View allAll Photos Tagged HistoricStructures
Badaling, China
The Great Wall of China at Badaling is approximately 50 miles northwest of Beijing city within the Beijing municipality. It was built during the Ming Dynasty, along with a military outpost reflecting the location's strategic importance. This portion of the wall has undergone heavy restoration and was the first section to open to tourists in 1957.
These are views of the Erie Canal which runs through the Village of Fairport New York I posted these pictures in May 2016 but I wasn't satisfied with the those pictures I have just reprocessed these pictures and I hope everyone will be pleased with the results.
First Church of Christ, Scientist, located at 809 South Flagler Drive in West Palm Beach, Florida, is a historic structure that on December 3, 1998, was determined to be eligible for listing on the National Register of Historic Places. However, the owner objected to the property being listed on the Register. It is still a functioning Christian Science church.
Credit for the data above is given to the following websites
en.wikipedia.org/wiki/First_Church_of_Christ,_Scientist_(West_Palm_Beach,_Florida)
en.wikipedia.org/wiki/Julian_Abele
© All Rights Reserved - you may not use this image in any form without my prior permission.
Nestled in the heart of San Francisco, the Bliss & Faville-designed One Market Street building stands as a testament to the city’s rich architectural heritage. Completed in 1916, this Beaux-Arts marvel exemplifies the grandeur of early 20th-century design, with its detailed ornamentation and stately presence. The building was originally designed for the Southern Pacific Railroad and has since become one of the city's iconic structures. Its robust, symmetrical facade and the use of classical elements such as columns, pilasters, and cornices convey a sense of permanence and stability that was characteristic of the Beaux-Arts movement.
Located at the intersection of Market Street and the Embarcadero, One Market Street is not only a historical landmark but also a hub of modern activity, bridging the gap between San Francisco’s storied past and its dynamic present. The building’s prime location makes it a focal point for both locals and visitors, with easy access to the Ferry Building, the Embarcadero, and other significant downtown destinations.
Despite the passing of over a century, One Market Street continues to exude a timeless elegance, offering a glimpse into the era of its creation while remaining a functional part of the city’s urban fabric. Whether you’re an architecture enthusiast or simply passing by, this building is a reminder of San Francisco’s enduring legacy as a city that celebrates both its history and its forward-thinking spirit.
Year Built 1875 Builder Unknown Truss Type Queenpost Length 36 ft., 6
in. Width 12 ft. Color Red Weight Limit 15 tons Roof Sheet metal Siding
Vertical board Windows Four rectangular Abutments One stone and mortar capped
with concrete, one concrete Wingwalls Three stone and mortar, one concrete
Restoration 2002-03 Stream Short Creek Location Morris Twp Ownership
Washington County Accessibility Vehicular and pedestrian
• Closed between 1999-2003 when the bridge no longer supported
the state-required 3 ton weight limit. Repairs involved the installation
of steel support beams, new roof, deck and sidewalls
www.washcochamber.com/downloads/drive-book10-27.compresse...
Spring 2020, this view is before the annual filling of the canal on April 1st.
The Monroe County Sheriffs Horse patrol exercising their beautiful horses on the tow path of the Erie Canal in Pittsford, NY
This is a wider view of Mabry Mill in Virginia. Again, the lighting was awful even between 5-6 pm. The color shots I took, even the HDR did nothing for me. But in infrared, the lighting was perfect. I even managed to get the nasty goose in the shot. He did come to chase me after I took this photo.
First Church of Christ, Scientist, located at 809 South Flagler Drive in West Palm Beach, Florida, is a historic structure that on December 3, 1998, was determined to be eligible for listing on the National Register of Historic Places. However, the owner objected to the property being listed on the Register. It is still a functioning Christian Science church.
Credit for the data above is given to the following websites
en.wikipedia.org/wiki/First_Church_of_Christ,_Scientist_(West_Palm_Beach,_Florida)
en.wikipedia.org/wiki/Julian_Abele
© All Rights Reserved - you may not use this image in any form without my prior permission.
