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(Citroën DSpecial) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Tri-X 400

Kodak HC-110 Dil B (1+31)

7 min 30 sec 20°C

Scan from negative film
(All In) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Lancia Appia - Seconda Serie) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Tri-X 400

Kodak HC-110 Dil B (1+31)

7 min 30 sec 20°C

Scan from negative film
(Alfa Romeo Giulia 1.3 Ti) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Solar) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(The Colombian Affair) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
Sedona 16mm by Carl Fieler

Minolta 16

kodak double x 7222

home development td16

v600 scan
(On The Shore of Dream Will Take Us Out To Sea) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(Moby Dick) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Dirty Laundry) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Just The Same But Brand New) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Stoned Soul Picnic) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Creative Parking) by Robbie McIntosh

Rolleiflex 2.8 E

Fuji Pro 160 NS

Tetenal Colortec C-41

Scan from negative film
prairie oaks by Andy Jenkins

Holga

Shanghai GP3

Red 25A Filter

Diafine

 

Fluidr
(Around The Corner) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(The King of Mappatella Beach Is Back) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Now, Today, Tomorrow And Always) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(You'll Be Different in the Spring, I Know) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Fomapan 100

Rodinal 1+50

9 min 20°C

Scan from negative film
(Born To Be Wild) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Fujicolor C200

Bellini Foto C-41

Scan from negative film
rive gauche by seth bittersull
(Raise The Main Sail) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Lancia Aurelia B20 GT) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Christmas In Pinetamare) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Travelogue) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Felix) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Mirage) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak T-Max 100

Studional 1+30

10 min 20°C

Scan from negative film
(Long Connections) by Robbie McIntosh

Rolleiflex 2.8 E

Adox Pan 25

Studional 1+30

6 min 20°C

Scan from negative film
(Pointed) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Portra 160

Tetenal Colortec C-41

Scan from negative film
(Nobody Puts Robbie In The Corner) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(The Chains of Your Dreams Are Broken) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Charlie) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(A New Arcadia) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Don't Just Stand There Dreaming) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(All Eyes On You) by Robbie McIntosh

Leica MP

Leica Elmarit 28mmf/2.8 III

Fujicolor C200

Bellini Foto C-41

Scan from negative film
(Men Are Not Alone On The Diamond Sea) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Last Trip To Licola) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(And In The End There's Nothing Left To Say) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Hypnotized From Doing The Same Old Thing) by Robbie McIntosh

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Pro Image 100

Bellini Foto C-41

Scan from negative film
(Scampia, Anno Domini 2022) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Gold 200

Bellini Foto C-41

Scan from negative film
(Missing Link) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film
(Post Post-Industrial Society) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Out There) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Off Road) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
Rich by Brian

Rich Sandomeno working in his workshop.

 

Los Angeles, CA

 

Mamiya c330

80mm Lens

Delta 100

D-76
(7th Frame) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Anything Nothing Whatever) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(La Déesse Sous La Pluie) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Fuji Pro 400H

Bellini Foto C-41

Scan from negative film
(Hommage à William Eggleston) by Robbie McIntosh

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Portra 160

Bellini Foto C-41

Scan from negative film
(You Can Fly Swinging From Your Trapeze) by Robbie McIntosh

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film
(Paranoia, Part II) by Robbie McIntosh

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

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