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A Canada Steamship Lines laker passes outside of the 500 yard security zone surrounding the vessel Roger Blough which ran aground late last week in lower Lake Superior.
This project is a stereo amplifier constructed with LM1875 amplifier chips an all other parts from Radio Shack and the hardware store plumbing aisle.
The wiring side of the circuit board. All wiring is point-to-point with star grounding.
After grounding the offside engine door had popped loose. We had radio comms with Marty and the safest place to stop was the on-slip to the M1. Stopped and closed the engine door and to prevent it coming loose again Marty installed a ratchet strap around the rear of the engine bay. With that we were off and motoring
A favourite ring...
"Smokey Quartz is a grounding stone that transmutes negative energies and facilitates your ability to get things done in the practical world. It enhances organizational skills and is good to have around in the workplace or home office. Smokey Quartz is also connected with the sounds of the universe. It makes you more aware of sounds including telepathic sounds. Smokey Quartz helps relieve depression."
Hematite,grounding,Bone,aids with relationships, shell,can protect against un-cooperative attitudes and actions,turquoise,protection,aids in healing...email for price
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WAPA crews place grounds on the conductor of the St. Thomas transmission line between East End and Donald Francois substations, Oct. 29. (Photo by Will Schnyer)
At the time of the grounding of the 737 Max on 11 March 2019, Southwest's fleet was scattered all over the United States; they've been gradually gathered up at Victorville, creating a strange spectacle.
Official No. 127260, 82 ton. Built of wood at Rochester in 1913 by Little.
GLENWAY was built in 1913 by James Little of Rochester for the coasting trade, and worked with a 2,000 strong fleet of barges to ferry cargoes from the East Coast into the port of London. Sailing unscathed through the minefields and dangers of World War One, GLENWAY survived the economic depression of the 1930s and a grounding ashore off North Norfolk. She was then requisitioned as a supply ship and left abandoned on the beaches of Dunkirk during the 1940 evacuation. 213 soldiers from the 27th Field Regiment, Royal Artillery, managed to get onboard and, after a desperate attempt to re-float her, they sailed home. However, 1951 saw her washed ashore off Great Yarmouth during a storm and, by the late 1950s, she had retired from the trade to become a houseboat. In the 1970s, she was re-rigged, but was later left to rot at the end of Maldon promenade. Sold into safer hands, GLENWAY underwent a restoration during which approximately ninety per cent of her was re-built.
She briefly became a Maritime Heritage Centre, owned by Topsail Charters, before being sold to David Fennel in 2007. She is now moored at Maylandsea, Essex requiring extensive restoration.
Details from : thamesbarge.org.uk/
"Amaryllis belladonna was introduced into cultivation at the beginning of the eighteenth century. It reproduces slowly by either bulb division or seeds and has gradually naturalized from plantings in urban and suburban areas throughout the lower elevations and coastal areas in much of the West Coast of the US since these environments mimic their native South African habitat. Hardiness zones 6–8. It is also naturalized in Australia."
"There is an Amaryllis belladonna hybrid which was bred in the 1800s in Australia. No one knows the exact species it was crossed with to produce color variations of white, cream, peach, magenta and nearly red hues. The hybrids were crossed back onto the original Amaryllis belladonna and with each other to produce naturally seed-bearing crosses that come in a very wide range of flower sizes, shapes, stem heights and intensities of pink. Pure white varieties with bright green stems were bred as well. The hybrids are quite distinct in that the many shades of pink also have stripes, veining, darkened edges, white centers and light-yellow centers, also setting them apart from the original light pink. In addition, the hybrids often produce flowers in a fuller circle rather than the "side-facing" habit of the "old-fashioned" pink. The hybrids are able to adapt to year-round watering and fertilization but can also tolerate completely dry summer conditions if need be."
"A. belladonna has gained the Royal Horticultural Society's Award of Garden Merit. (Wikipedia)
Red Amarillis Flower, the Meaning, Symbolism, & Spiritual Significance. (Written by Foliage Friend)
"Some of the content shared in this post is derived from myth, folklore, ancient traditions & legends. The information here should not be considered life or medical advice. Do not consume, expose animals or handle any flowers or plants based on the content of this post."