This is an early evening shot of the railway viaduct over the River Darenth at Eynsford, Kent UK. The line runs between London and the south coast.
Rural Indiana bridge in Parke County..
Thorpe Ford Bridge.
Homecoming Trip 2016.
Sony SLT-A57 Minolta M/MD 28mm f2.8.
Manual Focus lens.
1/320 f11 ISO100
For More: www.donburkett.com/Galleries/Covered-Bridges
Built in 1877 this bridge is 68' long and uses a Howe truss type. It was built by JS Fleming and is 1 of only 5 Howe truss bridges in PA.
bits of this date from 1866, formerly shingle-roofed of course
not on heritage register AFAIK
Back Creek Valley NSW AU
First Church of Christ, Scientist, located at 809 South Flagler Drive in West Palm Beach, Florida, is a historic structure that on December 3, 1998, was determined to be eligible for listing on the National Register of Historic Places. However, the owner objected to the property being listed on the Register. It is still a functioning Christian Science church.
Credit for the data above is given to the following websites
en.wikipedia.org/wiki/First_Church_of_Christ,_Scientist_(West_Palm_Beach,_Florida)
en.wikipedia.org/wiki/Julian_Abele
© All Rights Reserved - you may not use this image in any form without my prior permission.
Emerging from the quiet of the pre-dawn hours, this historic building at the corner of 20th and Georgia in San Francisco's Pier 70 district possesses a powerful sense of permanence and history. The photograph captures the scene during the early morning blue hour, where the remaining darkness of the night sky provides a deep, dramatic backdrop to the warmly lit structure. The building, constructed primarily of rich, red-orange brick, is brought to life by strategically placed exterior lighting.
The architecture is impressive, featuring two stories of monumental, repeating arched windows framed with subtle green trim and dark, heavy sills. This design reflects the building’s original use as a grand, utilitarian headquarters or workshop within the Union Iron Works complex. The ground-level uplighting washes the lower half of the walls, highlighting the texture and color of the aged brickwork.
At the corner, the transition to the modern era is visible. A low, tiled overhang covers a contemporary entrance featuring glass and metal, indicating its current use as commercial or office space. This addition is directly beneath the historic street sign prominently marking the intersection. The foreground is dominated by the wide, empty intersection, where the dark asphalt meets the classic brick paving of the sidewalk, contrasted sharply by the bright, white lines of the crosswalk. The stillness of the empty street is palpable, emphasizing the brief moment of solitude before the city's daytime activity begins. This striking view is a testament to the preservation and revitalization of San Francisco's industrial landmarks against the cool, crisp light of a new day.
Year Built 1889 Builder Bailey brothers Truss Type Burr Length 66 ft. Width
15 ft. Color Red Weight Limit 16 tons Roof Sheet metal Siding Vertical board
Windows Four rectangular Abutments Cut-stone and concrete Wingwalls Stone
and mortar Support Steel beams and concrete pier Restoration 1999 Stream Ten
Mile Creek Location Amwell Twp Ownership Washington County Accessibility
www.washcochamber.com/downloads/drive-book10-27.compresse...
The wisteria covered arbor (or pergola) at the 1856 Lott Home in Oroville, California. There are also azaleas and camellias on the side. Wouldn't you love to have an arbor like this in your own yard?
The story of this arbor is a romantic one.
Cornelia Lott's father kept her from finding love and happiness by chasing off any man who showed an interest in her, telling her that no one could be attracted to her but would only be after her family's money. He even used the garden hose to chase them away.
He also interfered in his son's life by giving him the choice of either inheriting his share of the family fortune or finding love and marrying. The son chose the money, and stayed single his entire life.
After their father died, Cornelia's brother assumed the role of his sister's "guardian" along with the task of chasing off potential suitors. Despite this, Cornelia found her one true love, a man named Jess Sank who visited the Lott home with a family friend while Cornelia was sitting on the front porch one fine summer day.
Cornelia's brother did his best to stop them, but true love found its way. With help from those who loved them, Cornelia and her sweetheart courted for 7 years by meeting at the homes of friends and relatives and spending as much time together as possible.
