View allAll Photos Tagged GRAPHIC
Poster, badge set, and screenprinted Tall-Tee promoting an HIV/AIDS Hip Hop Benefit concert. Fall 2005.
These Graphic Illustrations has been developed for the Olympic Games of Vancouver 2010 Website. They follow the Vancouver 2010 brand guidelines
I've been thinking for some time about making a book called "Graphic Violence" which would show various gory warning signs from around the world. Sometimes (often) they're just a little too explicit. This sign translates roughly to: "Warning! Risk of being crushed. It is dangerous to transport goods in elevators which lack inner doors or optical safety devices".
Another Honda Helix photo made into a custom Graphic showing what an extended body with better streamlining would look like.
JAGDA New Designer Award 2011 at Creation Gallery G8, Tokyo
JAGDA新人賞2011@クリエイションギャラリーG8
Award winners: Daigo Daikoku, Yui Takada and Masashi Tentaku
JAGDA Annual: Graphic Design in Japan 2011 published in June 2011.
Award Ceremony: JAGDA General Assembly 2011 on 11 June, 2011 at Tokyo Midtown
Overview by Satoh Taku, Editor in chief of Graphic Design in Japan 2011
The New Designer Awards are a harbinger of JAGDA’s future. This is because the young designers on whose shoulders the future rests, and who are greatly influenced by their winning of this award, are very likely to become JAGDA members. In that respect, both those on the judging side and those on the award-receiving end have a weighty responsibility. The judges must have a vision of how JAGDA should be in the future, while those who receive the awards shoulder the responsibility to lead the way toward the graphic design of tomorrow. The zeal they display will inevitably impact the future of graphic design in Japan in no small way. Those who receive the award should view it as being told by their predecessors that they are now destined to be a leader in the world of Japanese graphic design. Through the process of making selections for the New Designer Awards, I felt one thing in particular relating to the candidate works as a whole. This was the feeling that many works approached their theme from an “off-center” perspective rather than straight on. Although one might easily say this is just the way Japanese culture has always been, I wonder if this trend in evidence in the works by designers destined to lead JAGDA into the future is a positive one. Things having an off-center perspective stand out only when there exists a firm center. Somehow it seems that many young graphic designers are intent on targeting the “edges,” leaving the center empty. Or am I alone in feeling this way? Personally, I too feel that works slightly off-center are indeed quite appealing, but my hope is that those who have won the JAGDA New Designer Awards will take this as an opportunity to think once again about what role graphic design should play in society.
Daikoku Daigo
Since Daigo Daikoku’s works garnered the most votes, I think that overall his works conveyed sufficient strength. Spanning a wide spectrum, they show strength in great variety. In particular, the promotional movie demonstrated yet another of Daikoku’s true strengths.
Yui Takada
Yui Takada’s works are all finely detailed and unique. His book designs and small graphics in particular attracted comments of approval at the judging sessions. His meticulous creation of micro-worlds fueled expectations for his artistic future.
Masashi Tentaku
Of Masashi Tentaku’s works, above all it was “KUDAMEMO” that showed off his talents best. His three-dimensional memo pads imitating apples and pears were superb. His talents will surely be applied broadly in the years ahead.
Selection Process
・Among the 233 “new designers” (JAGDA members under age 40 as of October 31, 2010) featured in the 2011 JAGDA Annual, a total of 29 were nominated for JAGDA New Designer Awards. These consisted of entrants with one work garnering 8 of a possible 10 votes in a given category, or two or more works each receiving 6 or more votes. (Because the borderline number of votes needed for selection differed for each category, the Posters category, which had the largest number of entries, was used as the standard and scores were computer-adjusted accordingly.)
・All featured works by the nominees were grouped together by designer, and the 19 members of the General Graphics Selection Committee (one member was unable to attend) undertook the preliminary round of voting, with each member allowed to cast up to 5 votes in total. The voting, carried out anonymously by filling out printed forms, produced a total of nine designers garnering 4 or more votes. The Committee members unanimously decided to narrow the field to these nine finalists.
・In the second round of voting, the Committee members cast up to 3 votes in total, with each selecting the nominees he felt deserving of 1st, 2nd and 3rd places. Again, voting was indicated on written forms, with the provision that all voting members had to choose a full complement of three proposed winners. This time, a 1st-place vote was worth 3 points, 2nd place 2 points, and 3rd place 1 point.
・This round of voting produced the following results: Daigo Daikoku 24 points / 11 votes, Masashi Tentaku 20 points / 9 votes, Junya Kamada 19 points / 8 votes, Yui Takada 17 points / 8 votes. The Committee members then discussed how best to make their final decision and devised the following method. Concerning Mr. Kamada and Mr. Takada, who had both received 8 votes, the Committee members took a final vote, each member casting 1 vote for either of these two candidates. Mr. Takada received 11 votes and Mr. Kamada 8.
As a result, the 2010 JAGDA New Designer Awards were awarded to Daigo Daikoku, Masashi Tentaku and Yui Takada.
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www.jagda.org/information/jagda/1074
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Scarborough port.
We left home around 3 in the morning to catch the dawn at 4.30.
The roads were empty and we saw the light changing, as we got closer.
A few loners on the promenade, with doggies.
The light was gorgeous.
The air was cool and fresh.
I saw these wooden post glowing in the sun.
Alongside the quayside, they are supporting the wall.
