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According to legend, the Governor General of New France, Louis de Buade de Frontenac, was heartbroken when he discovered his wife was having an affair with the Sun King. He eventually forgave her, but left explicit instructions about the treatment of his body upon his death. After he died, Madame de Frontenac received a special delivery: her husband's heart in a lead box. So, be true to the one you love and Happy Valentine's Day!
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Location: Genting Highland, Selangor, Malaysia.
When I'm a bee,
I fly erratically,
looking for flowers.
to help make honey
Where are you, Queen?
I respond just to You
I bring my nectar only for you
I feel your presence near
Buzzit! I feel strange,
downright deranged.
What's that in black?
Is our hive under attack?!
Humans are very fine
targets for my behind.
Buzz, buzz, I make a pass;
Now he gets a piece of ass
Uh-oh, what's that smokin'?
Bzzt, I'm feelin' heartbroken.
Bee hearts are so tiny
And easily broken
I'm flying
erratically
so high now
I'm out of breath
I'm closer to death
I'm going down now, drifting
I'm going to sleep now, dreaming
of my Queen in our Hive of Honey
When I'm a bee...............................author, Beat Spiccoli.
===============================================
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Please seek my consent to publish it anywhere.
Contact me: Desh amar mati amaR
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Thanks in advance for visiting my Photostream.
**********PLEASE NO GRAPHICS**********
You don’t know this yet, because today is only the last day of August 2021, but you will be heartbroken and very sad and mad this December when your desperate attempt to return here to Las Vegas to attend the George Strait Show at the T-Mobile Arena, and to attend the Reba McEntire and Brooks & Dunn Show at Caesars Palace will be unsuccessful! 😔😒 You don’t know this today, but you will become terribly fearful that both George Strait and Reba McEntire may have performed their last shows in Las Vegas and may be considering retirement! 😕😧
Bummer!!
But in the meantime, your fabulous seven day Solo Vegas Fling has come to its conclusion! But unlike George Strait and Reba McEntire, you will return! You won’t be back this December, but you will be back in April of 2022 to celebrate your birthday. So go home today and be patient. Make sure you and your very lovely lady get your Pfizer COVID-19 Booster Shots. Do try to convince your very lovely lady that the Coronavirus Global Pandemic will go away one day. Have a nice flight home. 😌
The Montreal Museum of Fine Arts is the permanent home of Dale Chihuly’s iconic artwork “The Sun” thanks to generous donations of Montrealers.
The Sun stands 5.5 metres tall, is made up 1,573 individual hand blown glass pieces and weighs 2,000 Kilos.
The sun was first unveiled at the New York Botanical Garden in 2006. Then it spent some time at the Salk Institute for Biological Studies in 2010. And it eventually made its way to the Montreal Museum of Fine Arts in 2013 where it remained until 2014 when it was displayed in London’s Berkeley Square.
When the sun left, Montrealers were heartbroken, so the Museum of Fine Arts started the fund raising campaign to bring the sun back permanently.
A 2014 personal donation of $500,000 by the Montreal investment manager Sebastian Van Berkom enabled the Montreal Museum of Fine Arts to permanently acquire the dramatic blown-glass sculpture that patrons and passersby had warmed to since it first arrived here for a 2013 exhibition.
The sun returned 05 May 2016 and the Museum of Fine Arts organised a special "Welcome Back" event in its honour.
CHIHULY:
Born in Tacoma, Washington in 1941, Chihuly is regarded as the "Tiffany" of our day and has been exploring the plastic potential of blown glass for over fifty years. With fire, gravity, breath and centrifugal force, this accomplished master plays with colours, reflections and organic forms, using repetition, accumulation and layering arrangements of modular and singular elements to create unparalleled rhythms and visual effects.
The Chihuly Controversy:
From the NY Times - 21 Aug 2017.
Mr. Chihuly was never the lonely artist toiling in his garret. Making art in a crowd, with a crowd, was the Chihuly way, according to people who have known and worked with him over the decades. The pattern only deepened with time and success, as he gained global recognition for the prolific output of expressive glass works, sculptures and paintings that bear his name and can sell into the millions of dollars.