When Cornelia's brother died, Jess built this arbor and he and Cornelia were married under it on a beautiful June day. On a column next to where the ecstatic couple stood as they became husband and wife, Jess put a bronze plate that read: "In commemoration of a kiss and a promise made between these columns."
Cornelia and Jess lived happily ever after.
A true story!
Today, the house and property are owned by the City of Oroville and the interior of the house is open to visitors several days a week. Take a tour and you'll see the two beautiful gifts Jess created for his beloved bride.
The entire parcel of land, which covers a full city block, is called Sank Park to honor Jess for giving it to the city, thus the name "The Lott Home at Sank Park.
Come visit the park someday and you too can walk the romantic covered walkway and dream of the love that it represents and the happiness the lucky couple found together so long ago on this very spot.
as i wandered through the iron arches of this old bridge, i captured a fleeting moment of solitude. the sunlight poured through the gaps, casting intricate shadows that danced on the pavement. the man, lost in his thoughts, cradled his jacket as if it were a shield against the world. the urban backdrop with its timeless architecture and lush greenery framed his quiet journey, creating a harmonious blend of nature and industry. this image, bathed in monochrome, speaks to the intersection of daily life and the silent whispers of the city’s history.
Nestled in the heart of San Francisco’s bustling Financial District, 345 California Street stands as a testament to architectural grandeur and historical significance. This iconic skyscraper, also known as the “Tweezer Towers” for its distinctive top, is not just another high-rise—it’s a piece of the city’s skyline story. Constructed in 1986, this 48-story marvel combines Postmodern and Art Deco elements that pay homage to San Francisco’s rich architectural heritage while propelling it into modernity.
As you approach 345 California Street, you’re greeted by its striking façade—a symphony of granite and reflective glass that captures the essence of both strength and elegance. The building’s base features an inviting plaza with intricate stonework that whispers tales of yesteryear amidst the hustle and bustle of financial moguls on the move.
Step inside, and you’ll find yourself enveloped in luxury; from the polished marble floors to the lofty ceilings adorned with intricate designs—every detail at 345 California Street speaks to its commitment to excellence. It houses not only premier office spaces but also boasts exclusive amenities such as fine dining restaurants offering panoramic views that make every meal an experience.
For those with an eye for detail, it’s impossible not to admire how sunlight dances across this structure throughout the day—highlighting angles and curves that reveal meticulous craftsmanship at every turn.
Nestled in the heart of San Francisco, this stunning photograph captures the essence of the city’s rich architectural tapestry. The featured building, a marvel of historical grandeur, boasts an ornate façade that harks back to an era of intricate craftsmanship. With its elaborate stone carvings and classical columns, it stands as a proud reminder of the city’s past amidst the sleek glass and steel skyscrapers that define its skyline today.
As you wander through San Francisco’s bustling streets, it’s impossible not to be captivated by such historical edifices that whisper tales of yesteryears. This particular structure is more than just an architectural marvel; it is a narrative woven into the urban fabric, offering a glimpse into bygone days when each detail was meticulously chiseled by hand.
San Francisco is not just about iconic landmarks like the Golden Gate Bridge or Alcatraz Island; it’s also about these hidden gems that offer insights into its soulful history. For architecture enthusiasts and history buffs alike, discovering these treasures is akin to unearthing pieces of a puzzle that piece together the story of this vibrant metropolis.
Copyright© 2012
This image is protected under the United States and International Copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without written permission.
The Fort Pickens Area of the Gulf Islands National Seashore is so named because of the remains of Fort Pickens at the end of this island. It is one of four forts built to defend Pensacola Bay and its navy yard. The fort was begun in 1829, completed in 1834, and was named in honor of Major General Andrew Pickens of the South Carolina militia, who fought with distinction in several Revolutionary War battles. It was never held by the Confederate Army during the Civil War.
Built in the age of wooden warships and cannons firing round balls, the fort underwent changes in response to advances in weapon technology following the Civil War. Armored warships (like the "ironclads" Monitor and Merrimac) with steam engines and screw propellers, as well as larger and more powerful rifled cannons, made brick and stone forts obsolete.
