View allAll Photos Tagged FujiNEOPAN100ACROS,
Not that sharp--the shutter is even slower, at 1/25th, than a brownie's 1/33rd. I wonder if I didn't hold it steady. Actually, this is the best shot from the entire roll (the only roll I've shot with it so far), and it isn't as good as any of the shots with my Brownies, which are 25 to 30 years older.
I don't know.
Leica M6
Voigtlaender Color-Skopar 35mm f/2.5 Pancake
Fuji Neopan 100 Acros
© 2009 Salvatore Falcone All Rights Reserved.
Please don't use this image on websites, blogs, magazine or other media without my explicit permission.
Pentax 67
S-M-C Takumar 6x7 200mm f4
on Fuji Neopan Acros 100 @ 100
developed in Tetenal Ultrafin Liquid (1+20)
3,5 min pre wash, dev. 7 min, 20°C
Auckland Art Gallery
Pentax 645
SMC Pentax-A 75mm f/2.8
B+W Yellow MRC 022M Filter
Fuji Neopan 100 ACROS
”Ihikawa soy sauce”
a good old town of Asago City, Hyogo Pref.
Bessa-R x NOKTON 1.5/50 x Fuji NEOPAN 100 ACROS
Brooklyn Bridge from N train
Minolta Autocord, Rokkor 75mm f/3.5
Fuji Neopan 100 Acros
D-76 1:1, 8.75 min. at 72°F
f/8, 1/160
Monobath film developers feel like the in thing for 2018. Whether you’re just thinking about jumping into home developing, or are an old hand, there has never been a better time to try them out.
In this article, I compare the results from six different film stocks developed in monobath...
Read on at: emulsive.org/reviews/gear-reviews/darkroom-equipment/revi...
Filed under: #Articles, #Darkroom, #DarkroomEquipment, #DevelopingFilm, #GearReviews, #Reviews, #Bergger, #BerggerPancro400, #Cinestill, #CineStillDf96Monobath, #FamousFormat, #FamousFormatNo1Monobath, #FFNo1Monobath, #FomaBohemia, #Fomapan100Classic, #Fomapan200Creative, #Fuji, #FujiNEOPAN100ACROS, #Graflex, #GraflexOptar135MmF47, #GraflexPacemakerSpeedGraphic, #KodakProjectionAnastigmat161MmF45, #LargeFormatFilm, #Manfrotto, #Manfrotto410Junior, #ManfrottoCarbonOne441, #MOD54, #Paterson, #Rollei, #RolleiInfrared400, #Sekonic, #SekonicL608, #Shanghai, #ShanghaiGP3
#shootfilmbenice #filmphotography # believeinfilm
Bean sprouts, basil and ice water. Pho Saigon on N Lamar in ATX. 2/15/2016
Camera: Minolta XG-M
Lens: Rokkor 50mm f/1.4
Exposure: f/1.4 1/60
Film: Fuji Neopan 100 Acros
Filter: Minolta Y48 yellow
Scanner: Pacific Image Electronics PrimeFilmXA
Scanner Software: Silverfast AI Studio 8
Life would be boring without experimentation and this fifth article for 2018’s lazy post listicles should help you scratch that itch…or not.
Either way, it’s here.
Comparing Fujifilm Acros to… Fujifilm Acros – READ
Crank Case – Minolta XD...
Read on at: emulsive.org/articles/best-of/emulsives-most-popular-film...
Filed under: #Articles, #BestOf, #BestOf2018, #ClaraAraujo, #DoubleExposure, #EMULSIVE, #Fuji, #FujiNEOPAN100ACROS, #FujiProvia100FRDPIII, #JoePitz, #Kodak, #KodakEASTMANPlusX5231, #KodakEktachrome100VSE100VS, #KodakEktar100, #KodakPortra160, #KodakPortra400, #KodakPortra800, #KodakTriXPan400TXP, #Rolle, #RolleiSuperpan200, #StigStarr, #StiggStarr, #ToniSkokovic, #YusufWiryonoputro
#shootfilmbenice #filmphotography # believeinfilm
7/366
Minolta Autocord, Rokkor 75mm f/3.5
Fuji Neopan 100 Acros
D-76 1:1, 10.5 min. at 68°F
f/8, 5 min.
former Ikuno Police Office (1886)
designed and buil by an obscure local carpenter
a good old town of Asago City, Hyogo Pref.
Bessa-R x NOKTON 1.5/50 x Fuji NEOPAN 100 ACROS
Rolleicord V, Fuji Neopan 100 Acros
Freedom/Failure Friday once again, friends!
Nothing really seems in focus here. Maybe my hand shook?
A popular expression in my hometown Tarragona is “anar a tocar ferro” (to go touching iron) meaning going to take a look at the Mediterranean from the end of the Rambla Nova, touching this wonderful iron rail. This is one of my favorite spots in Tarragona.
Happy Fence Friday! :)
Una expresión popular en mi ciudad natal Tarragona es “anar a tocar ferro” (ir a tocar hierro), que significa ir hasta el Balcón del Mediterráneo al final de la Rambla Nova y tocar esta maravillosa barandilla de hierro. Este es uno de mis lugares favoritos en Tarragona.
¡Feliz Viernes Vallero! :)
(Praktica BMS, Prakticar 50mm 1:1.8, Fuji Neopan 100 Acros, ISO 100/21°)
Pentax K1000
SMC Pentax-M 1:2 50mm with orange filter
on Fuji Neopan Acros 100 film
developed in Tetenal Ultrafin Liquid
The Village des Bories near Gordes. Bories were built between XIV-th century to XIX-th century. The composed stones are slightly tilted towards the outside to assure a better waterproofness, a technique known since the prehistory. Some were used as houses while others were used for the animals or to stock agricultural material.
Camera: Holga GCFN. Film: Fuji Neopan 100 Acros, developed in ID-11 1+0 (2nd use), 24°C, 4 min 51s, rotation.