“The red amaryllis flower is a stunningly beautiful flower that has a rich and complex symbolism and spiritual significance. In this article, we will dive deep into the spiritual meaning of these flowers, their symbolism in literature and art, what they represent in dreams, and the legends, folklore, and mythology associated with them. We will also explore how seeing red amaryllis flowers can impact you spiritually, what they mean in numerology and astrology, and whether they are considered lucky.”
“The red amaryllis flower holds a powerful spiritual meaning. It is associated with love, passion, and creativity. The deep red color of these flowers symbolizes the intensity of emotions and the fire of the spirit. They are also a potent symbol of transformation, growth, and renewal, and are often used in spiritual rituals and ceremonies to invoke these energies.”
“In addition to their spiritual symbolism, red amaryllis flowers have a rich cultural history. In Greek mythology, the amaryllis flower was said to have sprung from the blood of a love-struck shepherd who pierced his heart with an arrow. This legend has contributed to the flower’s association with love and passion.”
“Red amaryllis flowers are also popular in the world of gardening and horticulture. They are known for their striking beauty and are often used in floral arrangements and as decorative plants. In fact, the amaryllis is one of the most popular flowers grown indoors during the winter months, as it can bloom for several weeks and add a touch of color to any space.”
“In literature and art, red amaryllis flowers are often used to symbolize beauty, strength, and elegance. They are a common motif in poetry, where they are used to evoke powerful emotions and a sense of longing. In paintings, they are often depicted as a dramatic and breathtaking centerpiece, symbolizing the radiance and beauty of nature.”
“According to Greek mythology, the amaryllis flower is said to have originated from a love story between a shepherd and a nymph. The shepherd, named Amaryllis, was deeply in love with the nymph, but she did not return his affections. In an attempt to win her over, he pierced his heart with a golden arrow and then walked to her doorstep every day for a month, leaving a trail of blood behind him. On the thirtieth day, a beautiful red flower bloomed where his blood had fallen, and he presented it to the nymph as a symbol of his undying love. Thus, the red amaryllis flower also represents passionate love and devotion.”
“When you dream of red amaryllis flowers, they may represent your deepest desires and passions. They are also a symbol of transformation, growth, and creative energy. Seeing these flowers in your dreams may be a sign that you are ready to embark on a new journey or pursue a new project or passion.”
“Furthermore, red amaryllis flowers are often associated with love and romance. If you dream of these flowers, it may be a sign that you are ready to open your heart to new possibilities in your love life. Alternatively, it could also mean that you are experiencing a deep connection with someone special in your life.”
“These flowers have a long and rich history in legends, folklore, and mythology. In Greek mythology, the amaryllis flower is said to have sprung from the blood of Adonis, the lover of Aphrodite. In Christian tradition, these flowers symbolize the strength and beauty of the Virgin Mary. In Celtic mythology, the amaryllis flower represents the fiery energy of the sun.”
“In addition to these myths and legends, red amaryllis flowers have also been associated with love and passion. In Victorian times, giving someone a red amaryllis was seen as a declaration of love. The flower’s bold and striking appearance was thought to represent the intensity of the giver’s feelings.”
“Red amaryllis flowers are also known for their medicinal properties. In traditional Chinese medicine, the bulbs of the amaryllis plant are used to treat respiratory problems, such as coughs and bronchitis. The plant is also believed to have anti-inflammatory and anti-tumor properties.”
“Seeing red amaryllis flowers can have a powerful impact on you spiritually. They are a potent symbol of love, passion, and creative energy and can help you connect with these energies on a deep level. They can also help you tap into your own inner strength and beauty, helping you to grow and transform on a spiritual level.”
“Red amaryllis flowers are also associated with the root chakra, which is located at the base of the spine and represents our foundation and sense of security. By meditating on or simply admiring these flowers, you can activate and balance your root chakra, promoting feelings of stability and grounding. This can be especially beneficial during times of stress or uncertainty.”
“In numerology, red amaryllis flowers are associated with the number 6. This number is considered to be a symbol of harmony, balance, and energy. It represents the creative energy of the universe and the power of manifestation. It is also associated with the heart chakra, which is the center of love and compassion.”
