This is the Mongolian Scale Construction in 12 Keys. Formula a Whole-Half ( 1 1/2 ) Step at ( 3rd & 4th ) --- This type of scale Used only 5 Notes or Tones --- We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb ---- for you to figure out even thought it is hard because the accidentals (sharps & flats) may confuse you - But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

This is the Half-Whole Scale Construction in 12 Keys.

Formula a Half steps at ( 1st & 2nd ---- 3rd & 4th --- 5th & 6th --- 7th & 8th ) ----- We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb ----

for you to figure out even thought it is hard because the accidentals (sharps & flats) may confuse you -

But if you take your time view this lesson video and practice it every day for a few minutes eventually you will

get it down pack in your head. You then apply what you learn physically on the guitar.

pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering

number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet prctice with a metronome at the speed that comfortable for you to make less mistake.

This is the Be-bop Scale Construction in 12 Keys. Formula Half step between steps " 3rd & 4th --- 6th & 7th and 7th & 8th" - We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb for you to figure out even thought it is hard because the accidentals (shapr & flats) may confuse you - The Be-bop scale is also so know as ( Eight Tones or Notes Scale ) --- But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

This is the Whole Tone Scale Construction in 12 Keys. Formula All Whole steps ---- This type of scale only USE 6 Notes or Tones. ---- We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb for you to figure out even thought it is hard because the accidentals (shapr & flats) may confuse you - The Be-bop scale is also so know as ( Eight Tones or Notes Scale ) --- But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

This is the Augmented Fifth Scale Construction in 12 Keys.

Formula a Half steps at ( 3rd & 4th ---- 5th & 6th --- 6th & 7th) ---- This type of scale has 8 Tones or Notes.---- We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb ----

for you to figure out even thought it is hard because the accidentals (sharps & flats) may confuse you -

But if you take your time view this lesson video and practice it every day for a few minutes eventually you will

get it down pack in your head. You then apply what you learn physically on the guitar.

pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering

number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet prctice with a metronome at the speed that comfortable for you to make less mistake.

This is the Spanish 8 Tones Scale Construction in 12 Keys. Formula a Half steps at ( 1st & 2nd ---- 3rd & 4th --- 4th & 5th --- 5th & 6th" --- This type of scale Used 8 Notes or Tones --- We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb ---- for you to figure out even thought it is hard because the accidentals (sharps & flats) may confuse you - But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

The Aeolian - Mode VI in 12 Keys - By Angela - Guitarelements.com

I leave the Accidentals Keys for you to try out - Apply the same technique I showed you in this video to the Accidental keys (C# - Db) - (D# - Eb) - (F# - Gb) - (G# - Ab) - (A# - Bb) ---- I will have the videos for the Accidentals when I have time to created them and will post them here ---- But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

Out of the 12 Keys - Only the key of A Aeolian has other name which we can refer to ( aka ) Pure Minor - Nautral Minor.

I am not as fast as Huan and not have much time to practice the guitar - I try to make more time for this project to help Huan out and will get better with later video lessons.

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The Mixolydian - Mode V in 12 Keys - By Huan - Guitarelements.com

I leave the Accidentals Keys for you to try out - Apply the same technique I showed you in this video to the Accidental keys (C# - Db) - (D# - Eb) - (F# - Gb) - (G# - Ab) - (A# - Bb) ---- I will have the videos for the Accidentals when I have time to created them and will post them here --- But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

The Dorian - Mode II - Created by the C Major Scale - in 12 Keys.

We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb for you to figure out even thought it is hard because the accidentals (shapr & flats) may confuse you - But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

This is the Egyptian Scale Construction in 12 Keys. Formula a Half steps at ( 2nd & 3rd ---- 4th & 5th" --- This type of scale Used only 5 Notes or Tones --- We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb ---- for you to figure out even thought it is hard because the accidentals (sharps & flats) may confuse you - But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

This is the Arabian Scale Construction in 12 Keys. Formula Half Steps at ( 3rd & 4th And 4th & 5th ) --- We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb ---- for you to figure out even thought it is hard because the accidentals (shapr & flats) may confuse you - But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

This is the Neapolitan Scale Construction in 12 Keys.

Formula a Half steps at ( 1st & 2nd ---- 5th & 6th ) - Also there is A Whole-half steps at "6th & 7th" ---- We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb ----

for you to figure out even thought it is hard because the accidentals (sharps & flats) may confuse you -

But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

This is the Ionian - Mode I - ( One of the Seven Major Mods created by the C Major Scale. Construction in 12 Keys. Formula Half Steps at ( 3rd & 4th And 7th & 8th ) --- We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb ---- for you to figure out even thought it is hard because the accidentals (shapr & flats) may confuse you - But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

This is the Gypsy Scale Construction in 12 Keys. Formula Half step between steps " 1st & 2nd --- 3rd & 4th and 6th & 7th" AND also A whole-half step at "2nd & 3rd" - We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb for you to figure out even thought it is hard because the accidentals (shapr & flats) may confuse you - But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

This is the Hungarian Minor Scale Construction in 12 Keys. Formula Half step between steps " 2nd & 3rd --- 4th & 5th and 5th & 6th" - Also A Whole-half Steps at ( 3rd & 4th and 6th & 7th ) - We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb for you to figure out even thought it is hard because the accidentals (shapr & flats) may confuse you - But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

The Lydian - Mode IV in 12 Keys - By Huan - Guitarelements.com

I leave the Accidentals Keys for you to try out - Apply the same technique I showed you in this video to the Accidental keys (C# - Db) - (D# - Eb) - (F# - Gb) - (G# - Ab) - (A# - Bb) ---- I will have the videos for the Accidentals when I have time to created them and will post them here --- But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

