Cardinal Seán P. O’Malley ordained five men to the Priesthood on Saturday, May 25, 2013, at the Cathedral of the Holy Cross, Boston.

Cardinal Seán said, “The priesthood is a gift from Christ. We are grateful for the generosity these men have given to the Lord’s call to service. They will join their brother priests, dedicated religious women and men and the faithful ministering in our parishes, working to build strong faith communities. We pray that these newly ordained priests inspire the current generation of young men to consider the possibility of a vocation and, as they are called, to join those in formation at our seminaries.”

The priests ordained are:

Father John Augustine Cassani

One of the three sons of Richard and Mary Ellen (Pumphrey) Cassani, Father Cassani was born on June 7, 1980. A son of St. Jerome Parish in North Weymouth, he is an alumnus of Xaverian Brothers High School in Westwood and graduated from Holy Cross in Worcester in 2002. Father Cassani completed his seminary studies at St. John’s in Brighton and spent his deacon year working at Sacred Heart Parish in East Boston. Before seminary, he was a financial analyst for South Shore Savings Bank in Weymouth. Father Cassani will celebrate his first Mass at his home parish of St. Jerome’s in Weymouth on May 26 at 11:30 a.m. He will also be the homilist.

Father Thomas Keith Macdonald

An alumnus of Rome’s Pontifical North American College and a native of Westford, Father Macdonald is one of the three children (one sister, one brother) of Thomas and Kathleen (Verfaillie) Macdonald. He was born on July 9, 1984. This avid hiker is a fan of reading Catholic writers G.K. Chesterton and Joseph Pieper. Father Macdonald, a son of St. Catherine of Alexandria Parish, Westford, graduated from local schools before attending UMass Amherst. Father Macdonald spent his deacon year at St. Paul Parish in Cambridge. Father Macdonald will celebrate his first Mass at St. Mary Star of the Sea Parish in Beverly on May 26 at 10:30 a.m. The homilist will be Bishop Arthur Kennedy.

Father Jacques Antoine McGuffie

A native of Port-au-Prince, Haiti, where he was born on June 18, 1946 to the late Dickens and Leonie (Jean-Philippe) McGuffie, Father McGuffie is one of 7 children — five sisters and one brother. He attended high school at Lycée Alexandre Pétion in Port-au-Prince. He received his BA from Northeastern University in Boston and his MBA from Boston University. Before entering and completing his seminary studies at Blessed John XXIII Seminary in Weston, he worked for the Massachussetts Department of Social Services. Father McGuffie spent his deacon year at St. Catherine of Alexandria in Westford. He will celebrate his first Mass on May 26 at 10:00 a.m. at St. Patrick Church in Roxbury; Father Walter J. Waldron will be the homilist.

Father Gerald Alfred Souza

This son of St. Kateri Tekakwitha Parish in Plymouth was born Nov. 3, 1985 to Paul and Donna (Urquhart) Souza. He has one brother. Father Souza attended Sacred Heart School in Kingston for elementary and high school. Father Souza attended St. Charles Borromeo Seminary in Philadelphia for the first three years of college, before graduation from Franciscan University in Steubenville, Ohio in 2008. He completed his seminary formation at St. John’s in Brighton. His deacon assignment was spent at St. Mary Parish in Lynn.

Father Souza’s first Mass will be at St. Kateri Tekakwitha Parish on May 26 at 2:00 p.m. He will be the homilist as well.

Father Christopher William Wallace

One of two sons of William and Kathleen (Moran) Wallace, Father Wallace was born Jan. 19, 1983. This native of Our Lady of Good Counsel in Methuen, attended local schools before matriculating at Merrimack College in North Andover. Father Wallace completed his seminary studies at St. John’s and spent his deacon year at St. Joseph Parish in Needham. He is an avid Boston sports fan and also supports the Archdiocesan Serra Club for encouraging vocations. Father Wallace will celebrate his first Mass at St. Theresa Church in Methuen on May 26 at 10:30 a.m.

(Photo credit: George Martell/The Pilot Media Group) Posted under a Creative Commons No-Deriv Attribution license.

Here's his speech

"I stand here today humbled by the task before us, grateful for the trust you have bestowed, mindful of the sacrifices borne by our ancestors. I thank President Bush for his service to our nation, as well as the generosity and cooperation he has shown throughout this transition.

Forty-four Americans have now taken the presidential oath. The words have been spoken during rising tides of prosperity and the still waters of peace. Yet, every so often the oath is taken amidst gathering clouds and raging storms. At these moments, America has carried on not simply because of the skill or vision of those in high office, but because We the People have remained faithful to the ideals of our forbearers, and true to our founding documents.

So it has been. So it must be with this generation of Americans.

That we are in the midst of crisis is now well understood. Our nation is at war, against a far-reaching network of violence and hatred. Our economy is badly weakened, a consequence of greed and irresponsibility on the part of some, but also our collective failure to make hard choices and prepare the nation for a new age. Homes have been lost; jobs shed; businesses shuttered. Our health care is too costly; our schools fail too many; and each day brings further evidence that the ways we use energy strengthen our adversaries and threaten our planet.

These are the indicators of crisis, subject to data and statistics. Less measurable but no less profound is a sapping of confidence across our land -- a nagging fear that America's decline is inevitable, and that the next generation must lower its sights.

Today I say to you that the challenges we face are real. They are serious and they are many. They will not be met easily or in a short span of time. But know this, America -- they will be met.

On this day, we gather because we have chosen hope over fear, unity of purpose over conflict and discord.

On this day, we come to proclaim an end to the petty grievances and false promises, the recriminations and worn out dogmas, that for far too long have strangled our politics.

We remain a young nation, but in the words of Scripture, the time has come to set aside childish things. The time has come to reaffirm our enduring spirit; to choose our better history; to carry forward that precious gift, that noble idea, passed on from generation to generation: the God-given promise that all are equal, all are free, and all deserve a chance to pursue their full measure of happiness.

In reaffirming the greatness of our nation, we understand that greatness is never a given. It must be earned. Our journey has never been one of short-cuts or settling for less. It has not been the path for the faint-hearted -- for those who prefer leisure over work, or seek only the pleasures of riches and fame. Rather, it has been the risk-takers, the doers, the makers of things -- some celebrated but more often men and women obscure in their labor, who have carried us up the long, rugged path towards prosperity and freedom.

For us, they packed up their few worldly possessions and traveled across oceans in search of a new life.

For us, they toiled in sweatshops and settled the West; endured the lash of the whip and plowed the hard earth.

For us, they fought and died, in places like Concord and Gettysburg; Normandy and Khe Sahn.

Time and again these men and women struggled and sacrificed and worked till their hands were raw so that we might live a better life. They saw America as bigger than the sum of our individual ambitions; greater than all the differences of birth or wealth or faction.

This is the journey we continue today. We remain the most prosperous, powerful nation on Earth. Our workers are no less productive than when this crisis began. Our minds are no less inventive, our goods and services no less needed than they were last week or last month or last year. Our capacity remains undiminished. But our time of standing pat, of protecting narrow interests and putting off unpleasant decisions -- that time has surely passed. Starting today, we must pick ourselves up, dust ourselves off, and begin again the work of remaking America.

For everywhere we look, there is work to be done. The state of the economy calls for action, bold and swift, and we will act -- not only to create new jobs, but to lay a new foundation for growth. We will build the roads and bridges, the electric grids and digital lines that feed our commerce and bind us together. We will restore science to its rightful place, and wield technology's wonders to raise health care's quality and lower its cost. We will harness the sun and the winds and the soil to fuel our cars and run our factories. And we will transform our schools and colleges and universities to meet the demands of a new age. All this we can do. And all this we will do.