Ten concrete gun batteries, including one in the middle of the historic fort, were built from the 1890s through the 1940s, each a response to a particular threat. Atomic bombs, guided missiles, and long-range bombers made such forts obsolete by the end of World War II and the Army abandoned the forts.
Interestingly, it is a part of a system of forts called the Third System Forts which were built up and down the Atlantic coast in the nineteenth century to shore up our weak coastal defenses following the war of 1812. One of the most famous of these is Fort Sumter!! Who'd a thunk that??
OK, now done with the history lesson! While wandering down the shoreline at Langham Beach, I found this emplacement of some kind slowly being buried by the shifting sands. I have no idea what it could be, but found it quite interesting as it was so totally unexpected!! I think it may have been some kind of gun battery because of the door and a long protuberance from the other side that could well have held a gun. Now where are those informational signs when we need them??
Way cool, IMHO!!!
© Thomas Schoeller Photography, LLC. | All Rights Reserved
Pepe's Cafe and Restaurant in Old Town Key West Florida. The low sun on the horizon cast a warm glow and long shadows. I really loved the feel of the "Old Town" section of Key West and I felt a composition from this location felt appropriate.
This image has been published several times and is a really hot-selling print. Published in the Florida-Key West Travel guide for 2008, and also an issue of "Poets and Writers magazine" as a center spread.
www.ThomasSchoeller.Photography
No rights are implied to the viewer, not for private or commercial use of ANY kind without the expressed written permission of the photographer
This captivating photograph captures the historic B&O Railroad Bridge crossing the Shenandoah River at Harpers Ferry, West Virginia. This site marks the confluence of the Shenandoah and Potomac rivers, nestled beneath the imposing rock face of Maryland Heights—a rugged landmark that looms above the scene. The bridge, a testament to 19th-century engineering and design, was a vital transportation route during the Civil War and remains a crucial part of American railroad history.
The steel truss bridge stretches across the river on sturdy stone piers, its weathered ironwork echoing the industrial past that shaped Harpers Ferry’s identity. Trains, still in service today, traverse the bridge, connecting the past with the present as they journey through the Appalachian landscape. The piers of an older bridge can be seen in the foreground—remnants of an earlier crossing that was destroyed during the war, a silent witness to the town’s tumultuous history.
Beyond the bridge, the stone ruins of earlier bridge abutments stand on the riverbank like sentinels, each block telling a story of conflict and resilience. Harpers Ferry was a strategic target during the Civil War, repeatedly contested by Union and Confederate forces. These bridge piers once supported a crucial link in the transportation network that supplied troops and carried commerce along the B&O Railroad.
The photograph’s composition draws the eye along the bridge to the dark, cavernous train tunnel cut into the mountain—a passage through which countless trains have roared since the 19th century. Above, the clouds dance in a dynamic sky, a perfect counterpoint to the river’s steady flow and the rugged cliffs beyond.
This image captures the enduring intersection of nature, history, and technology in Harpers Ferry, a town that continues to honor its place in America’s story.
Standing proudly on the corner beneath shifting clouds, the CornerstoneSF Church building in San Francisco captures the ornate romanticism of early 20th-century Moorish Revival architecture. Its indigo façade, graceful arches, and intricate white trim bring to mind Mediterranean and Andalusian influences—an unexpected yet harmonious presence in the heart of the city.
The building’s crowning tower, with its arcaded openings and deep eaves, recalls a bell tower or minaret, while the rhythmic repetition of arches across the façade adds an architectural lyricism that speaks to the optimism of its era. Constructed during a period when many American architects drew from eclectic global styles, this structure fuses spiritual aspiration with the craftsmanship of civic pride. The stucco walls and decorative plasterwork show the hand of artisans who believed in architecture as storytelling—a theme that resonates deeply in San Francisco’s layered urban fabric.
