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Mercedes Benz ____ Irizar I6s 13.35 nº 167 (3598 MPP) d¡Autocars R.Font de Ripollet (Barcelona)
Matriculat el 10/04/2024
VIN: WEB63440611700352
El veiem el 13 Juliol 2025 esracionat a las pistas esportivas de Mollet del Vallés (Barcelona)
Volvo B7L amb carrossería Castrosua CS40 City II núm. 101 d'Autocars Font de Ripollet
El veiem posiblement en el seu primer día de servei a Font fent la línia V20 de Ripollet a Barcelona (Fabra i Puig)
Procedeix del servei urbà d'Arganda (Madrid) on tenía la calca núm. 17
Al costat del Palau Reial d'Aranjuez s'hi troben els seus jardins, amb diverses fonts que li donen vida. Quan arriba el bon temps els habitants del poble i turistes tenen l'oportunitat de passejar i gaurdir-ne, tota una delícia!
Mercedes Benz OC500RF-2542
Irizar PB nº 145 (8690 GNV) d'Autocars R.Font de Ripollet (Barcelona)
Matriculat el 29/07/2009
Alta a Font el 16/08/2016
VIN: WEB63440111000026
El veiem el 11 Febrer 2025 al seu pas per Rbla.Onze de Setembre amb Gran de Sant Andreu fent Servei Escolar al SAT
Ex - 34 Almeraya (M)
Ex - 544 AISA (M)
EFCO Fairley Font Collection includes 11 fonts that have different styles in sans, serif and script, which are all works great together or in their own. The script version also combined with ending swashes, use stylistic alternates from 0 to 9 to work with them. The Inspiration for this collection comes from today's graphic design trends. EFCO Fairley Font Collection was designed carefully to create dozens of font combinations and get really unique typographic for your project. It would be a perfect choice for posters, logos, t-shirt and magazine prints, eye-pleasing typographic designs and more.
Download at
Detail of the Norman font, a section of which appears to be a sensitively matched 18th century repair.
St Faith's church sits charmingly in the picturesque surroundings of Overbury, a handsome building whose various parts span the entire medieval period, from the largely Norman nave to the Perpendicular central tower, of a design and colouring that would make it quite at home in the nearby Cotswolds.
The interior takes a moment to adjust to owing to the low light level, The Norman nave was provided with a row of clerestorey windows on either side which would have improved this situation were it not for the fact the aisle walls and roofs were rebuilt to a higher level in the following centuries. The nave thus is a brooding space from which the lighter 13th century chancel beyond draws the eye, and has the added appeal of a vaulted ceiling, an unusual luxury for a village church. The unusually wide east window is a later insertion to increase the light within.
This is an enjoyable space full of interest with a few particular features worth seeking out, foremost of which is the Norman font which greets the visitor near the south door and is carved with two unidentified figures in relief.
Overbury church was open and welcoming in pre-Covid days and well worth a visit.
For more see the link below:-
www.worcesteranddudleyhistoricchurches.org.uk/index.php?p...
St Mary Magdalene, Debenham, Suffolk
Debenham is unusual, because it is the largest settlement in East Anglia that the Victorian railways never reached. There was a plan during the 20th Century for trains to serve it, as we shall see. But Victorian industry never troubled it much, except for a brick factory, and because of this it has a quite different character to other Suffolk places of its size.
It is softer, more pastoral, with elegant little shops lining its high street.This isn't a place many people pass through, unless on the back road from Ipswich to Eye. It is more a place that tourists know to be beautiful, and local villages look to for amenities - the Co-op, the school, the sports centre. White's Suffolk Gazetteer of 1844 found about 3,500 people living in and around it, and I do not suppose that there are many more than this today.
St Mary Magdalene is a large, surprisingly urban church. But why not? For in larger places, it is the town that has become more urbanised, not the church. Most towns were once like this. It is set back on a rise above the old market place, although most people will approach it from the west, beside the little parish hall on the high street. Here, the first thing to admire is Suffolk's grandest galilee porch, with its former chapel above. These western porches are most unusual: there is a similar one at Bottisham in Cambridgeshire, and one on the round tower at Mutford. The western extension at Lakenheath was never a porch at all. So here is an experience to savour: you enter the church through a series of unfolding spaces, so that finally opening the double west doors into the nave comes as a surprise. You step out from beneath the recently restored tower. The porches and aisles clustering beneath it create the sense of a cruciform building, which of course it isn't. It is certainly a very old tower, though, with evidence of Norman and even Saxon work on the lower reaches. The upper decorated stage is 14th century, and looks rather unusual for Suffolk, the bell openings being so close to the battlements. This is because it had to be truncated after being struck by lightning in the 17th century. Perhaps its squatness is rather charming. The ring of 8 bells is considered one of the most mellow in the county, and the space beneath them, has several of those boards recording remarkable feats of bell-ringing.
