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filming for planes tv

Zeiss Mess-Ikonta 524/16

Fujifilm Neopan 400

 

Cropped to remove a light-leak.

which is an art gallery where the disc with a film

is pasted

Spleen mag

issuu.com/spleenmagazine/docs/spleenmagazine_singlepag

 

Model: Sveta

 

Clothes: Alexandra Grecco

 

樂生

Nikon F-301 AI-S 37-70mm

公元 ERA100

Good morning everyone! It's Saturday! I have fun plans for today. It looks like spring outside. David will be off all weekend. I am happy.

Daphne would be the perfect short-haired brunette for a film noir.

 

Film noir films (mostly shot in gloomy grays, blacks and whites) showed the dark and inhumane side of human nature with cynicism and doomed love, and they emphasized the brutal, unhealthy, seamy, shadowy, dark and sadistic sides of the human experience. An oppressive atmosphere of menace, pessimism, anxiety, suspicion that anything can go wrong, dingy realism, futility, fatalism, defeat and entrapment were stylized characteristics of film noir. The protagonists in film noir were normally driven by their past or by human weakness to repeat former mistakes.

 

Film noir was marked by expressionistic lighting, deep-focus camera work, disorienting visual schemes, jarring editing or juxtaposition of elements, skewed camera angles (usually vertical or diagonal rather than horizontal), circling cigarette smoke, existential sensibilities, and unbalanced compositions. Settings were often interiors with low-key lighting, venetian-blinded windows and rooms, and dark, claustrophobic, gloomy appearances. Exteriors were often urban night scenes with deep shadows, wet asphalt, dark alleyways, rain-slicked or mean streets, flashing neon lights, and low key lighting. Story locations were often in murky and dark streets, dimly-lit apartments and hotel rooms of big cities, or abandoned warehouses. [Often-times, war-time scarcities were the reason for the reduced budgets and shadowy, stark sets of B-pictures and film noirs.]

 

Narratives were frequently complex, maze-like and convoluted, and typically told with foreboding background music, flashbacks (or a series of flashbacks), witty, razor-sharp and acerbic dialogue, and/or reflective and confessional, first-person voice-over narration. Amnesia suffered by the protagonist was a common plot device, as was the downfall of an innocent Everyman who fell victim to temptation or was framed. Revelations regarding the hero were made to explain/justify the hero's own cynical perspective on life. Some of the most prominent directors of film noir included Orson Welles, John Huston, Billy Wilder, Edgar Ulmer, Robert Siodmak, Fritz Lang, Otto Preminger, and Howard Hawks. "

www.filmsite.org/filmnoir.html

 

I absolutely love dox.media2.org/barista/archives/film noir.jpg' target= pool.

Kodak Ektar 100

FUJI GSW690

Suffield, Ct

Minolta 5000i / Sigma 28mm f/1.8 / Fuji Superia 400

Some leftover film from Jeff's cabin.

mamiya 6 mf

An unidentified and apparently an 'as required' working; Channel Tunnel liveried 92015 running south through Wigan North Western station with a short freight. 21 October 2000.

Kodak Ultramax 400iso soaked in red beer and double exposed.

KODAK 400 EXPIRED FILM 2010

Camera:Hasselblad 500C/M

Lens:Carl Zeiss Planar 80/2.8T*

Film:Kodak PORTRA 160

 

祖父母の周辺

祖父の軽トラック

  

Follow my Instagram →instagram.com/kazuyukikawahara

Canon Sure Shot Telemax

Kodak Colorplus (converted to B&W)

Today’s film camera, a Pen-F, shot with a digital Pen-F!

 

Olympus Pen-F

Olympus Auto-S 40mm f:1.4

Gordy wrist strap

 

Olympus Pen-F

Panasonic 12-32mm

“…there will never be anything as loud as this statement: you are worth my words. you are worth my presence. you are worth, and will always be worth, more than just letters on a screen…”

  

~hannah brencher

有趣的擺飾...

好像在孵蛋一樣...

Cancun May 2016

35mm

multiple exposures

 

Film: Kodak Gold 200, Scanner: Noritsu Koki

Developed at the 沸点, 淘宝

 

为什么要跟着你的剧本走?

 

British Museum

As I recall, I was about 24 years old when a friend of mine took the pictures. I was then too shy to even develop the film so I kept it aside, until I recently decided to do so, and even to publish them here...

 

I usually carry multiple backs of film so I can quickly replace a used roll of film with a fresh roll.

 

I also like to carry multiple backs so I can change films in the middle of a roll.

 

I could change from black & white to color but I primarily shoot only black & white with my Mamiya RB67. I like being able to change from one film speed to another.

 

I use the following eight film backs with my RB67:

 

back #1 Ilford HP5 Plus (ISO 400)

back #2 Ilford HP5 Plus (ISO 400)

back #3 defective (use only for parts)

back #4 FomaPan (ISO 100)

back #5 FomaPan (ISO 100)

back #6 Ilford Delta Pro (ISO 3200)

back #7 Ilford Delta Pro (ISO 3200)

back #8 Ilford HP5 Plus (ISO 400)

 

Castle Films Reel - 1944 - Rome and Invasion D-Day.

 

Found this at a flea market in NC. Because metal reels would have rusted, these cardboard reels were used when sending these reels to naval ships to be shown to the troops. The reel is about 4 inches across and is cardboard material.

 

First time I've taken it out since I bought it. I keep it in a metal tin to block it from light. I photographed it in my black box with no flash.

film.

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2012-2013 film photos

Yashica Mat 124G

Lomography Color Negative 400

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