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days on repeat by Carl Fieler

canon AE1P

canon fd 70-210mm

multi image filters

kodak vision 5218 500T (expired)

home development c41

v600 scan
(Brave The Storm To Come) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Urgency) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Turnaround) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Color Plus 200

Tetenal Colortec C-41

Scan from negative film
(Off Center) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Summer In The City) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Fish's King) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(1 & 1/2) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(All I Know Is Something Like a Bird Within Her Sang) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
Guardman - Jln. Bukit Bintang by Khairil

A security officer at a construction site in Kuala Lumpur. Radio transmitter in hand for a crowd control, manning the delivery doors. A scene at the busy Jalan Bukit Bintang, Kuala Lumpur.

 

Olympus Trip 35, D-Zuiko 40mm F2.8, Fujifilm Neopan400, Home Development, Ilfotec DD-X, 1/4th@6minutes, Aggitation @every minute, 2 min. bath, 6minutes fix
(Nirvana) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Tan For The Masses) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Starfish) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Color Plus 200

Bellini Foto C-41

Scan from negative film
(In The Long Run We Are All Dead) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(No End And No Conclusion) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Dirty Laundry) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(I've Got No Right To Take My Place With The Human Race) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 400

Bellini Foto C-41

Scan from negative film
(December in Mondragone) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(The End Was All Too Soon) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(No Aloha) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Crosswinds) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Stuck Inside Torre del Greco With The Henry Ford Blues Again) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Man Created Landscape) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
Night by Anatoly Tankov

rodinal 1:50 23 min
(Wrong Day In Pescopagano) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Percoche & Red Wine - Lunch of Champions) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Fujicolor C200

Bellini Foto C-41

Scan from negative film
(Red) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(4-4-2) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Ancien Régime) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Spiaggia Il Pescatore) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(San Sebastiano Violenta) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
Door of an old church. by Alessandro Comparoni
(1615 Kilomètres De Limoges) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Fuji Pro 400H

Bellini Foto C-41

Scan from negative film
(The Latest Resort) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Pro Image 100

Bellini Foto C-41

Scan from negative film
(Playtime) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(The Third Eye) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(Chronology) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(All The Sailors With Their Seasick Mamas Hear The Sirens On The Shore) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(You Can Run But You Cannot Hide) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
by mathias is still around
(They Only Come Out At Night) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 400

Bellini Foto C-41

Scan from negative film
(Visions of Mary) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 400

Bellini Foto C-41

Scan from negative film
(Alea Iacta Est) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Fuji Neopan Acros 100

Studional 1+30

8 min 20°C

Scan from negative film
Usserød Å by Lars Holte

Camera: Zeiss Ikon Nettar 517/2 6x9 camera with Novar-Anastigmat 105mm f:6.3 lens and Vario shutter (yellow filter and hood)

Exposure: 1/200 @ F/8

Film: Foma Fomapan 100 Classic home developed in D-76 1+1
(Lifecycle) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Alteration) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(1-3-1) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
by mathias is still around
(Not So Far From Where We Are Today) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
by seth bittersull
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