View allAll Photos Tagged Grounding
this wasp was sitting over en half houre on a stone, waiting it stop raining.
Ruine Schenkenberg, Switzerland
Electrical grounding or “Grounding” originally began as a safety measure used to help prevent people from accidentally coming in contact with electrical hazards. Since lightning has so many different ways to cause problems, you cannot buy one big black box to stop all lightning damage. Replace your 10 conventional grounding rods with one ultra-efficient Chem-Rod by Lightning Eliminators and Consultants Inc. Contact us for any queries: www.lightningprotection.com/grounding-earthing/chem-rod/
The cassava used for this specific production takes one year to reach harvest maturity. This is a very long period, and harvesting is particularly difficult during the dry season when the soil becomes very hard.
Processing steps include 1) harvesting; 2) the cassava is then transported to Abidjan for processing; 3) Peeling/cutting → done manually with a knife. There is no industrial process for this stage. Cassava peels are recovered and used as animal feed; they are also used to produce mushrooms, spices, etc.; 4) The cassava is divided into two portions: two-thirds and one-third. A ferment is added to the smaller portion.
Lastly, The cassava is then ground. The association now has an industrial grinder powered by diesel. Previously, a manual grater was used, which was very painful on the hands (extremely laborious and time-consuming work). The industrial grinder is polluting, however, and solutions are needed to reduce this impact.
The ground cassava is then left to ferment for 24 hours.
June 2026
Photo: UNDP/Marie Raison
LEC has developed a roof/shell Retractable Grounding Assembly (RGA) mechanism, which is better than the conventional type of bypass conductor. Protection from natural disaster can be highly mitigated or 99.7% eliminated by the proper implementation of a fuel tank lightning protection system along with grounding, and surge suppression products by LEC. If you are at the point of reconsidering your existing shunt system, why not contact us so we can discuss the next steps: www.lightningprotection.com/why-is-fuel-tank-lightning-pr...
Bathed in the harsh, golden light of late afternoon, a solitary figure lies motionless on a patch of dry urban grass, completely concealed beneath a heavy, faded yellow and red plaid blanket. Only a pair of worn, scuffed brown boots emerges from the folds of the fabric, pointing towards the viewer and grounding the scene in stark reality. In the immediate foreground, a single pigeon stands in sharp focus, its iridescent green and purple neck feathers glinting in the sun as it casually surveys the ground. The background features a low red-brick wall, beyond which the blurred, disembodied legs of pedestrians hurry past in the shadows. This shallow depth of field is employed masterfully to isolate the sleeping figure from the indifferent movement of the city behind them. High contrast lighting casts deep, heavy shadows across the grass, emphasizing the contours of the huddled form and the texture of the rough blanket. The composition highlights a poignant juxtaposition between the static, hidden vulnerability of the unhoused individual and the ceaseless, ordinary activity of the surrounding environment. In urban centers of Argentina, scenes like this offer a stark commentary on economic disparity and the invisible struggles occurring daily in public spaces. The warm color palette, dominated by earthy browns, muted yellows, and the vibrant red of the brick, adds a melancholic warmth to the documentary capture. The presence of the pigeon further amplifies the sense of marginalization, sharing the same ground level as the resting figure while the rest of society walks by above. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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Bañada por la dura y dorada luz de las últimas horas de la tarde, una figura solitaria yace inmóvil sobre un trozo de césped urbano seco, completamente oculta bajo una pesada y desteñida manta a cuadros amarillos y rojos. Solo un par de botas marrones gastadas y rozadas asoma entre los pliegues de la tela, apuntando hacia el espectador y anclando la escena en una cruda realidad. En el primer plano inmediato, una sola paloma aparece nítidamente enfocada, con las plumas iridiscentes verdes y púrpuras de su cuello brillando al sol mientras observa casualmente el suelo. El fondo presenta un muro bajo de ladrillo rojo, más allá del cual las piernas borrosas y sin cuerpo de los peatones pasan apresuradamente entre las sombras. Esta escasa profundidad de campo se emplea magistralmente para aislar a la figura que duerme del movimiento indiferente de la ciudad que tiene detrás. La iluminación de alto contraste proyecta sombras profundas y pesadas sobre el césped, enfatizando los contornos de la forma encorvada y la textura de la áspera manta. La composición resalta una conmovedora yuxtaposición entre la vulnerabilidad estática y oculta del individuo sin hogar y la incesante y ordinaria actividad del entorno que lo rodea. En los centros urbanos de Argentina, escenas como esta ofrecen un duro comentario sobre la disparidad económica y las luchas invisibles que ocurren diariamente en los espacios públicos. La cálida paleta de colores, dominada por marrones terrosos, amarillos apagados y el rojo vibrante del ladrillo, añade una calidez melancólica a la captura documental. La presencia de la paloma amplifica aún más la sensación de marginación, compartiendo el mismo nivel del suelo que la figura que descansa mientras el resto de la sociedad camina por encima. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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To live an abundant life, one must be grounded to the blessings of the Earth. The intention of this Energy Muse piece is to reconnect with the vibrations of the Earth.