The Phrygian - Mode III in 12 Keys - By Huan - Guitarelements.com

I leave the Accidentals Keys for you to try out - Apply the same technique I showed you in this video to the Accidental keys (C# - Db) - (D# - Eb) - (F# - Gb) - (G# - Ab) - (A# - Bb) ---- I will have the videos for the Accidentals when I have time to created them and will post them here --- But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

This is the Oriental Scale Construction in 12 Keys. Formula a Half steps at ( 1st & 2nd ---- 3rd & 4th ---- 4th & 5th ---- 7th & 8th) - Also there is A Whole-half step at "3rd & 4th" ---- We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb ---- for you to figure out even thought it is hard because the accidentals (sharps & flats) may confuse you - But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

This is the Persian Scale Construction in 12 Keys. Formula a Half steps at ( 1st & 2nd ---- 3rd & 4th ---- 4th & 5th ) - Also there is A Whole-half steps at "2nd & 3rd ---- 7th & 8th" ---- We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb ---- for you to figure out even thought it is hard because the accidentals (sharps & flats) may confuse you - But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

The Locrian - Mode VII in 12 Keys - By Angela - Guitarelements.com

I leave the Accidentals Keys for you to try out - Apply the same technique I showed you in this video to the Accidental keys (C# - Db) - (D# - Eb) - (F# - Gb) - (G# - Ab) - (A# - Bb) ---- I will have the videos for the Accidentals when I have time to created them and will post them here ---- But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

I am not as fast as Huan and not have much time to practice the guitar - I try to make more time for this project to help Huan out and will get better with later video lessons.

This is the Hungarian Gypsy Scale Construction in 12 Keys. Formula a Half steps at ( 2nd & 3rd --- 4th & 5th --- 5th & 6th) - Also there is A Whole-half step at "3rd & 4th" ---- We leave out the D# - Eb ------------ F# - Gb --------------- G# -Ab -------------------- A# - Bb ---- for you to figure out even thought it is hard because the accidentals (sharps & flats) may confuse you - But if you take your time view this lesson video and practice it every day for a few minutes eventually you will get it down pack in your head. You then apply what you learn physically on the guitar.

Pay attention where is the Root/Tonic locate at ( what strings and fret number) - also pay attention on the fingering number to use for each notes and the name of each notes - it may take sometime but it is worthy to do so.

Play slow, load and clear, better yet practice with a metronome at the speed that comfortable for you to make less mistake.

Can you name this guitar?

With guitar lessons in the open air the kids have more fun. It is casual and they are more motivated.

Can you name this guitar?

Just a small selection of the balconies in one residential street in Utrecht.

3698 Ranch Road 620 South, Suite 107 Austin, TX 78738

(512) 614-6491

www.TheMusiciansWoodshed.com

What's the Best Age To Start Music Lessons?

Here's an amazing fact: did you know that Brahms wrote his first symphony when he was forty years old? It's true.

Andrea Bocelli practiced law until his mid-thirties, and finally became a best-selling artist at the age of fourty-one.

It's a scientific fact that you become smarter the minute you start learning music. A 2003 harvard study revealed that the brains of adult musicians had a larger volume of gray matter than the brains of non-musicians.

Never picked up an instrument? Don't worry - a beginner piano or violin student can learn to play a simple song on their instrument in as little as one lesson.

You can start learning guitar, or singing no matter where you are in life. The most important thing is getting started.

Take the next step - visit musicboxnw.ca/request-info

Music Box - New Westminster's Music School

With guitar lessons in the open air the kids have more fun. It is casual and they are more motivated.

She loves Rascal Flatts!

photo by Kara Hayes Smith

Messenger guitars were built in Astoria, OR from 1967-1968. Features an aluminum alloy tuning fork neck extending through the thin-line hollowbody. This model has a built-in fuzztone called a Tone-Messer. Messenger also made a stereo guitar, a bass guitar, and a line of large amplifiers.

Can you name this guitar?

With guitar lessons in the open air the kids have more fun. It is casual and they are more motivated.

The Music Box in New Westminster offers music lessons to children and adults. Our fully qualified staff provide lessons that are new and engaging making sure their students never run the risk of being bored. The Music Box offers free recitals and free Masterclasses for students. Learn how to play the piano, violin, percussion, wind instruments and more. If you are ready to start you have nothing to lose, we want students who truly want to learn. We offer month to month lessons.

With guitar lessons in the open air the kids have more fun. It is casual and they are more motivated.

With guitar lessons in the open air the kids have more fun. It is casual and they are more motivated.

With guitar lessons in the open air the kids have more fun. It is casual and they are more motivated.

With guitar lessons in the open air the kids have more fun. It is casual and they are more motivated.

I give you a rare peek into my "day job" as a guitar instructor. I'm such a lucky bastard.

Here delaney is listening to a recording we just completed. It was one live take, both guitar and voice recorded in the 3 story stairwell in my office building. She never saw me grab the camera, she was so engrossed in the music.

I was so thankful I could capture the moment.

Electric guitar display.

Fender The Strat. Special Edition built from 1980-1983 with Dan Armstrong as design consultant. 22K Gold-plated Brass hardware. Schaller Keys. Special X-1 High-Gain Bridge Pickup (6.0 to 8.5 ohms). Four additional pickup settings not available on standard Stratocaster:

Neck and Middle in Series-Humbucking

Middle and Bridge in Series-Humbucking

Neck and Bridge in Parallel

Neck and Bridge in Parallel with Middle in Series

Fernando Botero ‘Lección de guitarra', (Guitar Lesson), 1960, Museo Nacional de Colombia, Bogotá, Colombia