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(My True Love Drowned In a Dirty Old Pan of Oil) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(K-Hole) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Time of Feast) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 400

Bellini Foto C-41

Scan from negative film
Black Prince by FearnPhoto

Black Prince at Holt station, pinhole image with Zero 2000, Foma 100 film

 

Zero Image Zero 2000 // 0.18mm pinhole // Foma 100

 

Digitized with Sony a6000, Sigma 105mm macro lens

 

Home developed in Ilford DD-X 1+9

  
by lemonhats

Asahi Pentax Spotmatic

Asahi Pentax SP, Super-Takumar 3.5/35

Fomapan 200

1/250, f5.6, yellow filter

 

On tumblr: theatreofthemundane.tumblr.com

On Instagram: lemonhats
(Renault 5 GT Turbo) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Searching For a Land) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
verichrome - caught the tail end by Eric Vandrick

Mamiya c330f

Mamiya-Sekor 80mm f/2.8

Kodak Verichrome (ortho) (expired Nov. 1946)

Shot @ iso 1

Dev: Ilford Ilfosol 3 (1+9) at 60° F for 15 min.

Sept. 2020

 

From my 4th attempt at home development - this time with 74 year old film. I'm super impressed that I got images!

Lever de Soleil - Santa Cruz de La Palma by Damien André

Canon A1 - Ektar 100
(Tie-Break) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Ercolano a Mano Armata) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Laugh In The Midday Light, And Leave It Behind) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Paranoia, Part III) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Don't Wake Me Up) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Done And Over) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 400

Bellini Foto C-41

Scan from negative film
(Take Your Money And Your Drugs) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Purple & Gold) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Three Steps Back) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(I Pull Out the Wires of the Telephone) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

 
Empty House by Jason Vickers

Kodak Portra 160

Developed at Home

Shot on my Zenza Bronica C

Edixa-Mat Reflex Mod. D-L by Elliot Alder

This heavy brass beast is by far my favourite hobbyist camera. Solid as a brick, with a plethora of inexpensive M42 lenses to choose from, interchangeable viewfinders, and an unparalleled mechanical feel.

 

Nikon FE, Ektar 100

 

web / instagram / facebook / 500px / personal
(Uneventful Days) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Déjà Vu) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(If I Knew The Way I Would Take You Home) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Open) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(The Grass Is Always Greener) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Lido Casetta Rossa) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(My Funny Valentine) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
street lid by Mark Lange

Nikon F90x

Nikon AF NIKKOR 50mm 1:1.4 D

Street Candy ATM400

Kodak D-76 stock, 7:30 @ 20℃

Epson v850

Adobe Photoshop Elements 2019

 

20200926_04_002-2
(Travels In Nihilon) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
a misty East River by Carl Fieler

minolta-16 II subminiature / spy camera

rokkor 22mm f2.8

kodak vision 7201 50D 16mm (expired)

home development ECN2

v600 scan

 
(From Paris To Salerno) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Same Time, Next Year) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Fomapan 100

Ilford Ilfotec DD-X 1+4

8 min 20°C

Scan from negative film
(Final State) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
days on repeat by Carl Fieler

canon AE1P

canon fd 70-210mm

multi image filters

kodak vision 5218 500T (expired)

home development c41

v600 scan
(Brave The Storm To Come) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Urgency) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Drowse) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Portra 160

Tetenal Colortec C-41

Scan from negative film
(Turnaround) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Color Plus 200

Tetenal Colortec C-41

Scan from negative film
(Off Center) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Summer In The City) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Fish's King) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(1 & 1/2) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(All I Know Is Something Like a Bird Within Her Sang) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Nirvana) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Tan For The Masses) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Starfish) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Color Plus 200

Bellini Foto C-41

Scan from negative film
(In The Long Run We Are All Dead) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(No End And No Conclusion) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Dirty Laundry) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

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