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Classic example of a New Graphic Design layout using only two colors, (a two color run for a printing press is much cheaper than full color) but was an exciting visual utilizing space, tension, asymmetrical layout, san serif letterform and photography.
These are designs based on Japanese family crests from the somewhat insufficiently titled, Handbook of Designs and Motifs (published: 1950). The book is presented as "an invaluable idea and reference handbook for artists, designers, craftsmen and hobbyists in all fields." There are close to 7000 crests in the book and almost all of them are brilliant in one way or another. According to the book, many of the designs started as family crests in the Heian Period (794-1185), but over time they lost their function as family symbols and became decorative motifs.
Joseph Binder, poster for the Quality League Settlement in Vienna 1932. He was asked which one of his designs was his favorite and his reply was "the design that I have just taken off the drawing board is always my favorite".
See Full Post: Pop in for creative photos of Photo Manipulation Bustlin
For More Information visit : Dezart Inspire | Graphic Design
Concepts for JAQK Cellars wine packaging designed by Hatch. See the rest of packaging & interview at grainedit.com
images c2009 grainedit & Hatch
Copyright:- Ladybird Books
Series 621. Dating from the early-60s, but keenly read by me around 1974 (40 years ago - gasp!)
Dubious (mis)use of batteries (taking them apart, etc) - but 'Pepper's Ghost' from 'Light, Mirrors & Lenses' a particular memory.
i had a blast designing the brand identity for 101 south, an up and coming band from santa barbara, california. this is one of the brand identity concepts.
Project: Corporate identity for Armatta (school project)
Concept: Step two in an ongoing branding project for an independant montreal based contemporary art/urban/trendy art gallery. The logo works as a system that can shift and be reconstructed for countless forms of application. An ever changing identity shifts and evolves to accomodate to the ever-changing art-scene. The shapes themselves are composed of the logotype's letterforms.
Application will always involve a unity between the logo's application in it's simplicity, as well as it's pattern-based execution. This unity reflects the idea of a gallery, as well as the concept of art itself.