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Reflection of a Kauai Sunrise
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Quiénes entrarán al reino de Dios: ¿Qué tipo de persona puede entrar al reino de los cielos?
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Ahora estamos en los últimos días, ¡todos estamos esperando el regreso del Señor para que podamos ser llevados al reino de los cielos! Entonces, ¿qué tipo de persona puede entrar al reino de los cielos? Algunos creen que mientras se aferren al nombre del Señor, difundan el evangelio y trabajen por el Señor, serán arrebatados al reino de los cielos cuando Él regrese. Pero la Escritura dice: “No todo el que me dice: «Señor, Señor», entrará en el reino de los cielos, sino el que hace la voluntad de mi Padre que está en los cielos” (Mateo 7:21). “[...] seréis, pues, santos porque yo soy santo»” (Levítico 11:45). Dios es santo y justo. Él requiere a aquellos que tienen la fe en Él sean limpiados y se conviertan en las personas que hacen la voluntad de Dios, ya que solo siendo así, se merecen entrar en el reino celestial. Podemos sacrificar y servir a Él, pero pecamos y nos resistimos a Dios a menudo, por ejemplo mentimos y engañamos por nuestros propios intereses, nos envidiamos, nos luchamos y nos juzgamos mutuamente, etc. Debido a que aún no hemos sido purificados del pecado, por ende no somos los que hacen la voluntad del Padre celestial, y ¿cómo podemos ser cualificados para entrar al reino de los cielos? Entonces, ¿qué debemos hacer para ser una persona que hace la voluntad del Padre celestial? Esta transmisión en vivo te revelará la respuesta, por favor mírala.
Las escrituras tomadas de LA BIBLIA DE LAS AMERICAS® (LBLA) Copyright © 1986, 1995, 1997 por The Lockman Foundation usado con permiso. www.LBLA.com
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El Templo de Debod fue un regalo de Egipto a España (año 1968), en compensación por la ayuda española, tras el llamamiento internacional realizado por la Unesco para salvar los templos de Nubia, principalmente el de Abu Simbel, en peligro de desaparición debido a la construcción de la presa de Asuán.
Tiene una antigüedad de unos 2.200 años. Su núcleo más antiguo fue erigido bajo el faraón Ptolomeo IV Filópator, y decorado posteriormente por el rey nubio Adijalamani de Meroe hacia 200-180 a. C., dedicado a Amón de Debod ("Amani", en idioma kushita) e Isis. Posee importantes añadidos de época ptolemaica y romano-imperial del siglo I a. C. al II d. C.. ( Fuente: Wikipedia)
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Debod Temple was a gift from Egypt to Spain (1968), in compensation for Spanish aid, following the international appeal launched by UNESCO to save the temples of Nubia, mainly Abu Simbel in danger of disappearing due to the construction of the Aswan Dam.
It has a history of about 2,200 years. Its oldest part was built under the Pharaoh Ptolemy IV Philopator, and later decorated by the Nubian king of Meroe Adijalamani to 200-180 a. C., dedicated to Amun of Debod ("Amani" in Kushite language) and Isis. It has significant additions of Ptolemaic and Roman-imperial era of the first century. C. to II d. C .. (Source: Wikipedia)
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The first two tracks were recorded in the main cathedral of Frankfurt am Main during a mass in 1968. At that time, some priests in Frankfurt were reaching out to young people by inviting rock groups, etc. into the service. In my case it was a Catholic priest who had seen John Coltrane perform and was a big modern jazz fan. So he asked Just Music (JuMu) if we wanted to play at the Dom, which is the biggest church in Frankfurt — a huge hall. In still moments of the recording you can hear the priest’s voice celebrating the mass.
