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Local designer's shop front, I liked the light and the setup, even if everything in there was a bit pricey
BPLDC no.: 08_04_000232
Page Title: Front cover
Collection: Tupper Scrapbooks Collection
Album: Volume 45: Vienna.
Call no.: 4098B.104 v45 (front cover)
Creator: Tupper, William Vaughn
Photographer:
Genre: Scrapbooks
Extent: 1 page ; 33 x 39 cm.
Description: Scrapbook page contains the front cover to volume 45 of the Tupper Scrapbook Collection. Volume includes materials acquired during his travels in Vienna.
Transcription: Vienna.
Notes: Page title and description supplied by cataloger, derived from captions and/or annotated information.; Library note above title: scrapbooks of mounted views, portraits, etc., relating to G. Brit., Europe, Egypt, etc.
BPL Department: Print Department
Rights: No known restrictions.
BPLDC no.: 08_04_000280
Page Title: Front cover
Collection: Tupper Scrapbooks Collection
Album: Volume 36: The Rhine. Heidelberg. Nuremberg.
Call no.: 4098B.104 v36 (front cover)
Creator: Tupper, William Vaughn
Photographer:
Genre: Scrapbooks; Albumen prints
Extent: 1 photographic print mounted on page : albumen ; page 33 x 39 cm.
Description: This page is the front cover to volume 36 of the Tupper Scrapbook Collection. Volume includes materials acquired during his travels in the Rhine, Heidelberg, and Nuremberg.
Transcription:
Notes: Page title and description supplied by cataloger, derived from captions and/or annotated information.
BPL Department: Print Department
Rights: No known restrictions.
Front cover for Will Steacy's collection of essays, "The Photographs Not Taken" bound with a three hole pamphlet stitch using kitchen twine.
Front Street
Salem, Massachusetts
c. 1968
Photograph by Nelson Dionne
Urban Renewal
Citation: Nelson Dionne Salem History Collection, Salem State University Archives and Special Collections, Salem, Massachusetts
Morning Snowfall-December 13 2015
I haven't seen this much snow since 2006. I am loving it. I miss the snow sometimes. It's been forecast that our winter will be colder and snowier than usual.
Front of the purse with the 2 pockets. A small one for the cell and a larger one for other things or the Blackberry.
...and here's the full reveal! For the Feed My Tummy Exhibition in Hawaii, which is on right now. In full X-Ray mode, hope you like him!
Got this set on eBay and although someone wrote on the front "new 1978", I'm not sure about that. The box design and illustrations point this towards the early 70's. I have a 1978 GE Christmas Light catalog and the graphic layout is different and the sets are no longer American made by this point. www.flickr.com/photos/jeffcarter629/4732041018/in/set-721...
GE introduced the Cool Bright lamp in 1970 and two of the other cool burning GE lights that the package recommends were no longer made after the early 70's-The Stardust and Lighted Bells. GE stopped making the 10 light strings of their standard bulbs by 1975. What I do find odd is that on the box flap where you would find the date of manufacture, it lists "EasTex -Bruce" instead of the date code. When GE used Ohio Boxboard Company to make their boxes there would be a date code. This lasted until the mid 70's. Another clue that this could be a later production is the price. In 1974 I got a 10 Light Set of the Ceramic Coated bulbs from Woolsworth for $1.99. This set is $2.99 from TruValue Hardware. I do have all of the GE Christmas Catalogs from 1978 until they stop manufacturing lights in 2001. GE would produced special sets for major retailers that were not listed in their catalog. This could be one of those sets. GE may have needed to get rid of some old inventory that was left over when they changed their product line and produced these for TruValue or this could be some old stock from previous seasons that TruValue sold in 78.
If you have any insight on this please leave a comment.
My Laurel dress is made from a Malaysian sarong. The green printed panel used for the front took up about 1/3 of the sarong and the rest was in the purple pattern seen on the back of the dress.
The big bouquet motif is balanced but asymmetrical so it was a challenge to centre it on the front of the dress! There were two further identical motives on the purple background but it was impossible to cut the dress pieces to get a full bouquet on the back - you can see half coming from each side instead, but that worked quite well to make the jump from green to purple a bit less abrupt at the seams.
The floral border ran right along both selvedges and I've used it at the hem and on the sleeves. A sarong typically isn't hemmed so the selvedge is decorated too - I've left that showing; it's a finer, softer selvedge than you get on a lot of yardage fabric, because it's meant to be part of the garment.