“The more I worked, the more I sold work, the more people I could hire,” Mr. Chihuly said in an interview in his 34,000-square-foot studio complex here in Seattle, near where he was born and raised.
But now, at 75, with mental health issues and old physical injuries that have forced a retreat from hands-on work, Mr. Chihuly is facing a hard-edge court battle — and a potential cloud over his life and art — around the question of what those teams do. A former contractor has sued him and his wife, Leslie, who is the president and chief executive of Chihuly Studio, seeking compensation for millions of dollars of paintings that the contractor says he created or inspired, but for which he said he was never properly credited or compensated.
These are painful days for Dale Chihuly, as he winds down a long career facing a challenge that stabs at the heart of any artist: his originality. Mr. Chihuly emblazoned his signature on the world by working and rethinking the vocabulary of glass as art. Physical challenges and scars compounded the difficulty of that path. He lost vision in an eye in a 1976 car crash that also permanently injured an ankle and a foot. A shoulder injury from a bodysurfing accident made glass blowing, with its heavy weights of pipes and glass, impossible to do. He suffers from bipolar disorder, marked by sweeping swings of elation and depression. And with greater dependence on others, he said, has come greater vulnerability to claims that his work is not his own.
“Yeah, I would say it probably made it easier to attack me,” he said. “I absolutely need my teams.”
The Chihulys, in their own countersuit in Federal District Court in Seattle, have dismissed the claim by the former vendor, Michael Moi, as an act of greed and jealousy. They said that Mr. Chihuly’s vision still defines and shapes all art that leaves his studio.
“He was a handyman,” Ms. Chihuly said of Mr. Moi’s role in the company, which employs about 100 people in several locations in the Seattle area.
Mr. Moi’s lawsuit says that exploitation and uncredited work were built into the Chihuly team system, and that the mental swings of working under a bipolar artist — manic bouts of energy followed by crashes of depression and paranoia — were part of the unpredictable dynamic of how and when work got done, and who did it. Mr. Moi, through his lawyer, declined a request for an interview.
“Up-and-down manic cycles were a constant,” the suit says.
Certainly, workshops for art, overseen by an artist with a famous name, are nothing new. Painters from Peter Paul Rubens to Rembrandt created elaborate systems of production, as have modern artists like Jeff Koons and Andy Warhol, who famously declared his art to be a factory-produced commodity.
And legal experts said that claims of inadequate credit by an underling generally have faced a tough road because courts require proof that the person who filed for a work’s copyright, Mr. Chihuly in this case, intended to share credit of authorship.
“I think no one would have even assumed that Chihuly did all his own work, first of all, because there’s too much of it,” said Christine Steiner, a lawyer in Los Angeles who represents galleries, artists and museums, but does no work for Chihuly.
In both law and art value assessment, she said, works that go out the door of an artist’s studio, however they are produced, are generally deemed to be a product of that artist’s vision. Because of that, she said she sees little effect on Chihuly art-market values no matter what happens in the case.
But the Chihuly case also opens up what many artists say is an uncomfortable and complicated debate about age, infirmity and the foibles of human nature where one person is in control, egos are large, and vast fortunes are being made.
“Any artist is going to suck up all the energy in the room,” said Toots Zynsky, a glass artist who studied with Mr. Chihuly in the 1970s and remains friends with him. “So the more you admire someone, the less you should work for them.”
Ms. Zynsky trained at the Rhode Island School of Design in the early ’70s, as did Mr. Beers, the architect, when Mr. Chihuly was teaching in the school’s famous glass program. She said she decided early in her career that assistants should never become long-term employees — three years and out became her rule — because she feared she might stunt their style and growth or take too much from them in creating her own art.
Another artist who has known Mr. Chihuly for many years said he believes Mr. Chihuly is still making “Chihuly art,” even if others are constructing and finishing it.
“As long as Dale can put it down on paper, right to the very end I think he’ll be able to keep going,” said Benjamin Moore, a glass artist in Seattle. But Mr. Moore said he has also been saddened by the attacks on his friend, and the decline in Mr. Chihuly’s vitality over the last decade.
