View allAll Photos Tagged FinalCut

Flower vase

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships. My goal is to join the IATSE Local 600.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

7

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

Autumn scenery from the Lake Tanzawa.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

The percentage of homeless

Tokyo - 0.012%

Los Angeles - 1.5%

The municipality of Los Angeles have to seek a solution.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am from Japan. I graduated from Nihon University College of Art with a B.A. degree in Cinematography. After that, I worked at OMNIBUS JAPAN, a film production company, for one year.

Currently, I am learning English in Los Angeles California. Also I often volunteering to help out for AFI & USC graduation filming. In addition, I am looking for job or internships in California. In order to do this I would need sponsorship to work in the USA.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

RED EPIC

SONY F900

SONY FS700

SONY F3

SONY F5

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

FinalCut Pro

www.liabilityskate.blogspot.com

  

Camera: Canon EOS 5000 (with T2 Mount Adapter)

 

Lens: Minolita "Paragon" 35mm 1:28 (T2 Mount)

Film: Fuji Film Iso 200

Summer festival from Tokyo.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

This shot on Downtown Los Angeles.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

This shot on halfway up the Mt Lee.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships. but, I would need sponsorship in order to work in the USA.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

 

"Smoke"from LACMA Ahmanson Building, floor 1.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

The Metro Red Line arrive the Hollywood Western station.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

Lunch time of mexican worker with chickens family.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job or internships. In order to do this I would need sponsorship to work in the USA.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

I found it on the roadside.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

Artist Vincent Lamouroux painted an entire Sunset Boulevard motel & palm tree white.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job or internships. In order to do this I would need sponsorship to work in the USA.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

The Final Cut - Elfia 2022 - Haarzuilens (Nl)

 

youpic.com/Kodak260

kodak260.nl/

 

This is very similar what happened to a person who was named Brianna who was Transgender and is now dead and those involved in the crime will be doing time at Her Majesty’s Prison Service for at least 80 years.

Graffiti in front of City Hall.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

© 2011 Loren Zemlicka

 

2,412 frames compiled in Final Cut Pro.

 

Blog | Twitter | Facebook

This shot on Los Angeles City College.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

Artist Vincent Lamouroux painted an entire Sunset Boulevard motel & palm tree white.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job or internships in California. In order to do this I would need sponsorship to work in the USA.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

Deserted Warehouse from Los Angeles.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships. My goal is to join the IATSE Local 600.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

West Hollywood Halloween Carnaval Festival.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships. My goal is to join the IATSE Local 600.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

This shot on LACMA

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

This shot on The Glendale Galleria.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

Aspects de l'art cinétique à la Luma - Arles

-----------------

Video 4K Sony A7 MK III, montage FinalCut Pro

Titre: Music : Light

Auteur: Idyllic

Source: soundcloud.com/noctt

Licence: creativecommons.org/licenses/by-sa/3.0/deed.fr

Téléchargement (10MB): auboutdufil.com/?id=597

Celling of Hollywood Vine Station.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships. My goal is to join the IATSE Local 600.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

This shot on Grand Park.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships. My goal is to join the IATSE Local 600.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

This Shot on Los Angeles.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships. My goal is to join the IATSE Local 600.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

This shot on Museum of Contemporary Art.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

This shot on Union Station of Los Angeles.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships. My goal is to join the IATSE Local 600.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

And this time they mean it.

 

It's sort of like when a guy who's been dead a long time releases a new CD.

 

Except that I am so going to this. I have the movie version of Bladerunner and the director's cut, and it's the movie I've seen more often than any other movie, which you wouldn't know about me or even guess, would you? (or that I also love The Running Man) but I generally dislike sci fi, which you might could guess .

Just a short video showing a problem in the iOptron SmartEQ mount. Easily fixed by the addition of a M5x.8x25mm screw.

Just a stack o' boxes that once housed Apple products! :-D www.GeoffMyers.net

Deserted Warehouse from Los Angeles.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

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I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships. My goal is to join the IATSE Local 600.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

Sagrada Familia, Barcelona

 

The Final Cut

 

Through the fish-eyed lens of tear stained eyes

I can barely define the shape of this moment in time

And far from flying high in clear blue skies

I'm spiraling down to the hole in the ground where I hide.