“The number 6 is also believed to bring a sense of stability and responsibility. It is often associated with family, home, and community. Red amaryllis flowers can be used to enhance these aspects of life and bring a sense of grounding and connection to those around you.”
“Additionally, the color red is often associated with passion and desire, making red amaryllis flowers a great gift for a romantic partner or to enhance feelings of love and intimacy in a relationship.”
“In astrology, red amaryllis flowers are associated with the sign of Aries. This sign is known for its fiery and passionate energy, and its ability to bring about change and transformation. The red amaryllis flower is a symbol of these qualities and can help you connect with the powerful energies of this sign.”
“They are often used in love spells, rituals and are believed to enhance passion and desire or can be used to attract a new lover or strengthen an existing relationship.”
“In some cultures, red amaryllis flowers are also associated with Christmas and the holiday season. They are often used in festive decorations and symbolize love, beauty, and prosperity.”
“Yes, in many cultures, the red amaryllis flower is considered to be a lucky flower. It is said to bring good luck and prosperity and is often used in rituals and ceremonies to invite these energies into one’s life. It is also a popular gift during the holiday season, as it symbolizes love, warmth, and friendship.”
“Aside from its lucky connotations, the red amaryllis flower is also known for its medicinal properties. It contains a compound called lycorine, which has been found to have anti-cancer and anti-inflammatory effects. Additionally, the flower has been used in traditional medicine to treat respiratory illnesses and skin conditions.”
“In conclusion, the red amaryllis flower holds a rich and complex symbolism and spiritual significance. These flowers represent love, passion, creativity, transformation, growth, and renewal. They are a powerful symbol of connection to the universe and can help you tap into your own inner strength and beauty. Whether you see them in your dreams, in literature and art, or in nature, the red amaryllis flower is a potent reminder of the power of the spirit.”
On the second day after the grounding a crew works to try to recover the Jamie K. but by nightfall they had had no success.
On the evening of Monday, July 20th, 2015, this 65 foot shrimp boat out of Charleston in Coos County, Oregon, hit some rocks while maneuvering through a hazardous area called the "Little Hole" to reach a good fishing area. A U.S. Coast Guard rescue swimmer was able to get all four crew members safely to shore during the night one at a time. Recovering the boat is proving to be a challenging task.
Binishell: A dome of either 18 or 36m (59 or 118 feet) diameter erected by inflating a plastic 'balloon'. The Pittwater High School Binishell dome in northern Sydney collapsed on 4 August 1986, probably because of lightning. According to Dr Bini, 1500 such shells had been erected by 1986 without trouble. The collapse may have been caused by lack of grounding and electrical continuity in the reinforcement. Each dome is reinforced and concreted before inflation lifts the plastic balloon carrying 300 tons of wet concrete and steel to create a roof varying in thickness from 40 mm (1.5 in.) to 110 mm (4.5 in.). Any doors or windows are cut through the hardened concrete."
Lightning is that what they are saying the inside word is that..vistation a socual chapter BCIS "recreational"
I know I KNow....taking of vusiness everyday..you're a disgrace muriel
Giacomo Matteotti verbal attacks on Mussolini lead to his murder. Matteotti was one of the brave people in Italy who dared to speak out against Mussolini. Matteotti was a socialist (he was head of the Italian Socialist Party) and therefore shared none of the views of the post-March on Rome Mussolini. Matteotti was not afraid to speak his mind – but this bravery was to cost him his life.