Originally built as a church, the building has evolved over time but continues to serve as a gathering space for community and reflection. Its vivid blue hue feels contemporary, yet the sculptural massing and ornamental flourishes firmly root it in the early 1900s. The repetition of Moorish motifs—horseshoe arches, geometric patterns, and flowing cornices—evokes a dialogue between light and shadow, faith and artistry. The choice of color adds to the emotional charge: blue for calm and devotion, white for purity and transcendence.
From street level, the structure’s welcoming arched entryway and rhythmic fenestration lead the eye upward, culminating in the delicate tracery that crowns the tower. Like much of San Francisco’s eclectic architecture, the building is a visual bridge between worlds—historical yet alive, sacred yet civic. Its enduring beauty lies in its balance between ornament and proportion, the play of historical reference and local identity.
Today, CornerstoneSF continues the building’s long legacy of gathering, performance, and connection. The architecture reminds visitors of the city’s openness to reinvention: a place where ornate historic forms coexist with contemporary use. Whether admired for its spiritual presence or its decorative power, this building remains one of the Mission District’s most visually distinctive landmarks—a testament to San Francisco’s ongoing dialogue between past and present, art and life.
Looking skyward inside the Waldorf Astoria Washington D.C. reveals the architectural heart of the former Old Post Office Pavilion: a vast atrium capped by a steel-and-glass skylight. Spanning multiple stories, this breathtaking space blends industrial innovation with Romanesque design elements—characterized by rounded arches, iron ornamentation, and layered stone and plaster detailing.
Originally completed in 1899, the Old Post Office was designed by Supervising Architect Willoughby J. Edbrooke and featured cutting-edge construction for its time, including a steel internal skeleton that allowed for the open vertical space seen here. The atrium once served a practical purpose—allowing natural light into the mail sorting floors—and has since been preserved as a centerpiece of the building’s adaptive reuse as a luxury hotel.
The photo captures the latticework of the skylight, intersected by iron beams and flanked by repeating columned arcades on all sides. Suspended acoustic panels float below the glass ceiling, subtly modern additions to a historic structure. Decorative ironwork and ornamental capitals around the perimeter reflect the building's 19th-century grandeur.
Today, the atrium functions as a public and private gathering space—dramatic yet peaceful, airy yet grounded in stone and steel. This is one of Washington D.C.'s few remaining Romanesque Revival interiors on such a monumental scale.
HABS Architectural Survey Standard:
Documented according to standards of the Historic American Buildings Survey (HABS):
Structure Name: Old Post Office
Location: 1100 Pennsylvania Avenue NW, Washington, D.C.
Style: Richardsonian Romanesque
Date of Construction: 1892–1899
Architect: Willoughby J. Edbrooke
HABS Reference Number: DC-275
Against the backdrop of the Bay Bridge, One Market stands proudly as a testament to San Francisco’s architectural evolution. Capturing the early morning light, the Bliss & Faville masterpiece, built in 1916, dominates the scene with its Neoclassical grandeur. The red-brick façade contrasts with the shimmering steel of the bridge, a juxtaposition of historical architecture and modern engineering. One Market’s detailed cornices and monumental columns, a hallmark of the Neoclassical style, reflect the craftsmanship of the early 20th century.
This building not only offers stunning views of the Bay Bridge and the waterfront but also marks a significant chapter in the city's development. Located at the edge of the Financial District, One Market was a hub of commerce and business as San Francisco rose from the ashes of the 1906 earthquake. The building’s symmetry and ornate classical details, including its arched windows and decorative cornice, embody the city’s commitment to rebuilding with elegance and strength.
The view of the Bay Bridge in the distance adds an extra layer of allure to One Market. With the palm trees below swaying in the breeze, it paints a picture of serenity amidst the hustle and bustle of the city. Visitors to the building or the surrounding area can enjoy a panoramic look at one of the most iconic bridges in the world while appreciating San Francisco’s storied architectural past.
For both history lovers and architecture aficionados, One Market offers a unique perspective on the intersection of past and present in one of the city’s most scenic locations.