Now, there are some who question the scale of our ambitions -- who suggest that our system cannot tolerate too many big plans. Their memories are short. For they have forgotten what this country has already done; what free men and women can achieve when imagination is joined to common purpose, and necessity to courage.

What the cynics fail to understand is that the ground has shifted beneath them -- that the stale political arguments that have consumed us for so long no longer apply. The question we ask today is not whether our government is too big or too small, but whether it works -- whether it helps families find jobs at a decent wage, care they can afford, a retirement that is dignified. Where the answer is yes, we intend to move forward. Where the answer is no, programs will end. And those of us who manage the public's dollars will be held to account -- to spend wisely, reform bad habits, and do our business in the light of day -- because only then can we restore the vital trust between a people and their government.

Nor is the question before us whether the market is a force for good or ill. Its power to generate wealth and expand freedom is unmatched, but this crisis has reminded us that without a watchful eye, the market can spin out of control -- and that a nation cannot prosper long when it favors only the prosperous. The success of our economy has always depended not just on the size of our Gross Domestic Product, but on the reach of our prosperity; on our ability to extend opportunity to every willing heart -- not out of charity, but because it is the surest route to our common good.

As for our common defense, we reject as false the choice between our safety and our ideals. Our Founding Fathers, faced with perils we can scarcely imagine, drafted a charter to assure the rule of law and the rights of man, a charter expanded by the blood of generations. Those ideals still light the world, and we will not give them up for expedience's sake. And so to all other peoples and governments who are watching today, from the grandest capitals to the small village where my father was born: know that America is a friend of each nation and every man, woman, and child who seeks a future of peace and dignity, and that we are ready to lead once more.

Recall that earlier generations faced down fascism and communism not just with missiles and tanks, but with sturdy alliances and enduring convictions. They understood that our power alone cannot protect us, nor does it entitle us to do as we please. Instead, they knew that our power grows through its prudent use; our security emanates from the justness of our cause, the force of our example, the tempering qualities of humility and restraint.

We are the keepers of this legacy. Guided by these principles once more, we can meet those new threats that demand even greater effort -- even greater cooperation and understanding between nations. We will begin to responsibly leave Iraq to its people, and forge a hard-earned peace in Afghanistan. With old friends and former foes, we will work tirelessly to lessen the nuclear threat, and roll back the specter of a warming planet. We will not apologize for our way of life, nor will we waver in its defense, and for those who seek to advance their aims by inducing terror and slaughtering innocents, we say to you now that our spirit is stronger and cannot be broken; you cannot outlast us, and we will defeat you.

For we know that our patchwork heritage is a strength, not a weakness. We are a nation of Christians and Muslims, Jews and Hindus -- and non-believers. We are shaped by every language and culture, drawn from every end of this Earth; and because we have tasted the bitter swill of civil war and segregation, and emerged from that dark chapter stronger and more united, we cannot help but believe that the old hatreds shall someday pass; that the lines of tribe shall soon dissolve; that as the world grows smaller, our common humanity shall reveal itself; and that America must play its role in ushering in a new era of peace.

To the Muslim world, we seek a new way forward, based on mutual interest and mutual respect. To those leaders around the globe who seek to sow conflict, or blame their society's ills on the West -- know that your people will judge you on what you can build, not what you destroy. To those who cling to power through corruption and deceit and the silencing of dissent, know that you are on the wrong side of history; but that we will extend a hand if you are willing to unclench your fist.

To the people of poor nations, we pledge to work alongside you to make your farms flourish and let clean waters flow; to nourish starved bodies and feed hungry minds. And to those nations like ours that enjoy relative plenty, we say we can no longer afford indifference to suffering outside our borders; nor can we consume the world's resources without regard to effect. For the world has changed, and we must change with it.

As we consider the road that unfolds before us, we remember with humble gratitude those brave Americans who, at this very hour, patrol far-off deserts and distant mountains. They have something to tell us today, just as the fallen heroes who lie in Arlington whisper through the ages. We honor them not only because they are guardians of our liberty, but because they embody the spirit of service; a willingness to find meaning in something greater than themselves. And yet, at this moment -- a moment that will define a generation -- it is precisely this spirit that must inhabit us all.

For as much as government can do and must do, it is ultimately the faith and determination of the American people upon which this nation relies. It is the kindness to take in a stranger when the levees break, the selflessness of workers who would rather cut their hours than see a friend lose their job which sees us through our darkest hours. It is the firefighter's courage to storm a stairway filled with smoke, but also a parent's willingness to nurture a child, that finally decides our fate.

Our challenges may be new. The instruments with which we meet them may be new. But those values upon which our success depends -- hard work and honesty, courage and fair play, tolerance and curiosity, loyalty and patriotism -- these things are old. These things are true. They have been the quiet force of progress throughout our history. What is demanded then is a return to these truths. What is required of us now is a new era of responsibility -- a recognition, on the part of every American, that we have duties to ourselves, our nation, and the world, duties that we do not grudgingly accept but rather seize gladly, firm in the knowledge that there is nothing so satisfying to the spirit, so defining of our character, than giving our all to a difficult task.

This is the price and the promise of citizenship.

This is the source of our confidence -- the knowledge that God calls on us to shape an uncertain destiny.

This is the meaning of our liberty and our creed -- why men and women and children of every race and every faith can join in celebration across this magnificent mall, and why a man whose father less than sixty years ago might not have been served at a local restaurant can now stand before you to take a most sacred oath.

So let us mark this day with remembrance, of who we are and how far we have traveled. In the year of America's birth, in the coldest of months, a small band of patriots huddled by dying campfires on the shores of an icy river. The capital was abandoned. The enemy was advancing. The snow was stained with blood. At a moment when the outcome of our revolution was most in doubt, the father of our nation ordered these words be read to the people:

"Let it be told to the future world ... that in the depth of winter, when nothing but hope and virtue could survive ... that the city and the country, alarmed at one common danger, came forth to meet [it]."

America. In the face of our common dangers, in this winter of our hardship, let us remember these timeless words. With hope and virtue, let us brave once more the icy currents, and endure what storms may come. Let it be said by our children's children that when we were tested we refused to let this journey end, that we did not turn back nor did we falter; and with eyes fixed on the horizon and God's grace upon us, we carried forth that great gift of freedom and delivered it safely to future generations."

"Whoever is generous to the poor lends to the Lord, and he will repay him for his deed." - Proverbs 19:17

Interior painting of Jesus feeding the poor, inside Kashveti St. George Church, a Georgian Orthodox Church constructed between 1904 and 1910, in Tbilisi, the capital city of Georgia.

© All rights reserved. You may not use this photo in website, blog or any other media without my explicit permission.

Generous in its proportions in a way the Hot Wheels equivalent can't quite match is the Maisto 2015 Ford Mustang GT. Maisto do have a pretty huge 1/64 range but strangely the vast majority of them don't appear here in the U.K. just a very limited range which are usually sold as sub Mattel diecasts and even they are getting replaced by HTI as the favoured choice. ASDA still sell them under their Adventure Wheels name which is where this Mustang came from. Mint and boxed.

Generous skirt, wide shoulder straps and long wide ties. Yummy. www.etsy.com/listing/79821651/mediumlarge-flare-strap-bib...