Breaking my back just to know your name
Seventeen tracks and I've had it with this game
I'm breaking my back just to know your name
But heaven ain't close in a place like this
Anything goes but don't blink you might miss
Cause heaven ain't close in a place like this
I said heaven ain't close in a place like this
Bring it back down, bring it back down tonight
Never thought I'd let a rumor ruin my moonlight
Well somebody told me
You had a boyfriend
Who looked like a girlfriend
That I had in February of last year
It's not confidential
I've got potential
Ready? Let's roll onto something new
Taking its toll and I'm leaving without you
I'm ready, let's roll onto something new
'Cause heaven ain't close in a place like this
I said heaven ain't close in a place like this
Bring it back down, bring it back down tonight
Never thought I'd let a rumor ruin my moonlight
Well somebody told me
You had a boyfriend
Who looked like a girlfriend
That I had in February of last year
It's not confidential
I've got potential
A rushin', a rushin' around
Pace yourself for me
I said maybe baby please
But I just don't know now
When all I wanna do is try
[x3]
Somebody told me
You had a boyfriend
Who looked like a girlfriend
That I had in February of last year
It's not confidential
I've got potential
A rushin', a rushin' around
a crazed bit butter buzz.....the pan worked last time
Italy wants peace and quiet, work and calm. I will give these things with love if possible and with force if necessary. (Jan 1925)
This was sufficient to win back the support of the MVSN and it was the start of Mussolini's drive to dictatorship
Matteo Matteotti I wantta buy somewhere in tuscany
6 were chrge three were convucted and left off with light sentence to the bictor foes the spoiked..his-TORY!
social chap' The Treaty of Maastricht (formally, the Treaty on European Union, (TEU)) was signed on 7 February 1992 by the members of the European Community in Maastricht, Netherlands
and radio netherlands has a big special on ICE..a fuy who holds the world record on bathing in ice...he's life's quest...and some guy from mar-rishus..that tropical island whi scuptures ice the onle black man who does it a world best practise lebel..and a giy who plays ice musically..100 year old ice from antartica NO Good bit that ICE
Drop and run.....
Birmingham, April 2019, operating for Smartwings due to the grounding of their 737-8 MAX fleet, in hybrid retro Eastern Airlines livery, my photo
This photo is copyright protected and may not be used in any way without proper permission and is scanned for copies across the web
Trevelin, Chubut: Audrey Bergner stands beside a whimsically painted, vintage Citroën 2CV, its geometric patterns echoing the vibrant spirit of this historic Welsh settlement. The composition captures the soft, diffused light of a Patagonian afternoon, highlighting the contrast between the vehicle's artisanal exterior and the rugged, sun-bleached grasses of the valley floor. In the background, the dramatic silhouette of snow-dusted Andean peaks pierces the cloud-laden sky, grounding the scene in the region's formidable geography. The depth of field remains crisp throughout, ensuring that both the intricate details of the car’s hand-painted art and the distant mountain range command equal attention. This fusion of automotive history and artistic expression reflects the unique cultural tapestry of Trevelin, where old-world Welsh heritage meets the creative impulses of modern residents. Every element, from the textured perimeter fencing to the muted natural tones of the landscape, invites the viewer to appreciate the intersection of human ingenuity and wild, open terrain. This visual encounter serves as a testament to the importance of documenting the living history and evolving aesthetic identity found in remote corners of the Southern Hemisphere. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
---
Trevelin, Chubut: Audrey Bergner se encuentra junto a un Citroën 2CV clásico pintado de forma caprichosa, cuyos patrones geométricos se hacen eco del espíritu vibrante de este histórico asentamiento galés. La composición captura la luz suave y difusa de una tarde patagónica, destacando el contraste entre el exterior artesanal del vehículo y las hierbas rugosas y blanqueadas por el sol del suelo del valle. Al fondo, la silueta dramática de los picos andinos cubiertos de nieve atraviesa el cielo nublado, situando la escena en la formidable geografía de la región. La profundidad de campo se mantiene nítida en todo momento, asegurando que tanto los detalles intrincados del arte pintado a mano en el coche como la lejana cordillera capten la misma atención. Esta fusión de historia automotriz y expresión artística refleja el tapiz cultural único de Trevelin, donde la herencia galesa del viejo mundo se encuentra con los impulsos creativos de los residentes modernos. Cada elemento, desde el vallado perimetral texturizado hasta los tonos naturales apagados del paisaje, invita al espectador a apreciar la intersección entre el ingenio humano y el terreno salvaje y abierto. Este encuentro visual sirve como testimonio de la importancia de documentar la historia viva y la identidad estética en evolución que se encuentra en los rincones remotos del hemisferio sur. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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The switch/aluminum cup unit, and the knob came from Boulder Bicycles. It's a prototype unit that uses a rotary switch epoxied into the aluminum cup that is machined to fit correctly into a 1" steerer tube.
