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Chances are that there has been some point in your life where you needed to fly out of town. Now it may be for business or even for pleasure however there is
one thing that makes unpleasant to think about going to the airport. And that one thing is parking. That's right I said it. Parking at the any airport is
such a drag. You have to attempt to get to the airport earlier then needed just to secure a parking place. And the chances are still the same that you will
get a parking space that is a little further than you are willing to walk. Have you consider långtidsparkering arlanda? Stockholm's busiest airport makes it
easy for any traveler to get a parking spot and have transportation back and forth to the terminals.
Please give credit by linking to: "https://myfriendscoffee.com/" (not Flickr)
Copy Link Address: myfriendscoffee.com
Montagne Sainte-Victoire — in Provençal Occitan: Venturi / Santa Venturi according to classical orthography and Ventùri / Santo Ventùri according to Mistralian orthography — is a limestone mountain ridge in the south of France which extends over 18 kilometres between the départements of Bouches-du-Rhône and Var. Its highest point is the Pic des mouches at 1,011 metres.
Summer Holidays 2014; celebrating Perry's Birthday in the Provençe.
Ga voor meer informatie naar: Corendon Vliegvakanties.
Op een van de mooiste plekken van de westkust van Turkije ligt dit luxueuze villapark. Mooie en sfeervolle villa’s bieden u alle comfort en luxe die de meest verwende reiziger versteld zal doen staan. Op korte afstand van de luchthaven ligt het Turquoise park direct aan zee en op een heuvel gebouwd, de meeste wooneenheden uitzicht hebben op het meer. Het complex leent zich ideaal voor de individueel ingestelde reizigersgroepen. Men heeft er alle privacy, het comfort van thuis en de zon van Turkije.
Click here if you wish to download a hi-res version of this photo. If you put a photo somewhere public, please add the credit Photo by Barry Cornelius. Click here for more photos of the 2019 Cotswold Classic 10.
Episode 038 - Drink Or No Drink with Claudia Jordan and Aubrie Lemon - Part 2 of 3
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©2009 Eric Seltzer's Late Nite | All RIghts Reserved
Go to Page with image in the Internet Archive
Title: Physical training; junior course : Swedish exercises, games, swimming, diving, life-saving
Creator: Solano, E. John
Publisher: London : Murray
Sponsor: Wellcome Library
Contributor: Wellcome Library
Date: 1913
Language: eng
Contains errata slip
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
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POPAI is the trade association of the marketing at retail industry dedicated to serving its more than 1,700 members internationally by promoting, protecting, and advancing the broader interests of marketing at retail through research, education, trade forums, networking, and legislative efforts.Who We Are
POPAI is an international trade association for the marketing at retail industry. Founded in 1936, POPAI prepares to celebrate its 75th anniversary with over 1,700 member companies representing Fortune 500 brand manufacturers and retailers, as well as, marketing at retail producer companies and advertising agencies from six continents and over 45 countries from around the world.
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战地之鹰：罗伯特.卡帕 罗伯特 卡帕Robert Capa罗伯特 卡帕（Robert Capa）,匈牙利人，1913年生于布达佩斯，原名安德烈，卡帕是他的笔名。他17岁时就立志要当摄影家，二十世纪最著名的战地摄影记者之一。在柏林大学求学后，先在柏林一家通讯社做暗房工作，后到巴黎当记者。由于他的摄影作品受到一家摄影杂志社的重视，他便被委派到战地进行采访。马格南图片社创始人之一。作品影响1936年西班牙内战，卡帕在西班牙战场拍摄了一个战士中弹将要倒下，这幅使人有身临其境之感的作品以《西班牙战士》、《战场的殉难者》、《阵亡的一瞬间》等标题发表，立刻震动了当时的摄影界，成为战争摄影的不朽之作，也成为卡帕的传世之作。和卡帕一起到西班牙采访的还有他的年青女友，德藉女摄影家葛尔德·达娜。他们共同奋不顾身地出没于硝烟弥漫的战场，达娜不幸死于坦克履带下。悲伤的卡帕，从此永远凝视关注着战场。他一生的摄影创作多取材于战争。他把照相机作为揭露战争的武器。卡帕说：“照相机本身并不能阻止战争，但照相机拍出的照片可以揭露战争，阻止战争的发展”。1954年，卡帕不顾亲友的劝阻，悄悄来到越南战场，1954年5月25日，卡帕不幸误踏地雷身亡，时年四十一岁。卡帕的名言如果你的照片拍的不够好，那是因为你靠的不够近。光有才华是不够的，你还得是个匈牙利人。真相是最好的照片，最好的宣传。这场战争（指二战）就像个正在变老的女演员，越来越不上相了，也越来越危险。 来自http://www.semon.name/post/2013-10-22/40054916369
en.wikipedia.org/wiki/Fountain_Grove
www.pressdemocrat.com/article/20100313/ARTICLES/100319686...
This barn is a elegant image of a nearly forgotten past. I say "elegant" because both the inside and the outside were meant for a purpose, but in a way few others emulated "in the round."
The news and wiki articles explain this.
I'd like to point out that there is no fence or protection around this landmark. It should be protected and hence preserved. If you look at the photos that include the interior you'll see what I mean. The interior shots were done through holes in the door or over the top of the wall.
