por la finura del trabajo en la piedra como si se tratara de una joya en plata. El interior del mismo estilo, cuenta con un bellísimo sagrario. La cúpula está decorada con una pintura de “La Asunción de la Virgen María”.
The style of the seventeenth century parish is typically "plateresque" name originates from the fineness of the work in the stone as if it were a jewel in silver. The interior of the same style, has a beautiful sanctuary. The dome is decorated with a painting of "The Assumption of the Virgin Mary."
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You are free to use my photos that are under the Creative Commons licence if you provide a link back to www.lighttrick.co.uk along with photography credit to Katariina Jarvinen.
Click here if you wish to download a hi-res version of this photo. If you put a photo somewhere public, please add the credit Photo by Barry Cornelius. Click here for more photos of the 2021 Oxfordshire XC Round 2 - Cirencester.
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5 Comments on Instagram:
wrenntopia_tom: My layout is 10 x 12 ft in the attic - I have to many locos ( lots for all regions ) need to upgrade the level of detail across the whole piece & stop "playing trains" when I get up there.👌😺😀
tonybeedham: 10 x 12 ft? Wow, jealous . Mine is just 9 x 6. It sit in a spare bedroom. I basically just built the "train set" I wanted as a kid using my old stock and just added to it bit by bit. Had no idea what I was doing when I started and still don't! Glad you like it, i attempted a video recently m.youtube.com/watch?v=ox6996Za6ME
wrenntopia_tom: You wouldn't wish to climb a loft ladder aged 76 trust me I'd swap any day for a spare rail room. I put 6 old doors up there 25 years ago, built a running layout for my son collected over 100 locos & more stock than u can shake a stick at.
wrenntopia_tom: Never touched it for 12 years or more but re laid most this winter. I got an I-pad app called "perfect video" it lets u crop, snip enhance mix vids with still shots it's user friendly & £3 to d/load. Is it based on Weymouth? Regards Tom
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A visit to Chirk Castle near Wrexham, a National Trust property in Wales.
Chirk Castle (Welsh: Castell y Waun) is a Grade I listed castle located in Chirk, Wrexham County Borough, Wales. It is now owned and run by the National Trust.
The castle was built in 1295 by Roger Mortimer de Chirk, uncle of Roger Mortimer, 1st Earl of March as part of King Edward I's chain of fortresses across the north of Wales. It guards the entrance to the Ceiriog Valley. It was the administrative centre for the Marcher Lordship of Chirkland.
The castle was bought by Sir Thomas Myddelton in 1593 for £5,000 (approx. £11 million as of 2008). His son, Thomas Myddelton of Chirk Castle was a Parliamentarian during the English Civil War, but became a Royalist during the 'Cheshire rising' of 1659 led by George Booth, 1st Baron Delamer. Mullioned and transomed windows were inserted in the 16th and 17th centuries; the castle was partly demolished in the English Civil War and then rebuilt. Following the Restoration, his son became Sir Thomas Myddelton, 1st Baronet of Chirke. The castle passed down in the Myddelton family to Charlotte Myddelton (on the death of her father in 1796). Charlotte had married Robert Biddulph, who changed his name to Robert Myddelton-Biddulph, leaving the castle on his death to their son Robert. It then passed down in the Myddelton-Biddulph family.
From before World War I until after World War II the castle was leased by Thomas Scott-Ellis, 8th Baron Howard de Walden, a prominent patron of the arts and champion of Welsh culture. In 1918 Chirk Castle was used as film location for Victory and Peace, directed by Herbert Brenon. The Baron opened up parts of the castle to evacuees during the later part of the Second World War. The Myddelton family returned to live at Chirk Castle until 2004. Lieutenant-Colonel Ririd Myddleton was an extra equerry to Queen Elizabeth II from 1952 until his death in 1988.
Chirk remained in the Myddelton family until it was transferred to the National Trust in 1981. The castle and gardens are open to the public between March and October, with limited opening dates in November and December. The castle is 1.5 mi (2.4 km) from Chirk railway station.