Panels feature integrated grounding via
resilient Quick-Ground™ tabs automatically
engaged during Z-MAX outlet
insertion.
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The cars grounding out and sparking at Eau Rouge makes for an interesting long exposure, and creates a very special atmosphere
The 50 years since the grounding of the tanker Torrey Canyon in 1967 have seen dramatic and sustained reduction in major oil spills from ships, thanks to cooperation between Governments and industry.
The story of how that incident served as a catalyst for positive change is told in a new exhibition which was launched on Monday (16 January) at the headquarters of the International Maritime Organization (IMO), the United Nations agency with responsibility for the safety and security of international shipping and the prevention of pollution from ships.
Coaxial cable from the frame splits off, uses the fender attachment as a ground. The other wire goes through a hole in the fender, hides along the fender hem, then pops out near the light.
2022 Superstudio Exhibit-- Grounding the Green New Deal: A Summit on Design, Policy, and Advocacy | Credit: Allison Shelley / Landscape Architecture Foundation
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On the second day after the grounding a crew works to try to recover the Jamie K. but by nightfall they had had no success.
On the evening of Monday, July 20th, 2015, this 65 foot shrimp boat out of Charleston in Coos County, Oregon, hit some rocks while maneuvering through a hazardous area called the "Little Hole" to reach a good fishing area. A U.S. Coast Guard rescue swimmer was able to get all four crew members safely to shore during the night one at a time. Recovering the boat is proving to be a challenging task.
Unsolder the grounding tab located within the red square.
Remove the 7 circled screws.
Note:
I didn't unsolder mine (I just popped the plate off with relative ease), but if you have a soldering gun around, you should unsolder the pad.
A few days ago we published an Arbroath Herald picture of a ship aground at Lunan Bay in 1986. A regular visitor to this site has sent a picture that he took, along with some information. He was commuting between Arbroath and Montrose when he spotted the stranded ship, and says, "The name of the vessel looks like Biscaya Star." Can anyone add even more?
My local beach area at " Red Wharf Bay " Excellent DX Vertical location for HF
73, de 2W0DAA / GW4JKR
Cradle the Evening
2013
paper, thread
33.5" x 18
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As introduction, let me offer words from the essay, “Better Speak,” by Hank Willis Thomas:
… I encountered Audre Lorde’s “Litany for Survival.” The last few lines are emblazoned on my soul:
and when we speak we are afraid
our words will not be heard
nor welcomed
but when we are silent
we are still afraid
So it is better to speak
remembering
we were never meant to survive.
“Better to speak!” echoes in my mind whenever I feel like shriveling up and hiding in the corner rather than being exposed or critiqued. There is sheer audacity required to write words for a broader audience, even more to get up and read those words aloud. I feel the same is true for contemporary visual artists. To speak is almost to say “I know,” but in most cases artists are speaking about things they don’t know, or are still in the process of knowing. I feel like poetry is at its best when it speaks to the process of knowing, dangling on your heart right before it gets to your mind.
There is sheer audacity required to put one’s work—words or marks—out for view and review. What the artist makes reveals that very process of unearthing some glimmer of knowledge or understanding. Sometimes that view appears sublime. Other times it reveals a raw wound.
Rooted and Unmoored presents a range of views in the consideration of place. The process began during a residency at
Sitka Center for Art & Ecology, near Otis on the Oregon Coast. While there I immersed myself in that physical place, a landscape
not dissimilar to Grays Harbor, which is the place that I call home. For six weeks I found myself uprooted yet grounded, and shaped ideas that reflected the view around me—from the cathedral of spruce forest to the dappled greens of an alder grove to the infinite shades of blue and gray reflected by river and ocean.
After returning home I continued to look with fresh eyes, in order to translate the familiar into visual language. A favorite walk takes me to the confluence of the Hoquiam River and the Chehalis, and turning west reveals the Harbor’s wide mouth, attuned to the sky. This horizon line, and the space above and below, with its shapes, colors, and textures, provides ample inspiration.