I hope this gets protected, then I hope it gets used so people can spend time here. It is a very unique space. It has little or no evidence of degradation, even though it has sat as such for many many years. It is like the Carrillo Adobe in that respect. See my shots of the Adobe here: www.flickr.com/photos/desertbuzz/sets/72157627116910640/910640/
homeispalosverdes.com/content/article.html/2707506/2809-p...
Crème de la crème of Palos Verdes Estates, "Lower Lunada Bay" offers the best of all worlds - outstanding location kissed by Pacific Ocean breezes, wondeful, friendly and warm nurturing neighborhoods, close proximity to all schools, panoramic ocean front views just steps away. 2809 Paseo del Mar then takes these elements and elevates them into higher orbit. This gorgeous and spacious home nestled by over 1/2 acre (exceeding rare lot size with full land utility) and nearly 4,000sqft of living area will envelope your family in easy understated elegance for a life time. This home is the ultimate entertainers dream with flowing floor plan and indoor/outdoor feel with easy access to the lit sport court, pool and flat yard expanses. Take a look at the pictures then call me for your private appointment to view this home today.
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www.nga.gov/stories/1874-birthday-of-impressionism.html
www.nga.gov/exhibitions/2024/paris-1874-impressionist-mom...
www.thebulwark.com/p/the-moment-when-impressionism-took-t...
"The National Gallery’s exhibition on the first Impressionist show is serious, elegant, and packed with beauties.
This past April, I started a series of stories about Impressionism, the movement launched — unofficially, anecdotally, and circumstantially — in April 150 years ago at an exhibition in Paris of around 200 works by 30 artists, some renegades, some misfits, some mainstream, some simply mad as hell. What is now called the first Impressionist salon — there were to be eight, the last in 1886 — ran from April 15 to May 15, 1874.
Enough by-the-numbers. The collective was called the Société anonyme des artistes peintres, sculpteurs, graveurs, etc., a joint-stock company whose investors — the artists, painters, sculptors, printmakers, and whatever et cetera slapped down a few sous — could display and sell works of their own choosing, unjuried by the heavy hand of official taste.
This is my fifth and my last Impressionism-anniversary story. It’s not a case of saving the best for last, but Paris 1874: The Impressionist Moment at the National Gallery in Washington, D.C., is the pièce de résistance. It’s so bracing, so keen and sharp, it alone might compel the Swamp to drain itself, conceding that art invigorates and heals but also disinfects.
Paris 1874 doesn’t reconstitute all of what’s known today as the first Impressionist salon, though it comes close. Rather, it clarifies and cleanses old thinking and situates the exhibition that unfolded at 35, Boulevard des Capucines, in a social, political, and, especially, an economic context. Good, old-fashioned, how-do-we-market-the-merde-out-of-these-dabs economics.
Art for art’s sake aside, nothing exists in a vacuum. What was this thing, the birth of Impressionism?
The first gallery presents a juxtaposition of old against new, bite-size and in a nutshell. Paris 1874 then challenges, surprises, and delights as the curators tease complexity from what seemed so easy. Monet’s Impression, Sunrise, long touted as the first Impressionist picture, is there. It’s not really “the first.” We learn along the way that Impressionism wasn’t so much Athena springing fully grown from the head of Zeus as a sumptuous cassoulet, one that simmered not overnight but for years.
That said, Impression, Sunrise is famous, a beauty, and almost never leaves the Musée Marmottan in Paris, having been stolen in 1985 by Japanese gangsters and missing until it was found in Corsica five years later.
What’s old? The official Salon, that’s what. Next to Impression, Sunrise is Jean-Léon Gérôme’s L’Éminence Grise, from 1873, a medal-winner at the 1874 Salon, which opened two weeks after the Société show. The annual Salon, and the affair started in the 1660s, was sponsored by the Académie des beaux-arts, France’s most prestigious art school, think tank, and honors society. It was a juried art show displaying what was seen as the pinnacle of taste in art, filtered by tradition. It was also, though it was unaware of this, the Western world’s preeminent art fair.
In 1874, about 3,700 works by nearly 2,000 artists were on view, packed floor to ceiling at the Palais de l’Industrie, the Gothic Revival pile built in 1855 for the Paris World Fair and thanks to Napoléon III’s effort to exceed the splendor of the Crystal Palace and London’s Great Exhibition of 1851. Around 500,000 people attended.
Gérôme’s painting is emblematic. It’s a history painting. A hierarchy among genres still governed French establishment taste, with history painting on top and, in descending order, religious and landscape subjects, scenes of everyday life, and portraits. Mixed in the hierarchy were sculpture, highly regarded, drawings, near the bottom because they were seen as preparatory, and prints, nice but small and, since geared to individual, private contemplation, unable to convey the grandeur that was French culture. Gérôme’s painting is highly finished, each inch crisp, clear, and resolved, crafted with both élan and precision. We can imagine the artist’s intellect and skill but don’t want to see his gestures. That would be tacky.