You step into a big church made gorgeous by the brick patterning of the floor, the fruit of Debenham's one major 19th Century industry. Red and white bricks are laid in a diamond pattern, with small floral tiles in the points of the diamonds. It is surely one of the most beautiful church floors in Suffolk, and a sign that, although the inside of this building is almost entirely 19th Century in content and character, this interior is by no means an anonymous one. Grumpy old Cautley pottered about looking for medieval survivals, but this is an interior to enjoy as a whole; as with so many urban churches, the 19th century work contributes to a sense of continuity rather than disrupting it.
There are medieval survivals, as we shall see, but most eyes will be first caught by the striking memorial in the south aisle to John Simpson, who died in 1697. In some ways, this is an unusual date for a memorial of this kind. Here we have a kind of Baroque grandiloquence which will come to full flower for great landowners and heroes over the next half a century, and which will become increasingly secularised until we get the typically entirely pagan 'memorials' of the middle of the 18th Century onwards. But here, Simpson seems concerned to have left the parishioners a catechetical tool, a protestant equivalent of the glass, wall paintings and sculptures intended to reinforce Catholic orthodoxy in the years before the Reformation.
Two other former Debenham citizens lie in the chancel. Sir Charles Framlingham and his wife appear to have been woken suddenly from sleep, their eyes wide and staring, as if terror-struck. Her ruff is fabulous. Their recumbent effigies lie on a rather battered tombchest, its kneeling figures doubtless removed by enthusiastic parishioners of John Simpson's predecessors in the middle of the 17th Century, who misinterpreted them as Saints. What little coloured glass this big church has is up in the chancel, all of it fairly good. The Victorians placed triple lancets in the east, rather than the more familiar large-scale Perp revival, and this creates a sense of intimacy. The crucifixion in the east window is sombre and detailed, but best of all are the figures of St Columba and the Blessed Virgin at the Annunciation that remember the Dove family on the south side.
At the east end of the south aisle, the apparatus for a chantry altar is still in place, with a piscina, and the rood loft stairs opening off of it rather than in the nave or chancel. At the east end of the north aisle is a curiosity, a piscina made up of odds and ends rescued from elsewhere, including a fine 13th Century Bishop's head. The font is a rather battered late medieval example, with an elegant 17th Century cover. Above the chancel arch, the rood beam is still in place. Like so many survivors, its bulk must have made the 16th century reformers wary of removing it, lest the church fall down without it.
Just to the north of Debenham, the remarkable Mid-Suffolk Light Railway ran on its way from Haughley Junction to Laxfield (it was planned to reach Halesworth, but this never materialised). This early 20th Century enterprise was the setting for John Hadfield's novel Love on a Branch Line, and was still remembered fondly by older Suffolkers when I moved to the county forty years ago. At the time of the First World War, a spur was built from Kenton Junction to a field just north of Debenham. It was an expensive and hare-brained extension, for permission to carry passengers along this stretch was never obtained, and nor was the last stretch into Debenham itself ever built.
So, Debenham fended off the iron giants to the very last, and they will never come now. Use of the spur for goods traffic was discontinued after a few short years, and the rails were removed. The cost of this spur contributed ultimately to the Middy's demise. Although very little evidence of this company's railway survives today, there are substantial remains of a bridge and embankment of the Kenton-to-Debenham spur on the road to Aspall, about a mile north of the church. The traffic rushes by, but to clamber up on this overgrown ridge is to consort with ghosts.
Available at: www.hypefortype.com/memoriam.html
The tradition at the New York Times magazine has been to dedicate the year's last issue to the people who passed away during the year, especially those whose lives have affected us. Art director Nancy Harris Rouemy, whose typographic design sense has earned her many prestigious awards over the years, decided on an all-type magazine cover for the 2008 issue, and commissioned Canada Type to do a new typeface especially for that project. Now Memoriam is finally here in retail form-not least because hundreds of people have asked for it. Though a few other Canada Type faces were used in the magazine with great results over the preceding months (mainly Ambassador Script and Sympathique), Nancy thought a some of the ideas in Jezebel's uppercase and Treasury's lowercase would be a good fit onto an all-type commemorative cover, but with a much higher contrast and the infusion of a more luxurious and elegant brand of poster calligraphy that doesn't date itself. After a few different attempts, the first shapes were born, and six weeks later there were enough forms to do the cover. The typeface was such a success with the editors and designers, it was used all over the magazine, instead of just the cover.