For me, looking outward required the balance of looking within, to reflect upon one’s internal “place.” This process mined memories, observations, and imaginings that I’d been recording in written form over the years. It also took into consideration the deep influence that reading holds over me. The Box Poem series develops such narratives.
While I still shy away from the sheer audacity required to speak, I remain compelled to do so. I hope that these works will—
like well-crafted poems—dangle upon your heart, and linger on your mind.
C. Larson
September, 2013
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artist statement
In my art-making as a whole—even in its most abstracted forms—a sense of place is often at the root of the work. Perhaps a particular piece evokes the natural beauty of the physical landscape. Perhaps it reflects on the emotional landscape of literature. Or it may speak to a mental place, a state of mind.
I look for form to follow concept. I strive to shape a meaningful experience for the viewer. And my love for the written word means that the textual elements in my work are not secondary. I am drawn to processes and materials that invite touch, that celebrate the tactile qualities that encourage us to connect with one another. This seems a lovely counterweight to our rushed, mass-produced, twittering world.
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artist biography
Carrie L. Larson, born in Bellingham, Washington, moved throughout the Northwest during her childhood, until settling in Aberdeen with her family. There she graduated from JM Weatherwax High School, then moved to Walla Walla, earning a Bachelor of Arts degree in 1993 from Whitman College, where she was privileged to study art under Keiko Hara.
Since then she has practiced her calling—most recently in a chaotic home studio—sending her artwork out to juried shows throughout the region, including venues as far away as Chicago and Denver. One of her artist’s books, Red, Revisited, was included in Lark Crafts recent publication, 500 Handmade Books, Volume 2, juried by Julie Chen.
Carrie, along with husband John, currently calls Hoquiam home. There she is quietly active in her community, does freelance work as a color consultant and occasional floral designer, and operates a 5x8 Craftsmen letterpress under the concinnity press imprint. She is also responsible for a well-worn library card and a garden filled mostly with weeds and good intentions.
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I am deeply indebted to so many who have supported my path—
To list everyone by name might require several volumes.
For now, let me offer deep gratitude to a handful:
to the college library crew, particularly Valerie, Sarah & Stan;
to Miss Swartz, 3rd grade teacher at Selah Elementary in 1979,
who set the foundation;
to my mentor, Keiko Hara, who challenged her students
while modeling artistic discipline and dedication;
to Ron Westman, gentle critic and epic storyteller;
to Paul Hunter, for graciously allowing me to borrow
his beautiful words for my own ends;
to Artist Trust for resources, and the skills that led to courage;
to the folks of Sitka Center, whose generosity renewed my spirit;
and to those grounding me at home—
my rock, John, and the gray cats, who like to investigate
works in progress.
Thank you.
Coast Guard and State of Alaska personnel continue to monitor response efforts to remove pollution threats and fish cargo from the 65-foot fishing tender Fate Hunter, grounded near Shoup Bay, four miles west of Valdez, Alaska, Aug. 16, 2013. As of Aug. 15, 2013, approximately 320 gallons of diesel, 40 gallons of hydraulic oil, and 342 gallons of fuel and water mixture have been recovered from the vessel by Alaska Chadux and Global Diving & Salvage. U.S. Coast Guard photo by MSU Valdez
During the aircraft grounding cause of valcano ash in the air, I mentioned the beautiful clear sky. No contrails where in the sky.
Wires to a single ground point on chassis. 3 diodes output protection to a 3-line TTL level RS232. yet another ground point on the chassis can be seen on the locked screw. While the whole unit float electrically, the RS232 ground is part of the 3710a system ground. The RS232 jack shroud is chassis grounded and not connected to system ground. The included RS232 to USB converter adds the final electrical isolation and should always be used. The issue is if a fault occurs on the interfaced devices, e.g. a PC, a fault can be transmitted to the 3710a or vice versa. However, practically speaking, it would stopped by the USB converter. This interface cannot be used directly on PCs since its TTL output. For direct serial connections without the USB converter, a separate optically isolated RS232 adapter, many with voltage level conversions, can be purchased from many vendors, as its a common problem in industrial equipment.