 

If you negotiate the minefield in the drive

And beat the dogs and cheat the cold electronic eyes

And if you make it past the shotgun in the hall,

Dial the combination, open the priesthole

And if I'm in I'll tell you what's behind the wall.

 

There's a kid who had a big hallucination

Making love to girls in magazines.

He wonders if you're sleeping with your new found faith.

Could anybody love him

Or is it just a crazy dream?

 

And if I show you my dark side

Will you still hold me tonight?

And if I open my heart to you

And show you my weak side

What would you do?

Would you sell your story to Rolling Stone?

Would you take the children away

And leave me alone?

And smile in reassurance

As you whisper down the phone?

Would you send me packing?

Or would you take me home?

 

Thought I oughta bare my naked feelings,

Thought I oughta tear the curtain down.

I held the blade in trembling hands

Prepared to make it but just then the phone rang

I never had the nerve to make the final cut.

 

"Hello? Listen, I think I've got it. Okay, listen its a HaHa!"

 

Pink Floyd

Cruz San Francisco: a film following the Cruz Skate Shop team skateboarding in the Bay Area.

Featuring: Aaron Herrington, Nathan Porter, Gordon Eckler, Rob "Magnethead" Collinson, Travis Erickson, Abbas Glass, Danny Gotimer, Zack Gonzalez, Dane Nomellini, and Andrew Norris, with guest appearances by our friends.

Filmed and Edited by Ethan Indorf.

Palm Trees from Los Angeles Zoo.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

Kodak 200 35mm Film, Canon T2 camera

AvCON releases its video production of Lady Thera Fashion Video , please make sure to check the ful feature video on youtube

 

www.youtube.com/watch?v=WmT0VUIlxjQ

 

When I redressed Isha in this gown, I had to think of this song from the Chicago musical immediately.... "Razzle- dazzle them!" ;)

This shot on Venice Fishing Pier.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships. My goal is to join the IATSE Local 600.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

Candle light in the Cathedral of Our Lady of the Angels.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

Part of Walt Disney Concert Hall.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships. My goal is to join the IATSE Local 600.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

Black Saturday +day101

 

Hacking my first video clip

Where I discuss how I build a music video. It's not meant to be a high-end piece of art. It's simply a response to a challenge to build something. The equipment I've used is basic, the resources minimal. Time was short. The clip is meant to be cheesy, but not lame or tacky. I don't have an old car so I have to somehow invent one. I don't have an electric guitar and a special effects budget. So what do I do?

 

Read on to find out how.

 

Building a *cheesy* music video

Hacking my first music video clip reminds me of the scene in Guitar Hero where you have to play on top flat-bed truck with dry ice blowing out of the smoke stack with fans blowing air and a rolling screen to simulate movement. It's cheesy, doesn't look real and a bit of fun. For the past month of so in my spare time I've been collecting ideas, images and telecine to build a video clip.

 

Why?

 

Why not?

Because it's fun. It's not often you can legally add music let alone this type of music to your own video and then show it. Then there is also the challenge of building stuff. Sometimes if I see a challenge I just have to take it up. I'd never really done this before so while it seemed abstract and difficult I though I'd give it a go. But there is another reason. Doing anything with images, especially moving images also tests the boundaries of your system. By system I mean from hardware (monitors, RAM, CPU, connections), network (bandwidth) and software (image editing, upload tools & all the other little fiddly bits of software you never thought you'd need) to produce something. So how did I build this video? and what did I found out about the limitations of my system?

 

Building a video

I've never built a video before. I've never had any technical training in video's per say. But I have had technical training in collecting information and cameras. But nothing like this. So where do you begin? Well the first thing I did was write down some quick sketches on paper. An idea. The exact idea isn't important here. What is important is how I proceeded. What I needed was some visual images and video.

 

Equipment

I chose the most low cost, commodity priced camera I could get. My plain old Sony Cyber-shot DSCW55. It's battered and held together with gaffer tape. But does the job. Next I needed some image processing software. I run Linux on my machines and while the Gimp works for static images I didn't want to embarrass myself trying to edit video on it. I'd still be trying to install stuff or something would break and I'd have to start again.

