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Page 3 of a brochure for broadcasting station Scheveningen, 1928. It looks as if the designer Piet Zwart used the photogram technic for this beautiful layout.
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Erscheinungsbild für ein Kulterfestival in Lausanne (Schweiz) Image for a cultural festival (Switzerland) designed by Julia Hasting 1996.
Image from Rambow Studenten - 5 Jahre Grafik-Design an der Staatlichen Hochschule für Gestaltung Karlsruhe.
Rambow Students
5 Years of Graphic Design at the Staatliche Hochschule für Gestaltung Karlsruhe.
Published by Hatje Cantz Verlag.
Concepts for JAQK Cellars wine packaging designed by Hatch. See the rest of packaging & interview at grainedit.com
images c2009 grainedit & Hatch
For this project I was asked to make the cover for Time magazine. I drew those images separately with color ink then scaned them, and finishd in photoshop.
Robert Bereny, Hungarian designer for an advertisement for mustard.
I may be wrong, but I think that the lettering is a European variant of Futura, a very popular type design by Paul Renner. Both of my Gebrauchsgraphik copies are set in a standard version of Futura and they are printed letterpress. I can run my hands lightly across the pages and feel the indent. It's hard to imagine a magazine being printed letterpress today.
ideas are meant to inspire and be inspired by ideas are meant to inspire and be inspired by ideas are meant to inspire and be inspired by ideas . . .
inspired by RiP: A Remix Manifesto.
nfb.ca/rip
Ingredients: an old italian newspaper, Adobe Illustrator, a printer, fingers, transparent tape, a black pen.
An idea for packaging. This is what you may be seeing when buying kitty egg crayons in stores. Thoughts?
Berlin Bauhaus Archive Museum. One of my all time favorite shots. I love the little Bauhaus lamp glowing in the darkened window.
The various skylines from the Gothamist, Londonist, LAist sites etc. Use notes to identify them. From this post at cityofsound.
A fascinating publication - a portfolio containing 32 sheets illustrating the range of work undertaken by Cockade Ltd of London and issued in 1949. The folder is printed at the Shenval Press, then regarded as one of the best printers, and the boards are decorated on the cover with the cockade symbol, the inner boards with a very contemporary 'star' pattern.
Cockade was founded by Sir Stephen George Tallents (1884 - 1958), one of the most brilliant civil servants of his generation. His interests in public relations grew following his appointment as Secretary to the Empire Marketing Board in 1926 - the organisation that in its seven years of existance gained an interantional reputation for the quality of its publicity and advertising. When it was wound up in 1933 Tallents moved to the GPO taking with him the EMB's film unit that, as the GPO Film Unit, is regarded as one of the pioneers of the documentary film movement. After service in the Ministry of Information in WW2 Tallents formed Cockade Ltd to produce, as the introductory essay shows, display material of a wide range - both in terms of design and manufacturing. This portfolio has the added attraction of bearing Tallent's signature, dated 1950.
Cockade employed a wide range of talent from the art, design, publicity and public relations fields and boasted a considerable client list. Sadly the cover motif and lettering is not ascribed to a designer but at least one of the illustrations is by Hugh Casson, the well known architectural illustartor. The other may be by Richard Guyatt.
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MSCED is a personal, (ideally-) daily design exercise wherein I create out type-centric black and white drabbles using song titles, the Univers type family (Kozuka Gothic for Japanese type) and some wonderful images from Wikimedia Commons. More drabbles over at my Tumblog.
IMG : By Department of Labor. Women's Bureau. (07/01/1920 - 07/21/1967) [Public domain], via Wikimedia Commons
Logo for a textile group, Tissages Normands Réunis. Designer Adrian Frutiger. From Graphis Annual 70/71. (France). Blogged at Aqua-Velvet.
Letterpress coaster series we produced for Anthem! www.anthemww.com Besides turning out beautifully (mainly due to good appropriate design work) the piece is also a good example of using 2-color printing and other letterpress learning.