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My Name is Bart Ros and I am a Landscape Photographer. Originally I started out as a Multimedia Engineer, but after years of working with digital media I also ventured into Photography and recently also Timelapse and video work. From A young age I have always been busy with drawing, painting and the dismantling of Radio's, TV and old Camera's. These technical and also design interests have led me to my current profession in which I try to combine the development of Websites, Graphical design, Digital Marketing a as well as my passion for Photography. Photography allows me to capture the world as I see it. shared with pixbuf.com
The term “B-roll” comes from the world of film where editors used to use an “A” and a “B” roll of footage, before the digital age changed everything. It is alternative footage intercut with the main shot. B-roll shots are similar to cutaways in that they help break up the static interview shots.
It can make telling a story much easier and compelling with added footage. As a general rule B-Roll can include animation, graphical elements, photographs and extra footage.
Wiki sheds some more light on the term and it's usage.
"The term B-roll originates from a particular solution to the problem of visible splices in the narrow film stock used in 16 mm film. 35 mm film was wide enough to hide splices, but 16 mm film revealed the splices as flaws in the picture.
Until the mid-1970s, teams shot both main A-roll and secondary B-roll footage on 16 mm film. Sound was integrated onto the film by way of a magnetic stripe at the edge of the film. The A-roll and B-roll scenes, shot at 24 frames per second, were converted to the television frame rate of 30 fps using a telecine system consisting of two film projectors, one showing the main A-roll footage and the other showing the B-roll. The sound from the A-roll footage was used, or sound from narration or voiceover, while images without sound from the B-roll were intercut as desired.
In the 1980s, the term B-roll was adopted for linear video editing using at least two video tape machines. Traditionally, the tape decks in an edit suite were labeled by letter, with the 'A' deck being the one containing the main tape upon which the main action material was shot. The 'B' deck was used to run tapes that held additional footage such as establishing shots, cutaway shots, and any other supporting footage. The sound was usually taken from the A deck alone, so that the B deck provided video without sound. As linear editing systems were unable to dissolve between clips on the same tape, an edit decision list (EDL) was used to mark clips as "A-roll" and "B-roll" to indicate source machines."
#Donnerstagsmonochrom
You don't see images processed in monochrome on my Flickr stream all too often. But here I thought it looked best. The thingy you see here is a playground carousel, photographed at the Britzer Garten. I'd seized the short moment when the carousel was not in use ;) Since the carousel's benches were painted in vivid red, I'd toyed with the idea to go for a colour-key-style processing at first, but in the end I liked the pure b&w look better, because the benches didn't really make sense to me as that special element that should be highlighted with the use of colour.
Converted to monochrome in Silver Efex where I used the preset "Film Noir 2" as starting point. I've still tweaked it here or there, because that filter creates a very contrasty, kind of harsh "silhouette" look with really deep blacks and almost completely blown-out whites, and I thought it looked nicer with more textures left in the image.
Viele Bilder in kräftigem, kontrastreichem Schwarzweiß gibt es in meinem Flickr-Stream nicht, aber hier sah SW einfach am besten aus. Ich hatte noch überlegt, etwas Farbe im Bild zu belassen, weil die geschwungenen Holzbänke dieses interaktiven Spielgeräts in leuchtendem Rot lackiert waren, aber in reinem SW wirkte das Bild doch am besten. Entwickelt in Silver Efex, wo ich das Preset "Film Noir 2" als Ausgangspunkt genommen und dann noch ein wenig angepasst habe, weil mir der doch sehr spezielle, Silhouetten-artige Look dieses Filters (mit tiefen Schwarztönen und fast völlig ausgefressenem Weiß) ein wenig zu extrem war.
Bei dieser Parkmöblierung handelt es sich um ein sogenanntes Sitzkarussell (sitzt man bei einem Karussell nicht eigentlich immer auf irgendetwas? Auf Holzpferdchen, Polizeimotorrädern, einem an langen Ketten befestigten Stuhl?); wenn man, am besten mit vereinten Kräften, an dem glänzenden Tisch-Rad-Dings in der Mitte dreht, fängt auch das Karussel an, sich zu drehen. Kürzlich fotografiert im Britzer Garten in dem kurzen Moment, als das Gerät mal nicht von Kindern umlagert war ;)
On the website
you find a new blog article
about this series of pictures
"RICOH GR III - Strong Contrast Black and White Pictures - Wellington at Dusk"
www.chris-r-photography.net/blog/2021/12/25/4ioq4q5zq8yqy...
--- This is a digital graphical creation"
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---- You can learn to prevent a storm, or you can learn to ride the storm. If you learn to ride the storm, the storm is not a problem anymore..
PS. If you don't love the ocean she never will get along with you!. --Steve Duman
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