Grade I Listed Building
History
The original castle was probably begun soon after 1295, for Roger Mortimer, for the newly created marcher lordship of Chirkland, on lands formerly being that of the Princedom of Llewelyn ap Gryffydd ap Madog. The royal mason, Master James of St George from Savoy, was probably the originator of the plan form, as it resembles Beaumaris and Harlech in certain respects. He perhaps continued to act as advising master mason as in other royal castles in Wales. The first major stage of building probably extended until Mortimer's fall in 1322. It then passed through the hands of the Earls of Arundel, the Beauforts, and to Sir William Stanley c1475. It was then administered by the Tudors, with some large scale repairs taking place before 1529, until 1563 when it was granted by the queen to the Robert Dudley Earl of Leicester. In 1595 it was purchased by the merchant adventurer Thomas Myddleton, in whose lineage it has continued until the present day. The external shell of the building is early C13 in date; the E and S sides and the principal hall range within on the N side were rebuilt in the early C14. Within, on the N side, it is largely Tudor in date. After some damage during the civil war, followed by limited demolition, probably of the upper part of the towers in 1659, work was undertaken by Sir Thomas Myddleton, 2nd baronet in the E range in 1673-8 under the guidance of Lady Wilbrahim of Weston, Staffs, in the style of William Wynde. Richard Myddleton, the C18 owner, employed Joseph Turner, surveyor of Hawarden, to remodel the state rooms in 1766-78, supervised by John Cooper of Beaumaris, and further work was undertaken in the mid 1840s by A W N Pugin, who had been engaged by Col Robert, and who provided a facade for the E range and undertook internal alterations in collaboration with J G Crace. A W Pugin died in 1852, and the ongoing work was continued by his son, Edward W Pugin. The chapel was restored by Sir A Blomfield in 1894, and further work was carried out by Lord Howard de Walden in 1912-13. The castle was bought for the nation in 1978 and placed in the care of The National Trust. A detailed history is included in the house guide.
Exterior
The castle is in the form of a hollow square, with bold round towers at each corner, and central to each side rising from a battered plinth. The barbican is on the N side, between the NE tower and the centre tower, approached by a ramped bridge, a pointed arch of 2 chamfered orders. C19 ashlar parapet with ridged copings. The barbican itself has a tall outer arch, and within, an inner arch of 2 orders behind the portcullis drop. The mantled and supported Myddleton Arms, by A W Pugin, are set in a recess over. Two levels of small side arrowslits. Studded framed doors. Within the entrance, C19 doors with pointed arches each side and a timber joisted ceiling. The inner doors are set in another arch of 2 chamfered orders, on one the inscribed date 1669 TM. The doors are framed and set inside the arch.
The main towers are of 3 storeys, with stone mullioned and transomed windows and crenellated parapets added in the C19 after the upper stages of the towers had been demolished in 1659, and the C18 balustrade removed. In the plain stone curtain between the towers, a series of irregularly placed similar stone windows, some with horizontal hood moulds. The W elevation is similar, with similar windows, the crenels of the parapet partly blocked. A dog-leg external stair rises to a doorway, and further S, the base of a garderobe chute. Beyond the centre tower, the castle was demolished, the curtain stopping at an irregular break, now built up in the C14 in rubble as part of the rebuild of the S side, and continued further in the C19 to join the stables.
The S elevation is largely obscured for much of its length by the C18 and C19 stables and workshop additions, but beyond the W privy garden wall, the C14 character is apparent in the two 2-light transomed and cusped windows to the chapel and a further trefoil light to the left. Other windows of the C19. Two gabled buttresses.
The E elevation has a fine 5-light window to the chapel S of the central tower, created by Sir Arthur Blomfield in 1894 to replace one by E W Pugin, the wall deeply battered below. The curtain between the centre and the NE tower has similar stone mullioned and transomed windows with label heads, also repeated on the towers. Crenellated parapet.
Courtyard elevations: The W side is still largely medieval, of c1300, although the upper part of the N end is rebuilt. Low 2-centred door to the Guard Room, and adjacent, a trefoil-headed door. Above, bracketed out on corbels, a bellcote of 1609, refurbished by E W Pugin, and now with a clockface of 1960 over a 2-light window. Bell stage has 2 x 1 shoulded open arches and a hipped lead roof. To the left, the medieval Adam tower, crenellated with spiked coping to the merlins. Other windows mostly 3-light mullioned and transomed.
The S side is of 1529, 3-storey, with mullioned and transomed windows and doors with depressed arches. The imprint of 9 gables from the C17 roofs is visible, replaced in the C18 when the wall was taken up to a level parapet. Two light attic windows. The door to the Chapel, at the E end has a segmental pediment containing a large weathered winged putto.
The E side is of 1664-1678, a 2-storey range with 7 mullioned and transomed 3-light windows and parapet over, against which is built a single storey range by E W Pugin in c1846, buttressed between windows and a central porch with a crenellated parapet. Arms over the door.
The N side is of c1630-40 with later alterations. Irregularly placed mullioned and transomed windows. A 2-centred chamfered arch to the kitchen has an inscription over
THIS:NEW:BUILDING:/AND:THE:TOURE:WAS:BU/ILT:ALL:IN:ONE:YEARE:BY:TH/ OM MYDDLETON KNIGHT 1636. To the right, steps to a door by Pugin dated 1846.