L’Éminence Grise is an inspired choice, too, because of its subject, François Leclerc du Tremblay, a Capuchin friar and Cardinal Richelieu’s fixer and right-hand man. Richelieu was the power behind the throne of Louis XIII, so Tremblay possessed discrete, hidden power — much as the Salon’s jury did. It had overt power in selecting what was and wasn’t displayed, considered not only quality but politics and personalities, ruled with opacity, and rankled in its rejections. The jury’s selection process was rigged to favor older, successful artists, some also professors.
Also in the first gallery are Monet’s Boulevard des Capucines, from 1873, displayed in the Société show, a sparkling, fleeting view of a crowded, upscale city street where, in the spacious, luxurious studio of the photographer known as Nadar, the Société show happened. It’s dappling and fresh and a glass hive. It’s peak Impressionism.
Near it is Camille-Léopold Cabaillot-Lasalle’s La Salon de 1874, a view of a gallery in the official exhibition. That’s a clever choice, too. It shows us the Salon’s display strategy, which is mind-blowing abundance, and its well-heeled visitorship, social, attentive, and refined, no jeans, and shirtlessness and bare feet “prohibé.” And no pet-eating illegals allowed.
Praise the Lord and all the saints, and let’s toss the seraphim, the cherubim, and the Four Living Creatures in the mix, too. Nowhere in Paris 1874 do we wade through puddles of tears over white supremacy, settler colonialism, or the prison-industrial complex. The exhibition is straight art history. What a tonic.
There’s real trauma on one score, though, and this helps us understand the Impressionist phenomenon. The Prussian invasion and the Commune — Paris was sacked by revolutionaries, chunks of the city burned, and thousands died — unfolded in 1870 and 1871. The Haussmann demolition and reimagining of Paris had just happened. Promethean bounce-back is part of the miracle that’s human nature, but, in Paris, the will to make something new rather than to rehash the old seems to have been a powerful part of Impressionism’s DNA and an impetus for the Société.
The année terrible cut multiple ways. Artists hoping to pay the bills, much less thrive, believed that the Commune endangered careers because, being a communist movement, it would destroy the bourgeois, art-buying public. Degas, Giuseppe De Nittis, and Henri Rouart, all Société exhibitors, were from affluent backgrounds, but Monet, Cézanne, Sisley, Pissarro, and Boudin couldn’t afford to be too nonconformist. Many of the Société artists had fled Paris during the war and subsequent upheaval. New, impromptu studios and new settings were a creative jolt. Napoleon III was out in 1870. The Third Republic was in.
Questioning authority had cachet, but unhappiness with the Salon wasn’t new. Some was natural. Reject an artist — and Degas was rejected many times — and a new belligerent is born. Manet’s Déjeuner sur l’herbe was notoriously nixed by the Salon. Starting in 1863, artists whose work the Salon jury had rejected held a Salon des Refusés. And by 1873, artists such as Degas, Renoir, and Monet, whose work showed a freer, outdoorsy, more spontaneous character, saw the Salon’s jury system as a road to nowhere. For them, the Société offered the freedom to exhibit, which meant the freedom to market. The Société show would give no awards, which the Société’s members felt were warped by art-world politics.
Paris 1874 celebrates the eccentricity of the Société show, and it also explains it. Renoir’s The Dancer, whose skirt is like a puffy cloud, Sisley’s and Pissarro’s luminous, breezy landscapes, Boudin’s pastel cloud studies, Degas’s ballet dancers, and Monet’s work are iconic. They’re impressions, through their quick-take look and free handling of paint. There’s no moral message, though voyeurs would be pleased. Berthe Morisot’s bourgeois women at leisure and views of the new Paris are there, too, as well as the technology of a modern age. With a palette of gray-blue, ochre, and rose, Sisley’s Seine at Port-Marly has to be the prettiest water-pump station on Earth. Mundane and exurban, it supplied the water to irrigate Versailles’s gardens.
Then there are the oddball artists and objects. Auguste Ottin’s marble bust of Ingres is far removed from the avant-garde, but he was famous and had agreed to be the Société’s treasurer. Édouard Brandon painted scenes of Jewish life. Degas, his buddy, twisted his arm, not for aesthetic reasons but to boost the Société’s paying shareholders. Ludovic Lepic was another Degas friend. He was rich and influential and had a fondness for dogs, whose portraits in the Société show have to be its most counterintuitive works.
The location of the Société show — Nadar’s studio — was much calculated and symbolic. The pioneer of Paris portrait photography, Nadar was modern to the core and then some. An amateur balloonist, he organized mail delivery by hot-air balloon during the Commune blockade, inventing airmail. Nadar’s space was free, the biggest point in its favor, but the movers and shakers among the Société — mostly Degas — thought the neighborhood was in sync with their mission and spirit. It was the heart of the new Paris.
Nearby were Garnier’s new opera house; Le Printemps, the fancy department store; boutiques; the House of Worth; and the Bourse, Paris’s commodities exchange, though it hadn’t been rebuilt yet. Nadar’s space had skylights with adjustable blinds, an elevator, an interior fountain for gentle gurgles, and, in case of a hot spell, air-conditioning.