 

So I grovelled and borrowed my sisters Julian Ives designed iMac. This is the first time I've used a Mac since the original one. I has a beautiful 17" screen. I had to adjust my eyes again after using the Mac then moving back to my ASUS 22" MW221u screen. Everything looked blury compared to the mac. I used the pre-installed iMovie. At first I couldn't do a lot of the things I required. Like select section of a clip or join together two pieces of dissimilar footage using wipes. But I soon got the hang of it. What I could not get the hang of was the crappy mouse. It didn't seem to want to grip properly no matter the surface I supplied.

 

Choice of Operating Systems in editing video matters. But there is also another problem as well. This only became apparent at uploading time. Something I'll explain later.

 

Then there is the network. I ended up using a cheap USB thumb-drive to transfer telecine and images from one machine to the next. However I did find severe limitations at the at upload time. Hint: a 6Kb/s upload rate isn't going to allow you to upload 80Mb of video quickly.

 

Gathering visuals

I ended up collecting hundreds of images and many Megabytes of video clips in a couple of different formats. So quickly organise your images by either date or theme. This helps when you come to try and build a clip. Accurate text descriptions and something explaining the shot helps. I systematically added all but the most processed images to flickr. This helped a lot later both to give me a sense of what I had/had not done. Plus it meant I could quickly see things. See things much better than using my clumsy Linux box or using the crappy Mac mouse. This is especially important if you chop videos or artwork up. Be warned do this at the start and avoid wasted time hunting for that particular look you want. Good management of resources pays off in the long run.

 

Getting the look, cheaply

I knew what I wanted but how do I get the look? I definitely chose to use the optical path. Most of the clip I uses what was shot through the lens at the time with little gimmicks. If I wanted a car with Fins I'd look for them, photograph them myself. I could have just as easily used images released under Creative Commons licenses but this complicates things. One of the reasons I gather obscure images is I can be flexible with respect to copyright.

 

So how do you build that you see in your mind without spending time or resources chasing the "Moby Dick" of personal visions? I'm a great fan of Alfred Hitchcock. When he produced films he was constrained by time and money and as a result would marshal what resources he had at the time to get his vision across in film. So if I had a problem that needed solving this is the technique I'd use. Need an www.flickr.com/photos/bootload/tags/oldcar? Well I'll keep an eye open and see if there's any I can shoot. Need some expensive visual effects to make the Freeway footage look interesting? I'll go and take some video footage where I know the light will be automatically pre-processed and shoot it, live. This is risky. Sometimes you will end up with nothing. Another trick is to use static images to punctuate points. This is probably only good for music clips not movies as such but it's worth a look. Static images can be cheaply captured. They can be post-processed. And with a few editing tricks look like a part of the clip. Other times you'll get a result you could never plan for. One example I did plan for was a short clip of some guitar playing. I don't play guitar. But I do play guitar-hero.

 

Look good cheap: an example

So how do I hack together a good looking guitar solo with no guitar, no special effects? Well I achieved this by using a simple cartooning trick. By placing together several images together your mind joins the gaps and makes things seem real. So firstly I got an image I wanted you to see. This forms the reference point. I want you to see this image (an image I took on Television and processed to look very blue) before my next video clip. Seeing them in order means your mind sees the first image, then the second and thinks image one is creating the second image. But how did I create the guitar playing? I got my guitar from guitar hero. Then used some gaffer tape to tape down a blue light to the neck, closed the blinds and turned on the lights. Then turned up the sound on the stereo and let loose with the camera. By concentrating on the neck and because the room is dark and the guitar is black all you see is the frets. You mind fills in the gaps. This is the trick to making things look good cheaply. Trick the mind and it fills in the gaps. It's not what you put in, it's what is left out. Your mind will do the rest.

 

Rough cuts

So you have an idea, some good footage what do you do now? Well create a rough cut. A rough cut is really a video sketch. Renaissance painters like Michaelangelo didn't paint his Fresco masterpieces straight off. Instead he first did many, many rough sketches first. Only when he'd finished a rough sketch would he move to anything near paint. Video is no exception. I organised what I wanted to shoot visually with a pen and paper, broke the images into numbers then proceeded to visually with the software. Macs, iMovie in particular is a superior piece of software. It lets you lay down your images one at a time and play with the results. Once you have what you consider is something like what your vision, finalise the result. Then leave if for a day. Why do this? Well come back in a day and you will see any holes in your ideas. It allows you to make decisions on what works and what does not. That's all. You might have to repeat this a number of times.

 

Don't waste time.