Benefactors and beneficiaries enjoy celebrating the impact of philanthropy at the annual Generosity & Gratitude Celebration, hosted by the Development Office at Penn State Health Milton S. Hershey Medical Center and Penn State College of Medicine.

Rita is her name. 'Awedduck' her flickr game. I call her 'funnygirl'. She lives in beautiful Montana & eats cowboys for breakfast.! She's an inspiration of good will, generosity of spirit, hilarious smart off-the-cuff humour, loyalty to friendship and original photography. But don't tell her I told you or she'll get big headed. Or is that pig headed? She's really sick right now. They keep changing her diagnosis and it's all become a big pain in the you know what. Positive energy coming her way is a real plus and flickr wishes keep her spirits up no end. Go give her one. But beware. It could make your day, as well as hers :)

You missed the last 3 meetings, Rita. Get back in there before all progress is lost :)))

rita / aweduck

View On Black large

explore #62. Thanks everyone. For your get well wishes for Rita & great feedback on the pic. And giant-sized special thanks to all you generous souls who visited Rita. I know she was deeply touched by your messages of love & careing.

© Andrew Newson

This lovely lady was on her way to work at Sainsburys but spared us time to give us directions and pose for a portrait.

View from a visit to the organ gallery at St Michael's, Framlingham (many thanks to the kind parishoners who were about to lock up but very generously let me come up here first to take some photos).

Framlingham was perhaps my most anticipated target of the day, one of the 'big three' of my itinerary that I knew I'd require more time for, and getting later in the afternoon I was increasingly anxious about not arriving here too late. St Michael's is justly renowned for its fine tombs, really special and quite unique, and is an impressive building in its own right. I was fortunately here a while until closing time, and the ladies on duty I met kindly checked I'd got all I wanted before locking up and even gave me access to the organ gallery for some great final views of the interior.

The church announces its presence with its handsome 15th century west tower, poking proudly above the rooftops in the oldest part of the town. The churchyard is set back from the streets and reveals a grand, fairly sprawling building, all apparently late medieval but some of it later still. What strikes the observer most is the way the chancel with its aisles has spread outwards, being of far greater width than the nave, which though of good proportions itself appears rather slim by comparison. The reason for this discrepancy becomes clear within.

Entry is by the south porch and it is immediately clear what an impressive space this is, very much the large town church. The nave is light and crowned by a fine medieval roof and opposite the entrance the eye is drawn to a 15th century mural of the Trinity. At the west end in the gallery is the handsome Baroque organ case of the precious 17th century Thamar organ, its pipes painted with swirling foliate designs. In the north aisle is the medieval font following the classic East Anglian design but less well preserved than some.

Stepping beyond the nave the chancel seems like a separate building, with its aisle split into three vessels of equal height like some great pillared hall. It is light and spacious and at first sight appears a little austere until one notices the cluster of tombs at the east end on either side, which are the reason for this part of the building's existence which was finished only in 1554 in order to house them. The Tudor tombs belong to the family of the Dukes of Norfolk who at the time owned nearby Framlingham Castle and made this church a family mausoleum as a direct consequence of losing their previous chosen resting place, Thetford Priory, to the Dissolution and thus the earlier tombs were transferred from there shortly after they were originally erected.

The tombs are a remarkable expression of English Renaissance design on the cusp of the Reformation and thus still informed as much by medieval precedents as the more standard forms of the following decades. The oldest is that of Henry Fitzroy, Duke of Richmond and illegitimate son of Henry VIII who married in to the Norfolk family. His tomb has no effigy but is adorned with some fetching small-scale reliefs. Much grander is the tomb of the wives of the 4th Duke nearby with recumbent effigies, but for me the most significant tomb here artistically is that of 3rd Duke Thomas Howard to the south of the altar. This remarkable monument is the best example we have of how English Renaissance church art might have blossomed without the Reformation, for the tomb chest is adorned with with a series of carved apostles in the medieval format but in detail wholly Renaissance, the figures in a still familiar on the continent but extremely rare over here. Award for the most colourful tomb however goes to that of Henry Howard on the north side (erected several decades after his execution under Henry VIII) and adorned with richly painted effigies, heraldic beasts and kneeling progeny.

Framlingham church would be worth a visit even without its fine tombs but these monuments make it unmissable, especially as they capture such a snapshot of one of the most turbulent periods of English history. I was duly relieved to have got here before they closed, but the church is generally kept open and welcoming in normal times so those getting less distracted than me en route here shouldn't have to worry so much about getting in.

For more on this fine church see its entry on the Suffolk Churches site below:-

www.suffolkchurches.co.uk/framcofe.html

Uploaded originally for the 'Guess Where UK?' Group.

generosity begins...upon a people caring for all people...

caring hope kindness generosity joy creativity

amidst the world...is the freedom of sharing blessings...for free...

Generous sized beautifully executed Waterford Center Bowl.

Maerten van Heemskerck, 1498-1574, active in Haarlem and Rome

Thetis receives from Vulcan the shield for Achilles, around 1540

The sea goddess Thetis by Vulcan requested weapons for her son Achilles. Vulcan and his Cyclops fulfilled this request generously, in grateful remembrance that Thetis accommodated and nursed him, after being pushed by his mother cruelly from Olympus. This image and its counterpart (inventory number 6395 GG) as well as a now in Prague situated middle part originally formed part of a triptych. Both panels are severely curtailed below, so you have to imagine the composition as a full-length one.

Maerten van Heemskerck, 1498-1574, tätig in Haarlem und Rom

Thetis empfängt von Vulkan den Schild für Achill, um 1540

Die Meeresgöttin Thetis erbat von Vulkan Waffen für ihren Sohn Achilles. Vulkan mit seinen Zyklopen erfüllte diese Bitte großzügig, in dankbarer Erinnerung daran, dass Thetis ihn aufnahm und pflegte, nachdem er von seiner Mutter grausam vom Olymp gestoßen worden war. Dieses Bild und sein Gegenstück (Inventar-Nummer GG 6395) sowie ein jetzt in Prag befindlicher Mittelteil bildeten ursprünglich ein Triptychon. Beide Tafeln sind unten erheblich beschnitten, so dass man sich die Komposition ganzfigurig vorstellen muss.

Austria Kunsthistorisches Museum

Federal Museum

Logo KHM

Regulatory authority (ies)/organs to the Federal Ministry for Education, Science and Culture

Founded 17 October 1891

Headquartered Castle Ring (Burgring), Vienna 1, Austria

Management Sabine Haag

www.khm.at website

Main building of the Kunsthistorisches Museum at Maria-Theresa-Square

The Kunsthistorisches Museum (KHM abbreviated) is an art museum in Vienna. It is one of the largest and most important museums in the world. It was opened in 1891 and 2012 visited of 1.351.940 million people.

The museum

The Kunsthistorisches Museum is with its opposite sister building, the Natural History Museum (Naturhistorisches Museum), the most important historicist large buildings of the Ringstrasse time. Together they stand around the Maria Theresa square, on which also the Maria Theresa monument stands. This course spans the former glacis between today's ring road and 2-line, and is forming a historical landmark that also belongs to World Heritage Site Historic Centre of Vienna.

History

Archduke Leopold Wilhelm in his Gallery

The Museum came from the collections of the Habsburgs, especially from the portrait and armor collections of Ferdinand of Tyrol, the collection of Emperor Rudolf II (most of which, however scattered) and the art collection of Archduke Leopold Wilhelm into existence. Already In 1833 asked Joseph Arneth, curator (and later director) of the Imperial Coins and Antiquities Cabinet, bringing together all the imperial collections in a single building.