The walls, to the artists’ delight, were smoky red fabric, the floors were carpeted in red abstract flowers against a black field. Blues and greens in landscapes popped like firecrackers. Red is the color of passion and a good color for evening events meant to enliven and engage rather than sedate. It’s a good dining-room color, especially if dinner is by candlelight. Set against a red wall, Renoir’s The Theater Box got an extra jolt of drama. Unlike the Salon, the Société show wasn’t packed and stacked. Art had room to breathe.
Paris 1874 smartly avoids a black-and-white contrast between the Société and Salon exhibitions and debunks a good-versus-evil approach to them. Both shows, we see, were an eclectic affair. Manet’s The Railway, from 1873, was in the Salon show and, now, it’s in Paris 1874. It’s a scene of modern life, dab-packed, luminous, bright, and less narrative than anecdotal and serendipitous. Gérôme’s L’Éminence Grise is didactic. Manet’s picture stars a sassy, multi-blue bow, a sleeping puppy, a bunch of grapes, an iron grate, and puffs of steam. It’s as Impressionist as it gets. Zacharie Astruc, with 14 works in the Société show, many watercolors, was, like Gérôme, an Orientalist.
There are 45 or so works of art in Paris 1874 that were in that year’s Salon. This is a lot, and the old-versus-new point could have been made with far fewer. Still, I can’t begrudge a place in the sun for Bouguereau, Alma-Tadema, or Henri-Paul Motte, whose Trojan Horse was his Salon debut and a favorite of mine this week.
The first-rate catalogue is edited by Sylvie Patry from the Musée d’Orsay and Anne Robbins from the National Gallery. What’s becoming standard in museum catalogues now are lots of essayists — Paris 1874 has 15 — and short essays that are themselves either impressions and shallow or tangential tributes steered by the curators to their friends. Nothing of the sort here, since the essays, most a few pages, are still rich and satisfying, and, if the French practiced cronyism, at least the cronies delivered substance.
Anchor pictures such as Impression, Sunrise get an essay of their own. It’s too bad the National Gallery didn’t incorporate more of the gold nuggets in this essay into the gallery interpretation of Impression, Sunrise. The painting was placed in the introductory gallery, so it gets introductory messaging. In the book, we learn that the painting is a case study in Impressionism’s complexities and contradictions. Depicting Le Havre’s harbor, it’s lovely and quintessential, with wet-on-wet execution to make the colors blend, single, rapidly applied strokes, cool blue grays, passages of pink, streaks of yellow, and an orange-red sun. It’s morning in Le Havre, then one of France’s most polluted cities, so pretty it’ll kill you. Impressionism isn’t always parks, beaches, and gardens. An astrophysicist recently found, looking at the painting and weather records, that it was done on November 13, 1872. Many of the works by Pissarro, Sisley, and Renoir in the Société show were done around the same time, so what was first is up for grabs.
Paris 1874 isn’t a miniature survey of Impressionism. It does, though, review basic themes and dedicates spaces to modern life in public spaces and at home, suburban leisure, and landscape. I loved the section on the Parisienne, the chic, sophisticated young Paris woman who has managed to remain an icon through every phase of modernity. She’s lively, frank, elegant, and sometimes she’s a courtesan, but who cares? Renoir’s Parisian Girl from the Société exhibition might look like a bit of a simp, but her blue hat, blue dress, and blue gloves make the picture more a color and a craze than a portrait of a person. Indigo-mania reigned supreme in 1874.
Paris 1874 isn’t a miniature survey of Impressionism. It does, though, review basic themes and dedicates spaces to modern life in public spaces and at home, suburban leisure, and landscape. I loved the section on the Parisienne, the chic, sophisticated young Paris woman who has managed to remain an icon through every phase of modernity. She’s lively, frank, elegant, and sometimes she’s a courtesan, but who cares? Renoir’s Parisian Girl from the Société exhibition might look like a bit of a simp, but her blue hat, blue dress, and blue gloves make the picture more a color and a craze than a portrait of a person. Indigo-mania reigned supreme in 1874.
By the by, the Société show attracted only 3,500 visitors, a decimal point of a fraction of what the Salon got. Only four works of art sold. By the end of 1874, the Société dissolved. Word of mouth, though, was good, and critics were more positive than negative.
Patry, one of the curators of Paris 1874, wrote a good essay on whether or not the 1877 renegade exhibition really started the movement we call Impressionism. Only 18 artists exhibited so it was more focused, the idiosyncratic artists from the 1874 Société show were gone, and the look was more coherent. Monet, Degas, Cézanne, Renoir, Sisley, and Pissarro each displayed more than 20 paintings, so, for each artist, the show was a miniature solo survey.
In 1874, artists and critics were calling the style and technique of the intransigeants, the rebels — and, yes, the Impressionists — the new thing, for it wasn’t yet seen as a movement. In 1877, “Impressionism” entered French dictionaries. And Renoir’s Bal du moulin de la Galette was there. By then, each of the Impressionists was better known, more successful, and had committed collectors. The Salon still had a few more years to go but not many. In 1881, the French government stopped giving it money. By 1890, it was splitting into pieces. So was Impressionism, too, but the torch was passed."
www.nationalreview.com/2024/09/an-impressionism-150th-bir...