Grounding Rods are a foundational technique for Lightning Protection. The main objective of grounding is to provide a straight, low resistive path for very high currents to enter the earth and be absorbed without harming equipment or people. LEC is engineers and products can solve your most complex challenges in grounding, surge suppression and lightning protection. Contact an LEC expert today - www.lightningprotection.com/grounding-earthing/
Looking straight down at the forest floor in La Cumbrecita, a dense, chaotic network of exposed tree roots snakes across the damp earth. Audrey Bergner's feet, clad in light pink and grey strappy sandals, plant firmly amidst the textured, woody labyrinth. The rich, dark soil is dappled with vibrant patches of emerald green moss and scattered pine needles, hinting at the moisture retained within this pedestrian alpine village's protective canopy. The top-down perspective flattens the scene into an almost abstract composition, emphasizing the organic lines and intricate patterns of the roots rather than the horizon. Diffused, soft lighting washes over the scene, eliminating harsh shadows and allowing the subtle textural contrasts between the smooth, worn bark of the roots and the delicate, spongy moss to emerge clearly. A relatively wide depth of field ensures that the labyrinthine root structure remains in sharp focus across the entire frame, drawing the viewer's eye through the natural web. This intimate view captures the rugged, nature-forward essence of La Cumbrecita, a unique pedestrian-only settlement in the Sierras de Córdoba of Argentina. Visitors must leave their vehicles behind, forcing a slower, more deliberate connection with the environment, perfectly embodied by this grounded stance. The intertwining roots serve as a visual metaphor for the village's deep integration with its surrounding alpine forest ecosystem, where every step taken is a direct physical engagement with the earth. The casual attire of denim shorts and durable walking sandals reflects the active, exploratory spirit required to navigate the unpaved, undulating trails of this eco-conscious destination. Here, the journey is felt beneath the soles of the feet, grounding the traveler in the raw, tactile beauty of the Argentine wilderness. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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Mirando directamente hacia abajo al suelo del bosque en La Cumbrecita, una densa y caótica red de raíces de árboles expuestas serpentea a través de la tierra húmeda. Los pies de Audrey Bergner, calzados con sandalias de tiras de color rosa claro y gris, se asientan firmemente en medio del laberinto boscoso y texturizado. El suelo rico y oscuro está salpicado de manchas vibrantes de musgo verde esmeralda y agujas de pino esparcidas, insinuando la humedad retenida dentro del dosel protector de este pueblo alpino peatonal. La perspectiva de arriba hacia abajo aplana la escena en una composición casi abstracta, enfatizando las líneas orgánicas y los intrincados patrones de las raíces en lugar del horizonte. Una iluminación suave y difusa baña la escena, eliminando las sombras duras y permitiendo que surjan claramente los sutiles contrastes de textura entre la corteza suave y desgastada de las raíces y el musgo delicado y esponjoso. Una profundidad de campo relativamente amplia asegura que la estructura laberíntica de las raíces permanezca enfocada nítidamente en todo el encuadre, atrayendo el ojo del espectador a través de la red natural. Esta vista íntima captura la esencia accidentada y orientada a la naturaleza de La Cumbrecita, un asentamiento peatonal único en las Sierras de Córdoba en Argentina. Los visitantes deben dejar atrás sus vehículos, forzando una conexión más lenta y deliberada con el entorno, perfectamente encarnada por esta postura conectada a la tierra. Las raíces entrelazadas sirven como una metáfora visual de la profunda integración del pueblo con su ecosistema de bosque alpino circundante, donde cada paso dado es un compromiso físico directo con la tierra. El atuendo informal de pantalones cortos de mezclilla y sandalias para caminar duraderas refleja el espíritu activo y exploratorio requerido para navegar por los senderos sin pavimentar y ondulados de este destino ecoconsciente. Aquí, el viaje se siente bajo las plantas de los pies, conectando al viajero con la belleza cruda y táctil de la naturaleza salvaje argentina. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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Wind turbines provide us with renewable energy that relies on nature, rather than fossil fuels, to reap the benefits. Yet, due to the height of the structures and location, wind turbines can attract lightning that result in fires, downtime and damaged electronics. A grounding system is one of the most important components required for appropriate LPSs in wind turbines. Ready to protect your wind turbine from the dangers of lightning strikes! For any further questions or queries, Contact us for more details: www.lightningprotection.com/products/
BODEGA BAY - Coast Guard response crews attach an anchor to the grounded fishing vessel Advance after it collided with channel marker 13, Thursday, June 30, 2011. A Coast Guard rescue crew arrived on scene quickly and the two crewmembers aboard the Advance were unharmed as a result of the grounding. U.S. Coast Guard photo by Petty Officer 2nd Class Pamela J. Boehland.