Architectural History

The contract to build the museum in the city had been given in 1858 by Emperor Franz Joseph. Subsequently, many designs were submitted for the ring road zone. Plans by August Sicard von Sicardsburg and Eduard van der Null planned to build two museum buildings in the immediate aftermath of the Imperial Palace on the left and right of the Heroes' Square (Heldenplatz). The architect Ludwig Förster planned museum buildings between the Schwarzenberg Square and the City Park, Martin Ritter von Kink favored buildings at the corner Währinger street/Scots ring (Schottenring), Peter Joseph, the area Bellariastraße, Moritz von Loehr the south side of the Opera ring, and Ludwig Zettl the southeast side of the Grain market (Getreidemarkt).

From 1867, a competition was announced for the museums, and thereby set their current position - at the request of the Emperor, the museum should not be too close to the Imperial Palace, but arise beyond the ring road. The architect Carl von Hasenauer participated in this competition and was able the at that time in Zürich operating Gottfried Semper to encourage to work together. The two museum buildings should be built here in the sense of the style of the Italian Renaissance. The plans got the benevolence of the imperial family. In April 1869, there was an audience of Joseph Semper with the Emperor Franz Joseph and an oral contract was concluded, in July 1870 was issued the written order to Semper and Hasenauer.

Crucial for the success of Semper and Hasenauer against the projects of other architects were among others Semper's vision of a large building complex called "Imperial Forum", in which the museums would have been a part of. Not least by the death of Semper in 1879 came the Imperial Forum not as planned for execution, the two museums were built, however.

Construction of the two museums began without ceremony on 27 November 1871 instead. Semper subsequently moved to Vienna. From the beginning on, there were considerable personal differences between him and Hasenauer, who finally in 1877 took over sole construction management. 1874, the scaffolds were placed up to the attic and the first floor completed, in 1878, the first windows installed, in 1879, the Attica and the balustrade finished, and from 1880 to 1881 the dome and the Tabernacle built. The dome is topped with a bronze statue of Pallas Athena by Johannes Benk.

The lighting and air conditioning concept with double glazing of the ceilings made ​​the renunciation of artificial light (especially at that time, as gas light) possible, but this resulted due to seasonal variations depending on daylight to different opening times.

Dome hall

Entrance (by clicking on the link at the end of the side you can see all the pictures here indicated!)

Grand staircase

Hall

Empire

The Kunsthistorisches Museum was on 17 October 1891 officially opened by Emperor Franz Joseph I. Since 22 October 1891, the museum is accessible to the public. Two years earlier, on 3 November 1889, the collection of arms, Arms and Armour today, had their doors open. On 1 January 1890 the library service resumed its operations. The merger and listing of other collections of the Highest Imperial Family from the Upper and Lower Belvedere, the Hofburg Palace and Ambras in Tyrol needs another two years.

1891, the Court museum was organized in seven collections with three directorates:

Directorate of coins, medals and antiquities collection

The Egyptian Collection

The Antique Collection

The coins and medals collection

Management of the collection of weapons, art and industrial objects

Weapons collection

Collection of industrial art objects

Directorate of Art Gallery and Restaurieranstalt (Restoration Office)

Collection of watercolors, drawings, sketches, etc.

Restoration Office

Library

Very soon the room the Court Museum (Hofmuseum) for the imperial collections was offering became too narrow. To provide temporary help, an exhibition of ancient artifacts from Ephesus in the Theseus Temple was designed. However, additional space had to be rented in the Lower Belvedere.

1914, after the assassination of Franz Ferdinand, heir to the throne, his "Estensische Sammlung (Collection)" passed to the administration of the Court Museum. This collection, which emerged from the art collection of the house of d'Este and world travel collection of Franz Ferdinand, was placed in the New Imperial Palace since 1908. For these stocks, the present collection of old musical instruments and the Museum of Ethnology emerged.

The First World War went by, apart from the oppressive economic situation without loss. The Court museum remained during the five years of war regularly open to the public.

Until 1919 the K.K. Art Historical Court Museum was under the authority of the Oberstkämmereramt (head chamberlain office) and belonged to the House of Habsburg-Lorraine. The officials and employees were part of the royal household.

First Republic

The transition from monarchy to republic, in the museum took place in complete tranquility. On 19 November 1918 the two imperial museums on Maria Theresa Square were placed under the state protection of the young Republic of German Austria. Threatening to the stocks of the museum were the claims raised in the following weeks and months of the "successor states" of the monarchy as well as Italy and Belgium on Austrian art collection. In fact, it came on 12th February 1919 to the violent removal of 62 paintings by armed Italian units. This "art theft" left a long time trauma among curators and art historians.

It was not until the Treaty of Saint-Germain on 10 September 1919, providing in Article 195 and 196 the settlement of rights in the cultural field by negotiations. The claims of Belgium, Czechoslovakia, and Italy again could mostly being averted in this way. Only Hungary, which presented the greatest demands by far, was met by more than ten years of negotiation in 147 cases.

On 3 April 1919 was the expropriation of the House of Habsburg-Lorraine by law and the acquisition of its property, including the "Collections of the Imperial House", by the Republic. On 18 June 1920 the then provisional administration of the former imperial museums and collections of Este and the secular and clergy treasury passed to the State Office of Internal Affairs and Education, since 10 November 1920, the Federal Ministry of the Interior and Education. A few days later it was renamed the Art History Court Museum in the "Kunsthistorisches Museum, Vienna State", 1921 "Kunsthistorisches Museum" . Of 1st January 1921 the employees of the museum staff passed to the state of the Republic.

Through the acquisition of the former imperial collections owned by the state, the museum found itself in a complete new situation. In order to meet the changed circumstances in the museum area, designed Hans Tietze in 1919 the "Vienna Museum program". It provided a close cooperation between the individual museums to focus at different houses on main collections. So dominated exchange, sales and equalizing the acquisition policy in the interwar period. Thus resulting until today still valid collection trends. Also pointing the way was the relocation of the weapons collection from 1934 in its present premises in the New Castle, where since 1916 the collection of ancient musical instruments was placed.

With the change of the imperial collections in the ownership of the Republic the reorganization of the internal organization went hand in hand, too. Thus the museum was divided in 1919 into the

Egyptian and Near Eastern Collection (with the Oriental coins)

Collection of Classical Antiquities

Collection of Ancient Coins

Collection of modern Coins and Medals

Weapons collection

Collection of Sculptures and Crafts with the Collection of Ancient Musical Instruments

Picture gallery

The Museum 1938-1945

Count Philipp Ludwig Wenzel Sinzendorf according to Rigaud. Clarisse 1948 by Baroness de Rothschildt "dedicated" to the memory of Baron Alphonse de Rothschildt; restituted to the Rothschilds in 1999, and in 1999 donated by Bettina Looram Rothschild, the last Austrian heiress.

With the "Anschluss" of Austria to the German Reich all Jewish art collections such as the Rothschilds were forcibly "Aryanised". Collections were either "paid" or simply distributed by the Gestapo at the museums. This resulted in a significant increase in stocks. But the KHM was not the only museum that benefited from the linearization. Systematically looted Jewish property was sold to museums, collections or in pawnshops throughout the German Reich.

After the war, the museum struggled to reimburse the "Aryanised" art to the owners or their heirs. They forced the Rothschild family to leave the most important part of their own collection to the museum and called this "dedications", or "donations". As a reason, was the export law stated, which does not allow owners to bring certain works of art out of the country. Similar methods were used with other former owners. Only on the basis of international diplomatic and media pressure, to a large extent from the United States, the Austrian government decided to make a change in the law (Art Restitution Act of 1998, the so-called Lex Rothschild). The art objects were the Rothschild family refunded only in the 1990s.