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Richard Meier designed the exterior to break down into 30" by 30" squares because that makes the monumental white-on-white buildings and walkways feel human in scale. Getty Museum, Los Angeles, designed by richard meier. Note sun umbrella, available to all for use when walking between buildings. It's very bright up there on the hill overlooking LA and the umbrellas are necessary for the garden tour.
200枚いっぱいなのでアップロードをfotolofueに移行します→http://fotologue.jp/t1r0ru1032
厳密には200枚まであと4枚ありますが、それはもっとレタッチが上手くなって、一眼レフを手にしたら戻ってきて埋める事にします。それでは有難うございました！
Click here for more photos of the 2017 Hooky Christmas Canter. If you put a photo somewhere public, please add the credit Photo by Barry Cornelius.
OCALA- Club Zanzabar on HWY 441 Ocala, FL was hopping to the beat of Tha Mixfits this night (Saturday October 11 , 2008).
Music was provided by DJ X-CELL and DJ LeSage of Tha Mixfits
Photography supplied by Steve Beger of www.beger.com. Your premier Ocala photographer.
View the entire set by clicking Here or visit: http://www.flickr.com/photos/beger/sets/72157608563612094/ or beger.com/photos/?title=Club+Zanzabar,+Ocala+10/11/2008&a...
東大門批發王 04/12
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東大門批發王 04/12
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Source: en.wikipedia.org/wiki/Boston
Boston, officially the City of Boston, is the capital and largest city of the Commonwealth of Massachusetts and the cultural and financial center of the New England region of the Northeastern United States. The city boundaries encompass an area of about 48.4 sq mi (125 km2) and a population of 675,647 as of 2020. The city is the economic and cultural anchor of a substantially larger metropolitan area known as Greater Boston, a metropolitan statistical area (MSA) home to 4,941,632 people as of 2020, ranking as the eleventh-largest MSA in the country. A broader combined statistical area (CSA), generally corresponding to the commuting area and including Worcester, Massachusetts and Providence, Rhode Island, is home to approximately 8.2 million people, making it the seventh-most populous in the United States.
Boston is one of the nation's oldest municipalities, founded on the Shawmut Peninsula in 1630 by Puritan settlers from the English town of the same name. During the American Revolution and the nation's founding, Boston was the location of several key events, including the Boston Massacre, the Boston Tea Party, the hanging of Paul Revere's lantern signal in Old North Church, the Battle of Bunker Hill, and the siege of Boston. Following American independence from Great Britain, the city continued to play an important role as a port, manufacturing hub, and center for American education and culture. The city has expanded beyond the original peninsula through land reclamation and municipal annexation. Its rich history attracts many tourists, with Faneuil Hall alone drawing more than 20 million visitors per year. Boston's many firsts include the United States' first public park (Boston Common, 1634), the first public school (Boston Latin School, 1635), the first subway system (Tremont Street subway, 1897), and the first large public library (Boston Public Library, 1848).
In the 21st century, Boston has emerged as a global leader in higher education and academic research. Greater Boston's many colleges and universities include Harvard University and MIT, both located in suburban Cambridge and both routinely included among the world's most highly ranked universities. The city is also a national leader in scientific research, law, medicine, engineering, and business. With nearly 5,000 startup companies, the city is considered a global pioneer in innovation and entrepreneurship. Boston's economic base also includes finance, professional and business services, biotechnology, information technology, and government activities. Households in the city claim the highest average rate of philanthropy in the United States. Boston businesses and institutions rank among the top in the country for environmental sustainability and new investment.
Source: en.wikipedia.org/wiki/Fort_Independence_(Massachusetts)
Fort Independence is a granite bastion fort that provided harbor defenses for Boston, Massachusetts, located on Castle Island. Fort Independence is one of the oldest continuously fortified sites of English origin in the United States. The first primitive fortification was called "The Castle", placed on the site in 1634. It was rebuilt twice, then replaced around 1692 with a more substantial structure known as Castle William. It was abandoned by the British during the American Revolution, but the Americans renamed it Fort Adams and then Fort Independence. The existing granite fort was constructed between 1833 and 1851. Today it is preserved as a state park and fires occasional ceremonial salutes. Fort Independence was added to the National Register of Historic Places in 1970.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "美国" "미국" "Estados Unidos" "États-Unis"
(Massachusetts) "ماساتشوستس" "麻萨诸塞州" "मैसाचुसेट्स" "マサチューセッツ" "매사추세츠 주" "Массачусетс"
(Boston) "بوسطن" "波士顿" "बोस्टन" "ボストン" "보스턴" "Бостон"
clickeventonline.com/event/politica/160625-FPDC.html
AGENDA: Raúl Castro en el último Congreso del PCC, dejo en claro que el partido comunista pretende mantenerse en el poder de forma vitalicia. Una Cuba comunista, castrista o no castrista, continuará tratando de ejercer su influencia en la política de la América Latina. El monstruo policefálico del Socialismo del Siglo XXI es impulsado por el Fidelismo y el Chavismo.
Cuba 2018 Democracia explora formas de enfrentarse a una de las cabezas del monstruo.
8:30 – 9:00 am. Registro.
9:00 – 9:10 am. Palabras de apertura y presentación del Panel.