There was a Protestant minister also in Frankfurt who sympathized with JuMu’s music. In 1967 he had invited me to play church organ with JuMu violinist/clarinetist Witold Teplitz accompanying on drums, next to the altar. On instruments we had no experience or training on, we both played in a totally free manner. He called it atonal music. (Some time after, a teacher asked me if I still played this “atomic” (atomar) music — he meant atonal music, but I couldn't help laughing, convinced that he had created a more fitting term.) The minister who had invited us was named Dieter Schnebel. He shortly left the priesthood and became famous as a New Music composer. www.en.wikipedia.org/wiki/Dieter_Schnebel
Tracks 3 and 5 were recorded at “Centrum Freier Cunst“ / Fuchshohl Studio. These performances occurred a year apart from each other; track 5 features Witold Teplitz playing his violin perched upright upon his knees – as seen in the JuMu TV performance: www.youtube.com/watch?v=BHHT4OlaDns&feature=channel_page
Track 4 was made at a radio station as part of the series “Treffpunkt Jazz“ (Meeting Point Jazz). I still have the recorded talk with the two hosts, very important guys at that time (one was chief editor of the “Jazzpodium“). They said that they missed form and style in JuMu’s performance (“too free“), comparing us to groups in Stuttgart, the Modern Jazz Quintet Karlsruhe and Frederic Rabold’s group. They had those qualities we were supposed to lack. These commentators really were missing the point: our 100% open improv WAS the form and WAS the style of each tune. A similar misunderstanding of JuMu happened again soon after, at a Duesseldorf concert curated by Sigfried Schmidt-Joos who also missed the point. Nowadays such blindness of the managing VIPs seems ridiculous. But in those days when the split between amateurs and professionals ruled their thinking some critics emanated an ice-cold anti-recognition.
In 1969 we were all young, around nineteen or twenty years old (Herrmann was the exception, at twenty-six). I don't recall any of us being interested in what was going on in the Pop world – it would have been below our horizon. Probably unconsciously, we all tried to look older. We affected beards; Witold smoked cigars and pipe.
The last two tracks were recorded in a Prague radio studio before a live audience, who listened with attentive concentration. After the concert they told us they'd all been deeply touched by our passion and seriousness. This was just after the so-called Prague Spring revolution in 1968, which had been put down harshly by the Soviets. For the audience, JuMu had somehow touched off a profound emotional recall of their political and human losses — a time when all hope seemed lost. (In 1983, I played in Prague again with "Cassiber", and the audience were similarly moved.)
En mi blog os cuento La historia de nuestra hermosa palmera y cómo se la comió el maldito picudo rojo
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¿Por qué debemos orar?
En una reunión, la hermana Bella preguntó: ¿Por qué debemos orar? ¿Cuál es el significado de la oración? Y ¿cómo orar para que sea eficaz?
El hermano José respondió: Tal vez muchos hermanos y hermanas que acaban de creer en Dios tienen las mismas dudas que tú. Pues hoy vamos a comunicar sobre ellas.
De hecho, la oración es una manera para invocar al Señor y establecer una relación normal con Él, aún más es un aspecto de la verdad que debemos practicar cada día.
Dios dice: “Después de que creara a los hombres y les diera espíritus, Dios les ordenó que si no lo invocaban, no serían capaces de conectar con Su Espíritu y, por tanto, la ‘estación satélite’ del cielo no se recibiría en la tierra. Cuando Dios ya no está en el espíritu de las personas hay un sitio libre para otras cosas, y así es como Satanás aprovecha la oportunidad de entrar. Cuando las personas contactan a Dios con el corazón, Satanás entra inmediatamente en pánico y se apresura a escapar. A través del clamor de la humanidad, Dios les da a las personas lo que necesitan, pero Él no ‘reside’ en ellas al principio. Él les brinda ayuda de continuo a causa de su clamor, y las personas obtienen resistencia de esa fuerza interna de forma que Satanás no se atreve a venir aquí a ‘jugar’ como se le antoje. De este modo, si las personas conectan continuamente con el Espíritu de Dios, Satanás no se atreve a venir a interrumpir”.
De “La Palabra manifestada en carne”
De la Palabra de Dios vemos que Él dio espíritu al hombre cuando los creó, y con que le hace oraciones a Dios, será capaz de conectar con el Espíritu de Dios. En otras palabras, Dios nos protege a través de nuestras oraciones, y ellas nos hacen vivir ante Él y bajo Su guía en todo el momento y tener una relación normal con Él.
La hermana Bella añadió: Ah, ahora entiendo que sin la oración, romperemos nuestra relación con Dios, nuestro corazón es fácil alejarse de Él y vivir en el disfrute carnal sin Su dirección y fácilmente caeremos en las tentaciones y las redes de Satanás sin camino accesible. Siendo así, Satanás y espíritus malvados nos ocuparán el corazón en cualquier momento, y al mismo tiempo, perderemos la obra del Espíritu Santo y sin capaces de ver las obras de Dios. Por el contrario, si lo oramos con frecuencia, podremos mantener una relación normal con Él.
También podría gustarte: Cómo orar a Dios correctamente
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I spent a few minutes watching two squirrels chasing each other through the trees at the back of the garden earlier today and managed to get close to this one (this shot is uncropped) while they distracted each other. She is poised above the bird peanut feeder but keeping an eye on her counterpart.
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