The Kunsthistorisches Museum operates on the basis of the federal law on the restitution of art objects from the 4th December 1998 (Federal Law Gazette I, 181 /1998) extensive provenance research. Even before this decree was carried out in-house provenance research at the initiative of the then archive director Herbert Haupt. To this end was submitted in 1998 by him in collaboration with Lydia Grobl a comprehensive presentation of the facts about the changes in the inventory levels of the Kunsthistorisches Museum during the Nazi era and in the years leading up to the State Treaty of 1955, an important basis for further research provenance.

The two historians Susanne Hehenberger and Monika Löscher are since 1st April 2009 as provenance researchers at the Kunsthistorisches Museum on behalf of the Commission for Provenance Research operating and they deal with the investigation period from 1933 to the recent past.

The museum today

Today the museum is as a federal museum, with 1st January 1999 released to the full legal capacity - it was thus the first of the state museums of Austria, implementing the far-reaching self-financing. It is by far the most visited museum in Austria with 1.3 million visitors (2007).

The Kunsthistorisches Museum is under the name Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum with company number 182081t since 11 June 1999 as a research institution under public law of the Federal virtue of the Federal Museums Act, Federal Law Gazette I/115/1998 and the Museum of Procedure of the Kunsthistorisches Museum and Museum of Ethnology and the Austrian Theatre Museum, 3 January 2001, BGBl II 2/ 2001, in force since 1 January 2001, registered.

In fiscal 2008, the turnover was 37.185 million EUR and total assets amounted to EUR 22.204 million. In 2008 an average of 410 workers were employed.

Management

1919-1923: Gustav Glück as the first chairman of the College of science officials

1924-1933: Hermann Julius Hermann 1924-1925 as the first chairman of the College of the scientific officers in 1925 as first director

1933: Arpad Weixlgärtner first director

1934-1938: Alfred Stix first director

1938-1945: Fritz Dworschak 1938 as acting head, from 1938 as a chief, in 1941 as first director

1945-1949: August von Loehr 1945-1948 as executive director of the State Art Collections, in 1949 as general director of the historical collections of the Federation

1945-1949: Alfred Stix 1945-1948 as executive director of the State Art Collections, in 1949 as general director of art historical collections of the Federation

1949-1950: Hans Demel as administrative director

1950: Karl Wisoko-Meytsky as general director of art and historical collections of the Federation

1951-1952: Fritz Eichler as administrative director

1953-1954: Ernst H. Buschbeck as administrative director

1955-1966: Vincent Oberhammer 1955-1959 as administrative director, from 1959 as first director

1967: Edward Holzmair as managing director

1968-1972: Erwin Auer first director

1973-1981: Friderike Klauner first director

1982-1990: Hermann Fillitz first director

1990: George Kugler as interim first director

1990-2008: Wilfried Seipel as general director

Since 2009: Sabine Haag as general director

Collections

To the Kunsthistorisches Museum also belon the collections of the New Castle, the Austrian Theatre Museum in Palais Lobkowitz, the Museum of Ethnology and the Wagenburg (wagon fortress) in an outbuilding of Schönbrunn Palace. A branch office is also Ambras in Innsbruck.

Kunsthistorisches Museum (main building)

Picture Gallery

Egyptian and Near Eastern Collection

Collection of Classical Antiquities

Vienna Chamber of Art

Numismatic Collection

Library

New Castle

Ephesus Museum

Collection of Ancient Musical Instruments

Arms and Armour

Archive

Hofburg

The imperial crown in the Treasury

Imperial Treasury of Vienna

Insignia of the Austrian Hereditary Homage

Insignia of imperial Austria

Insignia of the Holy Roman Empire

Burgundian Inheritance and the Order of the Golden Fleece

Habsburg-Lorraine Household Treasure

Ecclesiastical Treasury

Schönbrunn Palace

Imperial Carriage Museum Vienna

Armory in Ambras Castle

Ambras Castle

Collections of Ambras Castle

Major exhibits

Among the most important exhibits of the Art Gallery rank inter alia:

Jan van Eyck: Cardinal Niccolò Albergati, 1438

Martin Schongauer: Holy Family, 1475-80

Albrecht Dürer : Trinity Altar, 1509-16

Portrait Johann Kleeberger, 1526

Parmigianino: Self Portrait in Convex Mirror, 1523/24

Giuseppe Arcimboldo: Summer 1563

Michelangelo Merisi da Caravaggio: Madonna of the Rosary 1606/ 07

Caravaggio: Madonna of the Rosary (1606-1607)

Titian: Nymph and Shepherd to 1570-75

Portrait of Jacopo de Strada, 1567/68

Raffaello Santi: Madonna of the Meadow, 1505 /06

Lorenzo Lotto: Portrait of a young man against white curtain, 1508

Peter Paul Rubens: The altar of St. Ildefonso, 1630-32

The Little Fur, about 1638

Jan Vermeer: The Art of Painting, 1665/66

Pieter Bruegel the Elder: Fight between Carnival and Lent, 1559

Kids, 1560

Tower of Babel, 1563

Christ Carrying the Cross, 1564

Gloomy Day (Early Spring), 1565

Return of the Herd (Autumn), 1565

Hunters in the Snow (Winter) 1565

Bauer and bird thief, 1568

Peasant Wedding, 1568/69

Peasant Dance, 1568/69

Paul's conversion (Conversion of St Paul), 1567

Cabinet of Curiosities:

Saliera from Benvenuto Cellini 1539-1543

Egyptian-Oriental Collection:

Mastaba of Ka Ni Nisut

Collection of Classical Antiquities:

Gemma Augustea

Treasure of Nagyszentmiklós

Gallery: Major exhibits

de.wikipedia.org/wiki/Kunsthistorisches_Museum

Taste of Generosity was held at the Nicollet Island Pavilion on Wednesday, September 12, 2018. This fundraising event included a live and silent auction, dining, and plenty of socializing with wonderful supporters and volunteers!

Little cutie handing out dolls to her less privileged peers.

Letter generously translated by Uwe Bock; penned on 3.3.1916 the author writes to his sister-in-law and thanks her for the excellent sausage and biscuits she sent him and advises her he is forbidden from disclosing his current whereabouts.

A clear 1916 studio portrait of seven Saxon Soldaten; their regiment unknown as their shoulder straps have been deliberately covered with Feldgrau cloth sleeves.

Letter generously translated by GenBerlin; dated 30 March 1916, the author wishes his son a happy 9th birthday.

Outdoors portrait of a Sachsen infantryman from Landsturm Infanterie Bataillon 'Neuhaldenleben' (IV 1) - later attached to the 93rd Division as part of the 434rd Infanterie Regiment.

Our man wears a M1915 Überzug with removable spike and slits on the side to accommodate the chin strap and his tunic is the Model 1910 Vereinfachte (Simplified) Feldrock. Ammunition pouches are the familiar M1909 type and it looks as if he's been issued am ersatz backpack.

He is armed with a Gew 88/05.

Generously studded with cheddar and grated parmesan, cheese bread is one of my favourite treats. The hint of thyme, scallions, and cayenne added a little extra kick. This is a fantastic bread for sandwiches.

Recipe from Dan Lepard's column at The Guardian.

Over the past year, with the generous support of Innovation Norway, UN Women has been assessing the potential of leveraging blockchain technologies to address challenges faced by women and girls in humanitarian settings.