Moderador: Gonzalo Aguerrevere, Presidente del Foro de Promoción Democrática Continental
9:10 – 10:10 am. Panel.
Dr. Luis Fleischman. Transiciones comparativas.
Autor, entre otras publicaciones, de América Latina en la Post-Época Chávez: La amenaza a la Seguridad de los EE.UU. de A. (Potomac Brooks Inc., 2013). Asesor para el Proyecto Menges seguridad hemisférica en el Centro de Política de Seguridad sobre cuestiones relacionadas con América Latina, la seguridad hemisférica, la democracia y la política de los U.S. en América Latina. Director del Foro de Promoción Democrática Continental.
Dr. Mijail Bonito Lovio. Constitución y Generación Política.
Abogado, Presidente Regional del partido Chile Evópoli del parlamentario Felipe Kast. Su tesis de grado versó sobre "El papel del Iusnaturalismo en los Movimientos Independentistas de América Latina”. Director del Foro de Promoción Democrática Continental para la América Latina.
Dr. José Azel. La falacia lógica de la nueva política EE.UU - Cuba y sus implicaciones.
Senior Scholar en el Instituto de Estudios Cubanos y Cubano-Americanos (ICCAS) de la Universidad de Miami. Ha publicado numerosos trabajos sobre temas relacionados con Cuba. El Dr. Azel testificó ante el Congreso de los EE.UU. de A. sobre la política de EE.UU. - Cuba y la Seguridad nacional de los EE.UU. de A., en 2012 y 2015.
Dr. Guillermo Lousteau Heguy. Lo Institucional y lo Político.
Abogado, doctorado en Derecho y Filosofía. Fundador del Instituto Interamericano por la Democracia. Autor de varios libros, entre ellos: El Pensamiento Político Hispanoamericano; Democracia y Control de Constitucionalidad. Profesor de la Florida International University, donde dirigió la Maestría en Ciencias Políticas del programa LACSO-FIU.
10:10 – 10:30 am. Preguntas (por escrito) al panel.
10:30 – 10:40 am. Receso.
10:40 am. – 12:10 pm. Presentación “Qué es ParlaCuba”.
Marta Menor. Presidenta de Cultivamos una Rosa Blanca y Fundadora del Foro de Promoción Democrática Continental.
Roberto Ruiz-Casas. Vicepresidente del Foro de Promoción Democrática Continental.
Karel Becerra. Asesor.
12:10 – 12:25 pm. Preguntas (por escrito) a los presentadores.
12:25 – 12:30 pm. Clausura.
Nota: El Dr. Guillermo Lousteau fue reconocido por su nombramiento como Académico Correspondiente de la Real Academia Hispano Americana de Ciencias, Artes y Letras y su destacado compromiso con la cultura hispana.
Click here if you wish to download a hi-res version of this photo. If you put a photo somewhere public, please add the credit Photo by Barry Cornelius. Click here for more photos of the 2019 Mota-vation Race 1 Charlton-on-Otmoor.
CreativeMornings Chicago with guest speaker Paul Octavious.
The morning was hosted and sponsored by SapientNitro. Photo by Matt Soria.
The Chicago chapter of CreativeMornings is organized by Kim Knoll & Kyle Eertmoed of Knoed Creative. Follow along with us at @Chicago_CM!
Friday, April 26, 2013
9:00 AM
Click here if you wish to download a hi-res version of this photo. If you put a photo somewhere public, please add the credit Photo by Barry Cornelius. Click here for more photos of the 2019 Mota-vation Race 4 Combe II.
Thanks all!!!
1. Second Fall, 2. Mike VI B&W, 3. Red Rose, 4. Packard Twelve, 5. Sainte Jeanne d'Arc, 6. Kestrel, 7. Groc i Vermell, 8. Gloriana,
9. Never Smile at a Crocodile..., 10. Santa Maria del Mar, 11. Casa Batlló - L'Esquena del Drac, 12. Casa Batlló, 13. Yellow Rose, 14. Caution, 15. Everybody goes to Mardi Gras...
Created with fd's Flickr Toys.
Go to Page 207 in the Internet Archive
Title: Lion and dragon in northern China
Creator: Johnston, Reginald Fleming, Sir, 1874-1938. n 80098532
Publisher: London : J. Murray
Sponsor: Wellcome Library
Contributor: Wellcome Library
Date: 1910
Language: eng
Description: Chinese title on spine, romanized: Wei-hai-wei
Includes index
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
Go to Page 271 in the Internet Archive
Title: Club-foot : its causes, pathology and treatment
Creator: Royal College of Physicians of Edinburgh
Publisher: London : J. & A. Churchill
Sponsor: Jisc and Wellcome Library
Contributor: Royal College of Physicians in Edinburgh
Date: 1873
Language: eng
Royal College of Physicians of Edinburgh
If you have questions concerning reproductions, please contact the Contributing Library.
Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
Read/Download from the Internet Archive
EVIDENCE
Provenance evidence: Inscription, Signature
Location in book: Front Endleaf
Transcription: Charlotte Pentney 1876.
