View allAll Photos Tagged GraphicDesigning
Poster for Circus Benneweis (Denmark). Artist, Erick Stockmarr. From Gebrauchsgraphik Nol 7, 1955. Blogged at Aqua-Velvet.
See Full Post: Photo Manipulation Works of Diego Hernandez
For More Information visit : Dezart Inspire | Graphic Design
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Erscheinungsbild für ein Kulterfestival in Lausanne (Schweiz) Image for a cultural festival (Switzerland) designed by Julia Hasting 1996.
Image from Rambow Studenten - 5 Jahre Grafik-Design an der Staatlichen Hochschule für Gestaltung Karlsruhe.
Rambow Students
5 Years of Graphic Design at the Staatliche Hochschule für Gestaltung Karlsruhe.
Published by Hatje Cantz Verlag.
See Full Post: Creating dream scenery Creative Photo Manipulation Even Liu
For More Information visit : Dezart Inspire | Graphic Design
Artist: Erik Nitsche. Quote from John Calvin. Date 1954. Ad is from a series "Great Ideas of Western Man" by Container Corporation of America (1950 -1975). Image from the book "Great Ideas" published by Container Corp. in 1976. Blogged at Aqua-Velvet.
Introducción a Sistemas
Ciclo de cine: Estructuras No Lineales - Federico Fellini
Diseño Gráfico 1 - Cátedra Gabriele
FADU - UBA - 2011
See Full Post: Surreal Photo Manipulation Martijn Schrijver
For More Information visit : Dezart Inspire | Graphic Design
Artist: Max Bill. Quote from Immanuel Kant. Date 1952. Ad is from a series "Great Ideas of Western Man" by Container Corporation of America (1950 -1975). Image from the book "Great Ideas" published by Container Corp. in 1976. Blogged at Aqua-Velvet.
Classic example of a New Graphic Design layout using only two colors, (a two color run for a printing press is much cheaper than full color) but was an exciting visual utilizing space, tension, asymmetrical layout, and san serif letterform .
Poster for Container Corporation of America, Great Ideas Series. Image from Great Ideas book, 1976. Blogged at Aqua-Velvet.
A cover on a pharmaceutical publicaton. It's a gorgeous graphic design on a square format, but the small type is reversed out (white) on very narrow bands of yellow against a brilliant orange background and it doesn't read well. I feel that it's too much and overwhelms the message. Perhaps there was no message and the visual impact was all that was required.
Guggenhiem Museum. The US starts to emulate the new, contemporary work of Europe. This scanned from a collection of paper bags that I picked up in my travels. I do not think the san-serif gg's are well designed. They catch my eye like a thorny vine.
Trabalho que fiz para a banda Dibigode. Atualmente faço parte da equipe fixa da banda, cuidando de toda sua comunicação visual. Esse álbum se chama "Naturais e Idênticos ao Natural de Pimenta da Jamaica e Preta". Foi lançado em 2011.
Para ver mais é só entrar no site - que é uma extensão do projeto. www.dibigode.com
For a graphic design class.
Thats actualy a drawing of my hands, so in a way its a self portrait too. ha!
For a circus founded by the Knie family (Switzerland). Artist, Hans Erni. From Graphis Posters 1973.
Germany ran a series of stamps commemorating Bauhaus faculty. My daughter would send them one by one as they were put into circulation.
This stamp honors Mies van der Rohe.
1968 cover that I designed for the Midwest Modern Language Association. I ran this before but I wanted to show some interior pages along with it as well.
I learned so much about the beauty of elegant letterpress typography and printing from Kim Merker who taught the typographic laboratory class that I enrolled in at the University of Iowa. He was a teacher who truly inspired a student to have a vision of the very finest in printing.
Kim had just founded the university’s Windover Press, and It went on through the years to publish many magnificent books.
He was also involved with the Midwest Modern Language Association. He had a full schedule teaching classes and developing the new press so he turned the job of designing the 1969 MMLA bulletin over to me. It was not a letterpress publication but was printed offset by a commercial printing company off campus.
It was on this job that I realized that printers can’t necessarily print white on a rough dark paper stock and have it work visually. One more on-the-job learning experience.