As part of this work, UN Women, in partnership with the UN Office of Information and Communications Technology (UN OICT) hosts a four-day Simulation Lab from January 29 to February 1, 2018 at the UN Women New York Headquarters.

This Lab enables UN Women to explore, in collaboration with the private sector, cutting-edge solutions that hold potential for closing gender gaps in humanitarian action.

Based on the results of the Lab, four to five solution providers will be invited to submit a request for proposal (RFP). UN Women intends to pilot two to four solutions in the eld in collaboration with its UN and private sector partners and with the support of Innovation Norway, with the intention to thereafter upscale the most successful solutions as part of UN Women’s Global Flagship Programmes for Disaster Risk Reduction (Gender Inequality of Risk) and Crisis Response and Recovery (LEAP-Women’s Leadership, Empowerment, Access and Protection).

Pictured: Simulation participants listen as a provider helps participants understand the technology and prepares them to test one of the eight blockchain solutions being presented.

Read More: www.unwomen.org/en/news/stories/2018/2/news-event-blockch...

Photo: UN Women/Ryan Brown

Generous support from donors like ECHO allows UNRWA to maintain services and humanitarian assistance for Palestine refugees in Syria. The cash assistance programme is an important tool in helping refugees maintain their dignity and strengthen their resilience as they face a fourth winter of armed conflict in Syria. Alliance Food Distribution Centre, Damascus. November 2014. ©UNRWA/Taghrid Mohammad.

14th century tower and spire, the rest rebuilt in new forms by Wilson & Willcox of Bath, 1866-8.

Materials: Local limestone tower. 19th century work of Bisley Common stone with Bath stone dressings. Roofs of Broseley tiles in blue and red bands.

Plan: Unusual cruciform plan with equal aisles and generously deep transepts; north and south chapels almost as long as the chancel. South porch, west tower, small SE vestry.

Exterior: The three-stage west tower is 14th century, with diagonal buttresses and fairly small two-light bell openings, part hidden by clock faces. All the openings are unmoulded, with plain chamfers. The stone spire is tall and slim, with a splayed foot; the upper part of the original spire is now in the churchyard. The rest of the church is in a rich if slightly mechanical Geometric Decorated style. The windows have bar tracery and are framed by slim nook shafts with a ring moulding. The south doorway has heavy arch mouldings and triple shafts of contrasting grey stone. From the east, the three windows of the chancel and its chapels, with rich tracery of foiled circles, make a striking contribution to the streetscape.

Interior: The interior is `the best of any High Victorian town church on the Cotswolds' (Verey and Brooks). Five-bay nave with heavily moulded arcades on circular piers of blue Pennant sandstone. The nave has a clerestorey and an open wagon roof. A ribbed panelled roof over the chancel has painted Gothic decoration in green and red on a cream ground.

The foliate capitals are richly treated, with crockets and beading, almost Byzantine in their effect. The carver for all the sculptural work was Joshua Wall, who also designed the roundels in the chancel.

Principal Fixtures: St Laurence has lavish Victorian and early 20th century fittings. By George Gilbert Scott Junior, a reredos of 1872, carved by Morris Geflowski, with high relief panels (Gethsemane, Crucifixion and Deposition) by Edward Geflowski. It was coloured and gilded in 1970. The font and pulpit, both contemporary with the church, are of coloured marbles and alabaster. Chancel floor tiles by Godwin of Lugwardine. Rood screen by W.S. Weatherley, 1910-14; quite light and open, with elaborate cusping in the head of each main light. It has a rib-vaulted cove with brattished cresting, and a built-in tester to the pulpit. Very big rood group. Filling the tower arch, an Arts and Crafts oak screen by Thomas Falconer, 1927, maker Peter Waals, with painting of St George by E.R. Payne, 1929. There is much good stained glass. The good east window is by Heaton, Butler & Bayne, 1866; their windows in the transepts and south aisle south-west have faded badly. Also theirs; the north chapel east, c. 1885 and one in the north aisle, 1914. The south chapel east is by Lavers & Barraud, 1868. The south aisle and tower windows are by Ward & Hughes, 1873-7. An unusual gold and blue window at the west end of the north aisle is by J. Bewsey, 1922. The best monument is that in the south transept to Thomas Stephens, d. 1613. Attributed to Samuel Baldwin of Stroud, Pevsner describes it as a `good provincial imitation of Southwark work': alabaster kneeling effigy at a prayer desk, beneath an arch with Composite columns. Obelisks, strapwork etc. in the surround, with colour and gilding. Around the tower arch, high up, a group of fine Baroque and later tablets. Attached to the outside walls (north side), c. 80 good quality brass inscription plates from 18th century tombstones, many with good lettering, Rococo ornament, etc.

History: The medieval parish church of St Laurence was founded as a chapel-of-ease to Bisley before 1279. A photograph of 1865 just before demolition shows a rather plain aisleless structure with early 19th century alterations. Only the tower and spire survived rebuilding in 1866-8, to a plan which seems to have taken little account of the old building. The new church was consecrated on August 4, 1868. Wilson & Willcox provided a quite urban-looking church in Geometrical Gothic with a slightly French flavour, a recipe they favoured for many of their Bath churches and chapels. A fire in 2005 required the altar to be renewed.

Excellent Free House

Generous portions of lettuce and tomato with thick bacon, plus potato salad and ice tea. Pickle Patch Deli, San Andreas, Calaveras County, California.

Letter on reverse (below) generously translated by xiphophilos and Gaspionier: authored in Cöln-Deutz on 1.7.1915 and addressed to a Frau Franziska Kaczmarek in Berlin, the sender has written the letter in Polish.

Drivers from the Kraftfahrer (automobile) Bataillon relaxing in front of what appears to be a hunting lodge. The deer and crossed rifles above the entrance certainly suggests that this is the case. Postage cancelled in Cöln on 2.7.1915.

At the start of WW1 there was just one Kraftfahrer Bataillon and one company sized formation in Bavaria. As the war progressed, the Kraftfahrer units expanded into fleets of vehicles assigned to each Armee Korps. The drivers wore a special leather uniform introduced in 1907.

Today we were given these lovely plums, and also a basket full of apples. Fresh from the tree.

Thank you, Lena! (and Erica!)

Sweet and juicy Victoria plums.

Won't last long!

And lovely tart Discovery apples, non-European size ;-), unwaxed, untagged,and imperfect.

this is one of the pics from my short but inforgettable visit to Blida, many thanks to Algeria888 who took me to a florist where i could try some macro :)

So this photo is dedicated to Algeria888, Kotti22 , mohnet and their wonderful families where i met the soul of generosity and hospitality , allah ybarek 3likoum

peoria, arizona 2007

This is St Martin / Generosity BJ 398, first designed by Burne Jones in 1881 for Brampton.

