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(San Sebastiano Violenta) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(Charlie) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
by mathias is still around
(Last Trip To Licola) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
Rich by Brian

Rich Sandomeno working in his workshop.

 

Los Angeles, CA

 

Mamiya c330

80mm Lens

Delta 100

D-76
(The Grass Is Always Greener) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
verichrome - caught the tail end by Eric Vandrick

Mamiya c330f

Mamiya-Sekor 80mm f/2.8

Kodak Verichrome (ortho) (expired Nov. 1946)

Shot @ iso 1

Dev: Ilford Ilfosol 3 (1+9) at 60° F for 15 min.

Sept. 2020

 

From my 4th attempt at home development - this time with 74 year old film. I'm super impressed that I got images!

vision smart ~ by Carl Fieler

canon AE1P

canon fd 135mm f3.5

fd 2x telephoto extender

multi image filters (x2)

ilford delta 400 (expired)

home development d76

v600 scan
(Alfa Romeo Giulia 1.3 Ti) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Men Are Not Alone On The Diamond Sea) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(You Who Choose To Lead Must Follow) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(7th Frame) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(If I Knew The Way I Would Take You Home) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
by seth bittersull
(The Latest Resort) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Pro Image 100

Bellini Foto C-41

Scan from negative film
(Renault 5 GT Turbo) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(All The Sailors With Their Seasick Mamas Hear The Sirens On The Shore) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Lido Casetta Rossa) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(I've Got No Right To Take My Place With The Human Race) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 400

Bellini Foto C-41

Scan from negative film
(Paranoia, Part II) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
by lemonhats

Asahi Pentax Spotmatic

Asahi Pentax SP, Super-Takumar 3.5/35

Fomapan 200

1/250, f5.6, yellow filter

 

On tumblr: theatreofthemundane.tumblr.com

On Instagram: lemonhats
(The Third Eye) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(Tan For The Masses) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
Door of an old church. by Alessandro Comparoni
(When You Cycled By Here Began All My Dreams) by Robbie McIntosh

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Fujicolor C200

Bellini Foto C-41

Scan from negative film
(K-Hole) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Hommage à Joel Meyerowitz) by Robbie McIntosh

Leica MP

Leica Summilux 35mm f/1.4 II

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(Lancia Aurelia B20 GT) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Uneventful Days) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
by seth bittersull
(Off Center) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Three Steps Back) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Get High With Me) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Gold 200 @ 400 ISO

Bellini Foto C-41

Scan from negative film
(Percoche & Red Wine - Lunch of Champions) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Fujicolor C200

Bellini Foto C-41

Scan from negative film
(Déjà Vu) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
Edixa-Mat Reflex Mod. D-L by Elliot Alder

This heavy brass beast is by far my favourite hobbyist camera. Solid as a brick, with a plethora of inexpensive M42 lenses to choose from, interchangeable viewfinders, and an unparalleled mechanical feel.

 

Nikon FE, Ektar 100

 

web / instagram / facebook / 500px / personal
(All I Know Is Something Like a Bird Within Her Sang) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
by mathias is still around
(1615 Kilomètres De Limoges) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Fuji Pro 400H

Bellini Foto C-41

Scan from negative film
(Viaggio a Bagnara di Castel Volturno) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(1 & 1/2) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
Cae la tarde by pablo mavricich

Holga 120 N Kodak ColorPlus 200 Kodak Flexicolor homedevelopment Stand 45 minutos Epson V370

  
(I Pull Out the Wires of the Telephone) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

 
(Man Created Landscape) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Wrong Day In Pescopagano) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Paranoia, Part III) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Ercolano a Mano Armata) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(My Funny Valentine) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Spiaggia Il Pescatore) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(The End Was All Too Soon) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

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