View allAll Photos Tagged GeometricShape
40 Bond Street, created by Ian Schrager, architects Herzog & de Meuron, Manhattan, Noho, New York City, New York, USA,
The cityscape just outside the Distillery District – Front Street looking west towards the financial district.
A neat view: Looking past the wedge-shaped art gallery building and down the walkway at the Parliament St. entrance to the Distillery District.
The Beekman, also known as Beekman Tower, architect Frank Gehry, Manhattan, New York City, New York, USA
..... thingy, what do you call it?! Lots of cool art to be seen during our Riverwalk outing at Bradenton, today!
Flickr Lounge - Weekly Theme (Week 22) ~ Geometric Shapes ....
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Weavings and textiles made entirely by hand by Mapuche women in Temuco Chile
Photo © Edwin Remsberg, Hi Res image available at www.remsberg.com
HL23, New York designed by Neil M. Denari Architects Inc. 515-517 West 23rd Street, Chelsea, New York City, New York, USA
Weavings and textiles made entirely by hand by Mapuche women in Temuco Chile
Photo © Edwin Remsberg, Hi Res image available at www.remsberg.com
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Production photographs taken for the 2009 Science Kit Catalog
Production photographs taken for the 2009 Science Kit Catalog (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
Production photographs taken for the 2009 Science Kit Catalog and CD (www.sciencekit.com)
See how the rainbow's shape is nicely adding to the shapes that the iron bars made in this frame.
I took the photo with a little tilt to cover the entire rainbow.
Clicked on March 27, 2011 using my Nikon D5000 on a 18 - 55 lens at 18mm with a 3.6 f-stop, 1/15 sec. and a 720 ISO without any flash.
Fiery sunset over Badwater in Death Valley National Park. The Badwater basin, at 282 feet below sea level, is the lowest point in North America. The Badwater floor is covered with the hexagonal shapes of salt crust that is the residue left after rain water from the higher elevations in the park drains into Badwater, carrying minerals with it and depositing it there after being evaporated.
Estamos rodeados de objetos que en ocasiones con solo verlos nos parecen difíciles de usar, pero que en realidad son tan simples y sencillos de manipular.
21 Aug 2012, Battle Creek, Michigan, USA --- A Hot Air balloonist drops a marker at a goal location around rural Michigan near Battle Creek during the World Hot Air Ballooning Championships. Battle Creek, Michigan, USA. 21st August 2012. Photo Tim Clayton --- Image by © Tim Clayton/TIM CLAYTON/Corbis
Watercolour and opaque watercolour, over graphite, with traces of red chalk
The extraordinary precision with which Fuseli draws women's hairstyles matches the meticulous care with which they have been arranged. The hair's potential wildness is disciplined through a framework of geometric shapes, tight curls, and stiffened ribbons. In a patriarchal society, dressing their hair offered many women an opportunity for self-expression. Fuseli's response stages his own fetishistic obsession in tandem with a socially-driven impulse to reassert masculine control over female sexuality.
[The Courtauld]
Taken in the Exhibition
Fuseli and the Modern Woman: Fashion, Fantasy, Fetishism
(October 2022 – January 2023)
One of the most original and eccentric artists of the 18th century, the Swiss-born Henry Fuseli (1741–1825) is the subject of a new exhibition at The Courtauld.
Fuseli spent most of his career in London, where he established himself as one of 18th century Europe’s most controversial artists. He deliberately courted notoriety with his most famous painting The Nightmare and other sensationalistic images inspired by a wide range of literature and his own imagination.
Fuseli was praised by some as a creative genius, while others dismissed his works as ‘shockingly mad’. But much admired by his colleagues, he became the Royal Academy’s Professor of Painting and Keeper of its premises at Somerset House, in what is now The Courtauld Gallery, where he and his wife Sophia Rawlins (1762/3–1832) lived from 1805 until his death.
This exhibition focuses on Fuseli’s numerous private drawings of the modern woman. Blending observed realities with elements of fantasy, these studies present one of the finest draughtsmen of the Romantic period at his most original and provocative. Here, the fashionable women of the period appear as powerful figures of dangerous erotic allure, whom the artist regards with a mix of fascination and mistrust. Perhaps as problematic then as now, this visually compelling body of work provides an insight into anxieties about gender, identity, and sexuality at a time of acute social instability, as the effects of the first modern revolutions – in America and in France – swept across Britain and the Continent. Many of those anxieties still speak vividly to us today.
[The Courtauld]
One of my favorite photos. At full moon low tides, one can walk from MacMahan to Fox Island (privately owned). From the water marks (and other photos in this collection), you can see how high the tide comes in.