The cartoon was used a large number of times at:

Gateacre St Stephen 1883; Ashton-under-Lyne Albion Congregational 1893; Hatfield St Ethelreda 1894; Chelsea Holy Trinity Sloane Sq 1894-5; Oxford Harris Manchester College (as Generosity) 1896; Heywood 1898 (now at Huntingdon Museum, California, USA); Southgate Christ Church (as Liberality) 1899; Mellor Methodist Church (as Generosity) 1900; Rugby School 1901; Guilsborough St Etheldreda and St Wilfrid 1901; Morton St Paul 1901; Wilden All Saints 1902; Rottingdean St Margaret 1902; St Germans (as Charity) 1902; Kensington McCulloch 1902; Leek All Saints 1902; Tamworth St Editha 1903; Montreal Presbyterian (St Andrew & St Paul) Canada 1903; Dorchester St George Fordington 1903; Glascote St George (as Generosity) 1905; Calder Vale 1907; Comrie St Fillan/now called St Serf (as Generosity) 1908; Liverpool Ullet Rd (as Generosity) 1908; Millford St John the Evangelist 1908; Bidborough St Lawrence 1909; Halstead St Margaret 1909; Richmond )& Putney Unitarian Church (as Charity) 1912; Ford St John the Divine 1913; Hawarden St Deiniol 1913; Battersea Mission (replaced by Caius House, window retained) 1914; Oxton All Saints Birkenhead 1914; Alresford St Peter 1916 (destroyed by fire); Grahamstown St Andrews School Chapel, South Africa 1919; Leicester All Souls 1920; Bloxham 1921; Denchworth 1921; Longworth 1922; Streatham Park St Alban (destroyed 1947)1920; Thurnscoe 1922; Hillingdon St John the Baptist (as Generosity) 1926 (windows destroyed 1940); Penderyn St Cynog 1933; Holyhead St Seiriol (demolished 1992) 1935.

At present I have found photos of 23 of the uses on flickr.

Generously provided by Tony Meldahl.

Letter generously translated by xiphophilos: authored by Landwehrmann Gottlieb Gerlach on the 13th of March 1915 in Joppecourt. Admin stamp from 4 Komp. Landsturm Infanterie Bataillon 'Leonberg' (XIII 7).

Württemberg Landsturmmänner from the 52nd Infanterie Bde (Ludwigsburg) pay their respects to a memorial to 18 of their fellow countrymen killed in the vicinity of Villers-la-Montagne on the 22 August 1914, in the Battle of the Frontiers.

French commander-in-chief Joseph Joffre ordered an attack through the Ardennes forest in support of the French invasion of Lorraine. By 20 August however, it was becoming clear - first to General Charles Lanrezac's French Fifth Army, and then to Commander-in-Chief Joseph Joffre - that a massive German presence was gathering in the area. That same day the Germans launched a counter-attack against the French advance into Lorraine.

___________________________________________

Notes:

w. Ldst.-I.-Btl. Leonberg (XIII. 7) Mobil ab 26.8.1914. Die Ers.-Kp. wurde später 1. Kp./1. Ldst.-I.-Ers.-Btl. (XIII. 21). (Etappen-Inspektion Nr. 5).

Alesha out on the Town Old Street Shoreditch London Street Sign: Butter Like Love Best when spread generously. The Department of Dairy Scrumptious Affairs

The campaign, jointly funded by AHDB Dairy and Dairy UK, created a spoof government agency – the Department of Dairy Related Scrumptious Affairs – and focused on digital marketing, a move away from the more traditional approach seen in previous industry campaigns

A cathedral without a bishop: St. Stephan in Vienna

In order to fully fulfill the function of a capital in its medieval understanding, Vienna lacked a decisive factor: Vienna was indeed a major city, but not the seat of a bishopric, but was subordinate to the Prince-Bishop of Passau in ecclesiastical matters. St. Stephen, the most important church in the city, had only the rank of a parish church.

Therefore, the first attempts to found a diocese in Vienna date back to the time of the Babenbergs. Also the under Ottokar II Přemysl after the fire of 1258 begun generous new building of the Saint Stephen's church in the late Romanesque style pursued this goal.

The Habsburgs' representational aspirations also focused on St. Stephen after they had taken control of Austria. Albrecht I began in 1304 with the construction of a new choir. The highlight, however, was reached under Duke Rudolf IV. This ambitious Habsburg wanted to turn Vienna into an important royal residence and St. Stephen as the "Capella regia Austriaca" into the court church of the Austrian sovereign princes, the sacral center of the country.

The background for this lay in the competition with the dynasty of Luxembourg: Emperor Charles IV was just about to expand his residence Prague to a metropolis of European importance. One of his measures was the elevation of Prague to the Archbishopric of 1344, which prompted the great expansion of St. Vitus' Cathedral on Prague's Hradcany.

Rudolf's plan to make St. Stephen the seat of a bishop failed because of the resistance of Passau, because the bishop rightly feared a reduction of his diocese. Nevertheless, Rudolf found a way to give St. Stephan a special rank. In 1359 he obtained the papal confirmation for the founding of a collegiate, an association of 24 dressed in cardinal red robes priests, which was headed by a provost in a bishop-like costume. By subordinating the collegiate directly to the Pope, it was beyond the Passau influence. Thanks to complicated ecclesiastical chess moves he finally succeeded in 1365 to transfer his foundation to St. Stephen, which increased the importance of the church.

This was also reflected in the structural design of the church. In 1359 Rudolf IV began with a large-scale expansion, which was to bear all the symbols of a ruling church: a princely gallery above the west portal was framed by two-storey Duke's chapels, in which the relic treasure was kept. A princely tomb was erected as the tomb of the rulers of the country and finally four towers were planned, which was actually a building prerogative of a bishop's church. By integrating parts of the late Romanesque predecessor building (the main portal and the westwork called "Giant Gate") into his concept, Rudolf gave his building program historical depth.

With the death of Rudolf, the interest of the Habsburgs in St. Stephen palpably came to an end, and the citizens of Vienna took the initiative for the further expansion of the church. Only with Frederick III., who saw his example in Rudolf IV, did a Habsburg take part in the expansion of the church. Friedrich ordered the beginning of the work on the north tower. However, his high tomb in the Apostle Choir of the Dome, which is another notable example of the dynastic program of the Habsburgs in the late Middle Ages, is particularly reminiscent of this Habsburg.

Frederick III. finally managed to bring the prestige matter of his ancestor Rudolf to a successful end: 1469 Frederick III succeeded in to bring about the Pope to elevate Vienna to a diocese. Although the Viennese diocese initially had only a minimal extension - it was smaller than the current urban area - but the Habsburgs had imposed their own will: The Cathedral of St. Stephen had finally a bishop.

Eine Kathedrale ohne Bischof: St. Stephan in Wien

Um im mittelalterlichen Verständnis die Funktion einer Hauptstadt vollends zu erfüllen, fehlte Wien eine entscheidende Sache: Wien war zwar eine bedeutende Großstadt, aber nicht Sitz eines Bistums, sondern unterstand in kirchlichen Belangen dem Fürstbischof von Passau. St. Stephan, die wichtigste Kirche der Stadt, hatte nur den Rang einer Pfarrkirche.

Daher datieren die ersten Versuche einer Bistumsgründung in Wien bereits in die Zeit der Babenberger. Auch der unter Ottokar II. Přemysl nach dem Brand von 1258 begonnene großzügige Neubau der Stephanskirche im spätromanischen Stil verfolgte dieses Ziel.

Auf St. Stephan konzentrierten sich auch die Repräsentationsbestrebungen der Habsburger, nachdem sie die Herrschaft in Österreich übernommen hatten. Albrecht I. begann bereits 1304 mit dem Bau eines neuen Chores. Der Höhepunkt wurde jedoch unter Herzog Rudolf IV. erreicht. Dieser ehrgeizige Habsburger wollte Wien zu einer bedeutenden Residenzstadt und St. Stephan als “Capella regia Austriaca”, als Hofkirche der österreichischen Landesfürsten, zum sakralen Zentrum des Landes machen.