 

Final cut editing

By this time you should have a good idea of what you want to achieve. You should also have some usable artwork and clips. From the rough you assembled you now have the technical information you need. Timing, sequencing of images. If you don't have a good idea, no amount of quality visuals will make up for this. The final editing should be there to really fine tune you "rough cut" ideas. The biggest problem I found with the final editing is the start, the end and the tying together of different image sequences. You need to have the final image in your head to make things look smooth. All the transitions have to look as if they tie together. The same with the start and ending. The start image has to sum up the whole video in one frame. The end image has to enforce this. Always make a couple of versions of your released work. In my case I created a low-fi and a hi-fi version. The former being roughly half the download of the later.

 

Finish up

Think you've finished? Well think again. The most critical point, the uploading exposed a huge hole in my computer system, bandwidth and browsers. Firstly my Firefox Linux browser is a poor cousin to it's Windows and Mac brothers. I simply could not functionally upload images because of the use of Flash. When it came time to upload the 80Mb of uploads I resorted to using an Internet Cafe'.

 

The first since '94.

 

next >>>

Spring scenery from japan.

 

Portfolio flic.kr/s/aHsk7LUokY

Facebook www.facebook.com/tatsuya.ouchi.5

Instagram instagram.com/tatsuya_ouchi/

500px 500px.com/tatsuyaouchi

 

I am Camera Assistant & Grip. At present, I am learning English in Los Angeles. Also I am looking for job & internships. My goal is to join the IATSE Local 600.

Photography is my lifework.

 

Filmography

Happy New Year

・Japan Association of Audiovisual Producers award 2014:Personal Communications Section

・Mito Short Film Festival :Second Prize

To me

・The 9th NHK Minimini Video Award:Gateway to success Prize

 

Experience

ARRI FLEX 16ST

ARRI FLEX 16SR

ARRI FLEX 16SR2

ARRI FLEX 16SR3

ALEXA

RED ONE

SONY F900

SONY FS700

SONY F3

PANASONIC AJ-HDC27F

PANASONIC AG-AF105

CANON XH-A1

CANON EOS 60D

CANON EOS 7D

CANON 5D Mark Ⅱ

Finalcut Pro

They called her the Flying Fortress; she was a mighty fighter capable of carrying a lethal payload of two to four tons of bombs into hostile territory. She bristled with defensive machine guns, so much so that the Germans called her the "flying porcupine." Even though the Flying Fortress would be eclipsed by increasingly leviathan machines in the form of the B-29, B-36, and B-52, the majestic airplane to this day commands respect. Some 12,731 examples were built. To those who love her, she is still the Queen of the Skies. Yet, inconceivable as it may seem, only 47 survive today. (Final Cut lists 48 aircraft; however, not long after this edition was published, "Liberty Bell" was destroyed in an emergency landing after a catastrophic engine failure.) These four dozen airplanes are the lucky few that made the Final Cut. Even more remarkable, only two of these bombers actually served in combat; the heroic survivors after the War ended up being unceremoniously scrapped or used as target practice during the Cold War.

 

It is important to understand what this book is and what it is not. "Final Cut" is not a history of the development of the B-17. It is, however, a highly detailed chronicle of the live of the bomber *after* the War, something very few other books cover. It is not a coffee table book with glossy pictures; none are in color. It's not eye candy. Rather, it's something much more substantial, an expertly researched chronology of those lucky few survivors. It is a book for die-hard fans of the Boeing B-17, those of us nerdy enough to want to know about those 48 airplanes. My five-star rating is an indication that I count myself among those B-17 geeks.

 

Each individual aircraft gets her own chapter, documenting its history and current status, both museum pieces and flying warbirds. Appendices cover all the B-17s that were transferred to the civil register, with additional information on specific roles, such as tankers and movie stars. This, the fourth (2011) edition contains important updates over the previous three and is, therefore, the best one to have. As of this writing (November 2015), a new edition is in the planning. Does that mean that the fourth edition will be obsolete? Currently, in the world of the B-17, there have been very few changes. The most significant development is the loss of "Liberty Belle." However, having the history of that aircraft offers an important memorial. Work continues on the painstaking rebuilding of "Desert Rat" and "Champaign Lady." So labor-intensive are these masterful restorations, it will be quite a time before either one takes to the sky again. So this, the fourth edition, should be reasonably current for some years to come, making it a worthwhile investment.

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