“He was such a whirlwind of energy and excitement and enthusiasm, he was like a magnet, drawing the most talented young people around him just to be in his presence to learn,” Mr. Moore said. “But he’s a shell of the man that he was — it breaks my heart.”
In the lawsuit, where pretrial motions are underway, Mr. Moi said the level of Mr. Chihuly’s disabilities were never disclosed to art buyers or the public and that Chihuly Studio often intimated that Mr. Chihuly’s paintings were entirely by his own hand. Other legal cases in recent years involving Mr. Chihuly and his former employees — him suing them or vice versa — were settled out of court, but those disputes could be dredged up again in depositions or testimony as the case goes forward.
“For years Leslie Chihuly and Chihuly Studio have undertaken efforts to hide Dale’s struggles with mental health and his inability to work on a daily basis, not to protect him, but to ensure that the cash cow known as ‘Chihuly’ continued to moo,” Mr. Moi’s suit says.
Mr. Chihuly, who said he now rarely paints for more than an hour or two at a time, perhaps three days a week, was working on a recent morning, surrounded by four assistants. One handed him a brush, then held the paint container at his elbow as he stood over a horizontal glass sheet, partly painted already with specially formulated enamel, composed of ground glass suspended in liquid.
“Do you want one over the other, or do you want it side by side?” Mr. Chihuly turned to ask an assistant, Jodie Nelson, referring to the blotched paint dobs that he was about to apply.
Ms. Nelson’s response was immediate: “I want what you want.”
Mr. Chihuly then proceeded to paint, in sweeping, fast brush strokes as a Bob Dylan song played in the background. The goal, he said, was to approximate, but not fully duplicate, two other glass painted images that would then be put together, fired and then lit for display, creating an illusion of three dimensions, called “Glass on Glass.” The design is still new — only displayed for the first time recently at Crystal Bridges Museum of American Art in Bentonville, Arkansas. During a pause, he gestured to one of the glass layer paintings hanging on back wall. “I rejected that one this morning,” he said. “I don’t like the way it looks.”
There’s no question Mr. Chihuly has become an institution and created a bridge between decorative and fine arts that some art scholars have compared to Louis Comfort Tiffany. Chihuly Studio creates some 30 site-specific pieces a year, ranging in price from $200,000 to millions of dollars, and has done commissions for collectors like Bill Gates and Bill Clinton. Mr. Chihuly’s show at the New York Botanical Garden, through Oct. 29, has drawn more than 484,000 visitors since April, making it one of most attended exhibitions in the garden’s history.
At Chihuly Studio on a recent afternoon, workers were assembling a huge glass chandelier for a university, tinkering with a sculpture scheduled for installation in Union Square Park in New York, and painting flower images on glass in three big warehouselike buildings in Seattle’s Ballard neighborhood.
Seattle became an art-glass capital largely because of Mr. Chihuly, through the Pilchuck Glass School, a nonprofit academy north of the city that he helped found in 1971, and the two museums built around his work or glass art in general. Chihuly Garden and Glass, which opened in Seattle in 2012 next to the Space Needle, is the city’s top-ranked tourist attraction on TripAdvisor, and has become a cash cow of its own. Admission costs $29, and the gift shops sells everything from Chihuly umbrellas ($36), to blankets ($500), to numbered prints of Chihuly paintings (about $3,000).
“Second on my list of things to see, after the Space Needle,” said Alison Yeardley, a fourth-grade teacher from Boston, who was spending three days of her vacation in Seattle and had just left the Chihuly Garden and Museum on a recent morning.
Mr. Chihuly said that in looking back over the long arc of his career, he can pretty much pinpoint where his mental state was, in the cycles of up or down. In the mid ’90s, for example, he remembers working for weeks with little sleep on a project to build and hang chandeliers over the canals of Venice. But then a couple of months later, working at Waterford Crystal in Ireland, he said, the cycle turned. “I was depressed, but yet I had my team with me and I could continue to work,” he said.
“I like my work when I’m up,” he added. “Van Gogh, you know, he worked when he was depressed as well as when he was up, and I’ve never been able to figure it out.”