Date: 1876
Owner: Pentney, Charlotte
COPY
Repository: Penn Libraries
Call number: PR3991.A6 L3175 1789
Collection: Singer-Mendenhall Collection
Copy title: Emma Dorvill
Author(s): Lady
Published: Printed for T. Hookham, London, 1789
FIND IN POP
東大門批發王 02/22
各位老闆，欲知道批價及下單代批，請透過P將的LINE或FB粉絲專頁私訊聯繫。
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各位老闆，欲知道批價及下單代批，請透過P將的LINE或FB粉絲專頁私訊聯繫。
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東大門批發王 02/22
各位老闆，欲知道批價及下單代批，請透過P將的LINE或FB粉絲專頁私訊聯繫。
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(c) Dr Stanislav Shmelev
The Castlerigg Stone Circle in the Lake District is a 5000 years old prehistoric monument, which is now part of the UNESCO World Heritage.
I am delighted to let you know that my art has been chosen among 12082 works from all over the world to be shown at the Arte Laguna Prize Exhibition in Venice. The show brings together the very best of contemporary art of 2021 from all around the world. Location: L'Arsenale di Venezia where La Biennale is taking place. Time: October 2021: artelaguna.world/photograph/magical-realism-2.30321/
I am absolutely delighted to let you know that my new album, 'ECOSYSTEMS' has just been published: stanislav.photography/ecosystems
It has been presented at the Club of Rome 50th Anniversary meeting, the United Nations COP24 conference on climate change, a large exhibition held at the Mathematical Institute of Oxford University and the Environment Europe Oxford Spring School in Ecological Economics and now at the United Nations World Urban Forum 2020. There are only 450 copies left so you will have to be quick: stanislav.photography/ecosystems
You are most welcome to explore my new website: stanislav.photography/ and a totally new blog: environmenteurope.wordpress.com/
#Neowise #Comet #Komet #Comete #комета #stars #sky #blue #galaxy #Solar #system #8600 years
#EnvironmentEurope #EcologicalEconomics #ECOSYSTEMS #sustainability #GreenEconomy #renewables #CircularEconomy #Anthropocene #ESG #cities #resources #values #governance #greenfinance #sustainablefinance #climate #climatechange #stonehenge #stone #monument #anceient #history #avebury #climateemergency #renewableenergy #planetaryboundaries #democracy #energy #accounting #tax #ecology #art #environment #SustainableDevelopment #contemporary #photography #nature #biodiversity #conservation #coronavirus #nature #protection #jungle #forest #palm #tree #Japan #Europe #USA #South #America #Colombia #Brazil #France #Denmark #Russia #Kazakhstan #Germany #Austria #Singapore #Albania #Italy #landscape #new #artwork #collect #follow #like #share #film #medium #format #Hasselblad #Nikon #CarlZeiss #lens #photography
Double Digit Orgasm tshirt -by aronmark_ t.co/bIxIK2SNOq #fashiondiaries #fashionstyle #hijabfashion… … (via Twitter)
twitter.com/Memoire2cite Les 30 Glorieuses . com et la carte postale ... Il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. tOUT SUR LA CONSTRUCTION DE NOTRE DAME LA CATHEDRALE DE PARIS Içi www.notredamedeparis.fr/la-cathedrale/histoire/historique... - archipostcard.blogspot.com/search?updated-max=2009-02-13T... -Créteil.un couple à la niaiserie béate exalte les multiples bonheurs de la vie dans les new G.E. www.youtube.com/watch?v=FT1_abIteFE … La Ville bidon était un téléfilm d'1 heure intitulé La Décharge.Mais la censure de ces temps de présidence Pompidou en a interdit la diffusion télévisuelle - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - Hansjörg Schneider BAUNETZWOCHE 87 über Papiermoderne www.baunetz.de/meldungen/Meldungen_BAUNETZWOCHE_87_ueber_... … - ARCHITECTURE le blog de Claude LOTHIER içi leblogdeclaudelothier.blogspot.com/2006/ - - Le balnéaire en cartes postales autour de la collection de David Liaudet, et ses excellents commentaires.. www.dailymotion.com/video/x57d3b8 -Restaurants Jacques BOREL, Autoroute A 6, 1972 Canton d'AUXERRE youtu.be/LRNhNzgkUcY munchies.vice.com/fr/article/43a4kp/jacques-borel-lhomme-... … Celui qu'on appellera le « Napoléon du prêt-à-manger » se détourne d'ailleurs peu à peu des Wimpy, s'engueule avec la maison mère et fait péricliter la franchise ...
museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive
le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye
www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …
Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -
Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.
