The 1964 issue has a very interesting article on map design.

Logo for Planned Parenthood of Toronto. Designer Richard Janis. From Graphis Annual 73/74. (Canada). Blogged at Aqua-Velvet.

designs by incentiveimc.com

Once again, Piet Swart, one of the great pioneer graphic designers from the De Stijl movement 1932.

random print (A2)

www.perttumurto.com

W. Fehlmann sports poster 1975.

The international design style has become global. No longer are there flying horses, dinosaurs or other odd symbols representing oil companies.

Page 3 of a brochure for broadcasting station Scheveningen, 1928. It looks as if the designer Piet Zwart used the photogram technic for this beautiful layout.

Electronic computer. "The principle of yes-no information is easy, but the immense rapidity with which contacts are established passes human understanding. The graphic design makes this attempt to this rapidity. At the same time, the conception of time in flux and of time subdivided are contrasted". From Gebrauchsgraphik No. 10, 1961. Blogged at Aqua-Velvet.

An early example of a New Graphic Design layout using only two colors, (a two color run for a printing press is much cheaper than full color) but was an exciting visual utilizing space, tension, asymmetrical layout, san serif letterform and photography.

This brochure was designed to mark the completion of the AIM project, The Uganda AIDS/HIV Integrated Model District Program (AIM) which was funded by the U.S. Agency for International Development. www.jsi.com/JSIInternet/FeatureStories/AIM/index.cfm

An idea for packaging. This is what you may be seeing when buying kitty egg crayons in stores. Thoughts?

I'll have to look up the designer of this very interesting sign.

Schierle Grafisches sports event poster 1977.

emoi

Erscheinungsbild für ein Kulterfestival in Lausanne (Schweiz) Image for a cultural festival (Switzerland) designed by Julia Hasting 1996.

Image from Rambow Studenten - 5 Jahre Grafik-Design an der Staatlichen Hochschule für Gestaltung Karlsruhe.

5 Years of Graphic Design at the Staatliche Hochschule für Gestaltung Karlsruhe.

Published by Hatje Cantz Verlag.

Robert Bereny, Hungarian designer for an advertisement for mustard.

I may be wrong, but I think that the lettering is a European variant of Futura, a very popular type design by Paul Renner. Both of my Gebrauchsgraphik copies are set in a standard version of Futura and they are printed letterpress. I can run my hands lightly across the pages and feel the indent. It's hard to imagine a magazine being printed letterpress today.

I'm limiting myself to about an hour to work on a theme. These are the results.

For this project I was asked to make the cover for Time magazine. I drew those images separately with color ink then scaned them, and finishd in photoshop.

Resume with a unique twist to skills listing.

For this project I was asked to create an insect out of a fruit.

A personal quilling piece.

Proposed Layouts for Dossier Magazine

Photography : Mia Ziervogel

All work © Willem Kitshoff

I use this as a background on my blog. (andrewfm.tumblr.com) It's desktop-sized (1440x900).

ideas are meant to inspire and be inspired by ideas are meant to inspire and be inspired by ideas are meant to inspire and be inspired by ideas . . .

inspired by RiP: A Remix Manifesto.

nfb.ca/rip

Ingredients: an old italian newspaper, Adobe Illustrator, a printer, fingers, transparent tape, a black pen.

Oregon State University Graphic Design opened a new creative space for students Nov. 29, 2012.

A Business Card design concept for a design firm from Little Story Designs

Cubiertas de Daniel Gil, para libros de Alianza Editorial

Create your own custom portfolio book at www.kloportfolios.com

This is for College of Liberal Arts. The design concept came from 17 departments (17 color blocks), foundation of education, diversity, and multi-discipline. The logo needed to attract young graduated high school students to the College.

The various skylines from the Gothamist, Londonist, LAist sites etc. Use notes to identify them. From this post at cityofsound.

Posted via email from gcann's onlineISmine

Mette-Sofie D. Ambeck is a Danish designer and book artist who has built up a significant international profile since beginning to create and exhibit her own artists’ book publications in 2000. Her work is represented in many international public and private collections including the Tate and V&A. Her signature style is to hand-cut sequential narratives into the white pages of books which she has also bound. Her themes often relate to mechanical, robotic or man-made objects. In 2010 she remade an earlier unique edition – based on the Nordic creation myths and entitled ‘Steam, Salt, Milk‘ – during a laser-cutting residency at University of West England, Bristol.

When launched at the Whitechapel Gallery’s London Art Book Fair that September the edition was awarded the Birgit Skiöld Award for Excellence.

Since 2009 Mette has be involved with organising the Doverodde Book Arts Festival in Denmark while continuing to produce her own work.

ambeckdesign.blogspot.com

Berlin Bauhaus Archive Museum. One of my all time favorite shots. I love the little Bauhaus lamp glowing in the darkened window.

Logo for a textile group, Tissages Normands Réunis. Designer Adrian Frutiger. From Graphis Annual 70/71. (France). Blogged at Aqua-Velvet.

Graphic design for a jeweler.