Mr. Beers, the former student, said he looks back on those early mornings in the glass shop in Rhode Island partly as a response to the practical realities of working in front of a furnace, seizing time before the heat of the day, but also for the quiet sense of calm that seemed part of the experience for Mr. Chihuly and his students.
“It was a more peaceful sort of Zen time, that early in the morning,” Mr. Beers said. “Or maybe he just couldn’t sleep, and it was time to get to work.”
Hold your fur babies close. Love them to the fullest every day.
Never take their presence and their unconditional love for granted.
God needs puppies in Heaven, too.
Rest in Peace - Sophia 'Sophie' 'Soapy' August Barto
8/9/15 - 7/16/16
You mended our hearts after losing Penelope, only to shatter them again 9 months later, but we still love you. XoXo
Give 'em hell up there! Take it easy on Nell.
She's not a brat like you, Miss Pissypants.
<3 <3 <3
Had a friend from class meet with me after work to work on a different class project. After that we just went around taking photos. My idea was to have a well dressed woman, sort of like a Disney Princess, look lost of love, heartbroken, etc. Hopefully I conveyed this well. Also tried to make it look like she was a puppet with her strings cut. Happy Valentine's Day, everyone!
I was heartbroken to hear that our friend Horst passed away. His comments were always thoughtful and generous, and I cherish each and every one.
He was a brilliant photographer. His photos are full of color, joy and happiness; they never fail to brighten my day. I love his sense of humor in his Woody Set, and the beautiful colors in his On Blue Set, but my absolute favorite was his SKYplay Set.
Horst, you will be missed, but I will think of you often when I look to the sky.
June 3, 2008 - January 31, 2019
My house burned January 31 while I was at work, and sadly, the firefighters couldn't save Enzo. I am heartbroken.
I lost my best friend and wife Diane. She was/is the whole world to me. I miss her every second of every day.
My heart is broken.....Brutus went peacefully this morning.....may he run and play like a puppy at Rainbow Bridge!
In this pic Brutus is lying in his special place with his paws hanging over the pool!
Rainbow Bridge
Just this side of heaven is a place called Rainbow Bridge.
When an animal dies that has been especially close to someone here, that pet goes to Rainbow Bridge. There are meadows and hills for all of our special friends so they can run and play together. There is plenty of food, water and sunshine, and our friends are warm and comfortable.
All the animals who had been ill and old are restored to health and vigor. Those who were hurt or maimed are made whole and strong again, just as we remember them in our dreams of days and times gone by. The animals are happy and content, except for one small thing; they each miss someone very special to them, who had to be left behind.
They all run and play together, but the day comes when one suddenly stops and looks into the distance. His bright eyes are intent. His eager body quivers. Suddenly he begins to run from the group, flying over the green grass, his legs carrying him faster and faster.
You have been spotted, and when you and your special friend finally meet, you cling together in joyous reunion, never to be parted again. The happy kisses rain upon your face; your hands again caress the beloved head, and you look once more into the trusting eyes of your pet, so long gone from your life but never absent from your heart.
Then you cross Rainbow Bridge together....
Author unknown...
September 11, 2007 - EXPLORE
"get your head out of the mud baby...."
As a kid I was scared of escalators, cause my skirt got caught in one when i was 4. I'm now over that. Hope you like my illustration!
I am heartbroken.
UPDATE:
It is with heavy hearts that we share this update. The lack of improvement in Valor’s neurologic symptoms after a week of aggressive supportive care led us to the decision to humanely end Valor’s suffering before his condition deteriorated further. We learned yesterday afternoon that Valor had tested positive for West Nile virus; we had suspected that this was the cause of his symptoms. Infection with this virus is not always fatal in birds; however, after seven days of intensive supportive care, Valor remained slow to respond to stimuli and displayed no signs of improvement. He had to be force-fed as he showed no appetite and refused to hand-feed or self-feed. Valor was extremely lethargic and had head and body tremors—signs of advancing West Nile disease. Our professional assessment was that it was extremely unlikely that he would recover, even for placement at an educational facility. Subjecting him to further treatment, handling, and captivity and prolonging his suffering would have been inhumane and contrary to our principles as wildlife rehabilitators. A necropsy will be performed at another facility.