www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty
la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije Cardem les 60 ans de l'entreprise de démolition française tres prisée des bailleurs pour les 80, 90's (1956 - 2019) toute l'Histoire de l'entreprise içi www.youtube.com/watch?v=Yyf1XGvTZYs - 69 LYON & la Cardem pour la démolition de la barre 230 Quartier la Duchère le 2 juillet 2015, youtu.be/BSwidwLw0NA pic.twitter.com/5XgR8LY7At -34 Béziers - C'était Capendeguy le 27 janv 2008 En quelques secondes, 450 kg d'explosifs ont soufflé la barre HLM de 492 lgts, de 480 m, qui laissera derrière elle 65.000 tonnes de gravas. www.youtube.com/watch?v=rydT54QYX50 … … Les usines Peugeot - Sochaux Montbéliard. 100 ans d'histoire en video www.youtube.com/watch?v=X4w3CxXVAyY … - 42 LOIRE SAINT-ETIENNE MONTREYNAUD LA ZUP Souvenirs avec Mascovich & son clip "la tour de Montreynaud" www.youtube.com/watch?v=p7Zmwn224XE …
- Villeneuve-la-Garenne, La Caravelle est à mettre au crédit de Jean Dubuisson, l’un des architectes les plus en vue des années 1960, www.dailymotion.com/video/x1re3h5 via @Dailymotion - AMIENS les HLM C'était le 29 juillet 2010, à 11h02. En quelques secondes, cette tour d'habitation s'est effondrée, détruite par implosion. Construite en 1961, la tour avait été vidée de ses habitants quelques années auparavant. www.youtube.com/watch?v=ajz2xk5KBNo … … - Les habitants de Montreynaud parlent de leur quartier et de cette destruction entre nostalgie et soulagement içi en video www.dailymotion.com/video/xmiwfk - Les bâtiments de la région parisienne - Vidéo Ina.fr www.ina.fr/video/CAF96034508/les-batiments-de-la-region-p... … via @Inafr_officiel - Daprinski - George Michael (Plaisir de France remix) www.youtube.com/watch?v=sJeH-nzlj3I
Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes
Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije - www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...
Official Trailer - the Pruitt-Igoe Myth: an Urban History
www.youtube.com/watch?v=g7RwwkNzF68 - la dérive des continents youtu.be/kEeo8muZYJU Et la disparition des Mammouths - RILLIEUX LA PAPE & Dynacité - Le 23 février 2017, à 11h30, les tours Lyautey étaient foudroyées. www.youtube.com/watch?v=W---rnYoiQc …
Ginger CEBTP Démolition, filiale déconstruction du Groupe Ginger, a réalisé la maîtrise d'oeuvre de l'opération et produit les études d'exécution. L'emblématique ZUP Pruitt Igoe. vaste quartier HLM (33 barres de 11 étages) de Saint-Louis (Missouri) USA. démoli en 1972 www.youtube.com/watch?v=nq_SpRBXRmE … "Life is complicated, i killed people, smuggled people, sold people, but perhaps in here.. things will be different." ~ Niko Bellic - cité Balzac, à Vitry-sur-Seine (23 juin 2010).13H & Boom, quelques secondes plus tard, la barre «GHJ», 14 étages et 168 lgts, s’effondrait comme un château de cartes sous les applaudissements et les sifflets, bientôt enveloppés dans un nuage de poussière. www.youtube.com/watch?v=d9nBMHS7mzY … - "La Chapelle" Réhabilitation thermique de 667 logements à Andrézieux-Bou... youtu.be/0tswIPdoVCE - 11 octobre 1984 www.youtube.com/watch?v=Xk-Je1eQ5po …
DESTRUCTION par explosifs de 10 tours du QUARTIER DES MINGUETTES, à LYON. les tours des Minguettes ; VG des tours explosant et s'affaissant sur le côté dans un nuage de fumée blanche ; à 13H15, nous assistons à l'explosion de 4 autres tours - St-Etienne Métropole & Montchovet - la célèbre Muraille de Chine ( 540 lgts 270m de long 15 allees) qui était à l'époque en 1964 la plus grande barre HLM jamais construit en Europe. Après des phases de rénovation, cet immeuble a été dynamité en mai 2000 www.youtube.com/watch?v=YB3z_Z6DTdc … - PRESQU'ILE DE GENNEVILLIERS...AUJOURD'HUI...DEMAIN... (LA video içi parcours.cinearchives.org/Les-films-PRESQU-ILE-DE-GENNEVI... … ) Ce film de la municipalité de Gennevilliers explique la démarche et les objectifs de l’exposition communale consacrée à la presqu’île, exposition qui se tint en déc 1972 et janvier 1973 - le mythe de Pruitt-Igoe en video içi nextcity.org/daily/entry/watch-the-trailer-for-the-pruitt... … - 1964, quand les loisirs n’avaient (deja) pas le droit de cité poke @Memoire2cite youtu.be/Oj64jFKIcAE - Devenir de la ZUP de La Paillade youtu.be/1qxAhsqsV8M v - Regard sur les barres Zum' youtu.be/Eow6sODGct8 v - MONTCHOVET EN CONSTRUCTION Saint Etienne, ses travaux - Vidéo Ina.fr www.ina.fr/video/LXF99004401 … via - La construction de la Grande Borne à Grigny en 1969 Archive INA www.youtube.com/watch?time_continue=12&v=t843Ny2p7Ww (discours excellent en seconde partie) -David Liaudet : l'image absolue, c'est la carte postale" phothistory.wordpress.com/2016/04/27/david-liaudet-limage... … l'architecture sanatoriale Histoire des sanatoriums en France (1915-1945). Une architecture en quête de rendement thérapeutique..
passy-culture.com/wp-content/uploads/2009/10/Les-15-Glori... … … & hal.archives-ouvertes.fr/tel-01935993/document … …
A Place To Bury Strangers play The Hare and Hounds in Birmingham, 9 May 2012.
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