View allAll Photos Tagged GeometricShape

Fidelity Building - Chesterfield, Mo.

digital art

 

Posted for the week 6 challenge at Summer of Color 5 (2015.) to use two oranges and one blue: www.flickr.com/groups/thesummerofcolor/pool/

Yes, icicles are geometric shapes. They are classified as cones

Two glass prisms on a sheet of black construction paper

In this minimalist architectural study, I focused on how light plays across concrete surfaces to create subtle gradients and sharp edges. The composition explores the dialogue between rigid geometric forms and the flowing nature of light.

The Champalimaud Centre for the Unknown in Lisbon is a biomedical research center specializing in neuroscience and cancer studies. Opened in 2010 and designed by Charles Correa, its modern architecture sits along the waterfront, offering striking geometric lines and open spaces. I spent a couple of hours capturing its curves, reflections, and dynamic light—an ideal spot for photography.

 

Lisbon, Portugal

Spotting this entryfrom Frankfurt to Offenbach (Hafen Offenbach)

Kuantan, Pahang, Malaysia

Taken with Vint B&W MII; edited with Snapseed

Location: Port of Sines, Portugal

Gemstone

 

52 Weeks of 2024 - Geometric Shapes

 

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I can't go in there. Of course not, because it's closed, thanks to the virus. It's still a beautiful building that I can photograph from the outside. That's already something.

A mirrored tray I use in my washroom.

 

04/52 2026 Geometric Shapes

This Gothic Revival architecture in the piers support the rail part of the Huey P. Long Bridge, which is among the longest rail bridges in the U.S. It works nicely for the geometry theme since a pointed arch is derived from the intersection of two circles.

MiMo or Miami Modern is the name coined by Randall Robinson and Teri D’Amico to describe the architecture that flourished in South Florida from 1945 until the late 1960s.

 

In their words:

 

MiMo is not a single style, but rather a confluence that includes the world-renowned Resort glamour of Morris Lapidus, the sublime Subtropical Modernism of Igor B. Polevitzky, and the flamboyant Latin infusion of Enrique Gutierrez, the architect of one of the Southland’s Modernist masterpiece, the Bacardi USA building. The common denominator is a time — the heady decades after the war — and a place — the subtropical environs of South Florida.

 

Miami Modern is further classified into two distinct strains, Resort MiMo and Subtropical Modernism. The visual “lineage” for both the resort and subtropical versions of Miami Modern can be traced to Miami’s emerging modern movement beginning in the 1930s. Local architects adapted elements of the International, 19 Streamline Moderne and Art Deco styles in their versions of contemporary buildings. Resort MiMo of the 1950s is a product of the experimentations. best represented by the vivid scenographic expressions of Miami Beach architects.

 

Resort MiMo is associated with the 1950s and 1960s and the influences of Hollywood set design, automobile styling, military jets and the space race. The American fascination with Futurism was a pervasive influence in the designs of Resort MiMo. It was realized in architectural form by acute angles, boomerangs and trapezoidal forms.

 

Subtropical Modernism was a strain of the modern movement that recognized the needs of a year-round population rather than solely the demands of the winter-resort guests. As a result, designers addressed the humidity and heat of summer by making accommodations for breezy corridors, covered galleries and shady courtyards. Subtropical Modernism also employed elements associated with the International Style of architecture that included glass walls and low-slung lines, flat roofs and wide eaves and free-flowing interior spaces. Many of the motels along Biscayne Boulevard are impressive examples of Resort Miami Modernism.

 

Credit for the data above is given to the following websites:

www.miamidade.gov/Apps/PA/propertysearch/#/

search.yahoo.com/yhs/search;_ylt=AwrCmuOgCLJj4BoApREPxQt....

study.com/academy/lesson/modernism-in-architecture-defini...

mimoboulevard.org/what-is-mimo/architecture-and-history/

 

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High art graffiti removal in Hoxton.

 

Funny they never get a close colour match !.

 

LR2408

Trapezoid quadrilateral, rectangles, ovals, and squares. I was just doodling around in photoshop and decided to try some of the various tools and see what would happen. Well this is what happened. I love intense colors and just had to make them really colorful.

Orange and Geometric Shapes are the two themes I picked for this Redux image.

 

HMM and best wishes everyone for a very safe and healthy 2022 everyone.

Postwar church behind an estate wall.

 

LR3120

festive lighting abstract

Chengdu open air music park modern building with futuristic architecture reflecting in a pond, Sichuan province, China

 

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Umbrella shape architectural feature illuminated with multicolor lights at night

 

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Photography by Christian Nass

 

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Geometric shapes

An old railway gate along the disused GNR line from Dundalk to Greenore.

The last train ran in 1957 and now there is talk about creating a greenway along the route of the old line.

Processed with VSCOcam with s3 preset

East River, New York

this photograph was taken during a rainy late afternoon at the harbor of cadiz, capturing the silhouette of towering cranes standing sentinel over the water. The cranes create a striking industrial ballet against the dramatic backdrop of the cloudy sky, their geometric forms mirrored in the shimmering sea. The contrast between the dark figures and the bright water surface underscores the harbor’s role as a nexus of maritime industry and natural elements.

 

haiku by [https://www.flickr.com/photos/canonmao]

 

dinosaurs walking

a day off from loading

quiet cargo day

Los Angeles - California - USA

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Uploaded on April 22, 2019

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Today's prompt is to practice getting the blur you want without missing focus on the important parts of your image by taking a portrait.

 

I do wish the background was a little blurrier but it's only because Buster was so close to the wall already. I ended up moving him away a little further to get a little more of a blur. I focused on the bridge of his nose in attempts to get both eyes nice and crisp.

 

I also wish the light wasn't so harsh from above causing shadows on his eyes, but I didn't have any other light source to direct on his face.

 

Overall, I'm quite content with this shot!

 

[f/3.5, 1/20 sec., ISO 800]

This is part of the old ASB bridge on the north side of Kansas City. It opened in 1911, closed in 1987 and is a vertical-lift bridge. Sharing a link if you are interested in knowing more. historicbridges.org/bridges/browser/?bridgebrowser=missou...

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