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These are cookies made for a boy who was just accepted into University of Arizona's BFA program for Film Studies.

March 2023

Lightbox please.

FILM.

Western Australia, 2014

 

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Zagreb, Maksimir 13. II 2012.

Nikkormat EL, NIKKOR-H.C 1:2 f = 50mm , 35mm film

 

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davorcuricphotography-diary.blogspot.com/

可以想像在夕陽西沉之時,

這裡存在的美好光景。

Camera: Kodak Cameo Motor EX 35mm

This region of the continuous soap film is too thick to give the typical interference colours

Another piece for the internship. I'm particularly fond of the idea I had for this.

Nikon FM10 camera, 50mm/1.8 Nikon E lens

Kodak TMax 100 film

developed in D76

© 2012. Aleksandr Volkov.

Taken with my Minolta HI-Matic AF2

 

A lovely shot of Halifax on a summer day :)

Nikon FA

Nikkor 50mm 1:1.8

Nikon(new)F photomic Ftn/New NIKKOR 105mm,f2.5(f4 1/500) RVP F

'13.11.30.

I think we were making potato and egg tacos that day.

Nikon F, NIKKOR-H•C Auto 50mm f2, T-MAX 100

 

www.sakaihiroshi.com

Well, I figured I should get my lazy butt up and upload some photos. There are a bundle sitting on my computer, I just haven't had the motivation. I've been super busy with work, and my life is just sort of a mess right now. I hope to get more posted soon though!

 

Hey, I even updated my blog! Check it out!

Pocono Mountains USA

In my ongoing quest to make digital art less flat, it's time to introduce the latest offering from The Shop: the analog film textures.

 

My wife's grand father gifted me some of his film cameras just over a decade ago. I shot some rolls of film, then promptly forgot to get them processed. I recently found the rolls, and a nice, independent lab to get them taken care of.

 

Since I don't know too much what I'm doing when shooting manually, the results were really funky, and captured more the artifacts of the process (gain, light leaks, dust, etc.) than actual images. That means one can overlay these on top of flat artwork, and instantly give it depth, substance, and meaning. All from real film!

 

Each negative strip has been scanned at ultra-high resolution (1,200 ppi+), then carefully edited, then output into 18" wide images at 300 ppi.

 

The resulting sixty-nine (69) textures produce interesting things either by using blending modes (Overlay, Soft light, Screen, Lighten, Color dodge), or on their own, as background elements.

 

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- Sixty-nine (69) base assets

- 18" wide @ 300 ppi

- A group of film grain/dust speckles textures

- A group of light leaks/fogged film textures

- A group of failed shots/misc. artifacts textures

 

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5:30 a.m. add ektar, sun and a spot to watch

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