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The Graphic Design Program at Loyola University New Orleans showcased Monroe Hall’s newly-renovated fifth floor design studios Friday, Jan. 17. The new facilities feature three design studios, two elements studios and two teaching computer labs with state-of-the-art projection and surround sound systems. The floor also includes improved classrooms, a screen printing room, darkroom and digital printing and equipment lab. Multiple lounge and vending spaces are also located throughout.
The Graphic Design Program at Loyola University New Orleans showcased Monroe Hall’s newly-renovated fifth floor design studios Friday, Jan. 17. The new facilities feature three design studios, two elements studios and two teaching computer labs with state-of-the-art projection and surround sound systems. The floor also includes improved classrooms, a screen printing room, darkroom and digital printing and equipment lab. Multiple lounge and vending spaces are also located throughout.
Mary Leonard-Cravens' graphic design class in the Doudna Fine Arts Center on the campus of Eastern Illinois University in Charleston, Illinois on February 1, 2012. (Jay Grabiec)
Classwork at HEAJ (Haute Ecole Albert Jacquard, Namur, B) : graphic research inspired by Saul Steinberg's work.
I will make you a header graphic for you website or blog for $5. The time for completion is 24-48 hours and I will do up to 3 revisions. I can make a header graphic to the dimensions you wish or I can recommend something if you like. You can view some of my previous work at the following URL:
Note: the headers at the URL I listed are all 750 x 300 pixels.
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Classwork at HEAJ (Haute Ecole Albert Jacquard, Namur, B) : graphic research inspired by Saul Steinberg's work.
A. Hoffman Awning Baltimore Maryland
410-685-5687
Hoffman website:
Contact Hoffman Awning in Maryland & DC
ahoffmanawning.com/contact-our-team/
Link back to Photo Albums www.flickr.com/photos/hoffmanawning/albums
Hoffman Awning Baltimore Maryland
5113 Belair Rd.
Baltimore, Maryland 21206
410-685-5687
E-mail: info@ahoffmanawning.com
HOFFMAN RESIDENTIAL AWNINGS
Hoffman Awning Company in Baltimore Maryland, has been designing awnings and canopies for 100 years. Call Hoffman Awning for any residential-awning..deck-awning, porch-awning, window awnings, stairwell awnings, privacy-curtains, and more
The highly ornate, the infinitely rich & the compulsively detailed.
NEW BOOK FORMAT
With a new and expanded book format Graphic 08 goes to war against functionalism.
If ‘ornament is a crime’ as Adolf Loos once declared, then most of those featured in this volume shall plead guilty of attempting to transcend functionality. Function? What for?
The big surprise of Ornate! is the willingness of those featured to engage in practical ways with their environment. Patterns and illustrations are applied to floor and ceiling tiles, wallpapers, interiors and exteriors, furniture, all sorts of objects, textiles, accessories, screensavers, trailers, skateboards, crashed vans…
Ornate! features work from a variety of fields (graphics, illustration, fashion, applied-arts, architecture, graffiti, art & photography…) and an international list of contributors, including: Studio Job, Lucy McLauchlan (Beat 13), Absolute Zero Degrees, Birgit Amadori, Aya Ben Ron, Liselotte Watkins, Tal Rosner, Hanna Werning, Federico Galvani, Giuliano Garonzi, Hjarta Smarta, Yoko Ikeno, Yumiko Kayukawa, Jung Kim, Kiyoshi Kuroda, Manuel Miranda, Mr & Mrs, Linn Olofsdotter, Timorous Beasties, Nice… Also, extended interviews and recent work by Sweden Graphics, Akroe, Kam Tang, Basso & Brooke, Rob Ryan & Florence Manlik.
With an essay by Adrian Shaughnessy and a visual essay by Stefania Malmsten and Paul Davis.
Senselessly ornate, densely decorative, interestingly useless, grossly gothic, obsessively detailed, lavishly allegorical, compulsively complex, absurdly metaphorical, intensely romantic, ludicrously impractical, preposterously obsessive, discreetly excessive, heedlessly minimal – the new graphic will be out in the Autumn of this year.
Editors: Marc-A. Valli (Magma) & Lachlan Blackley
Design: Sebastian Campos (Aficionado), Inca Starzinsky, Samuel Baker
Published by Bis
November 2005
198 pages, 220 X 280 mm
WELCOME TO THE NEW GRAPHIC
MORE PAGES, NO ADS, SAME PRICE!
A few words about the new format.
Yes, Graphic is changing. Evolving would be a nice way to put it, thought it might just be having an identity crisis. In truth, we were never quite able to make up our minds. Were we producing a book (there was definitely enough material in every issue to justify a book) or a magazine (despite the price, and the size and the conspicuous scarcity of advertisers)? What was it? A hybrid? So after much debating we decided to turn it into just that: a hybrid, a strange book-magazine thing – a ‘mook’, as the Japanese call them.
Classwork at HEAJ (Haute Ecole Albert Jacquard, Namur, B) : graphic research inspired by Saul Steinberg's work.
Speed Graphic
Exposure - 20 seconds.
Effective ISO - 12
Film - Kodalith
Processing - Not kodalith
Scanning - Epson V500 (reflective mode)
This was a fun photo to take. It's my first real 4x5 photo :) Developed at home! ... in a patterson roll film tank.
114-24
looking stunning as always. first time shooting with my new Speed Graphic 4x5 camera and super expired 4x5 peel apart film. i love how the colors turned out, even though i missed the focus by a bit
Bem vintage de um shoot do Ben Barnes . Sim,akele cara lindinho que fez as Cronicas de Narnia,e Dorian Gray , o filme que a Gabi tá doidinha pra ver *---*
Uluru–Sky Australis D4SC1max standard Red+Blue
This proposition takes on findings or recent design tests based on a full polychrome palette (max 6); dividing 4 divisions of field with gold horizon diamond (fimbriation); Uluru arc for abstract Earth + Sky references to the 'Great Southern Land' of (terra australis) and previous designers (Hundertwasser 1986 and Mark Tucker 1993 for Ausflag); an original dynamic Southern Cross device integrating a Commonwealth Star "as an Epsilon" – intentionally bending Rules of Tincture (white on gold) to intensify the axial centre focus – with horizontal and vertical symmetry; innovative use of Green + Gold (National Colours) as upper feature, Blue (warm-purple or french-blue) + Red (Ochre-Orange or standard-red), to hang in tandem beside ATSI flags, while symbolising inclusivity, cultural diversity and an aspirational neutrality.
NOTE: The "visual" merging of the 7 point Federation Star with the 4 point gold axis references acknowledgment of the Eureka Flag 8 point star motif as our earliest flag devised by late colonial Australians).
©2015 mpathesii CC NC ND This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Australia License creativecommons.org/licenses/by-nc-nd/3.0/au/
Graphic novel from the Edgar Allan Poe's short story "The sistem of doctor Tarr and professor Fether", realized by Francesco Saresin