The list of people being commemorated with this font was certainly enough to convince us to take on such a demanding project. Patrick Griffin grew up with a culture where names like George Carlin, Michael Crichton, Bobby Fisher, Charlton Heston, and Paul Newman, were daily household language, and this was a great opportunity to offer a final tribute to them. Also the pleasure of working with Nancy Harris Rouemy, the lady with the X-ray eyes, with her unwavering vision and constant attention to typographic detail, went a long way to shaping this typeface and making it the modern and contemporary piece of elegance it became.
The Memoriam typeface contains a lot of alternates for most characters, so it was divided into three separate fonts for the Postscript and True Type formats. The OpenType version, Memoriam Pro, combines all three fonts in one OT-programmed file, and even contains a few more extras that are not in the legacy format sets-so if you use InDesign CS+, Illustrator CS+ or QuarkXpress 7+, Memoriam Pro is the one you want.
This family covers an extensive range of Latin-based languages, including Western and Eastern European, Baltic, Turkish, Maltese, Celtic/Welsh, to make for over 365 characters in each of the Memoriam fonts.
Due to the extreme thinness of the hairlines, it is recommended to use Memoriam at large display sizes only.
Mercedes Benz OC500 LE 1825 amb carrossería Castrosua CS40 Magnus núm. 115 d'Autocars Font de Ripollet
El veiem el 27 Juliol 2013 al Port Vell de Barcelona on feia un servei llançadora especial entre el Port Vell i el Maremágnum degut al tancament de la pasarel.la que comunica aquests dos llocs amb motiu del Campionat del Mon de Natació
Aquet cotxe es el Ex-103 d'Interbus de Madrid
# Le Myanmar ou Birmanie -
# Le Lac Inlé -
# Etonnant pays que La Birmanie avec un accueil et une gentillesse remarquable malgré la pauvreté De ses habitants.
# La Vie au bord du lac ....
# Je vous emmène découvrir le fameux marché du lac Inle, ce magnifique marché est vraiment incontournable puisque c’est le point de rendez-vous de pas mal de minorités autour du lac au village de Nam Pan qui est un petit village à l’Est du lac.
# Ici Le lac Inle est un lac d'eau douce situé dans les montagnes de l'État shan, dans l'Est de la Birmanie. C'est une destination touristique majeure du pays, donc c'est le second plus grand lac, avec une surface estimée de 12 000 hectares, et un des plus hauts, à 884 m. Sa profondeur moyenne n'est que de 2,10 m à la saison sèche (profondeur maximale : 3,60 m) mais elle peut dépasser 4 m à la saison des pluies.
Les transports sur le lac se font par bateau, soit pirogues traditionnelles, soit à moteur. Les pêcheurs rament d'une façon unique, debout sur une jambe à la poupe et l'autre enroulée autour de la godille. Ceci leur permet de voir au-dessus des plantes qui couvrent une grande partie du lac (cependant les femmes rament de la manière courante, à la main, assises les jambes croisées à la poupe).
# - Merci pour vos passages sur les vues, favoris et commentaires.
# Astonishing country that Burma with a reception and a remarkable kindness in spite of the poverty of its inhabitants.
# Life by the lake ....
# I'll take you to discover the famous Inle Lake market, this magnificent market is really unmissable since it is the meeting point for a lot of minorities around the lake in the village of Nam Pan which is a small village in the East Lake.
# Here Inle Lake is a freshwater lake located in the mountains of Shan State in eastern Burma. It is a major tourist destination in the country, therefore it is the second largest lake, with an estimated area of 12,000 hectares, and one of the highest, at 884 m. Its average depth is only 2.10 m in the dry season (maximum depth: 3.60 m) but it can exceed 4 m in the rainy season.
Transport on the lake is by boat, either traditional canoes or motor. Fishermen row in a unique way, standing on one leg at the stern and the other wrapped around the scull. This allows them to see above the plants which cover a large part of the lake (however the women row in the running fashion, by hand, sitting cross-legged at the stern).
# - Thank you for your passages on views, favorites and comments.
Here is the Baptismal Font itself. It is ornate, a beautiful object. Today, it is located off to the side, but originally, it was located right under the oculus of the dome. It’s not clear to me whether the Font is moved back to the center for use or not.
To see the 3-D, use red/cyan glasses.
To read the QR code in the picture, use your smart phone and a scanner app. To find out more about QR codes, go to www.fredtruck.com, choose the Articles menu item, and select the Seals option.