Quarter moon, stars coming out and a setting sun.. picture perfect for me.. Little Grayback Lookout SW Oregon
Nestled in the heart of San Francisco, 91 Central stands as an architectural marvel that captures the essence of the city’s rich history. This vibrant building, adorned with striking yellow and purple stripes, is a visual delight for both locals and visitors. The façade is a testament to the craftsmanship of a bygone era, featuring intricate floral motifs and regal crests that hint at its storied past.
Constructed during a period when attention to detail was paramount, 91 Central boasts a grand entrance flanked by robust columns leading to an ornate wrought-iron gate. This entrance exudes old-world charm and elegance, inviting onlookers to step back in time. The large windows, framed by decorative moldings, offer a glimpse into the opulence within, making it a favorite subject for urban photographers.
The building’s historical significance is matched by its structural integrity, having withstood the test of time to remain a beloved landmark in San Francisco’s urban landscape. It’s not just a structure but a piece of artistry that continues to tell tales of yesteryears while standing proudly amidst modern advancements.
For those seeking to immerse themselves in San Francisco’s cultural tapestry, 91 Central offers more than just visual splendor. It serves as an emblem of architectural heritage and timeless beauty—a true insider’s treasure waiting to be discovered. Whether you’re an architecture enthusiast or a history buff, this building is a must-see, offering a unique glimpse into the city’s architectural evolution.
This photograph captures a nostalgic slice of urban Japan, showcasing the textured layers of a vintage shopfront and apartment balcony that speak volumes about the city’s evolving architectural story. The faded signage in traditional kanji, hand-painted on weathered surfaces, hints at a once-busy local business—perhaps a hardware store or tool shop, as suggested by the old-school lettering and visible tools.
Above the storefront, a sun-worn balcony draped in drying laundry and shaded by a bright yellow awning reveals a lived-in domestic space, common in mid-20th century Japanese mixed-use buildings. This juxtaposition of commercial and residential life is a hallmark of Showa-era architecture, when maximizing space and utility in Japan's dense urban environments was essential.
The structure’s oxidized copper panels and rusted metal framework tell a quiet tale of time’s passage—materials once pristine now softened by age and weather. These patinated textures, combined with the quirky asymmetry of laundry lines and potted plants, offer a rare, intimate look into everyday life in Japan, far from tourist trails.
Below, a bright green modern awning has been added, contrasting sharply with the vintage facade above—a visual metaphor for Japan itself: constantly balancing modern updates with deep respect for its past. This layered scene is not just an architectural curiosity, but a love letter to working-class neighborhoods, where community, resilience, and daily ritual are preserved in every detail.
Whether you're an architecture enthusiast, urban explorer, or cultural photographer, this corner storefront is a rich subject of visual storytelling, capturing the essence of Japan’s endearing messiness, quiet dignity, and everyday beauty.
June 17, 2009. Demolition of the old Paterson grain elevator. The last of five along the railway in Mendham Saskatchewan.
A friend gave me this link to this song. I really like it!
DYNAMITE AND 'DOZERS (words & music by John Wort Hannam)
www.johnworthannam.com/discography.htm
Take a good look son, they ain't gonna last
There knockin' 'em down left and right
Take a good look son, next time we drive past
There may not even be one in sight
Another's up for closure, dynamite and 'dozers
Tradition ain't no match for progress
Scale sheds and gables, scrap wood for sale
That's the way it goes these days I guess
Sooner or later, the old elevators all will be coming down
Sooner or later, the old elevators all will be coming down
"What's that in the picture?", your grandkids will ask
Standing in the history museum
A small scale model, some old photographs
Likely the only way they'll ever see 'em
That's the day the congregation came to pay commiserations
Talk of when the grain reigned supreme
Nostalgia soaked tears, wait 'till the dust clears
It's the end of the line, a sign of the times it seems
In the heart of San Francisco’s vibrant downtown, this iconic building stands as a striking example of the city’s architectural evolution. The lower portion of the structure showcases classical design elements, featuring ornate stonework and grand windows that reflect the opulence of a bygone era. These historical details are a nod to San Francisco’s rich past, where craftsmanship and attention to detail were paramount.