In the past five years, we’ve treated 300 Bald Eagles along with over 10,000 other wild birds that have relied on us for care. As professionals, we do our very best for each and every single patient, as we always have and will continue to do, and this includes Valor. We share the deep sorrow you feel for his loss and hope you know that your passion for native wildlife matters. It is so inspiring to see the community rally behind a wild animal in need; thank you to everyone who showed support for Valor and Tri-State. While this outcome was not what we wanted, there are thousands of success stories of animals receiving a second chance at life in the wild at our center and wildlife rehabilitation centers around the world—this is what motivates our staff and volunteers to continue caring for wildlife in need every day. To understand more about West Nile Virus please go to: www.raptor.umn.edu/our-research/west-nile
I was met with seven-year-old Mohammed Shoaib in Chittagong, the commercial capital of the country, in April 2016. His heartbroken look still seems to be still.
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Every year, countless beloved pets go missing, leaving their owners distraught and heartbroken. That's why National Pet ID Week, observed from April 17th to 23rd, serves as an essential reminder of the importance of proper identification for our pets. This week provides an opportunity for pet parents to take proactive steps to ensure the safety and well-being of their pets.
The primary objective of National Pet ID Week is to promote awareness about the significance of pet identification and encourage pet owners to take necessary measures to protect their pets. One of the most effective ways to do this is by ensuring that your pet has a visible and up-to-date ID tag attached to their collar. This tag should be easy to read and include your pet's name, your contact information, and any pertinent medical information.
However, while ID tags are essential, they can sometimes become lost or damaged. That's why microchipping is also important. Microchips are tiny electronic devices implanted beneath the skin of your pet, typically between the shoulder blades. Each microchip contains a unique identification number that can be scanned by a veterinarian, animal shelter, or pet-related business if your pet is found. This permanent form of identification greatly increases the chances of being reunited with your lost pet, even if their collar or tags are missing
Prompt: create a digital fine art, Sign with text "National Pet ID Week", Pixar 3D illustration of a cheerful little girl with bright eyes and pigtails, placing an ID tag, with the name "Lacey", on the collar of her West Highland White Terrier puppy, on the porch of a house. The scene should capture the warmth of a playful bond between the girl and her westie, ultra-realistic, no noise, no grain, 6k resolution, full-camera view
This digital fine art was created using Bing AI Image Creator and Photoshop
Llanddwyn Island is named after St Dwynwen, the Welsh patron saint of lovers. Legend has it that she was spurned by a prince and retreated heartbroken to the island. There she was granted three wishes, and asked to be given the power to grant the wishes of true lovers.
Heartbroken: EVERY Monday night at Studio80 on the Rembrandtplein in Amsterdam! Party: Heartbroken Venue: Studio80 Coverage by: Waking up in Amsterdam!
A big "FUCK YOU" goes out to my soon-to-be ex-wife.
My ex left me in June of '07 so that she could "find herself".
She dyed her hair bright pink..... Didn't find herself there.
Then she styled it as a big mohawk.... Didn't find herself there either.
Then she got her septum pierced........ Once again, no discovery of who she really is.
She left me, yet I'm the one who has to initiate the whole divorce proceeding. I'm the one who has to fill out the paperwork. I'm the one that has to file the paperwork. I'm the one who's paying for the paperwork to get filed. I guess my official title is "Petitioner". The petitioner is the one who initiates the divorce process. Not necessarily the person who wanted to get the divorce in the first place. As is the case in my situation. I loved this woman with all my heart. But now I am the one who has to do every-fucking-thing under the stupid fucking sun in order to get divorced. All the while, she's out partying and having a good old time. Well, I'm fucking sick of it! I can't take much more of this. I try to set up meetings with her so that she can fill out the information that pertains to her (like medical insurance, 401k, etc.) but she blows me off. Seriously, why is it so difficult for her to step up to the plate and just take care of this shit? She's the one who wanted all this.
News flash bitch:
You're 31 years old! Grow up and take some responsibility for you actions. Don't rely on everyone else to do all the work for you!
I will never get married again.