Have a day full of peace and thank you for your comments. M, (*_*)
For more: www.indigo2photography.com
IT IS STRICTLY FORBIDDEN (BY LAW!!!) TO USE ANY OF MY image or TEXT on websites, blogs or any other media without my explicit permission. © All rights reserved
post, wood, Scarborough, quay, harbour, light, morning, horizontal, colour, NikonD7200, "magda indigo"
The structure of the Graphic overlay or control panel overlay is very simple. It is a single-layer structure of polycarbonate or polyester or an interface layer composed of adhesive. Graphic overlay uses are generally divided into two types: one is as a decorative Graphic overlay, so the product is more focused on whether to convey information such as the operation of the device, the company's logo, and product information. The second is the functional custom Graphic overlay, the product is more used for the circuit layer or the combination of silicone, and sometimes even combined with the shrapnel to form the shrapnel layer. Since Graphic overlay is the top-level structure of the product, it must be aesthetically pleasing and impressive. Niceone-tech not only pursues the beauty of the product but also the high performance of the product.
Graphic Overlays
Niceone-tech's Design Suggestion for Graphic Overlays
According to the application method of membrane overlay, Niceone-tech's most professional design suggestions are given. Here are some suggestions from Niceone-tech for Graphic overlay materials:
Whether the product is used outdoors or indoors, if it is used outdoors, the external factors that affect the life of the product, such as ultraviolet light, temperature, humidity, and dust, must be considered for the panel and adhesive tape materials. If Graphic Overlay is to be used outdoors for long periods of time and extreme high and low-temperature use, Niceone-tech panel recommends the Autotex material of XE series or HP92W, etc., and Niceone-tech adhesive tape recommends 3M. For indoor use, Niceone-tech can provide different options according to the customer's budget. The most common design for products without windows is Autotex F150 or V150 + 3M adhesive. With windows, Niceone-tech recommends using EBG + 3M adhesive paper. But Niceone-tech will respect the customer's decision, we will only give our professional advice for customers to choose from.
The choice of Graphic overlay material can be polycarbonate or polyester, whichever has its unique properties. From the perspective of the number of driving times, Niceone-tech will recommend Polyester material because it can be pressed repeatedly millions of times without breaking. The PC material can't meet this requirement relatively. Conversely, if customers only need an indicator panel and the cost is lower, Polycarbonate is a good choice.
Graphic overlay needs to be resistant to bacteria or anti-microbial, and the chemical properties are required to be stable. The AM series of Autotex materials is a good choice.
The feel of the control panel is sometimes one of the conditions considered. Materials include Velvet, Gloss, Matte, and another different touch, Autotex of F, V, and XE series is Velvet, Autotex of EBG series, HP92W and FR-60 Lexan is Gloss. Matte touch is EBA and HP-40Lexan as options.
If you want to know what material is most suitable for your Graphic panel product, and want to customize a polycarbonate overlay or polyester overlay suitable for you, please contact info@niceone-tech.com. If you need to customize graphic overlay, Niceone-tech will Produce drawings within 3 days, send graphic overlay prototype within 15 days.
Aesthetic Considerations Affecting Graphic Overlay Design:
Graphic overlay printing: Graphic overlay has Screen printing and digital printing. Screen printing colors generally have small errors, but the colors are not Fades or Gradients. Digital printing can be Fades or Gradients, but the color error is large.
Does Graphic overlay need to be embossed: embossed is generally divided into Rim Embossed, Pillow Embossed, and Dome Embossed. The logo or letters of the product also need to be convex, Niceone-tech will analyze whether it can be generated. At the same time, some products also need to hit blind spots.
The surface treatment of Graphic overlay includes 1. Glossy 2. Non-glare 3. Textured 4. Patterned 5. Metals (e.g. brushed aluminum, stainless steel)
The graphic overlay has an LCD window and an LED window. The window selection of LED is generally transparent white or transparent raw materials. LCD's windows are produced according to customer requirements. Generally speaking, the raw materials are transparent or silkscreen transparent colors, and the windows are also required to be scratch-resistant. If you want custom graphic overlay, you can contact Niceone-tech, as a graphic overlay manufacturer, our professional and timely feedback will definitely make you gain something.
I created a series of graphic designs for Iris Beauty - an online shop which sells cosmetics and beauty products. I wanted to create a feminine and elegant brand image.
This image shows two different designs of the price tag. I chose a simple palette of yellow and purple as they create maximum contrast when combined.
I have modified a curly Art Deco font to create a simplified version of the “Iris” logo. I changed the letter "I" so that it looks like a stylised iris flower. The iris flower is incorporated into the girl’s hair to create harmony in design.
Copyright Aurora Rogers. All Rights Reserved. Graphics are displayed for review purposes only. Reproductions of these works in any manner are prohibited.
Custom logo design, identity design, branding, graphic design
Design & Branding
Las Vegas, Orlando, San Diego, Chicago, Washington, New York, Seattle, Salt Lake City, Austin Texas, Cincinnati, Ohio, Northern Kentucky, Florence Union KY, Miami, FL, South Florida
Print graphic design, identity brand design for green technology companies, sustainable construction, IT firms, Information Technology companies, Software companies, small business, church, churches, non profit organizations, education, universities, real estate agents, realtors, travel agents, administrative assistants, virtual assistants, financial advisors, banks, community organizations, events
English & Spanish
Bilingual Designer