View allAll Photos Tagged Flash
Novoflex arm. Mounting my flash directly onto the tripod collar of the 150mm was not very efficient at all. Had to shoot at f/8 and the flash would pop full power every time. Now I can seem to shoot at ISO 100 f/16 without a full power pop! Hopefully from this photo on my macro's are a bit better overall.
The arm is strong i put my SB600 on top of my sb800 and it still held tight.
I was happy to see it was made in Germany and not Taiwan or China for once lol.
Flash Gordon / Heft-Reihe
Tödliche Fracht
art: Alex Raymond
Zeitchriftenverlag Heinz Pollischansky (Wien / Österreich; 1975)
Copyright: King Features Syndicate (N.Y.) / Bulls Pressedienst (Frankfurt / Deutschland)
ex libris MTP
Three different brands.
Three different lenses.
One exploding balloon with some flour.
One flash lighting the scene.
Many different colors.
See the comments for another frozen moment with four cameras and an animated gif!
Highspeed photography experiment with some friends. Hand-fired flash, cameras set to a long exposure of around 15 seconds in a dark room.
Upper left is Canon.
Lower is Nikon.
Right is Sony.
PS and Topaz treatments.
Press "F" for large ;)
Thanks for looking!
Parked just across the street! How lucky can you get?
Taken at The Regency, Laguna Woods, California. © 2014 All Rights Reserved.
My images are not to be used, copied, edited, or blogged without my explicit permission.
Please!! NO Glittery Awards or Large Graphics...Buddy Icons are OK. Thank You!
I FINALLY found my lost flash! It was in a bag, in another bag, in a drawer in my room. I thought I wasn't going to ever find it, but I'm very happy that I did.
Also, I've been noticing a lot of people putting "SOOC" lately. I know that it's a good feeling to have a shot come out perfect without having to edit it at all, but does that make the edited photos any less special? That's my question to you guys. Give me your opinion, I'm really interested in hearing what you all have to say! :)
-Graham
Metz Mecablitz SCA 3000
Very nice Strobist Flash. Some even say the ideal strobist flash. Flash power can be reduced to 1/256th in 1/3rd stops. Guide Number is 40. Ready sound and zoom reflector.
Strobist info: Braun Ultrablitz 34 and Sunpak 36DX in a reflective umbrella from left. Minolta 200x and Bauer 5036SCA bounced for back and right side. Triggered with Yongnuo RF-603.
This is more of a modification as opposed to a MOC. I took the original Lego official set "75901 Flash Speeder" and modified the rear to remove the awful stud shooters and rework the cannon. The Lego original was a solid and well-designed set however. I wish I would have picked up a few more of them while they were plentiful.
Envie de m'écarter, pour une fois,du photographiquement correct. Ca éclabousse.
On aime ou on n'aime pas.
Info Strobist::
Un flash Nikon SB-28 disparado a un paraguas translucido a 1/64 de potencia
Un flash Nikon SB-28 disparado a la izquierda a 1/8 de potencia
Disparados a traves de eBay triggers
Info Strobist:
One flash Nikon SB-28 shot at an umbrella revealed to 1/64 of power
One flash Nikon SB-28 shot at the left side at 1/8 of power
Shot across eBay triggers
Cécile Brünner, the rose, is just about done for this season. Two days of high winds are forecast and they'll probably finish her off. Maybe then she'll get pruned. There's always something going on with Cécile. She's housed the wren's nest, is part of the cottage's windbreak, and climbs up and over the shade house where, despite the "monster who ate everything" frost, she kept the houseplants safe. While she was at it, three ginkgo seedlings arrived in the mail the other day and are in there too, recovering, getting used to their new home ahead of them heading off into the "wild wood" next year.
I picked the last few buds of Cécile on their skinny little stems. They don't make the best cut flowers. But they are pretty enough for a dressing table or vanity for a day or two; then this…
Fortuitously, this little vase and it's posey are roughly the size of the wren's nest, so I know the formula: 42 turns of the focussing rail, front to back. toddkeith533 favoured the notion of a small aperture for close-up photography over stacking. So, taking his advice to enhance my inherent "efficiency", or laziness, I've stopped down to f/11 and reduced the process to just seven exposures — hybridisation, if you like. While I was at it, I turned off the overhead lighting and swapped out the flash I used on the wren's nest for the less powerful 430 EXII. The results? No exposure compensation numbers were harmed, and computer time was far, far less than for however many photos I used at f/4.
What it all amounts to is a pretty little pink thing to insert among the green doom and gloom of a frozen landscape. Even wilted and drying roses are better than that!
Pentax K10D, bulb mode, with one Pentax AF 540 FGZ in my hand, manually triggered from several positions.
Flash of Gold.
Golden Palomino stallion owned by Desert Jewel Gypsy Horses. Photograph taken by Desert Jewel.
Click here: www.rsranch.com/UpComingStars.htm to see a 2005 palomino daughter of Flash. Her name is Aneira which means 'truly golden' in Gaelic.
Flash Gordon / Album-Reihe (Sammlerausgabe)
Radioaktiv!
art: Mac Raboy
Norbert Hethke Verlag (Deutschland; 1990)
Copyright: KFS 1955-1956
ex libris MTP
The date imprinting system of this camera is really vintage. First of all: there is no built-in clock. If you want to take a photo with the current date, you have to set it first. Therefore you have three adjusting knobs on the top, hidden by a small hatch. If the date system is switched on by the red button on the top, you can see the date (year/month/day) in the viewfinder. The highest adjustable year is 95.
On later cameras the date is imprinted from the camera back through the film, this Fujica does it from the front. The tiny box you can see in the upper left corner of the frame is the device for the exposure.
(BTW, I learned something about viewfinders, when I took the photo through it. A macro lens set to a short distance will fail, all you can see is the frame in the viewer. Viewers a built for an eye adapted to infiniy. So I took a wide angle lens, but it didn't work also: such lenses for SLR cameras are retrofocus constructions, so the principal plane is to far away from the viewer. A telephoto lens didn't work also: the angle of view is just to small. The best results with my DSLR I got with a small russian Industar 50-2 (3.5/50mm), you can bring the principal plane very close to the viewer with a decent angle of view.
At last I took the picture with a tiny webcam.)