Interior
Of the early medieval accommodation, no work survives outside of the towers and wall passages. The S range, which was rebuilt c1400 after the reduction of the size of the building, contains the great chamber on the first floor, and the chapel at the E end rising from ground to first floors. The kitchen and Cromwell Hall on the N side was the dining room in the C17, classicised in c1778 and re-medievalised by A W N Pugin in 1845-6 in association with the decorator J G Crace. This has a stone fireplace by Myers with painted arms in cusped recesses over, and a ceiling on moulded beams. An oak panelled screen at the lower end leads to the cross passage and buttery beyond, and from it access is gained to the grand staircase in the centre N tower. This open-well stair with its fine arcaded iron balustrade was designed by Joseph Turner in 1777-8 and has marbled Ionic columns at each corner supporting a beamed and moulded ceiling. This was restored to the C18 design in the 1950s. On the upper floor of this range, the state dining room, formerly the chamber over the buttery, is also in the classical taste by Turner, with coved ceiling, and panelled walls decorated with early classical moulded husk motifs, restored in 1963. Fine C18 chimneypiece of marble. The adjoining saloon, the great dining room in the C17, has a magnificently enriched 15-panelled ceiling incorporating cameo paintings by G Mullins, an Irish landscape painter. Marble Corinthian chimneypiece incorporating jasper by Bromfield of Liverpool, 1773. This room leads enfilade to the corner drawing room, completed in 1796 and redecorated by Pugin and Crace, and provides direct access to the long gallery in the E wing, 30m long, begun in 1670 for Sir Thomas Myddleton, 2nd bart, and completed in 1678, and probably by the same team employed by Lady Myddleton (Wilbrahim) at Weston Park, Staffs. Bolection moulded panelling and acanthus cornice and broken pediments over doors in the Restoration manner, and a panelled heraldic ceiling. Tiles by Minton and Hardman commissioned 1847-8. The Chapel, in the SE corner, originally fitted out in the 1670s. The chapel was restored and reroofed by Sir A Blomfield in 1894, and with further work carried out by Lord Howard de Walden in 1912 when it was converted to a music room. The E range contains much work by A W Pugin, since altered, and ceilings by Thomas Harrison. Ribbed ceiling to the library.
Reasons for Listing
Included at Grade I as a building of major national importance, being one of the series of Edwardian castles of Wales, adapted to become the seat of an important marcher landed estate, in which context, successive leading architects and designers were involved in the creation of a major country house within the medieval framework, of which fine work of the late C18 and mid C19 especially stands out.
View of the castle from the gardens outside.
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Source: livinghistories.newcastle.edu.au/nodes/view/13253
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Patrick Baty has worked at Hampton Court Palace for nearly twenty years.
When the Privy Garden of King William III was restored he was commissioned to research the colour of the paints that would have been applied on the wood- and ironwork. This included the famous Tijou Screen.
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Am "Milia Strand" befindet sich die coole "Apple Paradise" Beach Bar.
Der weiße Strand und das glasklare, türkisblaue Wasser vermitteln jedem Besucher unweigerlich das Gefühl in der Karibik zu sein. Das Puplikum ist international und besteht aus allen Altersklassen.
Hier gibt es neben cooler Lounge und Chillout Musik auch extrem leckere Cocktails, welche frisch und mit lokalen Früchten zubereitet werden. Die Preise sind gut und wenn hier die berühmten Beach Parties von Skopelos abgehalten werden verwandelt sich der Strand zur der Partymeile von Skopelos. Die Parties gehen dann oft bis zum nächsten Morgen. Der Besuch des "Milia Strandes" und der "Apple Paradise Beach Bar" ist auf jeden Fall ein Muss wenn man Urlaub auf Skopelos macht.
Weitere Informationen auf www.skopelosholidays.de und www.skopelosholidays.de/essen-trinken/apple-paradise-beac...
Skopelos Holidays ist der Spezialist für Ihren Skopelos Urlaub
Awkward Age rocking Andy's Birthday Show presented by ThxMgmt at New World Brewery, Ybor City, Tampa, FL - January 12, 2013.
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Hit up the Crestar Car Show this evening, had a nice time and got to photograph some VERY cool looking cars!
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Actuación de la Compañía Vagabundos del futuro (Portugal/España), con la obra "Vagabundos del futuro", durante la celebración del Décimo Festival Internacional de Teatro y Artes de Calle [TAC] de Valladolid.
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Valladolid · Festival de Teatro y Artes de Calle [TAC] · 2009
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