As your eyes travel upward, the building transitions into a modern skyscraper with a sleek, rounded glass façade. This juxtaposition of old and new creates a visually captivating experience, embodying San Francisco’s dynamic spirit and its blend of tradition and innovation. The glass tower not only reflects the sky but also symbolizes the city’s forward-thinking ethos and its relentless pursuit of progress.
This architectural marvel is more than just a building; it’s a testament to San Francisco’s ability to honor its historical roots while embracing modernity. The structure’s base, with its intricate detailing, invites you to appreciate the artistry of the past, while the towering glass above speaks to the city’s future aspirations. It’s a favorite among urban photographers and architecture enthusiasts who are drawn to its unique blend of styles.
Whether you’re a history buff or a lover of contemporary design, this building offers a fascinating glimpse into San Francisco’s architectural journey. It’s a must-see landmark that captures the essence of the city—where the past and present coexist in perfect harmony.
Copyright© 2012
This image is protected under the United States and International Copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without written permission.
Jumping back to the Gulf Islands National Seashore...
In the Pensacola District and just about across the street from the Naval Aviation Museum is the still active Pensacola Lighthouse.
Built in 1858 on the north side of the entrance to Pensacola Bay, the tower is 150 feet tall and sits on a 40 foot bluff, meaning the light sits 190 feet above sea level.
At the start of the Civil War, Pensacola was controlled by Confederate forces, while Fort Pickens across the bay remained in Union hands. Confederate authorities removed the lens from the lighthouse, and most of the lighthouse supplies were requisitioned for the war effort. In 1863 the Pensacola Light was relit using a fourth-order Fresnel lens. A new first-order lens was placed in the tower in 1869. The tower was all white during the Civil War. Later, the upper two-thirds of the tower was painted black. Electricity was introduced to the lighthouse in 1939, eliminating the need to rewind the light rotation clockworks every 4½ hours. The light was automated in 1965. The lighthouse tower and associated buildings were placed on the National Register of Historic Places in 1974.
This is my kinda lame attempt at HDR without the Photomatix program.
Happy Friday to all!
The Roedde House Museum is a late-Victorian home located at 1415 Barclay Street in Vancouver, Canada. It was the home of Gustav Roedde and his family. The house was built in 1893 and was possibly designed by architect Francis Rattenbury in the Queen Anne Revival style.
Gustav Roedde (1860-1930) emigrated from Germany to Cleveland, US in 1882 where he completed his apprenticeship as a bookbinder. During a Halloween party, he met Matilda Cassebohm (1862-1951), who emigrated from the island of Helgoland, Germany. The two were married in Cleveland in 1883. Together they lived in different cities; San Francisco, California and Victoria, British Columbia, before settling down in Vancouver in 1888
The family grew to include seven children and three St. Bernard dogs. Stories have been passed down, that the children used to play in the upstairs storage room to hear the adults’ conversations on the lower floor.
In 1925 , the family moved to a new home on Drummond Drive, in Point Grey
The City of Vancouver restored the exterior of the house. In 1984, the Roedde House Preservation Society was formed to implement the interior restoration. Historical records were used to insure the house replicated what it would have looked like between 1893 and 1925. Stripping down wallpaper helped discover the original colours of the walls and the house was furnished with all the accoutrements of middle-class life in the 1890s. The Roedde House Museum was officially opened on May 12, 1990.
A number of the barns of the Dairy of the Northern State Hospital for the Insane are still standing. However, many of the doors and windows are missing.
Centered in the heart of San Francisco’s Chinatown on Stockton Street, the Chinese Consolidated Benevolent Association building displays quintessential Chinese architectural motifs: green tiled roofs with upturned eaves, red columns, and golden calligraphy. Flanked by utilitarian storefronts and modern facades, the CCBA’s design stands out with vibrant ornamentation and symbolic guardian lions. The building’s layered elevation and symmetry emphasize its importance within the Chinese American community, both historically and civically. Founded in the 19th century, the CCBA remains a hub for advocacy, cultural preservation, and neighborhood unity. Its enduring architectural presence anchors tradition amid Chinatown’s ever-evolving urban landscape.