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Also, check out my video on YouTube, Milk Bottle Reliquary. You will find it here:
This just in! I’ve just published an article detailing what my method of making Anaglyphs might mean in art and information science.
Click on this: www.fredtruck.com/anaglyphs/Anaglyphs.htm
Here’s one more: www.fredtruck.com/intro2/Introspection2.htm
Mercedes Benz ____ Irizar I6s 13.35 nº 156 (8216 KCR) d'Autocars R.Font de Ripollet (Barcelona)
Matriculat el 09/01/2018
VIN: WEB63440211001067
El veiem el 7 Març 2025 al seu pas per la Avda.Meridiana amb Fabra i Puig de Barcelona fent servei de empresa
Visit to the Holy Chapel of St Nektarios and the Holy Monastery of Prophet Elias Thira on the island of Santorini, Greece
2019
St Martin, Thompson, Norfolk
A superlative Norfolk church, one of the very best in the county if you are interested in old churches. It is always open every day.
© Michel Alcamo
LOCALISATION
Piazza Cagliero 20
Villa Lais
NOM
Fontana rotonda
COMMANDITAIRE
AUTEUR
DATATION
MATIERE
TYPE
Fontaine isolée
ELEMENTS ARCHITECTURAUX
Rochers artificiels
Bassin circulaire
ELEMENTS ORNEMENTAUX
ELEMENTS EPIGRAPHIQUES
ELEMENTS AQUATIQUES
Gerbe
Plantes aquatiques
Poissons rouges
ALIMENTATION
HISTORIQUE
COMMENTAIRE
BIBLIOGRAPHIE
Català:Volvo B7L Castrosua CS-40 a la terminal de la 620 de Barcelona.
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Castellano:Volvo B7L Castrosua CS-40 en la terminal de la 620 de Barcelona
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English:Volvo B7L Castrosua CS-40 on the terminal of route 620 of Barcelona
Font d'Urle est un plateau d'alpage du Vercors méridional, dans le territoire de la commune de Bouvante, dans le département de la Drôme.
Les formations géologiques karstiques (lapiaz et scialets), que l'on peut voir durant les autres saisons permettent d'observer les effets parfois spectaculaires de l'érosion.
Tradition calls for people to wet the fingers of their right hand by the holy water font at the entrance of the church, then make the sign of the cross and genuflect. The font could either be free standing marble fountains or reliefs by the wall. The church of Asturias has quaint cherub fonts on the outside walls just in front of its doors. For me, the charm of old churches never wanes.
the Catholic Church of Asturias, West Cebu, the Philippines
more pics and journeys in colloidfarl.blogspot.com/
new script font called Herchey. High quality script font with swashes inspired by modern vintage design and baseball logo. Plus OpenType features with Stylistic Alternates, Swashes, Ligatures, Stylistic set, Terminal Form and Ornament that allows you to mix and match pairs of letters to fit your design. This font good for vintage design, t-shirt, logo, labels,badges, posters and etc.
download : crmrkt.com/8NO5k
body { font-family: "Calibri","Slate Pro","sans-serif"; color:#262626 } Sent from my BlackBerry 10 smartphone on the Rogers network.
The church of St. Bodfan and St. Mary, Llanaber.
According to the Buildings of Gwynedd (2009) in the Pevsner architectural guide series the font is 14th century perpendicular, octagonal with a carving on each face - a gargoyle face, a rose, another plant and quatrefoils.
Talent ; Feature chick : Yana
Bokeh stock : Onixa ( She is one of my fav DA member )
*Font : Journal
+++++++++++++++++++ Tutorial ( Step by step ) +++++++++++++++++++++++++++
This is the step ( tutorial ) to make picture like this :
( As request from Mr Azs Epic )
Software : Adobe Photoshop.
Source :
1. Photo from Yana ( mobile photo )
2. Photo Bokeh stock from Onixa.
3. Choose nice font dafont.com.
Step :
1. Open file photo 1 and change the color using 'action'.
2. Open file photo 2 and drag to photo 1. Choose lighten and erase some part ( face part ). Reduce opacity ( 80%).
3. Click at canvase ; make size 50 cm x 50 cm ( choose color : white ). Crop nicely.
4. Crop picture 1 ( crop in stand alone file ). Drag to picture 1.
5. Resizing fit dimension for flickr.
6. Add watermark.
Done.
Please comment if you still did't get it. I will explain more. ( Sorry i am using very bad English )
+++++++++++++++++++ Tutorial End++++++++++++++++++++++++++++++++++++