Der Hintergrund dafür lag in der Konkurrenz mit der Dynastie der Luxemburger: Kaiser Karl IV. war gerade dabei, seine Residenz Prag zu einer Metropole europäischer Geltung auszubauen. Eine seiner Maßnahmen war die Erhebung Prags zum Erzbistum 1344, was den Anstoß gab für den großartigen Ausbau des Veitsdomes am Prager Hradschin.

Rudolfs Plan, St. Stephan zum Sitz eines Bischofs zu machen, scheiterte zwar am Widerstand Passaus, denn der Bischof fürchtete zu Recht eine Verkleinerung seiner Diözese. Dennoch fand Rudolf einen Weg, St. Stephan einen besonderen Rang zu verleihen. 1359 erwirkte er die päpstliche Bestätigung für die Gründung eines Kollegiatstiftes, einer Vereinigung von 24 in kardinalsrote Gewänder gekleideten Priestern, denen ein Probst in bischofsähnlicher Tracht vorstand. Indem er das Kollegiat direkt dem Papst unterstellte, war es dem Passauer Einfluss entzogen. Dank komplizierter kirchenrechtlicher Schachzüge gelang es ihm schließlich 1365 seine Stiftung auf St. Stephan zu übertragen, was die Bedeutung des Gotteshauses erhöhte.

Dies schlug sich auch in der baulichen Gestalt der Kirche nieder. 1359 begann Rudolf IV. mit einem groß angelegten Ausbau, der alle Symbole einer Herrscherkirche tragen sollte: Eine Fürstenempore über dem Westportal wurde von doppelstöckigen Herzogskapellen eingerahmt, in denen der Reliquienschatz verwahrt wurde. Eine Fürstengruft als Grablege der Herrscher des Landes wurde angelegt und schließlich waren vier Türme geplant, was eigentlich ein bauliches Vorrecht einer Bischofskirche war. Indem Rudolf Teile des spätromanischen Vorgängerbaues (das als “Riesentor” bezeichnete Hauptportal und das Westwerk) in sein Konzept integrieren ließ, gab er seinem Bauprogramm historische Tiefe.

Mit dem Tod Rudolfs erlosch das Interesse der Habsburger an St. Stephan spürbar, die Wiener Bürgerschaft übernahm die Initiative für den weiteren Ausbau der Kirche. Erst mit Friedrich III., der in Rudolf IV. sein Vorbild sah, beteiligte sich wieder ein Habsburger am Ausbau der Kirche. Friedrich veranlasste den Beginn der Arbeiten am Nordturm. An diesen Habsburger erinnert vor allem jedoch sein Hochgrab im Apostelchor des Domes, ein weiteres bemerkenswertes Beispiel für das dynastische Programm der Habsburger im Spätmittelalter.

Friedrich III. gelang es schließlich auch, die Prestigeangelegenheit seines Ahnen Rudolf zu einem erfolgreichen Ende zu bringen: 1469 erreichte Friedrich III. beim Papst die Erhebung Wiens zum Bistum. Die Wiener Diözese hatte zwar zunächst nur eine minimale Ausdehung – sie war kleiner als das heutige Stadtgebiet – aber die Habsburger hatten ihren Willen durchgesetzt: Der Dom zu St. Stephan hatte endlich einen Bischof.

Martin Mutschlechner

www.habsburger.net/de/kapitel/eine-kathedrale-ohne-bischo...

one day, i had seen a child fishing by the sea shore...then the child shared all of the blessings equally with one's friends...even when the child knows how to do fishing and one's friends doesn't...still i felt the humility of generosity...of family love...a hope that all Humanity would be inspired to share one's blessings...with such good deed of generosity amongst each other...

'BeYours' were generous sponsors of Cha-no-yu'12 in Moscow and gifted this lovely girl as the first prize in doll cosplay contest. So, this honey belongs to the winner, Telperinel \:D/ Congrats!

And as I was one of official photograthers of the event, that's my pictures of her so you can appreciate our sponsor and maybe check out their store =)

Over the past year, with the generous support of Innovation Norway, UN Women has been assessing the potential of leveraging blockchain technologies to address challenges faced by women and girls in humanitarian settings.

As part of this work, UN Women, in partnership with the UN Office of Information and Communications Technology (UN OICT) hosts a four-day Simulation Lab from January 29 to February 1, 2018 at the UN Women New York Headquarters.

This Lab enables UN Women to explore, in collaboration with the private sector, cutting-edge solutions that hold potential for closing gender gaps in humanitarian action.

Based on the results of the Lab, four to five solution providers will be invited to submit a request for proposal (RFP). UN Women intends to pilot two to four solutions in the eld in collaboration with its UN and private sector partners and with the support of Innovation Norway, with the intention to thereafter upscale the most successful solutions as part of UN Women’s Global Flagship Programmes for Disaster Risk Reduction (Gender Inequality of Risk) and Crisis Response and Recovery (LEAP-Women’s Leadership, Empowerment, Access and Protection).

Pictured: Daniel Seymour, Deputy Director UN Women Programme Division

Read More: www.unwomen.org/en/news/stories/2018/2/news-event-blockch...

Photo: UN Women/Ryan Brown

O God, through our Love for You that we become a True family.

We do not see each other through how we physically look, age, intelligence, skills or wealth –

But through God’s Divine Grace to see with our Heart –

Through Holy Virtues of Humility, Love, Generosity, Forbearance, Forgiveness, Peace and Joy.

That everyone has a Spirit to be saved through our Love.

And that through our Love for God that everyone’s Spirit becomes Holy and pure.

To see beyond what our eyes could see,

But the Spirituality of everyone to understand what Love is all about.

Amen.

Letter on reverse (below) generously translated by Heinrich.Stürzl:

Commercial French postcard depicting Pit number 2 of the Mines located at Drocourt, Pas-de-Calais in better days.

"Mericourt, 16/12/1914.

My dear wife! The mine Number 2 at Drocourt, on the 2/10/14 was set alight by fire from the French themselves. This is interesting to me because one night I had to find carbide and kerosene for mine-lamps [in the mine]. This was a dangerous thing in that remote factory site. Please keep the card. Heartfelt kisses, your Pap.

Sender: Field paymaster Schalk, II / bay. Res Inf Rgt 7. To Mrs Louise Schalk Munich Belgradstraße 21/III."

The 5th Bavarian Reserve Division fought in the opening phases of the war in the Battle of the Frontiers. It then participated in the Race to the Sea, including the Battle of Arras in October 1914. It remained in the trenchlines in Flanders until 1916, when it entered the Battle of the Somme in August 1916.

It remained in the Somme and Aisne area until January 1917, when it went into 1st Army reserve to rest and refit. After returning to the line, it saw action in the Second Battle of the Aisne, also called the Third Battle of Champagne (and by the Germans, the Double Battle on the Aisne and in the Champagne). Later in 1917, it participated in the Battle of Passchendaele.

In 1918, the division fought in the German Spring Offensive. The Division ended the war fighting against the American Meuse-Argonne Offensive. Allied intelligence rated the division as a good second class division.

Hands lit up with energy light. Photo based illustration.

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Alesha out on the Town Old Street Shoreditch London Street Sign: Butter Like Love Best when spread generously. The Department of Dairy Scrumptious Affairs

The campaign, jointly funded by AHDB Dairy and Dairy UK, created a spoof government agency – the Department of Dairy Related Scrumptious Affairs – and focused on digital marketing, a move away from the more traditional approach seen in previous industry campaigns

Nan Silverman, Sharon Etter and Allene Gittlen arrive at Generosity & Gratitude 2022 at the Hershey Lodge on May 4.